Just in time for the premiere on 13 January 2019 of the third season of Victoria on Masterpiece Classic on PBS, Queen Victoria: Twenty-Four Days That Changed Her Life is a new biography of one of the United Kingdom’s (and the world’s) most famous queens. Arriving like a gift on a royal red velvet cushion, fans of the TV series and British history will devour and adore this book.
In her usually upbeat and engaging style, Chief Curator at Historic Royal Palaces, television presenter, and one-woman British history hurricane, Lucy Worsley’s biography of Queen Victoria is a selective and sympathetic view of the life of the most powerful woman of her generation. Structured as twenty-four significant dates in her life, it is a personal look at her family history, social context, and her inner thoughts and impressions. Drawing upon a variety of sources, including her own personal diaries and of those around her, Worsley also adds quotes and references from the Queen’s major biographers and historians of the Victorian era.
Some readers may assume that the most significant dates in the Queen’s long life such as her coronation, marriage or the death of her beloved husband Albert would be the most interesting dates of her life. However, I found the quieter moments even more moving, insightful and tragic. For example, on the 20th of June 1837 not only did she learn that her uncle William IV had died, making her Queen, she met privately for the first time with her Prime Minister, Lord Melbourne who would become a close advisor, stalwart advocate and dear friend to the young Queen. Starved for male companionship after the death of her father in her infancy and a childhood dominated by a weak mother and her circle of cronies, Melbourne would become the antidote to her lonely and isolated life helping her to transition to monarch and rule her country. Continue reading
What better way to get yourself into the holiday spirit than with a Victorian themed Christmas romance. Set in the Dickensian London of the 1860’s, and in Mr. Darcy territory of Derbyshire, A Holiday by Gaslight, by Mimi Matthews offers everything that a Victorian-era Christmas love story should. A snowy Palladian country manor house to set the idyllic scene: holiday traditions of bringing family and friends together to celebrate by decking the halls, sleigh rides, and yule logs—all culminating in a Christmas ball. Mix in a dutiful daughter of a baronet whose ill-founded assumptions of her suitor result in her rejection of their courtship, and you have a second chance love story reminiscent of North and South (1855). Like Elizabeth Gaskell’s classic tale of social division and misconception, the hero and heroine of this novella have both pride and prejudice.
Pressed by her family’s sinking finances into courting a prosperous cotton merchant below her social standing, Sophie Appersett and Edward “Ned” Sharpe’s relationship was doomed from the start. She does not want to marry, and he, after being raised in an austere household does not know how to woo a lady, relying on a stuffy etiquette manual for advice. No matter how much it would please her father to marry him, she thinks him too taciturn and dull and does not suit her expectations of a future husband. He, on the other hand, overlooks her family’s grasping need for her to marry money and only sees her fine character. When she calls it off, he seems unmoved at the loss. She is relieved. Her father is furious.
Placing her doubts and her pride in her pocket, Sophie ventures out to his Fleet Street business attempting to offer an olive branch of reconciliation. Would he, his family, and his business partner attend the Appersett Christmas holidays at the family estate in Derbyshire? She reasons that they could be honest with each other and give the courtship a second chance. Ned is doubtful, and his judgmental mother even more so – yet how could they pass up the opportunity of ten days in the country at the home of a baronet? Continue reading
For years, I thought Gilded Age New York socialite Alva Vanderbilt’s ferocious ambition was only rivaled by Jane Austen’s Mrs. Bennet in Pride and Prejudice as the most grasping, husband hunting mother imaginable, however my assumptions have been proved totally unfounded in A Well-Behaved Woman, a new bio-fic by Therese Anne Fowler, New York Times bestselling author of Z: A Novel of Zelda Fitzgerald.
Applying her skill at thorough, in-depth historical research and thought provoking fictional characterization Fowler has re-imagined Alva in my mind.
Alva Erskin Smith was born in 1853 into a privileged but impoverished southern aristocratic family. Educated in France, her mother died young and her father, also gravely ill, returns with his children to New York city in hopes of re-connecting with family and friends. One of his daughters must marry well to save their starving family. Alva sets her sights on the Vanderbilt clan, industrial tycoons who are new money to the standards of New York’s social elite. William Kissam Vanderbilt, grandson of Cornelus Vanderbilt, was soon her best bet. Like many challenges in her life, those in her radar are soon overtaken, and they marry in 1875. Their union would be the social event of the season, and help improve the Vanderbilts social standing.
As we watch Alva pull the Vanderbilts up the steep social ladder of New York in the Gilded Age, a fascinating story emerges revealing her many talents. With the Vanderbilt money behind her, she builds mansions, has three children, heads up charitable organizations and throws lavish parties. Her drive to raise the Vanderbilt’s social standing culminates in her obsession of her daughter Consuelo’s marriage to an English lord. History has not been kind to Alva on that front preferring to only remember the scandalous divorce that ensued, but there is much of her life that warrants the well-behaved woman that the title of this book teasingly professes. Continue reading
Hold on to your bonnets historical fiction fans! Today is the official debut of Julian Fellowes’ Belgravia, a new serialized novel by Downton Abbey’s creator/writer. Set in London in the early Victorian-era, the story follows one family’s life and how a secret from twenty-five years earlier, changed them forever.
