From the desk of Tracy Hickman:
Austenesque fiction has produced numerous works told by supporting characters from Austen’s novels, using these fresh viewpoints to breathe life into familiar and beloved stories. Similarly, the title character of Gill Hornby’s Miss Austen is not the famous author, Jane, but her devoted elder sister, Cassandra. In many Austen biographies and surviving family letters, Cassandra figures as an exemplary daughter, sister, aunt, and friend, her quiet fortitude and domestic competence contrasted with her younger sister’s more volatile temperament and creative talent. But what happens when an author shifts the spotlight from Jane to Cassandra? How would a fictionalized retelling of her view of Austen family life engage readers?
Jane Austen once wrote to her niece Anna, “Three or four families in a country village is the very thing to work on” and Ms. Hornby has taken Jane’s advice for Miss Austen. In a narrative that alternates masterfully between Cassandra’s youth and old age, Miss Austen features the extended Austen family as well as the Lloyd and Fowle families. Miss Austen begins with a prologue set in 1795 that introduces two young, dutiful lovers:
He asked for her patience; she promised it without thinking. Cassy was just twenty-two; they had years yet to play with. And patience was, famously, one of her many virtues. They turned back to the house to spread their glad news.
It was met with all the exuberant delight that they could have wished for, though not even a pretense at surprise. For this engagement—between Miss Cassandra Austen of Steventon, and Mr. Tom Fowle of Kintbury—had been settled as a public fact long before it was decided by the couple in private. After all, it was the perfect match, of the sort that would bring such pleasure to so many. So it must be their future, their one possible happy ending.
The universe had agreed on that for them, many years before. (2)