From the desk of Lisa Galek:
In July of 1995, I had just turned 15 when my high school girlfriends suggested we go see the new movie Clueless. At the time, I didn’t know that writer/director Amy Heckerling had based the plot of her movie about a pretty, rich girl from Beverly Hills on Jane Austen’s Emma, but that didn’t matter. My friends and I might not have been “handsome, clever, and rich” like Emma or Cher, but we were absolutely delighted by the message and world of Clueless. My love for that movie has been growing ever since. In Jen Chaney’s book, As If!, mega fans can finally learn all the behind the scenes details about what some folks believe to be the greatest Austen film adaptation of all time. (My apologies to Colin Firth.)
As you’ll see right there in the title, As If! is an “oral history” of Clueless. Basically, that just means that the author has collected interviews with the main cast and crew and patched them together into a readable order. She begins at the beginning, explaining how Amy Heckerling wrote the movie and managed to get backing from Paramount. The longer, mid-section of the book focuses on the day-to-day making of the movie during the two-and-a-half-month shooting schedule. The author ends with various reflections on how Clueless became such a pop culture phenomenon and the ways the movie changed fashion, language, and the girl-centric storytelling for the better. You can preview the basic style of the book by checking out this article Jen Chaney wrote for Vulture about the Val Party Scene.
There are some truly interesting bits in here. The author includes stories about the studios that passed on Clueless (only to really, really regret that later) and the casting process (if things had gone differently, Reese Witherspoon or Angelina Jolie might have been explaining that Amber was “a full-on Monet”). There are scene-by-scene breakdowns of what filming was like. Did you know The Mighty Mighty Bosstones were drunk during Cher and Christian’s first date? And that Donald Faison actually shaved the top of his head at the Val party? Or that the guy who mugs Cher (and ruins her Alaïa dress) was cast only a few hours before filming that scene? Yup, it’s all true and in the book. Continue reading
From the desk of Katie Patchell:
- Betrayals and Lies. Harmful Secrets. Surprising Redemption.
For the past several years, Austenprose has had the joy of reviewing books inspired by a beloved author, Jane Austen, as well as those set in the Regency period. One author, in particular, has appeared more than once and has written numerous Regency books inspired by the timeless novels of Jane Austen and the Bronte sisters: Julie Klassen. In her latest novel Lady Maybe, Klassen blends notes of Charlotte Bronte’s Jane Eyre and Daphne du Maurier’s Rebecca, to create a mystery-filled Gothic romance about the power of truth, and the lengths people will go to conceal it.
Lady Marianna Mayfield: Pressured into a marriage to Sir John Mayfield by her money-obsessed father, Lady Marianna ignores her older husband to instead focus on her many flirts, especially her lover, Anthony Fontaine. When her husband suddenly decides to take her with him to a house far away from Bath, she obeys—her silent companion and husband beside her, and the surety that her lover will do anything to find her. Continue reading
From the desk of Katie Patchell:
Two years ago The Austen Project launched their first reimagined Jane Austen novel in the series, Sense and Sensibility (by Joanna Trollope), that has so far included Northanger Abbey (by Val McDermid), and the most recent, published in April of this year—Emma: A Modern Retelling by Alexander McCall Smith. Heralded as ‘Jane Austen—Reimagined,’ each successive book has gathered mixed reviews, yet also a wide readership, as many fans of Jane Austen’s beloved classics look forward to finding out (with anticipation or trepidation) how each of Austen’s six novels have been modernized.
