From the desk of Katie Patchell:
One crumbling manor house. Three estranged sisters. And a garden full of roses. All of these and more are ingredients in The Rose Girls, the latest novel by Victoria Connolly, author of the currently six-book Austen Addicts series. While not a book connected to Jane Austen’s novels or the Regency period, The Rose Girls is a story that shares timeless themes from Austen’s own masterpieces: the importance of family, forgiveness, healing, nature, and love.
After the news that her mother recently died of cancer, Celeste Hamilton is called back home to Little Eleigh Manor and Hamilton Roses, the family rose business, to support her two sisters. Still recovering from a divorce and memories of a painful childhood, Celeste plans only on spending a few weeks at her old home to sort through things and comfort her sisters, before escaping with her dog, Frinton, to somewhere much better and (hopefully) memory-free. On arriving back at her family home, Celeste realizes her responsibilities are much more than she bargained for. Little Eleigh Manor desperately needs repairs, and she’s the only sister willing to sell possessions to keep the house from (quite literally) falling down around them.
Supported by her sister Gertie, resented by her other sister Evie, and hearing the echoes of her mother’s past verbal abuse in her ears as she wanders Little Eleigh Manor’s halls, Celeste is surprisingly comforted by the forgotten beauty of the roses her family has grown and sold for years. With her beloved sisters distant and hiding their own secrets, and a friendly, perceptive, and surprisingly young art auctioneer interested in more than just family paintings, Celeste finds reasons to put off her escape for a few more weeks—and with her two sisters, a few roses, and a lot of love, forgive the past and change the future. Continue reading
From the desk of Br. Paul Byrd, OP:
“We [the authors] don’t claim to be Shakespeare scholars; we are ordinary readers who were curious to learn more about our greatest national poet, and we became passionate about passing on the most interesting facts we discovered. The aim of this book is to give a solid understanding of Shakespeare’s genius and to arm you with the tools you need to enjoy him with confidence and insight” (2).
So begin Foley and Coates, two British book editors and authors of Homework for Grown-Ups (2009). In this new book, the duo takes on the daunting task of presenting a survey course on Shakespeare for adults in just 326 pages. But this is not your typical “For Dummies” book with a blue-million timelines, illustrations, and text boxes interrupting every other line and making it nearly impossible to focus and remember; instead, this book is a well-crafted teaching tool for those wanting a basic, but detailed, education on Shakespeare. This includes what one might expect: reviews of Shakespeare’s life, background information about Renaissance theatres, and summaries of Shakespeare’s major plays; but the book also boasts several unique features, which I will discuss below. Suffice it to say that, as an English teacher, I learned a great deal from this book and intend to use several selections from it in my lessons next school year.
The first chapter is all about Shakespeare’s identity. How well does anyone really know the most famous British writer of all time? The authors’ first order of business is to remind readers that there is actual evidence that a man named William Shakespeare did in fact exist. “There is a record of his baptism at Holy Trinity Church in the market town of Stratford-upon-Avon on April 26, 1564…” (13). We know that he married Anne Hathaway in 1582, and that he was a rather successful businessman by the 1590s (14-15). That’s not to say that Foley and Coates skirt the conspiracy theories; in fact, they conclude the first chapter with a chart of all the major theories of authorship, beginning with those centered on Shakespeare himself, then moving into the other suspected authors: Francis Bacon, Edward de Vere (Earl of Oxford), Christopher Marlowe, and Queen Elizabeth I (36-41). Given its concise formatting, this chart is the perfect tool for group discussion or classroom instruction. Continue reading
From the desk of Jenny Haggerty:
Those who don’t enjoy reading may assume it’s a solitary activity, and they’d be partly correct because page turning (physical or virtual) is usually done alone. But we literature lovers crave community as much as any social animal. It’s why we join book clubs and haunt web sites like Goodreads, BookLikes, and of course Austenprose. We love to connect with other readers to share passions, recount experiences, and exchange opinions about books. And reading about reading is an irresistible meta-pleasure that’s almost as fun as getting lost in a novel. For all these reasons Samantha Ellis’s, How to Be a Heroine: Or, What I’ve Learned from Reading too Much piqued my interest.
Her book opens on the Yorkshire Moors with Ellis and her best friend arguing about which Brontë heroine they’d rather be, Jane Eyre or Cathy Earnshaw. Ellis made what to her was the obvious choice: passionate, gorgeous Cathy. Cathy had been her role model since first reading Wuthering Heights at twelve, and Jane had always seemed too stoic, virtuous, and, well, plain to her. But Ellis’s friend shocked her by disagreeing. Jane Eyre from is independent, her friend pointed out. Jane doesn’t suffer fools and she sticks to her principals. Her friend thought Cathy looked silly–always weeping and wailing, and marrying a rich boy because she’s a snob even though she claims to love Heathcliff. “Why not just not marry the wrong man?” Ellis’s friend asked her. Continue reading
From the desk of Kimberly Denny-Ryder:
Anyone with siblings can tell you how tumultuous of a relationship you can have with them. There are times where you love them to death for being a shoulder to cry on or a voice of reason. Then there are the times where they think they know everything and refuse to see you as your own individual. Katherine Reay explores the complex relationship of two sisters undergoing some intense situations in both their personal and professional lives in Lizzy and Jane.
