The Annotated Emma, by Jane Austen, Annotated and Edited by David M. Shapard – A Review

The Annontated Emma, by Jane Austen, edited by David M. Shapard (2012)Of all of Jane Austen’s six major works, I have always been daunted by Emma: both the novel and its eponymous heroine. It is Austen’s longest work and contains her most “troublesome creature” Miss Emma Woodhouse.

I am not alone in my challenge to understand and appreciate this clever tale. The first time I read it many years ago I was mystified. It took further readings and research to fully appreciate it. I only wish on first acquaintance that I had this new annotated edition of Emma by Prof. David Shapard available to me. This is the fourth Austen novel that he has annotated – and it is indeed a wonder. At a hefty 928 pages, no stone has been left unturned to offer the reader: an introduction, bibliography and detailed chronology of events; explanation of historical context; citations from Austen’s life, letters, and other writings; maps of the places in the novel, and nearly 200 informative illustrations. Phew! If the eBook version included film clips, we could all throw up our hands and proclaim that there was indeed nothing left to experience in the Emma Woodhouse lexicon.

Published in 1815, Austen was at the top of her game as a writer and many scholars proclaim it as her masterpiece. Readers will argue that point. I will too. There are many elements of story and characters that I adore – and some not so much. Though first time readers (especially young students and some early critics) thought it is a snooze fest, if one looks beyond the surface, Emma is an intricate story focused on the astute characterization and social reproof which Austen is famous for. Our heroine Emma Woodhouse is a complex character that on first acquaintance is rather a pill. Austen gave herself a great challenge in creating “a heroine whom no one but myself will like.”  In contrast with her other heroines, Miss Woodhouse does not have any social or financial concerns and thus no compelling need to marry. Therein lies the rub. We have no sympathy for her whatsoever. She’s rich, she’s spoiled and she’s stuck up. Who indeed could possibly like such a “troublesome creature”? During the course of the novel we witness her exerting her superior notions of who is suitable for whom as she match makes for her friends with disastrous results. But…what a great journey we are privileged to be take on. Here are a few of my reactions to the novel and David Shapard’s elaboration of it:

The Good: Notwithstanding Emma Woodhouse, it is the secondary characters that really shine in Emma for me. Harriet Smith, Emma’s young, impressionable friend is one my favorite of Austen’s creations. Even though she is undereducated and from the wrong side of the blanket, by the end of the novel she knows her own heart and is superior in my mind to the grand dame of the first family of consequence in Highbury, Emma herself. Austen excelled at sharp wit and comedy in this novel. None can match Mrs. Elton in snobbery and conceit, Miss Bates as the garrulous spinster who is all heart and no brains, and Frank Churchill who is so slyly smarmy that we don’t see it coming. Ha!

Shapard’s format of having the unabridged text on the left page and notes, asides and explanations on the right is continued in the edition. He writes in an accessible style that is both enlightening and enjoyable. Even after years of study this Janeite enjoyed revisiting facts, learning new ones, and delighting in the black and white period illustrations.

The Bad: Novice readers: you may think that not a lot happens in the narrative so pay attention to details and glean facts from the notes. Even though by the end of the novel Emma Woodhouse does realize her faults and missapplyments, I never really believe that she will change that much. (spoilers) I speculate that her new husband Mr. Knightley will have his hands full correcting Emma and keeping her in check. The novel would have benefited from a stronger tension than the fact that Emma does not think she has to marry but wants to match up all her friends instead. There are no real villains or serious life challenges here, so modern readers will be a bit flummoxed. The between the lines social commentary and humor are key, making it not only a literary masterpiece, but a delightfully layered and complex read.

With the annotation doubling the size, this volume becomes a doorstop quality chunkster. The publisher wisely used lightweight quality paper and the binding allows for easily movement, but at one and a half pounds, it weighs a ton and the sheer size may be intimidating. The upside is that at $17.95 the price is a steal for the amount of research material and images therein.

The Ugly: Sadly, authors have very little choice or input on the cover art. In this case, that fact is keenly apparent. The cover does not match the quality of the novel and the annotation. We realize that we are not supposed to judge a book by its cover, but this one is just ghastly.

“Doing just what she liked; highly esteeming Miss Taylor’s judgments, but directed chiefly by her own. The real evils, indeed, of Emma’s situation were the power of having rather too much her own way, and a disposition to think a little too well of herself….” Emma, Chapter 1

The cover follows the theme of the three previous editions in the series by using a period illustration with enumerated details – but ouch. A black background on a bulky book? A photograph of a period frock that is not very fetching? The color combinations? Ack! My artistic sensibilities pray that buyers will not turn away in fright.

