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Image from Downton Abbey Season 2 Episode 6: Lady Mary and Matthew dancing

Past regret, future aspirations, and fate punctuated the dramatic plot of episode six of Downton Abbey season two last night on Masterpiece Classic.

The end of World War I should bring peace and normalcy back to the residents of Downton, but the Lord of the manor Robert Crawley struggles to find logic in all the change and senseless loss, while his daughter Lady Sybil is determined that her life will never go back to the empty and unproductive existence of a debutant. An interesting development in Matthew’s health changes his prospects in many eyes, and a fatal sickness will level the playing field for Lady Mary. Here is a brief recap from PBS.

Recap of Episode 6 (spoilers)

1919 sees the last of the recovering officers depart Downton, the house is reverted to its former state — but not so its residents. The future looms large for a lost and melancholy Robert, an uneasy Bates, a determined Sybil, a cunning, ambitious Thomas and a desperate Ethel.

A stunning revelation deeply affects Robert and Cora and incites Richard to tighten his grip on Mary. But Mary has accepted her fate with detachment. Violet, however, will do no such thing, and even Carson reaches his limit.

Sybil discovers unlikely, however unenthusiastic, allies. A wedding is planned but fate cruelly intervenes. In its wake lay guilt, grief and, among the servants, fresh horrors.

Favorite Moments:

Image from Downton Abbey Season 2 Episode 6: Lord Grantham and Jane

Do you ever wonder what it was all for?”

Lord Grantham is very introspective and melancholy to new housemaid Jane, who he seems to be reaching out to. He mentions thirty men killed in the war on his estate alone, coupled with his continued friction with his wife Cora and his three grown daughter’s machinations, and you have one Earl in a midlife crisis.  Lord Grantham is very kind hearted, but he does have a temper which we see ignited several times in this episode.

All this unbridled joy has given me an appetite.” Dowager Countess Violet

As the family all run into the drawing room to witness Cousin Matthew’s miraculous recovery of the use of his legs, and um, well as granny so delicately put it, a happy family life, one wonders out loud how this turn of events will change his value to those in the family who are in favor of Lady Mary still marrying him? Of course the Dowager Countess delivers the best, and most sensible, line to close the ridiculous reactions by all of her family. Unbridled joy indeed! And these are Englishmen? They certainly are not acting like it.

The truth is, Ethel’s made her choice and now she’s stuck with it.” Lady Mary

That’s seems a little hard.” Lavinia

Does it? Aren’t all of us stuck with the choices we make?” Lady Mary

Lady Mary is rather peeved throughout this entire episode. I feel her anger and frustration seeping through her cold reserve in her cynicism. Her caustic remarks are rampant throughout. This ironic statement strikes a sharp cord with her mother Cora and sister, Lady Sybil. Her mother sees that she is striking out in reaction to her own situation. She made the choice to ruin herself by being ‘pamuked’ when she slept with that hunky Turkish diplomat and now she must lie in it. On the other hand, her sister Lady Sybil is about to make a decision with Branson that she will be stuck with. The different reactions by both ladies to Lady Mary’s cold statement tells all.

Don’t worry. You time will come.” Dowager Countess Violet

Will it? Or am I just to be the maiden aunt. Isn’t this what they do? Arrange presents for their prettier relations?” Lady Edith

Don’t be defeatist dear, it’s very middle class.” Dowager Countess Violet

More praise and sympathy for poor Edith. As the lorry pulled away with the last of the hospital equipment in the opening scene, and with it, her job at being useful, I felt a pang of angst for the middle Crawley daughter who just can’t find her place in the world. She seems to always be at everyone’s beck and call, even driving cars and carrying luggage. Now she is responsible for unpacking Matthew and Lavinia’s wedding gifts? Ugh. I am all for Team Edith this season, so, my unsolicited advice to her is to not hang back and wait for people to need you. Go out and find your own happiness Edith. Don’t expect it to come to you, or you will end up that maiden aunt that you are so fearful of becoming.

