From the desk of Tracy Hickman:
Lady Susan is my favorite of Jane Austen’s minor works. A scheming widow who also happens to be “the most accomplished coquette in England,” Lady Susan Vernon is intelligent, attractive, and unscrupulous, agreeing with her immoral friend Alicia Johnson that “Facts are such horrid things!” (256) Her letters to Alicia detail her plans to snare wealthy husbands for both herself and her daughter Frederica, while causing pain and suffering to those she deems detestable. As she includes her own daughter in this camp, calling her a “stupid girl,” she has no qualms in forcing Frederica to marry a decidedly silly man with a large fortune. Lady Susan is a terrible person, but a wonderful character. While the novella lacks the depth of later works, it is a wickedly funny short story in epistolary form; its tone is reminiscent of the snarky comments found in many of Austen’s letters.
Who better to capture Austen’s witty social commentary than filmmaker and writer Whit Stillman? His first film, Metropolitan, was one of my favorites from the 1990s, but I confess that I didn’t catch its similarities to Mansfield Park until many years later. Now Stillman has written a companion piece to his latest film Love & Friendship in straight narrative form. He introduces a new character to the story: Rufus Martin-Colonna de Cesari-Rocca, Lady Susan’s nephew. Rufus has penned his “true narrative of false-witness” to expose Austen’s supposed hatchet job on his aunt. His loyalties are made clear with the novel’s subtitle, “In Which Jane Austen’s Lady Susan Vernon Is Entirely Vindicated (Concerning the Beautiful Lady Susan Vernon, Her Cunning Daughter & the Strange Antagonism of the DeCourcy Family).”
Readers familiar with Austen’s Lady Susan will notice an inversion of good and evil from the outset. Rufus has dedicated his novel to none other than the Prince of Wales, mimicking Austen’s dedication of Emma to the Prince Regent, but in a much more effusively toad-eating style. After two knowing winks from Stillman in two pages: consider yourself warned. Rufus is the quintessential unreliable narrator, writing his rebuttal of Austen’s version of events from debtors prison in Clerkenwell in 1858. The vindication of his maligned aunt, riddled with inconsistencies and bizarre logic, is peppered with tirades on a range of subjects: history, theology, and grammar. These make for some of the funniest passages in the novel. Continue reading
A new Jane Austen-inspired movie released on May 13th. Love & Friendship has received rave reviews from critics and Jane Austen fans alike.
- “FLAT-OUT-HILARIOUS. Jane Austen has never been funnier.” – The Telegraph
- “Whit Stillman and English novelist Jane Austen make for a delightful pairing in this comedy of manners.” – The Star.com
- “Kate Beckinsale magnetizes the screen.” – Variety
Written and directed by renowned independent filmmaker Whit Stillman, (a big friend of Jane Austen with his previous movies Metropolitan and Last Day of Disco), the movie has been adapted from Austen’s comic gem, Lady Susan, and features an all-star cast reuniting Kate Beckinsale and Chloë Sevigny and featuring a string of British period drama acting royalty: Steven Fry, James Fleet and Jemma Redgrave. I saw it on Sunday. I was astounded to discover there were actually people in the theater laughing louder than me, inspired by Tim Bennet’s performance as the rattle, Sir James Martin, and the all-around witty banter and comedic timing!
In addition, Stillman has written a companion novel to the film also entitled Love & Friendship with the added subtitle: In Which Jane Austen’s Lady Susan Vernon Is Entirely Vindicated. For those who have read Austen’s original novella, you will remember that Lady Susan Vernon is described by Reginald De Courcy as “the most accomplished coquette in England.” and by others as devious, wicked and “with a happy command of language, which is too often used, I believe, to make black appear white.” To vindicate her scurrilous behavior is an intriguing premise indeed!
Love & Friendship, the novel, is told from the perspective of a new character, Rufus Martin-Colonna de Cesari-Rocca, Lady Susan’s nephew. His voice throughout the book is very Austenesque, with tongue-in-cheek humor and inside Austen jokes that will delight Janeites. Continue reading
Hold on to your bonnets historical fiction fans! Today is the official debut of Julian Fellowes’ Belgravia, a new serialized novel by Downton Abbey’s creator/writer. Set in London in the early Victorian-era, the story follows one family’s life and how a secret from twenty-five years earlier, changed them forever.
Austenprose is honored to be the first stop on the Julian Fellowes’ Belgravia Progressive Blog Tour which will, over the course of ten weeks, travel through the ether visiting popular book bloggers and authors specializing in historical fiction and romance. Today we will be recapping and reviewing the first episode, “Dancing Into Battle.”
Released in 11 weekly installments, each episode of Julian Fellowes’ Belgravia will conclude with twists, turns and cliff-hanger endings popularized by the novels of Dickens, Gaskell and Conan Doyle in the nineteenth century. Delivered directly to your cell phone, tablet or desktop via a brand new app, you can read the text or listen to the audio recording narrated by acclaimed British actress Juliet Stevenson, or jump between the two. In addition, you will have access to the exclusive bonus features available only through the app including: history, fashion, food & drink, culture and more that will frame the story while immersing you into the character’s sphere. In addition, the first episode is totally free!
Here is a short video on how it all works: Continue reading
It’s always a red-letter day to bibliophiles when books originally published eons ago get a new life and a new audience. It usually takes a major television series or movie for this to happen. In the case of Jane Austen, we have seen new tie-in editions for Pride and Prejudice in 1995 & 2005 and Sense and Sensibility in 1996. Just the other day I saw a beautiful new movie tie-in cover for Thomas Hardy’s Far From the Madding Crowd in my bookstore. A good story is a good story no matter what generation it is introduced to.
Now the Poldark Saga, one of my favorite historical fiction series, is up for a remake. Some of you might remember the wildly popular television adaptation entitled Poldark on the BBC and Masterpiece Theatre in the mid 1970’s. Robin Ellis stared as dashing Captain Ross Poldark and Angharad Rees as his fiery Demelza. The two season and twenty-nine episode series was based on the first sevens novels in Winston Graham’s multi-generational saga. Now the BBC and Masterpiece have created a new production of Poldark. It aired in the UK in March and April to critical and public acclaim, garnering up to 7 million viewers an episode. Happily, US audiences will spend this summer in Cornwall swashing and buckling with dishy hero Ross Poldark when Poldark begins on Masterpiece Classic on June 21. Continue reading