From the desk of Katie Patchell:
In the Regency era, the only acceptable musical instruments a woman was allowed to play were the harp and piano, and if she played any other, particularly a violin, she would be looked down upon in society and considered unfeminine. But in Camille Elliot’s recent debut novel, Prelude for a Lord, the heroine defies conventions and plays this beautiful but forbidden instrument, which stirs her heart, makes her forget her past and society’s censure, and ultimately, entangles her in a web of romance, mystery, and danger.
At the age of twenty-eight, Lady Alethea Sutherton has accepted her fate: that she will never marry, and will always be looked down upon by society as an eccentric. With her height, striking (rather than classical) features, and her unconventional country ways, she is whispered about by the Bath gossips, but it is Alethea’s consuming passion for music and her skill at the extremely unfeminine instrument—the violin—that has her scorned by polite society.
When she meets Lord Bayard Dommick, the man who eleven years ago convinced her to pursue her violin playing with his offensive statement that it was “unfeminine for a woman to play the instrument” (53), Alethea plans to ignore him at all costs. But when Bayard offers to help her discover why her old violin has suddenly become the obsession of two shady individuals, Alethea has no choice but to accept this potential ally. As she spends more time with him and his two best friends, the remaining members of the famous string Quartet, Alethea discovers that Bayard is far from insufferable, and instead, one of the only people to understand her love of music and the violin. Continue reading “Prelude for a Lord: A Novel, by Camille Elliot – A Review”