Image from Downton Abbey Season 2 Episode 6 Anna and Bates wedding

Well Mrs. Bates. You’ve had your way with me.” Mr. Bates

*Giggle*.” Mrs. Bates

We wanted to write about Anna and Bates finally getting married, but we are too nauseous over their one night of connubial bliss, (too much really English white skin and giggling in bed), that we decided to abstain from comment to save our readers the embarrassment too!

The aristocracy has not survived by its intransigence. We must work with what we’ve got to minimize the scandal.” Dowager Countess Violet

Thank goodness granny chips in a grand one liner at the end of the episode to save the day after Lord Grantham gives his blessing for Lady Sybil to marry Branson the chauffeur. Yes, the aristocracy is stubborn. That is how they survived.

My Review:

In this packed two hour episode, some older plot lines were resolved and new ones introduced. Screenwriter Julian Fellowes certainly pulled out all the melodramatic stops. As emotions ran from regret, guilt, anger, envy, grief, desire and fear, I wondered what else could possibly have been squeezed into this once classy and well-written corset drama that has now slipped into “so middle-class” territory as granny would say.

Granted, all this highly charged, multiple plot line, melodramatic tosh is intensely entertaining, but I am seriously craving a return to the more sophisticated narrative and character development of season one. I am most disappointed in the trite and sappy character that poor actor Dan Stevens is trying to add some dignity to. Some of the things that come out of Matthew Crawley’s mouth are so, so, silly, that I am embarrassed for him. We were impressed, however, that O’Brien’s bangs and Lady Mary’s eyebrows suffered no harm during this week’s series of incredibly wild events. We hope that next week’s two hour Christmas special will bring all the other lacking elements to right.

Please join us next Sunday for episode 7 of Downton Abbey and live tweet with me as co-moderator of the PBS Twitter Party during the episode on February 19, 2012 at 9:00pm ET and PT. Just use hashtag #DowntonPBS at Twitter or on your favorite Twitter aggregator like Tweetdeck or Tweetgrid.

Episode 7 of the second season airs next Sunday, February 19th at 9:00pm ET & PT (check local listings) on Masterpiece Classic PBS. I will be live Tweeting the entire season, so please join us.

Images courtesy © Carnival Film & Television Limited 2011 for MASTERPIECE

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Image from Downton Abbey Season 2 Episode 5: Lord Grantham announces wars end

Deception and manipulation were major themes in episode five of Downton Abbey on Masterpiece Classic PBS last night as Downton’s residents battle challenges and conflicts of a personal nature.

We were introduced to a mysterious new patient at Downton’s officer convalescent hospital who claims to be related to the Crawleys; ex-housemaid Ethel, now destitute with an infant is desperate for support from the father Major Bryant; wheelchair bound Downton heir Matthew has written himself out of everyone’s lives; Lady Mary’s fiancé is showing his true colors; and wicked witch Vera Bates has dropped a house on her husband, valet Mr. Bate’s divorce proceedings. Phew. After last week’s somber episode on the personal losses of war, this episode seemed like a picnic beset by fire ants with everyone on the move and clamoring for survival amongst the fallout. Here is a brief recap from PBS:

Recap of Episode 5 (spoilers)

1918 promises the war drawing to a close, yet uncertainty still reigns. With its ruined aristocratic houses, rationing, and fallen officers, war’s aftermath opens some doors for the present and former servants and slams shut others. Meanwhile, Isobel’s post-war plans create an indomitable, if unlikely, alliance. But when a mysterious stranger arrives, Downton faces more turmoil.

Sir Richard is anxious to take not just Downton’s most beautiful asset, but one of its most treasured as well. In return and against Robert’s wishes, he restores a powerful replacement in its halls. And Vera Bates takes startling action.