After losing her mom to cancer, Lizzy cannot deal with the emotional burden and leaves home. She turns her anguish into a relentless energy to create in the kitchen, and works endlessly to become a respected chef. Eventually Lizzy becomes the owner of a swanky New York City restaurant, Feast. After a good amount of success, she begins to lose some of her earlier skills and the restaurant begins to falter. Paul, the restaurant’s financial backer, brings another chef in to fix this, and Lizzy does what she does best—runs away. Unfortunately she runs into another cancer diagnosis, and this time it’s her sister, Jane. Lizzy decides to finally stand her ground and deal with this new blow, and as she tends to her family she finds her abilities to create amazing foods return to her. Now, Paul attempts to woo her back to New York, but how will she react to this now that old hurts with Jane are healed? Continue reading
From the desk of Christina Boyd:
After a successful divergence from her Napoleonic spy romances of the Pink Carnation series with the post-Edwardian The Ashford Affair, New York Times bestselling author Lauren Willig again embarks on another stand-alone narrative. Entangling one generation with the past is Willig’s trademark, and That Summer is of modern day Julia Conley as well as her ancestors in 1849.
In 2009, motherless Julia inherits an old family house in England from a great Aunt Regina Ashe, a woman she cannot even recall. One of the recently unemployed in the recession, she travels from New York City to Herne Hill, a district south of London, to view her inheritance and unload it as quickly as possible. Upon arrival, she meets her exceedingly obliging and maybe even presumptuous cousin, Natalie, who eagerly volunteers to help sort the old mansion and later even brings along the fine Nicholas Dorrington, if somewhat taciturn antiques dealer, to value the lot. Although they jest concerning hidden treasures, Julia cannot but wonder if in fact there might be some sort of riches her relations hope to unearth beneath the years of dust, dank oddments and papers. But what she had not expected was to exhume memories of her childhood.
“Julia’s hand was on the knob of the door before she realized that she had retreated, step by step, ready to duck out and shut the door. She laughed shakily. Great. Metaphor made action. Her English professors in college would have loved that. Shut the door and shut the door. Just like she had been shutting the door all these years. Julia’s knuckles were white against the old brass doorknob. This was insane. Insane. What was she so afraid of? What was she so afraid of remembering? Maybe she was just afraid she would miss her. Her mother.” (87)
From the desk of Br. Paul Byrd, OP:
Is there, as an English teacher, anything more intimidating and yet thrilling than teaching Shakespeare? He is, after all, the one author whose works are thought essential to a “good education.” But having just finished a three week unit on Macbeth, I am confident only that I have invited my students to the conversation about Shakespeare’s greatness; I’ve yet to really convert them. In Living with Shakespeare, Susannah Carson–who previously compiled the excellent essay collection in praise of Jane Austen entitled A Truth Universally Acknowledged–brings the conversation about Shakespeare to a whole new level by presenting over forty extraordinary voices in dialogue about their connections to Shakespeare. Carson writes “I’ve attempted to bring together as many perspectives as possible, not in order to be exhaustive–but to celebrate the many different approaches to appreciating Shakespeare that there are possible” (xvii). To that end, there are actors and directors, writers and professors, united in a chorus of myriad accents all acclaiming the undisputed genius of the Bard.
Not surprisingly, some may find reading Living with Shakespeare to be as intimidating as studying the plays themselves. However, although many of the essays are heavyweight academic or professional reflections, there are others that are much more accessible to the general reader, including those readers who are more interested in learning what their favorite graphic novelist (say Matt Sturges) or their favorite film star (say James Franco) has to say about his relationship to Shakespeare than they are about discovering the glories of the dramatic masterpieces themselves. Accordingly, I think this volume equally suitable for the well-stocked library as the classroom or college library. Continue reading
From the desk of Diana Birchall:
Does anyone remember Daddy-Long-Legs, the enchanting 1955 movie in which Fred Astaire is the benevolent, mysterious, rich sponsor who sends the exquisite young French girl Leslie Caron, to college? It was a favorite musical of my childhood, along with a string of other Caron and Audrey Hepburn films. Daddy-Long-Legs actually started life, however, as long ago as 1912, as a bright, effervescent, epistolary novel by Jean Webster. It enjoyed a huge success as a Broadway play and was filmed several times, including a Japanese anime version.
Now new author Katherine Reay, instead of penning yet another in a lengthy backlist of Jane Austen updates, has cleverly chosen to write a modern retelling of Daddy-Long-Legs. Her Dear Mr. Knightley has a thoughtful literary setting, with enough Austen and Bronte references to provide intellectual mind candy for the reading woman. She also bestows an unusually satisfying romance upon her heroine, and succeeds in creating a portrait of a young writer that is so poignantly fresh and full of growing pains and uncertainties, that you question why she ever needed to lean on somebody else’s old classic at all. Continue reading