The new film adaptation of Jane Austen’s Emma starring Anya Taylor-Joy and Johnny Flynn opened in general release in the US on March 6th. This enchanting and visually stunning interpretation of Austen’s classic tale of Miss Emma Woodhouse as the misapplying matchmaker of Highbury has received raves from the press and viewers alike.
The costumes beautifully define the film, greatly adding to the characterization and the drama. Joining us here today is fashion historian Hilary Davidson who has generously contributed a guest blog to share her insights and impressions of the costumes made for the new film by Academy Award-winning designer Alexandra Byrne.
Emma. is the best-costumed screen adaptation of Austen ever made. Strong words but delighted ones from a dress historian who has recently written a book on Regency fashion and seen a lot of odd screen versions of the period’s dress. Costume designer Alexandra Byrne and her team studied many original garments in British historical collections and threw all their research into a gloriously realised vision of circa. 1815 dress.
Carl H. Pforzheimer Collection of Shelley and His Circle, The New York Public Library. “Comfort” The New York Public Library Digital Collections.
Director Autumn de Wilde clearly adores the details of dress and pays them great attention. Throughout the film, we are shown the components of women’s dress and how they were arranged, from the knee-high stockings to the chemise and stays that helped create the illusion of a natural body. Emma demonstrates that Regency women didn’t wear underpants in a pose taken straight from Comfort [image]. Mr. Knightley is dressed from the skin to coat in a sequence I’m going to use in teaching fashion history. Continue reading
Welcome to Sanditon, an 1819 Regency seaside community in Sussex England—the fictional site of the new ITV/PBS television adaptation/continuation of Jane Austen’s final unfinished novel.
For those who are watching the eight-part series currently airing in the US on PBS, The World of Sanditon, by Sara Sheridan will be catnip to heighten your addiction. A copiously illustrated behind the scenes look at the making of the new television series, it also is filled with a biography of Jane Austen, historical information on the era, seaside life and health resorts, and Regency life for women.
In addition, there are spotlights on the characters and interviews with the actors who brought them to the screen. Here is a description of the book from the publisher Grand Central Publishing, details on the content, and images from the production for your enjoyment.
Sanditon, the final novel Austen was working on before her death, has been given an exciting conclusion and will be brought to a primetime television audience on PBS/Masterpiece for the very first time by Emmy and BAFTA Award-winning screenwriter Andrew Davies (War & Peace, Mr. Selfridge, Les Misérables, Pride and Prejudice).
This, the official companion to the Masterpiece series, contains everything a fan could want to know. It explores the world Austen created, along with fascinating insights about the period and the real-life heartbreak behind her final story. And it offers location guides, behind the scenes details, and interviews with the cast, alongside beautiful illustrations and set photography.
CONTENTS: Continue reading
From the desk of Lisa Galek:
If you’ve ever wondered how your favorite author celebrated Christmas in the 18th century—or just know someone who has—A Jane Austen Christmas: Celebrating the Season of Romance, Ribbons, and Mistletoe by Carlo DeVito is the perfect package to place under the tree this holiday.
A Jane Austen Christmas takes us through Jane’s life story but focuses only on events that happened around Christmastime. We begin with the holiday season of 1786, when Jane is only 11-years-old and spends time with her visiting cousin, Eliza, and ends with the Christmas of 1815 when Emma is published for the first time. On the way, we get to know more about Jane Austen and her family, read about holiday traditions in 18th-century England, and learn to make some delicious, Regency-era Christmas treats. Yum!
At first, I thought there might not be much to say about Jane Austen at Christmastime. Though all her novels mention Christmas, the season isn’t a big focus, except perhaps as a backdrop for Mr. Elton’s unwelcome proposal in Emma. But, the narrow seasonal scope of this book really makes it an easy-to-read guide to some of the important moments in Jane Austen’s life. Because the author is just touching on Christmas memories, the reader isn’t overwhelmed with tons of details about the author’s life story. We just get to focus on key events in her journey. Continue reading
From the desk of Tracy Hickman:
Several recent histories have popularized Georgian England as “The Age of Scandal” with members of the beau monde starring in colorful “stories of gambling, adultery, high spending, and fast living” (30). Author, lecturer in 18th-century British history, and historical consultant Hannah Greig takes an alternate approach in The Beau Monde. By focusing on the fortunes of the beau monde as a whole, rather than concentrating on the biographies of a few individuals, such as the Duchess of Devonshire, she seeks to present the culture as “a new manifestation of social distinction and a new form of social leadership, one oriented to the changing conditions and contexts of the period.” (31)
After ousting James II from the throne with the support of the English nobility, William III began a series of wars that required him to summon parliament regularly to secure funds for his war chest. Beginning in 1689, the titled nobility came to London for the yearly meeting of parliament and the London season was born. Continue reading
From the desk of Tracy Hickman:
The Grove was a large country house and estate in Chiswick, England owned by Humphrey Morice, the son a highly successful London merchant and slave trader. Morice was an animal lover, and in contrast to the common practices of his day, did not destroy animals that were unable to work any longer. He kept a number of horses, dogs, and other animals at Grove House, causing many of his contemporaries to consider him an eccentric.
The main attraction of Life in an Eighteenth-Century Country House is the series of letters written by head groom Will Bishop to Morice during his stay in Italy from 1782-1785. Bishop wrote regularly to his employer, sending detailed accounts of all the bills for the house and stables for Morice’s approval. This was unusual, as most estate owners employed a “man of business” to handle these matters. As head groom, Bishop was mostly concerned with the welfare of the animals of the estate and wrote extensively about them, especially those that were unwell. He also kept Morice abreast of the personal lives of the staff, recounting their illnesses and conflicts with other workers, as well as general news about local people Morice would have known. One of my favorites was the “he said, she said” battle in the kitchen between the cook and stable lads: Continue reading
From the desk of Tracy Hickman:
When author Sinead Murphy chose to title her guide to modern dating The Jane Austen Rules it was guaranteed to generate a certain amount of controversy. In the mid-1990s, a dating guide titled The Rules became famous (or infamous, depending on your point of view) for imparting to women “a myriad of tricks and schemes” (14) for finding Mr. Right.
Does Murphy seek to replace one set of arbitrary opinions with another, using Jane Austen’s name as a marketing ploy? Happily Ms. Murphy has not taken this approach. Rather than a narrowly focused “how-to” for dating, she takes readers through the novels of Jane Austen, examining the women and men Austen created and the way their character informs their actions, whether in the pursuit of love or in making other important life decisions.
As such this is not really a dating guide at all; its scope is much wider. In the introduction titled “The Real Thing” Murphy proposes that modern dating guides have a Regency ancestor in the conduct book, full of dos and don’ts for women wishing to succeed in society:
…the Regency conduct book tended to judge a woman by how she conducts herself–that is, by how she acts, by how she seems. The novel, by contrast, was concerned with what women are really like, admitting—perhaps for the very first time—that women too have a fulsome interior life, with thoughts and feelings that are as crucial to get right as the actions that follow from them…And Jane Austen was at the forefront of it all, presenting to the Regency world a host of real women—so determined to do so, indeed, that she invented her very own narrative style, which gives the reader almost unrestricted access to the internal life of her female characters. (4)