While I’ve enjoyed reading each of The Austen Project books so far, there’s a common issue faced in each of them, one that should be addressed in reviews and even everyday conversation. This issue is: How much can be modernized in any classic update without detracting from the original book? It’s always difficult to decide, as a reader and I’m sure as an author, what can be updated and altered for the 21st century, and what has to stay the same in order for the story to honor the original (and author’s intent). For instance, there are some things—such as views on love, sex, and marriage—that have been updated in this version of Emma to fit the author’s modern beliefs, which do not fit with the original Emma’s written views on these issues or Jane Austen’s beliefs. Some things hold true throughout the centuries, and sometimes removing these in a modern interpretation of a classic significantly takes away from the integrity and meaning of the story. Some of the differences found in this modernization include: Miss Taylor initially moves in with Mr. Weston before their marriage, Emma casually calls her dad ‘Pops’ all the time, Isabella Woodhouse and John Knightley are expecting twins before saying ‘I do,’ and Emma wonders if she’s attracted to females while painting Harriet in the nude. Continue reading
From the desk of Lisa Galek:
There’s so much we don’t know about Jane Austen. Her sister, Cassandra, burned many of Jane’s letters when she died leaving many details of her life lost to time. Is it possible that the author of many of the world’s most memorable stories on love and marriage never married or had children of her own? In Aerendgast, Rachel Berman imagines a new history for our favorite author in a mystery adventure that’s one part Austen biography and one part The Da Vinci Code.
Violet Desmond doesn’t know much about her past. She was raised by her grandmother who never mentioned the truth about Violet’s parents or the tragic accident that left her an orphan. But, when Violet’s grandmother dies and leaves her a beautiful cameo necklace and a trunk filled with papers, Violet finally realizes she’s found the tools she needs to hunt down the truth… which also may have something to do with her favorite author, Jane Austen. Continue reading
From the desk of Kimberly Denny Ryder:
To be honest, I’ve never been a fan of open-ended endings in movies and books. Just ask my husband, who has seen me yell after reading a book or seeing a movie that ends with the reader/viewer not knowing what has happened to the main characters. One example that comes to mind is Pride and Prejudice itself! I’ve always wondered what happened after the wedding (maybe that’s why I read so many Pride and Prejudice sequels!) So, when I heard that A Fair Prospect: Disappointed Hopes by Cassandra Grafton was actually the first in a three-part series and it wouldn’t actually have a proper ending, I was a bit skeptical.
In volume I of the A Fair Prospect trilogy, Disappointed Hopes, we find Fitzwilliam Darcy back in London after his failed engagement proposal to Elizabeth, obviously upset by her refusal of such a beneficial match. Elizabeth, on the other hand, finds herself on the way to London, the result of a request by an old family friend to meet in town. Already emotional after her encounter with Darcy, she finds comfort when finally reaching London and meeting this friend, Nicholas Harington. The son of a wealthy family not unlike the Darcy family in both holdings and standing, Nicholas’ family provides a formidable opponent to Darcy’s in the matters of Elizabeth’s heart. Darcy and Elizabeth’s paths cross unexpectedly in London when Bingley begins courting Jane again. Darcy is introduced to Harington, who seems by all to be the perfect suitor for Elizabeth now that Darcy has failed. Or, has he? Continue reading
From the desk of Lisa Galek:
In 2012, The Lizzie Bennet Diaries debuted on YouTube. Smart, confident (and only slightly prejudiced) grad student Lizzie Bennet posts videos twice a week all about her life, friends, and family. The Internet promptly fell in love. But, there were some things Lizzie couldn’t share in her videos. Luckily, she kept a diary… and now we finally get to see it.
The Secret Diary of Lizzie Bennet is a companion book to the excellent LBD web series. If you haven’t seen it yet, you’re definitely missing out. Elizabeth Bennet is transformed into a 24-year-old graduate student from California with her own video blog. She posts all kinds of insightful and hilarious content about her wacky family, which includes her two sisters—sweet Jane and energetic Lydia. Oh, and a certain boring, stuffy, and unbelievably rude guy named William Darcy occasionally pops up (but let’s not talk about him because Lizzie just cannot stand him). The videos are an absolutely amazing update on Pride and Prejudice. Very smart, very funny, and very Jane.
