It’s time to announce the winner of the cloth bound edition of Love and Freindship and Other Youthful Writings (Penguin Hardcover Classics). The lucky winner drawn at random is:
Lady Constance who left a comment of January 25, 2015
Congratulations Lady Constance! To claim your prize, please contact me with your full name and address by February 4, 2015 or you will forfeit your prize! Mail shipment is to US addresses only.
Thanks to all who left comments and to Penguin Classics for the giveaway.
Cover image courtesy of Penguin Classics © 2015; text Laurel Ann Nattress © 2015, Austenprose.com
From the desk of Tracy Hickman:
The first time I read a collection of Jane Austen’s juvenilia, I remember relishing the sheer fun and silliness of the stories and plays. It was a slender paperback that included transcriptions of selected works from the original notebooks written from 1787 to 1793. These handwritten notebooks had circulated within Austen’s family during her lifetime and were later given to family members by her sister Cassandra, but the stories were not published until the twentieth century. Because none of Austen’s six completed and published novels exist in manuscript form, these early notebooks are rare examples of her fiction that have survived intact “in her own hand” and reside in the collections of the Bodleian Library, Oxford (Volume the First) and the British Library (Volume the Second and Volume the Third).
The three-volume set, In Her Own Hand, gives Austen fans the opportunity to read Jane’s handwriting in facsimile pages that match the size of the original notebooks, the color of the paper, and the brown-black iron gall ink that Austen used. Inkblots, smudges, and revisions pepper the pages, giving the reader a glimpse into Austen’s early creative process. When faced with deciphering a difficult word or phrase, text transcriptions by Austen scholar Robert W. Chapman provide a handy reference. Each volume contains an introduction by Professor Kathryn Sutherland that places the writings in context and highlights important aspects of the stories and sketches such as their chronology and how they relate to later Austen works. As Sutherland points out, these notebooks were not Jane Austen’s private journals but rather “confidential publications” that were “intended and crafted for circulation among family and friends.” (6) Continue reading