From the desk of Katie Patchell:
- Betrayals and Lies. Harmful Secrets. Surprising Redemption.
For the past several years, Austenprose has had the joy of reviewing books inspired by beloved author, Jane Austen, as well as those set in the Regency period. One author in particular has appeared more than once, and has written numerous Regency books inspired by the timeless novels of Jane Austen and the Bronte sisters: Julie Klassen. In her latest novel Lady Maybe, Klassen blends notes of Charlotte Bronte’s Jane Eyre and Daphne du Maurier’s Rebecca, to create a mystery-filled Gothic romance about the power of truth, and the lengths people will go to conceal it.
Lady Marianna Mayfield: Pressured into a marriage to Sir John Mayfield by her money-obsessed father, Lady Marianna ignores her older husband to instead focus on her many flirts, especially her lover, Anthony Fontaine. When her husband suddenly decides to take her with him to a house far away from Bath, she obeys—her silent companion and husband beside her, and the surety that her lover will do anything to find her. Continue reading
From the desk of Pamela Mingle:
If you’re like me, you are spending your Sundays killing time until Poldark lights up the TV screen. When I learned that Season One would be based on Winston Graham’s first two books in the series, Ross Poldark and Demelza, I was determined to read them before viewing the adaptation. Although the episodes I’ve seen so far can stand on their own merit, reading the books has given me a richer understanding of the two protagonists. If Ross’s character functions as the moral compass of the story, Demelza’s represents the emotional heart of the books. Her struggle to be accepted as Ross’s wife makes us empathize with her, root for her, right from the start.
Demelza opens with the birth of Ross and Demelza’s baby girl. The new mother plans two christening parties, one for the country folk and another for the gentry. Trouble arises when her father, now a Methodist and wearing his religion like a cloak of righteousness, shows up on the wrong day and promptly insults some of the guests. Put in the uncomfortable position of defending his father-in-law, Ross must intervene. Demelza flees to the house, mortified. “…I thought I would show ’em I was a fit wife for you, that I could wear fine clothes and behave genteel an’ not disgrace you. An’ instead they will all ride home snickering behind their hands…” (51) Continue reading
From the desk of Tracy Hickman:
Never having watched the original series on Masterpiece Theatre in the 1970s, I was unfamiliar with Ross Poldark and a little curious about the buzz surrounding the new BBC/PBS series starring Aidan Turner. I wondered whether there was more to Ross Poldark than his good looks. When Laurel Ann Nattress assured Austenprose readers that Ross was a hero every bit as worthy of their warm regard as Mr. Darcy, John Thornton or Mr. Rochester, I decided to read the first novel in Winston Graham’s saga and decide for myself.
Ross Poldark is subtitled “A Novel of Cornwall 1783-1787” and is strongly rooted in the geography, people, and events of the Cornish countryside. The wind and the sea figure as characters in their own right. In the book’s prologue, six months before Ross returns from fighting in America, his father Joshua is close to death.
He felt he would like one more look at the sea, which even now was licking at the rocks behind the house. He had no sentimental notions about the sea; he had no regard for its dangers or its beauties; to him it was a close acquaintance whose every virtue and failing, every smile and tantrum he had come to understand. (10)
From the desk of Jenny Haggerty:
I am going to miss Jane and Vincent, Mary Robinette’s heroes in her acclaimed Glamourist Histories series. Of Noble Family is the married couple’s fifth and final adventure set in an alternate Regency Britain enhanced by glamour, the loveliest system of magic I’ve encountered. But while their glamoured displays are often breathtaking, Jane and Vincent have taken ether-based illusions far beyond the ubiquitous drawing room decorations created by accomplished young women. In previous books they’ve found practical, if hair-raising, applications for glamour in the war against Napoleon, the Luddite riots, and an escapade involving pirates on the Mediterranean. For this last story the couple will be off to the Caribbean.
When the book opens, Jane and Vincent have been resting after their harrowing exploits on the Italian Island of Murano and enjoying the company of Jane’s family, especially her sister Melody’s new baby boy, who is already showing a precocious ability to see inside glamoured images. But things don’t stay relaxing for long. Vincent receives a letter from his brother Richard that turns their world upside down.
The first shocking piece of news is that Vincent’s father has died of a stroke at the family estate on the Caribbean island of Antigua. Lord Verbury fled to the island in an earlier book to avoid being imprisoned for treason. Since Vincent was badly abused by his father while growing up, the death wasn’t as upsetting to him as it might be, but the bad news didn’t end there. Upon their father’s death, Vincent’s oldest brother Garland inherited the title Lord Verbury, bought himself a new barouche-landau, and then died when the vehicle overturned on the badly maintained road leading to Lyme Regis. Vincent’s middle brother, Richard, was severely injured in the accident, losing one of his feet. In his letter Richard asks Vincent for a very large favor. Continue reading
From the desk of Laurel Ann Nattress:
A new Pink Carnation novel is always the highlight of my reading season, though the anticipation for The Mark of the Midnight Manzanilla was stifling. How could Lauren Willig’s eleventh addition equal or surpass her previous highly-successful novels seeped in Napoleonic spies, romance and burlesque comedy? Yes, comedy. They say “dying is easy; comedy is hard” and it is so true. There are few authors in the genre who will even attempt it. Willig excels.