But, if you’re not already pretty familiar with this information, The Secret Diary of Lizzie Bennet won’t really make much sense to you. The book is very tied into the web series—so much so that it often feels like a retelling of the content from the videos. Lizzie begins and ends her story like her vlogs do. She starts off by explaining the new online project she’s about to embark on and ends with a happily-ever-after that will make any Austen fan smile. She sometimes even transcribes whole scenes directly from the videos. (To be fair, it’s only the really important ones.)
The big draw for this book is the promise of new content (in fact, that seems to be their main marketing message per these new videos from Lizzie and Darcy). I was hoping that the book would really deliver in this area. After all, the web series is based on a 200-year-old story that anyone with access to Cliff’s Notes can figure out the ending of. Yet, every video makes Austen’s original feel fresh, engaging, interesting, and really funny. If anyone could pull off a great tie-in novel, it would be the folks at Pemberley Digital. Continue reading
In the second installment of The Austen Project, bestselling Scottish crime writer Val McDermid takes a stab at a contemporary reimagining of Jane Austen’s most under-appreciated novel, Northanger Abbey. Written in the late 1790s when Austen was a fledgling writer, this Gothic parody about young heroine Catherine Morland’s first experiences in Bath society and her romance with the dishy hero Henry Tilney is one of my favorite Austen novels. Fresh and funny, the writing style is not as accomplished as her later works but no one can dismiss the quality of Austen’s witty dialogue nor her gentle joke at the melodramatic Gothic fiction so popular in her day. I was encouraged by the choice of McDermid as an author and intrigued to see how she would transport the story into the 21st century.
Our modern heroine, sixteen-year-old Cat Morland, is a vicar’s daughter living a rather disappointing life in the Piddle Valley of Dorset. Her mother and father seldom argued and never fought, and her siblings were so average she despaired of ever discovering any dark family secrets to add excitement to her life. Homeschooled, she can’t comprehend history or French or algebra, but delights in reading to fuel her vivid imagination, favoring ghost stories, zombie and vampire tales. After years of exploring the narrow confines of her home turf, she craves adventure abroad. Rich neighbors Susie and Andrew Allen come to her rescue by inviting her to travel with them and attend the Edinburgh Festival in Scotland where Cat “is in her element, seeing the potential for terror and adventure around every twist and turn of the narrow streets.”
Introduced to theater, art, and books, and thanks to fashionista Mrs. Allen, Cat soon acquires a new wardrobe and dancing lessons where she partners with a charming and witty young attorney, Henry Tilney. After researching Henry on Facebook and Google she discovers that his father is the much-decorated general who made his name in the Falkland’s war before she was born. Even more interesting to Cat’s Gothic infused imagination, he owns Northanger Abbey, a medieval Borders abbey in Scotland. Cat also meets Mrs. Allen’s long-lost school friend Martha Thorpe and her three daughters, one of which is just Cat’s age. Bella, who recognizes the Morland last name, knows Cat’s elder brother Jamie who is attending Oxford with her brother Johnny. Before long they were “gossiping about the things that entertain young women of a certain age and type,” and becoming BFF’s. Continue reading
From the desk of Katie Patchell”
Many books have been written to continue the stories of the characters that Jane Austen created, including sequels, prequels, continuations, and diaries. Most of these books have been written about the most popular of her novels, Pride and Prejudice while ignoring some of her other different, but equally well-written and beautiful novels–Sense and Sensibility, Northanger Abbey, Emma, Mansfield Park, and Persuasion. Now for the first time, all six of Jane Austen’s books have been re-imagined and set in the 21st century. The Austen Project has started their new series with an update of Sense and Sensibility by Joanna Trollope—a version filled with unique problems and surprises from today’s world, while still holding true to some of the qualities in Jane Austen’s original novel that makes Sense and Sensibility a timeless tale of sisterhood and second chances.