Austenprose is honored to be the first stop on the Julian Fellowes’ Belgravia Progressive Blog Tour which will, over the course of ten weeks, travel through the ether visiting popular book bloggers and authors specializing in historical fiction and romance. Today we will be recapping and reviewing the first episode, “Dancing Into Battle.”
Released in 11 weekly installments, each episode of Julian Fellowes’ Belgravia will conclude with twists, turns and cliff-hanger endings popularized by the novels of Dickens, Gaskell and Conan Doyle in the nineteenth century. Delivered directly to your cell phone, tablet or desktop via a brand new app, you can read the text or listen to the audio recording narrated by acclaimed British actress Juliet Stevenson, or jump between the two. In addition, you will have access to the exclusive bonus features available only through the app including: history, fashion, food & drink, culture and more that will frame the story while immersing you into the character’s sphere. In addition, the first episode is totally free!
Here is a short video on how it all works: Continue reading
From the desk of Laurel Ann Nattress:
A spirited English heiress, a dashing cavalry officer and a beguiling Austrian Empress form a love triangle that on first glance may look like characters from a romance novel, but in reality are based on actual people: Charlotte Baird, Bay Middleton and Elizabeth, Empress of Austria. Set in 1875 Victorian England, The Fortune Hunter, by the bestselling author Daisy Goodwin (The American Heiress) is the fictionalization of the life of an ambitious horsemen John “Bay” Middleton and the two women he romances, taking us at full gallop through London’s high society ballrooms, country manor houses and fox hunting while exploring the emotional highs and lows of three very unique people faced with the challenges of personal truth, honor and love.
Miss Charlotte Baird is an intelligent and creative twenty-year old more interested in photography than fashion, beaux, and social decorum. She is also one of the richest women in England. Because she is an orphan, her half-brother Fred manages her Lennox fortune until her majority—and his fiancé Augusta Crewe, the high-minded daughter of an Earl, manages him. While attending a London opera, Fred introduces his sister to a fellow officer, the dashing Captain Bay Middleton. They meet again at the Spencer ball and Charlotte is promptly swept off her feet by his flattery and attentions. (red coat alert) Even though her Aunt Adelaide warns her against the captain’s dubious reputation as a womanizer, and her brother and his fiancé think he is totally unsuitable match for her, she has her own ideas about who she wants as a husband. In her mind, she does not see his reputation, lack of fortune or title as an impediment. Continue reading
From the desk of Christina Boyd:
After a successful divergence from her Napoleonic spy romances of the Pink Carnation series with the post-Edwardian The Ashford Affair, New York Times bestselling author Lauren Willig again embarks on another stand-alone narrative. Entangling one generation with the past is Willig’s trademark, and That Summer is of modern day Julia Conley as well as her ancestors in 1849.
In 2009, motherless Julia inherits an old family house in England from a great Aunt Regina Ashe, a woman she cannot even recall. One of the recently unemployed in the recession, she travels from New York City to Herne Hill, a district south of London, to view her inheritance and unload it as quickly as possible. Upon arrival, she meets her exceedingly obliging and maybe even presumptuous cousin, Natalie, who eagerly volunteers to help sort the old mansion and later even brings along the fine Nicholas Dorrington, if somewhat taciturn antiques dealer, to value the lot. Although they jest concerning hidden treasures, Julia cannot but wonder if in fact there might be some sort of riches her relations hope to unearth beneath the years of dust, dank oddments and papers. But what she had not expected was to exhume memories of her childhood.
“Julia’s hand was on the knob of the door before she realized that she had retreated, step by step, ready to duck out and shut the door. She laughed shakily. Great. Metaphor made action. Her English professors in college would have loved that. Shut the door and shut the door. Just like she had been shutting the door all these years. Julia’s knuckles were white against the old brass doorknob. This was insane. Insane. What was she so afraid of? What was she so afraid of remembering? Maybe she was just afraid she would miss her. Her mother.” (87)
Dear Mr. Frame:
I recently read Havisham, your prequel and retelling of Charles Dickens Great Expectations, one of my favorite Victorian novels. Your choice to expand the back story of minor character Miss Havisham, the most infamous misandry in literary history, was brilliant. Jilted at the altar she was humiliated and heartbroken, living the rest of her days in her tattered white wedding dress in the decaying family mansion, Satis House. Few female characters have left such a chilling impression on me. I was eager to discover your interpretation of how her early life formed her personality and set those tragic events into motion.
Dickens gave you a fabulous character to work with. (spoilers ahead) Born in Kent in the late eighteenth-century, Catherine’s mother died in childbirth leaving her father, a wealthy brewer, to dote upon his only child. Using his money to move her up the social ladder she is educated with aristocrats where she learns about literature, art, languages and the first disappointments of love. In London she meets and is wooed by the charismatic Charles Compeyson. Family secrets surface in the form of her dissipated half-brother Arthur, the child of a hidden marriage of her father to their cook. Her ailing father knows his son has no interest in his prospering business and trains his clever young daughter. After his death, the inevitable clash occurs between the siblings over money and power. Challenged as a young woman running a business in a man’s world, Catherine struggles until Charles reappears charming his way into her service and her heart. About two thirds of the way through the novel the events of Great Expectations surface. Charles abandons her on their wedding day and she sinks into depression. Continue reading