Favorite Moments:

Did they tell you we’re related?” Major Patrick Gordon

Yes, but I am afraid I’m not much good at family history.” Lady Edith

Here we seen Lady Edith in the dark and being drawn in because someone reaches out to her. Last year, I was not on Team Edith, at all. This season we are seeing a different side to her, more compassionate and vulnerable, and it is swaying my view. The introduction of Patrick Gordon/Crawley is a very uncomfortable plot line for her and all of her family. Is this soldier impersonating her cousin the long lost heir to Downton Abbey who went down with the Titanic in 1912? This is a low blow to poor Edith, considering that he was engaged to her sister Mary who didn’t really love him, but she did. I don’t have a good feeling about where this might go and am quite protective of Edith, since no one seems to care two figs about her, or give her any credence in the household. If she is evolving into the Anne Elliot of Downton, where is her Captain Wentworth?

Go to a big city. Reinvent a past. You’ve broken the rules my girl. And it’s not good pretending it’s easily mended.” Mr. Hughes

Ethel, one of Downton’s residents, or more correctly ex-residents, is in a tight spot. After being fired for doing the wild thing with an officer, Ethel the ex-housemaid is really pressuring Mrs. Hughes to intercede on her behalf. The father won’t acknowledge the baby and Mrs. Hughes, feeling compassionate about Ethel’s bleak situation, even asks for Lady Cora’s help in inviting the dead father’s parents to Downton in the hopes of an introduction. Ethel continues to act outside of decorum which just pushes everyone’s buttons beyond measure. This situation is out of control too.

A cease fire will begin on the morning of the 11th.” Lord Grantham

Best news in five years for the Downton residents. Unfortunately, another 11,000 soldiers will die before the news of the armistice reaches them. Factoid via Vic at Jane Austen’s World twitter feed. Life as the British aristocracy knows it, will never surface again.

If you think you can jilt me or somehow set me aside I tell you now you have given me the power to destroy you, and don’t think I won’t use it.” Sir Richard

Speaking of backbone, Sir Richard’s entire skeleton is poking out of his Saville Row suit in this scene. I was screaming at Lady Mary to flee for her life. Does anyone want to marry someone who threatens you with blackmail even before the ceremony? I don’t think so.

My Review:

It was interesting to see how both the upstairs and downstairs residents of Downton react to the changes of the impeding close of WWI. We begin to see the final impact of five years of hardship, human loss and economic devastation on England and at Downton. War widows Daisy and Jane face the fact that there are so few young men left that they will most likely not re-marry; many of the injured men like Matthew Crawley and Major Gordon will require long-term care; opportunists like Thomas will be drawn into quick money schemes like the black market; and carpetbaggers like Sir Richard Carlisle will be ready to swoop in and purchase estates from hard hit families. The social and economic structure of the English aristocrats will never be the same.

I am a bit taken aback by the difference in tone of this season from the nuanced and more conversational feel of season one. I am  concerned about the over dramatic, soap operaish direction that screenwriter Julian Fellowes has chosen. The plot line introducing Patrick Gordon as the imposter (or not) heir and his non-English manners and speech is over the top and trite. Didn’t this same situation happen in a Dynasty or Dallas episode from the 1980′s? In addition, with the announcement this past week of actress Shirley MacLaine as Cora’s American mother into the cast for season three,will we be witness to two mighty matrons: the Dowager Countess Violet and Cora’s mother verbally sparing? They seem perfectly suited for a throw down of polished English values v progressive American ideals. But please Mr. Fellowes, no cat fight in the Downton fountain.

Please join us next Sunday for episode 6 of Downton Abbey and live tweet with me as co-moderator of the PBS Twitter Party during the episode on February 12, 2012 at 9:00pm ET and PT. Just use hashtag #DowntonPBS at Twitter or on your favorite Twitter aggregator like Tweetdeck or Tweetgrid.

Episode 6 of the second season airs next Sunday, February 12th at 9:00pm ET & PT (check local listings) on Masterpiece Classic PBS. I will be live Tweeting the entire season, so please join us.