Invariably, as with all modern retellings, things were left out or changed that were in Jane Austen’s original. While the basic plot stays the same, Joanna Trollope’s Sense and Sensibility has some minor differences in characters and culture—an understandable change because of the different time setting. The updated characters include: Colonel (Bill) Brandon–who converted Delaford into a rehab for drug and alcohol addicts, Edward Ferrars–the philanthropic black sheep of his family, Elinor–the practical student of architecture who has to financially (and emotionally) support her two sisters and mother, Belle Dashwood–Elinor and Marianne’s free-spirited and sentimental mother, Margaret–the moody teenager who is addicted to Facebook, Twitter, and her iPod, Marianne–the guitar-playing romantic who suffers from severe asthma attacks, and John (Wills) Willoughby–the very hot and seemingly rich playboy.
I enjoyed seeing all the characters from Sense and Sensibility from a modern perspective. Joanna Trollope had to answer some uniquely modern questions in her novel. How to keep Regency titles and hierarchy in the setting of present-day England? The Dashwood women had to work to support themselves (unlike upper-class Regency women)—which one of them would be the one to keep everyone afloat, pay bills, and get a job? How to account for the lack of contact (and dramatic suspense) between love interests in an age of texting, cell phones, cars, and email? All the characters had to “transition” from the Regency world to the modern world, and for the most part, Joanna Trollope did a great job. Continue reading
From the desk of Christina Boyd:
What Janeite would not stop dead in her tracks when she spies “Colin Firth” in the title of a book? Mia March’s latest offering Finding Colin Firth: A Novel certainly set off all my bells and whistles. The smolderingly sexy British actor not only won our hearts when he emerged dripping wet from Pemberley pond as Mr. Darcy in the 1995 adaptation of Pride and Prejudice, but he also has an acclaimed career, winning the best actor Academy Award in 2011 for The King’s Speech. Who wouldn’t want to find Colin Firth? But no, dear friends, this is not a “How to” book sharing tips and advice on how to track and successfully have a Firth encounter. Eeesh! It’s a work of fiction about three women unknowingly bound together and whose lives intersect when the actor is slated to film a movie in a coastal Maine town. Daily rumors of Mr. Firth’s arrival fuels fantasy and stirs the excitement in their lives and aspirations. (Just imagining spotting Mr. Firth in my little town sets this fan-girl’s heart racing!)
A year after her mother’s death, (who incidentally was a Colin Firth fan), 22-year-old Bea Crane receives a mysterious letter from her deceased mother, confessing she adopted Bea as a newborn. “…Now that I feel myself going, I can’t bear to take this with me. But I can’t bear to tell you with my final breaths, either, I can’t do that to you. So I’ll wait on this, for both of us. But you should know the truth because it is the truth.” Shocked, Bea tracks down her birth mother to Boothbay Harbor, Maine and decides she must see this unknown woman for herself.
In Boothbay, Bea learns that 38-year-old Veronica Russo is an unmarried waitress-slash-magic pie baker-slash-Colin Firth fan who has only in the last year returned to her hometown. After years of failed relationships, her friends worry she will end up alone. “…she’d started saying what felt light-hearted but true at the same time, that she was holding out for a man who felt like Colin Firth to her. Her friend Shelley from the diner had known exactly what she meant. ‘I realize he’s an actor playing roles, but I get it,’ Shelley had said. ‘Honest. Full of integrity. Conviction. Brimming with intelligence. Loyal. You just want to believe everything he says with that British accent of his –and can trust it.’” Having failed to escape haunting memories of her youth, Veronica has come home to confront her past then “maybe her heart would start working the way it was supposed to. And maybe, maybe, maybe, the daughter she’d given up for adoption would contact her.” Now back to those magic pies by Veronica… She calls them elixir pies claiming to cast hope, love or banishment– or anything that conjures up a solution to one’s troubles. “For a heartbroken friend, Healing Pie. For a sick friend, Feel Better Pie. For a down-in –the dumps friend, Happiness Pie. For the lovelorn, Amore Pie.” And they seem to work! On everyone except Veronica. At least so far. Continue reading