One of the main reasons I enjoy the “Pink” series so much (besides the humor) is that they take me back to Regency England, and the characters are SO original. Willig started the series in 2004 with The Secret History of the Pink Carnation. Each successive novel features a new set of protagonists: a romantic couple thrown together by mystery, espionage and love. After ten novels I have never been disappointed.
Set in 1806 London, The Mark of the Midnight Manzanilla re-introduces us to the three young Misses from Miss Climpson’s Select Seminary for Young Ladies in Bath, brought together in the seventh novel, The Mischief of the Mistletoe: Miss Sally Fitzhugh, Miss Agnes Wooliston and Miss Lizzy Reid. They are in Town for the Season, chaperoned by Lord and Lady Vaughn whose next door neighbor is reported to be a vampire. Yes, vampires are all the rage in London at the moment due to Lizzy Reid’s step-mother’s best-selling novel The Convent of Orsino. No one is above suspicion, especially aristocrats. Continue reading
From the desk of Laurel Ann Nattress:
Commissioned by the producers of the new movie Belle, acclaimed biographer Paula Byrne aims to reveal the true story behind the main characters in the movie: Dido Elizabeth Belle, the illegitimate daughter of a captain in the Royal Navy and an African slave, and her great-uncle, William Murray, 1st Earl of Mansfield (1705-93) and Lord Chief Justice of the King’s Bench. Belle: The Slave Daughter and the Lord Chief Justice is both a companion volume to the popular movie and a time capsule into the turbulent abolition movement in the late eighteenth-century England.
Inspired by the 1779 portrait of Dido and her cousin Lady Elizabeth Murray, screenwriter Misan Sagay has written a compelling story based on facts she first learned of while visiting the 2007, Slavery and Justice Exhibition. Dido and Elizabeth were Lord Mansfield’s wards and raised together at Caen Wood House, now know as Kenwood House on Hampstead Heath near London. While the screenplay is based on actual facts, it also incorporates a fictional narrative worthy of a seventh Jane Austen novel. In contrast, Belle: The Slave Daughter and the Lord Chief Justice is an historical account of the people and times and not a novelization of the movie. Continue reading
From the desk of Br. Paul Byrd, OP:
“In my last [letter] I left off at our sitting down to Supper on our Wedding Night, where I behaved with as much Bashfulness as the purest Virgin in the World could have done. The most difficult Task for me was to blush; however, by holding my Breath, and squeezing my Cheeks with my Handkerchief, I did pretty well” (297).
Reading Samuel Richardson’s novel Pamela, Or, Virtue Rewarded, as I recounted in my previous review of it, is not for the faint of heart; but I am happy to say that it was all made worthwhile just this past week as I listened to a Naxos AudioBooks recording of Henry Fielding’s masterful parody fittingly entitled Shamela. Many know Fielding for Tom Jones, but his satirical powers are at full and outrageous height in Shamela. In a quarter of the number of pages found in the original story, Fielding highlights and lampoons all of Richardson’s characteristic tropes, transforming Miss Pamela Andrews from a paragon of female virtue into an archetypical scheming hussy. The great irony is that, as shamefully vicious as Shamela maybe, she is a great deal more fun to listen to than her saintly prototype. Continue reading
From the desk of Br. Paul Byrd, OP:
“Her knowledge of Richardson’s works was such as no one is likely again to acquire, now that the multitude and the merits of our light literature have called off the attention of readers from that great master.” – J.E. Austen-Leigh, Memoir of Jane Austen, ch. 5
Listed among Jane Austen’s most beloved authors is the rebellious printer-turned-novelist Samuel Richardson, creator of such potboilers as Pamela, or Virtue Rewarded (1740). The novel opens at the death of Pamela Andrew’s employer, the woman who has educated her to be as accomplished as any young woman could hope to be, by eighteenth century standards. And from there commences a rather strange and disturbing plot in which Pamela must fend off the unwanted advances of her new male employer—and I’m not simply talking about sexual harassment, which would have been bad enough; I’m talking about outright attempted rape. Indeed, the main dramatic question of the novel is whether Pamela will forfeit her honor (read “her virginity”) for the sake of wealth and safety, or will she display a heroic level of Christian virtue, and risk the possibility of public disgrace. Spoiler Alert: the novel’s subtitle gives the answer away from the start. Continue reading