Images courtesy © Carnival Film & Television Limited 2011 for MASTERPIECE

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While US viewers were glued to their TV’s last night watching the 2nd episode of season 2 of Downton Abbey on Masterpiece Classic PBS, season 1 was awarded a Golden Globe for best miniseries or motion picture made for television beating out the BBC America’s The Hour and three HBO films: Mildred Pierce, Too Big to Fail and Cinema Verite. I was live tweeting the new episode as co-moderator of the weekly Downton Twitter Party with: @pbs, @masterpiecepbs, @VanityFair and @tomandlorenzo when the news broke. To the many fans of the hit series set in England during Edwardian and WWI times, the recognition and award meant that we might see a season four. Period drama has resurfaced after threats of extinction. Ha!

Season 2 continues to intrigue. Last week in episode 1, we were thrown into the trenches of 1916 France as Great Britain battles the Hun during WWI, heir Matthew Crawley introduces his fiancé Lavinia Swire to his family, housemaid Anna Smith and valet John Bates were separated by the arrival of his estranged wife Vera, former footman Thomas Barrow purposely injures himself on the front for a ticket home, and cook Mrs. Patmore presses scullery maid Daisy into a romance with newly enlisted footman William. This week the scenes are set entirely in England at Downton and London in 1917. Here is a brief recap from PBS:

Recap of Episode Two (spoilers)

As a convalescent home for wounded officers, Downton Abbey offers respite from the front. But Cora and Isobel, locked in a power struggle over running the home, wage domestic war, and Thomas in his new rank as acting-Sergeant is not one to broker peace.

Mary rejects Rosamund’s dubious advice while Daisy reluctantly accepts Mrs. Patmore’s — in both cases, new bonds are irreversibly forged. Meanwhile, Anna dares to hope when she spies a familiar figure in the village.

When Matthew accompanies a visiting General to Downton, a dinner party brings much of the war’s painful demands into sharp relief, claiming one victim and very nearly several others. Branson’s ambitions are revealed and William’s aspirations are fulfilled. And Edith, finally, catches someone’s eye.

Favorite Moments:

 ”I don’t know many people who would threaten me behind the laurels.” – Violet, Dowager Countess Grantham

Mary seems defensive of Lavinia. Countess Violet’s comment was the perfect comeback.

Favorite touching scene: Housemaid Anna and former valet Mr. Bates are reunited after Lady Mary uses Sir Richards resources to discover that he is tending bar in a local town.

Favorite underdog shines: Lady Edith sheds her “Jan Brady” image and earns the recognition she deserves for helping the patients. Go Team Edith!

Sense of impending doom: Matthew’s fiance Lavinia Swire is as delicate as a candle in the wind.

Classic Rosamund. She is never more rightous when she is in the wrong.” – Violet, Dowager Countess Grantham

Chip off the ole block: Aunt Rosamund is rivaling her mother Violet, Dowager Countess Grantham in the manipulation department.

My Review:

The quality of the production continues to shine. Even though we are deep into the war with cutbacks and rationing in place, we do see new frocks on many of the ladies, and the gentlemen all in striking red regimental uniforms. Lady Mary’s stunning black beaded evening gown reflects up to date fashions of a sheath dress that had been embellished and a string on jet beads.

Screenwriter Fellowes is building up his characters and plot line nicely. I really like how he has worked in the historical facts of the era. Several grand manor houses became hospitals and the ladies of the household nurses while many of the male residents, upstairs and downstairs enlisted for King and Country. It is early days yet in the season, so the jury is still out on this season.

Episode 3 of the second season airs next Sunday, January 22 at 9:00pm ET on Masterpiece Classic PBS. I will be live Tweeting the entire season, so please join us.

