Last summer, in preparation for the release of my short story anthology Jane Austen Made Me Do It, I had the opportunity to interview all twenty-four authors who had contributed stories. I asked fifteen questions to a very diverse group of writers. Their responses were both amusing and surprising.

For your enjoyment I will be sharing a question every Friday over the next fifteen weeks and offering a chance to win one signed copy of Jane Austen Made Me Do It each week. Just leave a comment answering the question at the bottom of the post. Good luck to all!

1.) How did Jane Austen make you do it? What inspired you to join this anthology?

• How could I pass up the opportunity to drop in on some of my favorite people? – Pamela Aidan
• The first thing that attracted me to the contest was the title of the anthology.  Jane Austen Made Me Do It.  That fabulous title left open many possibilities that my imagination ran quite wild with them.  The contest really was an amazing opportunity for an aspiring author.  So I sat down with my notebook and a pen and started brainstorming.  From the first, I knew that in my story, I would include a phrase from the title of the anthology.  From there, I worked backward, asking myself the questions.  What did Jane Austen make you do?  Why?  How?  And from there I built the story.  Quite literally, I wrote the last line first, and the first line of the story was almost the last thing I wrote. – Brenna Aubrey
• Jane was eager to recount a lost episode in Lord Harold Trowbridge’s life, from 1805 Bath.  It was hardly book-length material, so a short story anthology was perfect. – Stephanie Barron
• It was an opportunity to stretch myself creatively as a storyteller. Many people assume that short stories are easier to write than novels because they are, well, shorter—but that isn’t true. Like poetry, drama, essays, and novels, short fiction is its own literary form with its own demands and challenges. Also, unlike my mystery series, “The Chase” is straight historical fiction, the dramatization of real events that happened to a real person (Jane’s brother Frank), so I enjoyed the chance to tell a different kind of tale and explore new characters. – Carrie Bebris
• I joined the anthology because I already had a story that fit it precisely – a Regency short story in which Jane herself plays a part. – Jo Beverley
• My first experiments in unwisely trying to imitate Jane Austen’s style (er, it’s impossible) were as long ago as in 1984, when I won a contest writing as Miss Bates in the Jane Austen Society of North America journal Persuasions.  Since I’ve never grown tired of re-reading Jane Austen, minutely examining her style, methods and meaning, and heaven help me, imitating her, it seemed natural that either I must find my way into a fabulous anthology or be locked up for crimes against Jane! – Diana Birchall
• In truth, Mitchell Waters, my completely darling agent (who, I understand, is somewhat the godfather of this book), made me do it – but only if we could convince my husband Frank too! – Diane Meier
• Even though I don’t have an agent (darling or any sort), I didn’t seek persuading. Having lived in England for twenty-five years, when much of the country was hopping with Austen fever, I was delighted to respond to her. I’d been to Chawton, her home in Hampshire, and seen the door with the creaking hinge – which she didn’t want fixed because it warned her when anybody was approaching, and thus gave her time to hide what she was writing. And I’d made radio and television features about her, interviewing many authors and commentators about their passion for the woman whom Samuel Beckett (not the most ready admirer of other writers) called “the divine Jane.” Also, in the summer of 1978, I attended the Sotheby’s antiquarian books auction in London, where The Watsons, an unfinished novel five chapters long, was sold for a lot less than the $1.5m it fetched recently. – Frank Delaney
• Without her wonderful writing, I wouldn’t be here. Naturally. Jane Austen made me do it because she was a sly thing, an expert at the skill of neither showing nor telling, but keeping us reading between the lines. Who could resist supplying those in-betweens, the things that weren’t written yet they hover around the pages (or the adaptations) like musical notes waiting to be transferred into words? Very few writers evoke that kind of feeling. A noted example for me is Margaret Mitchell’s Gone with Wind. I remember when I first read Gone with the Wind, the last sentence by heroine Scarlett O’Hara provoked such a fit of frustration that I had to go back and re-read the whole thing, hoping to find some clue about what she meant to do next. Jane Austen provokes something similar — not frustration, precisely, but that need to probe, to search for something more. If you have a creative urge in you — as this anthology testifies — her writing acts as a prompt. For me it was as if she showed up one day and said: “Here are some charming people you should get to know,” then disappeared, leaving them with me. I had to get to know them better by writing about them. At the same time, she drew such breathing living characters that you would like to invite them to come home and take tea with you (well, maybe not all of them). How could you possibly allow two such delightful creatures as Darcy and Lizzy to simply stroll away into the sunset, never to be seen again? You really must discover what happens to them next. As for the anthology itself, I was delighted when Laurel Ann invited me to join in because I  knew she would make a wonderful editor, that she would pick wonderful stories, and that I’d be “in the company of clever, well-informed people” — such a group of talented fellow authors. What more could an author want? – Monica Fairview
• I love all things Austen and so this anthology is my natural home. – Amanda Grange
• I have long been an ardent admirer of Jane Austen’s novels, and after researching and writing The Lost Memoirs of Jane Austen (a labor of love, and a work of my heart), I was thrilled to have an opportunity to write from Jane’s point of view again—this time as a short story. – Syrie James
• I was immensely flattered to be invited and in such august company although when I was first invited I had no idea what I’d be writing about. – Janet Mullany
