Sister Novelists: The Trailblazing Porter Sisters, Who Paved the Way for Austen and the Brontës, by Devoney Looser — A Review

From the desk of Katie Jackson:

If you’ve ever wished that Jane Austen’s family had preserved more of her personal letters, have I got a surrogate wish-fulfillment for you. It is my pleasure to introduce the gifted nineteenth-century novelists Jane and Anna Maria Porter. Although their copious correspondence remains unpublished—and may always, as the writers themselves expressed was their wish—it has been carefully curated into a stunning biography of these innovative writers. Continue reading “Sister Novelists: The Trailblazing Porter Sisters, Who Paved the Way for Austen and the Brontës, by Devoney Looser — A Review”

Maria Edgeworth – One of Jane Austen’s Favorite Novelist

“And what are you reading, Miss –?” “Oh! it is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language. Northanger Abbey, Chapter 5 

Portrait of Miss Maria Edgeworth, by John Downman (1807)Maria Edgeworth (1767-1849) was an Anglo-Irish author most famously remembered by Janeites as being favored by Jane Austen with a presentation copy of Emma in 1816 which Edgeworth read, did not understand, or appreciate. “There’s no story in it,”  she wrote to a friend and then never acknowledge or thanked the author for sending it to her before publication. Previously, Austen had paid homage to Edgeworth’s talent by mentioning her with another famous female novelist of the era in her reproving “In Defense of a Novel passage in Northanger Abbey quoted above. 

In Jane Austen’s time, novels were considered low-brow and unworthy of serious consideration by critics and general society. By mentioning Cecilia: or Memoirs of an Heiress (1782) and Camilla: Or, A Picture of Youth (1796) by Frances Burney and Belinda (1801) by Maria Edgeworth, Austen ironically defends writing and reading novels in the midst of a novel parodying gothic novels. A nice bit of genteel saber rattling indeed. 

When you read Maria Edgeworth’s works, she takes a much different perspective with her characters and plot than Austen, delving into areas where she never chose to tread: politics, religion and social unrest. Edgeworth’s reaction to the level of everyday events and secluded activity of a few families in Highbury must have bored her to tears to have made such a biting comment and exemplifies how progressive Austen’s advancement of the English novel truly was. 

Further links 

*Portrait of Miss Maria Edgeworth (1807) by John Downman (1750-1824), pencil and watercolor heightened with white from the Bloomsbury auction  2009

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