Images courtesy © Carnival Film & Television Limited 2011 for MASTERPIECE

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Image from Downton Abbey Seasin 2 Episode 1: Matthew Crawley and Lady Mary

Season 2 of the award winning television series Downton Abbey aired on Masterpiece Classic PBS last night. I had a blast as co-moderator of the official Twitter Party hosted by PBS. Many thanks to my fellow moderators:  @pbs, @masterpiecepbs, @VanityFair and @tomandlorenzo. The turnout of Tweeters was amazing and we had great fun dishing about this long-awaited second season. Join us on Twitter, or your favorite aggregator like TweetDeck or TweetGrid, next Sunday by using hashtag #DowntonPBS, and every Sunday at 9:00pm ET & PT (check local listing) through February 19, 2012.

Season one concluded last year with the announcement of the war by Lord Grantham. This is a real turning point for life at Downton and the British nation. We know from history that the devastation in deaths and the way of life will change everything – now we must watch and wait to see how these true life events play out with the characters that Fellowes has crafted. Here is a brief recap from PBS:

Recap of Episode 1 (spoilers) 

1916 opens in the throes of the Great War. Uncertainty and worry have taken up residence in the great house of Downton Abbey. Some newcomers arrive, met with varying degrees of welcome; some young men are absent, desperately clinging to survival in the trenches of France; and some men remain at Downton, their discontent festering.

Robert, ever the honorable patriarch, struggles with the uneasiness of a diminished house and the suspicion that the uniform he wears is empty. The Crawley women, too, attempt to find their place in the new climate, as Isobel helps chart a new course for one sister and Branson exerts his influence over yet another. Among the servants, love is in the air — O’Brien being, as always, the exception — until Bates makes a decision that crushes the hearts of the two people who love him most.

News about Matthew stuns the house, and Mary has a revelation of her own. Downton Abbey itself is to be made useful, transformed into a convalescent home for wounded officers. In wartime, not even the seemingly immutable Dowager Countess, Violet, remains entirely unchanged!

Favorite Moments:

I want the best. And I’m not ashamed to admit it.” – Ethel Park

Favorite new character: Cheeky housemaid Ethel Park.

Amputation in the dining room? Resuscitation in the pantry? I forbid it!” – Violet, Dowager Countess of Grantham

Favorite laugh out loud line! Violet is such a wit. She reminds me of Lady Bracknell on Oscar Wilde’s play The Importance of Being Earnest. Her off the cuff reactions are just priceless!

You thought you’d got the better of me. But you were wrong.” – Vera Bates

Favorite new evil character: Wicked Witch Vera Bates!

Favorite flashback to Gone with the Wind: Lady Mary at train station asking Matthew to come back safely from the war.

Favorite check with reality: Thomas at the front in the thick of trench war and facing his courage/cowardice.

Favorite *snort*: Lady Edith goes all Greenacres on us and drives a tractor to aid the cause!

My Review:

What an incredible, mesmerizing premiere. We have been introduced to new characters with cheeky housemaid Ethel Parks and Mr. Bates wicked wife Vera. The war is in full swing and we know we in for a tragedy as so many members of the household enlist and serve in trenches of WWI.

The costumes in this episode were stunning. Seeing the men in their red coats always takes my breath away. It is still very early in the season so I am keeping an open mind to plot and character development. What did you think of the season two premiere? Who is your favorite character so far?

Period drama flourishes at Downton. Bravo creator/screen writer Julian Fellowes. You have us in the palm of your hand.

Episode 2 of the second season airs next Sunday, January 15 at 9:00pm ET on Masterpiece Classic PBS. Don’t miss it.

Images courtesy © Carnival Film & Television Limited 2011 for MASTERPIECE

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Image from Downton Abbey Season One: Lady Mary and Hon. Evelyn Napier © Carnival Film & Television Limited 2010 for MASTERPIECE

Downton Abbey continued last night on Masterpiece Classic with episode two. After a great opening on PBS last Sunday to a record 7.6 million US viewers, this four-part Edwardian drama continues to charm and amaze me. The blending of the upstairs and downstairs lives of the residents of this stately manor house is compelling drama, with moments of total surprise and shock from both quarters. This new co-production by Masterpiece PBS and Carnival ITV was a huge hit when it aired in the UK last year. The second season has just been announced and UK viewers will be dished up eight new episodes next Fall and a Christmas special in December. Great news for North American viewers also since the second season will most likely air shortly after in January 2012.