• Since I am the editor of this anthology, I will instead share my inspiration to create this collection. A life-long Austen fan, I had been reading and reviewing Austenesque novels for many years on my blog Austenprose.com. As a writer, I was fascinated not only by the authors work, but how Jane Austen inspired them to write it. I kept coming back to the thought of all these authors as a group; their incredible talent; their Austen connections to one another; – even though they all came from diverse writing backgrounds. I wanted to showcase them in some way. In 2008, the idea that an Austen-inspired short story collection could feature their talent and honor a great author fit my objective. But how could an unpublished Austen enthusiast who writes a blog about her favorite author make this happen? I had no idea; nor the hutzpah to pound the publishing payment; so it sat in my mind and simmered until one bright day in January 2009. Author Michael Thomas Ford’s agent Mitchell Waters emailed me to thank me for some publicity that I had recently done for his client. The door had been opened. I saw my chance and took it. He loved the idea and became the godfather of my anthology; finding a great deal with Random House – and here we are! – Laurel Ann Nattress
• Jane Austen has been making me do it for ten years in one form or other, whether through painting or writing so when I was approached by the wonderful Laurel Ann Nattress to contribute a short story for this anthology I was thrilled because I knew there was a story I’d always wanted to write! Persuasion is my favourite Jane Austen novel, and one I’ve not tackled before as an inspiration for my own work. I’ve always loved reading short stories, but not written many myself so this was a real challenge, but I’ve absolutely loved every second of writing my Persuasion inspired story, “Waiting.” Being part of such a wonderful group of authors is an absolute dream! – Jane Odiwe
• Jane Austen inspires me because she does the very thing that I would like to do as a writer—to tell wonderful stories about fascinating characters in a timeless fashion. And she wraps it all up in a satisfying ending. I’m excited to be a small part of this anthology that boasts so many of my favorite writers. The diversity of stories are a tremendous testimony to the enduring power of Austen’s work. – Beth Pattillo
• In 2006 I wrote the novel, Me and Mr Darcy, as I was really interested in exploring the idea of what it would be like to date Mr Darcy. When I heard about this anthology I was inspired to join as it sounded like a really fun idea, to have a book of short stories that celebrate Jane Austen and her characters… and it also give me the opportunity to spend some time with Mr Darcy again! – Alexandra Potter
• As Jane Austen wrote to Cassandra, “I write only for fame, and without any view to pecuniary emolument.” J – Myretta Robens
• Certainly, it was a compliment to be invited to contribute to the anthology but it was really was my daughter and co-author Caitlen’s schedule that was a determining factor. She was in the process of selling her novel (due out in 2012), so it came down to whether she would have the time to work on it. – Jane Rubino
• We (Jane Rubino) were invited to join by Laurel Ann (our esteemed editor) and loved the idea of the anthology so much we jumped at the chance.  I’ve always loved reading anything inspired by Jane Austen (after all, the real Austen only gave us six novels), so being asked to participate was an honor.  And I’m glad it all worked out; at the time I’d just sold my first solo book, and was embarking on a huge revision, but the opportunity to join this anthology was too good to miss. – Caitlen Rubino-Bradway
• In my novel, The Private Diary of Mr. Darcy, I interpreted the events of Pride and Prejudice from the hero’s point of view. I realized then that every single one of the characters in Austen’s novel would have had his or her own personal ‘take’ on what happened. If only one could write about them all! So, when I was asked by the London branch of the Jane Austen Society to give a talk, I researched P & P to discover how the courtship of Elizabeth and Darcy would have struck an outsider. I chose a very minor character, Maria Lucas, precisely because she seemed to make no positive contribution to the events – and I discovered that she must have played a far bigger part than is credited to her. So for my contribution to this anthology, I had the perfect material to work on, and I knew exactly what I would like to do. I couldn’t wait to start! – Maya Slater
• I was really pleased at the freedom the authors were given to select their setting and theme. Laurel Ann Nattress is the perfect person to edit this anthology, because she knows all of Austen’s novels very well, and she also knows the Austen fandom and the writers and who should be involved. It has resulted in a wonderful diversity of ideas and stories and authors. I’m really proud to be involved in this project. – Margaret C. Sullivan
• It’s not every day that I’m asked to participate in a Jane Austen event, I found this one irresistible! – Adriana Trigiani
• When Jane Austen says write, I say how much. She is the puppet master, and I am her willing slave. Apart from that, I am delighted to be in the company of so many fine storytellers and fellow Austen devotees. – Laurie Viera Rigler
• Really, Laurel Ann Nattress made me do it.  When she emailed me to ask if I’d write a short story for a Jane Austen-inspired anthology, I said “yes” without a second thought.  After all, it was just a short story and I’d just finished writing a book with Jane Austen in it, and wasn’t Laurel the hugest sweetie to think of asking me, and, ooh, an email from my best friend after Laurel’s email!  And was that a sale at J. Crew? It wasn’t until at least an hour later that it hit me that, wait, I hadn’t written any piece of fiction under 100,000 words since, oh, circa 1999.  There are some cases where less is definitely not easier, and the short story is one of them.  It has its own distinct art and idioms. But it would be a good writing exercise, right? I was right in so much as a great deal of exercise went into this story.  In an attempt to avoid writing it, I vacuumed my apartment, reorganized my bookshelves, and—the ultimate last resort—even went to the gym until I could avoid the computer no longer. Thank you, Laurel Ann (and Jane) for making me do it! – Lauren Willig
  

Giveaway of Jane Austen Made Me Do It

Enter a chance to win one signed copy of Jane Austen Made Me Do It, edited by Laurel Ann Nattress by leaving a comment answering why Jane Austen made you do it? What has Austen inspired you to do? Deadline to qualify for the drawing is 11:59 pm, Wednesday, August 08, 2012. The Winner will be announced on Thursday, August 09, 2012. Shipment Internationally. Good luck!

Jane Austen Made Me Do It: Original Stories Inspired by Literature’s Most Astute Observer of the Human Heart, edited by Laurel Ann Nattress
Ballantine Books (2011)
Trade paperback (446) pages
ISBN: 978-0345524966

© 2012 Laurel Ann Nattress, Austenprose