The second act of a play or opera is always my favorite. We have been introduced to the characters (the aristocratic Crawley family of Downton Abbey) the conflicts have been set up (death of the immediate male heirs) and the hook dropped (the entail must be broken) for us to take the bait. Now we can get to know the personalities at play and watch the drama unfold. In addition, several themes are developing, but two dominant ones in episode two were discovering or honoring our place in life, and harboring secrets and their consequences. Here is a synopsis from Masterpiece.

Recap of Episode 2 (spoilers)

As Matthew (Dan Stevens) and Isobel (Penelope Wilton), the newly-arrived Crawleys settle into life in the village, Isobel offers her experience with modern medical techniques at the hospital to Doctor Clarkson (David Robb), to the considerable consternation of Violet, the Dowager Countess (Maggie Smith). Both Matthew and Lady Mary (Michelle Dockery) bristle at the prospect of being matched to one another; still, Matthew indulges Mary’s clever barbs even as a suitor in the form of The Hon. Evelyn Napier (Brandan Patricks), the wealthy son and heir to Viscount Branksome is invited for a foxhunt, accompanied by the handsome attaché at the Turkish Embassy, Kemal Pamuk (Theo James).

Downstairs, secrets reflect the ambitions, shames and desperate hopes of the servants, as housemaid Gwen (Rose Leslie) tries to hide the contents of a heavy box set atop the wardrobe in her room; the butler Mr. Carson (Jim Carter) abandons his customary dignity as he skittishly raids the pantry; and Lord Grantham’s valet Mr. Bates (Brendan Coyle) refuses to share the source of his debilitating pain to his co-workers. Their concern and camaraderie markedly contrast the festering discontent of the footman Thomas (Rob James-Collier) and Miss O’Brien (Siobhan Finneran), Lady Grantham’s (Elizabeth McGovern) personal maid.

A sinister stranger Charles Grigg (Nicky Henson) barges into the house, demanding to speak to Lord Grantham (Hugh Bonneville), and an attractive stranger captivates Mary before setting into motion a chain of events that put the fate of Downton Abbey on even less stable ground.

My Review:

Many plots churning; some resolved, others only leave us craving more of this multi-layered, well-acted, beautifully produced period drama. I always enjoy the surprise element and dutifully promise not to reveal any major spoilers, but the reaction by Lord Grantham when Mr. Carson’s secret from the past arrives and plants himself in his library is classic, the Dowager Countess continues to steal every scene with all her sarcastic lines, and Lady Mary’s push of propriety is an eye popper.

The Victorian costumes and English locations arrive regularly in jaw dropping splendor. The scenes of the foxhunt were especially picturesque, evoking a time when everything had its place in order of social dictum. Victorian-era fox hunting as a sport is as complicated socially as any Regency-era Ball at Almacks. People, horses, hounds, foxes, you name it. Everyone, and everything had its place. A perfect example for writer Julian Fellowes to use to display the pomp of the aristocratic lifestyle that the upstairs residents of Downton maintain, and the downstairs servants must cater to.

My favorite scene of episode two was during the family dinner at Downton with the Crawleys, Matthew and Isobel. As Violet, the Dowager Countess takes pot shots at Mrs. Crawley for volunteering in “her” hospital and disagreeing with the doctors treatment of a sick laborer, Lady Mary, the chip off her grandmother’s ole shoulder, taunts Matthew about his middle-class kind not riding or hunting, “unusual among our kind of people.” Ouch. If you watch closely the reaction by the people who are observing the discussion, Ladies Edith and Sybil, you can see the tension mounting in their keen interest and surprise, and, the temperature of the room rise by the withering looks like poison darts of disapproval issued by Lady Grantham to the Dowager and her daughter Mary. Ha! Not one to take a hint from her lowly American mother, Lady Mary continues to taunt Matthew’s usurper position as heir by telling him the story of Andromeda, with sacrificial maidens, sea serpents and heroic young Gods to the rescue. Matthew gets the point exactly and offers a retort worthy of any Jane Austen hero. Bravo!

Episode three of Downton Abbey continues next Sunday, January 23, 2011 at 9:00 pm ET (check your local listings)

Futher reading:

Images courtesy © Carnival Film & Television Limited 2010 for MASTERPIECE

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Image from Downton Abbey Season One: Elizabeth McGovern as  Lady Grantham © Carnival Film & Television Limited 2010 for MASTERPIECE

British period dramas have been the staple fare on Masterpiece Theatre on PBS (now Masterpiece Classic) for decades. It is easy to see why they selected Downton Abbey to open their celebratory 40th anniversary season. A huge hit when it aired in the UK last Fall, this new four-part Edwardian drama is set in an English grand manor house before the opening of WWI. Never one to turn down a superbly-acted, multilayered and opulently produced period drama with bonnets, this series created and written by Oscar-winning screenwriter Julian Fellowes (Gosford Park) was top on my list of must see TV for the season.

Staring Hugh Bonneville, Elizabeth McGovern, Maggie Smith and a large and impressive ensemble cast, the axis of the plot centers on English inheritance laws and the present Earl of Grantham (Bonneville) and his wife Cora’s (McGovern) efforts to advantageously marry off their three daughters, Austen-style. Even though this drama is set one hundred years after any of Jane Austen’s famous novels, viewers will see similarities in social stricture, culture, and in writer Fellowes’ gentle nod to Austen in plot and dialogue. Along with the drama of the upstairs residents of Downton Abbey, Fellowes gives equal measure to the downstairs servants whose lives, though devoted (or not) to the family they serve, are as complicated and mesmerizing. Here is a synopsis of episode 1 from Masterpiece.

Recap of Episode 1 (spoilers):

It’s 1912, and life in the Edwardian country house of Downton Abbey is idyllic and bustling for the Crawley family, aided by their cadre of servants. Robert, Earl of Grantham (Hugh Bonneville), his American heiress wife Cora (Elizabeth McGovern), and their three daughters, Lady Mary (Michelle Dockery), Lady Edith (Laura Carmichael) and Lady Sybil (Jessica Brown Findlay) along with Robert’s mother Violet, the Dowager Countess of Grantham (Maggie Smith) have lived largely uncomplicated lives.

But the sinking of the Titanic hits home in an unexpected and dramatic way — Lord Grantham’s heir, James Crawley, and his son Patrick have perished. It’s personally agonizing (momentarily) for daughter Mary who was supposed to marry Patrick. On a grander scale, suddenly all the predictable succession plans have gone terribly awry, and unheard of questions now loom large — Who will be the new heir to the earldom? And what will happen to this distinguished estate, now in jeopardy? Mary’s grief is short lived as she sets her sights on another suitor, the Duke of Crowborough (Charlie Cox).

As the drama unfolds among the aristocrats of Downton Abbey, changes are happening amidst the servants as well. John Bates (Brendan Coyle) has arrived as a new valet for Robert, but he has a pronounced limp, potentially making him unfit to perform his duties. Also, Bates seems to have some previous link to Robert, and a murky past. And, someone else in the servant’s quarters is darkly entangled with the fortunes of the family he serves.

Despite much angling and consternation, the course of action emerges — a new heir presumptive will soon arrive at Downton. As Matthew Crawley (Dan Stevens), the heir presumptive, and his mother Isobel (Penelope Wilton) arrive, the emotions of the onlookers range from anxiety to outright antagonism. But in crisis there may be opportunity, and Matthew is considered as a suitor for Mary. Yet, nothing is quite as it seems in the changing landscape and shifting fortunes of Downton Abbey.”

My Review:

The opening episode of a series is always a fact finding mission for me. Introduction to characters and motivations are key, and Fellowes gives us a great hook, the entail. Readers of Jane Austen’s Pride and Prejudice will be well aware of this legal term. The Bennet family of five daughters and no son is bound to it also in the early 1800’s. The heroine Elizabeth Bennet’s father has inherited his estate and it can only pass to a male heir, the odious Mr. Collins. This is part of the English primogeniture law, “the right, by law or custom, of the first-born to inherit the entire estate, to the exclusion of younger siblings.” This of course, even in 1912, still means that only males can inherit property. Since the Earl and Countess of Grantham had three daughters and no son, the estate must pass to the next male in line, which is the Earl’s first cousin James Crawley and then to his son Patrick who is also Mary’s fiancé. When they perished with the sinking of the RMS Titanic, the family is thrown into crisis.

When the Earl married American heiress Cora Levinson in 1889, she brought with her a great dowry that was absorbed into the estate at her father-in-law’s insistence. This cash infusion saved Downton and ensured its future. Now that the estate must pass to a complete stranger, Cora would like the money from her marriage settlement separated from the estate, and sides with her mother-in-law Violet, the Dowager Countess, for the entail to be broken so that her daughter Mary can inherit. Robert, the Earl of Grantham is hesitant and defensive when his mother question his motives and incredulously asks if he cares about Downton?

What do you think? I’ve given my life to Downton. I was born here and I hope to die here. I claim not career beyond the nurture of this house and the estate. It is my third parent and my fourth child. Do I care about it? Yes. I do care.” – Lord Grantham

Prompted by his wife and mother he does seek legal advice, but is torn between his family’s wishes and the fact that removing the money from the estate would destroy it for the next in line, Matthew Crawley (Dan Stevens), his third cousin once removed. It would mean the end of Downton as he has known it. When his wife Cora also pressures him to pursue legal recourse he again defends his position. “Downton is in my blood and in my bones. And I could no more be the cause of its destruction than I could betray my country.” All of the indecision and speculation puts Mary’s social position and marriageability in limbo. She wants to be an heiress like her mother, and she also wants to inherit the estate. She is enraged that her father will not fight for her and instead invites his legal heir Matthew, a middle-class lawyer, to move to Downton. She thinks that the inheritance laws, and the new heir are a joke. Everyone has their opinion on the matter, especially the Dowager Countess who has joined in a temporary alliance with her daughter-in-law, the American outsider, to fight for her granddaughter’s rights and the future of the estate.

Downton Abbey’s family struggles may seem like a breeding ground for a soap opera slosh in period finery, but Fellowes and the three directors Brian Percival (North and South 2004), Ben Bolt (Ashes to Ashes), and Brian Kelly (Monarch of the Glen) never turn to the melodramatic and the excellent actors take the tone very earnestly. Most intriguing in this first episode was the juxtaposition of the nineteenth-century and twentieth-century culture and technology. The world is changing a pace with the introduction of electricity, automobiles and women’s suffrage. We have older characters like the Dowager Countess and the butler Mr. Carson with a firm foot in the past resisting change and the younger generation like Mary pushing social dictums to break the entail and inherit property. When the new heir Matthew shockingly announces to the family that he will continue working as an attorney (horrors, no proper gentleman works) and devote his weekends to learning his new duties at Downton, it prompts the Dowager Countess to ask what a weekend is? Ha! Not only does this irony offer a hearty laugh, it drives home how differently the privileged life of an aristocrat is from the majority of their countrymen, and the world.

Downton Abbey is comfortably familiar period fare, yet so well written it is innovative and wholly engrossing. The second episode airs on Sunday, January 16th at 9pm ET. (check your local listings) I for one am totally entranced. If any movie producers are in doubt that costume dramas are passé, you can come find me in Seattle wearing my “What is a weekend?” t-shirt!

Images courtesy © Carnival Film & Television Limited 2010 for MASTERPIECE

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