4.5 out of 5 Regency Stars

The Annotated Emma, by Jane Austen, annotated and edited by David M. Shapard
Anchor Books (2012)
Trade paperback (928) pages
ISBN: 978-0307390776
NOOK: ISBN: 978-0307950246

  • For those of you who have long harbored the notion that Vic Sanborn of Jane Austen’s World and I are the same person…here is her review of THE ANNOTATED EMMA. Mine was so close to hers that I had to rewrite it. So for your enjoyment…here are our two dueling reviews of a great new edition to the Miss Emma Woodhouse lexicon!

© 2007 – 2011 Laurel Ann Nattress, Austenprose

Sense and Sensibility (The Jane Austen Bicentenary Library), by Jane Austen, annotated by Margaret C. Sullivan, illustrated by Cassandra Chouinard – A Review

Sense and Sensibility (The Jane Austen Bicentenary Library), by Jane Austen, annotated by Margaret C. Sullivan, illustrated by Cassandra Chouinard (2011)As 2011 marks the 200th anniversary of Jane Austen’s first published novel, Sense and Sensibility, we are offered another annotated edition to help us understand the social and historical context of the world that Jane Austen places us into in late eighteenth century England.

The Sense and Sensibility (The Jane Austen Bicentenary Library) is the first Jane Austen novel, in what I hope will be the bookend of Jane Austen’s six major works, to be offered in eBook format from Girlebooks. Yes, the format is digital gentle readers – and I think it quite appropriate that Margaret Sullivan is leading the way for us as its annotator. Many know Margaret as the editrix of AustenBlog.com, but she is also a strong advocate of digital books, and has for many years been waving their flag in attempt to prepare us for the inevitable. That time has come. This is the first book I am reviewing for Austenprose that is being produced solely for the digital market.

Sense and Sensibility is the tale of two sisters, Elinor and Marianne Dashwood, each cut from the same cloth, yet facing financial, social and romantic trials together from totally different perspectives, and – with varying degrees of hardship and success. Level headed and practical Elinor is the older of the two and often the only one in the family to keep her widowed mother and impetuous younger sister on a straight path. Marianne is wildly romantic and hell-bent to stretch the limits of proper decorum into the next county. Three men will change their life paths: Edward Ferrars, a reserved and stoic eldest son whose family aspires to greatest, yet he craves the simple life a country parson; Colonel Brandon, retired from the army and from love because of the loss of his first love many years hence; and Mr. Willoughby, handsome, charming and impassioned, but at a price. As the young ladies search for love, honor and financial security, Austen weaves in a rich social tapestry of minor characters, social commentary and the dry humor that she is renowned for.

While Sense and Sensibility offers some recognizable themes of the era of financially challenged young women searching for love and security in a society whose constraints sharply narrow their possibility of success, Austen has infused deep social context as well. Of all of Austen’s six major novels, S&S is driven by legal inheritance laws of primogeniture in England and how women were affected by them. These can be very puzzling to the contemporary reader and Sullivan’s notes throughout the text can help smooth a few furrowed brows. For example, in Volume One, Chapter two “Mrs. John Dashwood now installed herself mistress of Norland; and her mother and sister-in-law were degraded to the condition of visitors.” This one sentence is the lynchpin of the novel. If you understand why the widow Dashwood and her three daughters are be to displaced, downsized in social standing, the rest of the narrative will all fit into place. If you don’t you’re in trouble and will miss much of the inside story that Austen wants you to experience. If you tap on the numbered endnotes within the text, it will take you to the explanation. Tapping on the number again will take you back to the text. It is that simple.

With only 97 endnotes, this edition is not as extensively annotated as this year’s The Annotated Sense and Sensibility, by Jane Austen, Edited and Annotated by David M. Shapard, Anchor Books (2011), however, it does contain: A biography of the authoress; A bibliography and further reading; Information and Jane Austen’s life and culture; Author’s having fun with Jane Austen’; Fiction inspired by Sense and Sensibility; Films adapted from and inspired by Sense and Sensibility; and a buoyant forward and an unerring eye by the annotator. The illustrations by Cassandra Chouinard add levity, but are not expandable, so it was difficult to appreciate any detail. One must also take a leap of faith and assume that this is an unabridged text, but what version used, is not stated.

The eBook is available in Adobe Reader PDF, Kindle/Mobipocket PRC, ePub & Microsoft Reader LIT for the modest price of $2.99. Yes, there are a lot of “free” editions of S&S out there to be had for digital readers. Don’t be fooled by “free” gentle readers. Not all eBooks are created equal. The expert formatting and craftsmanship exhibited by this Girlebook edition is well worth the value.  For a middlin’ annotated edition, this Bicentenary Library presentation is “everything that is worthy and amiable.”

4 out of 5 Regency Stars

This is my eleventh selection in the Sense and Sensibility Bicentenary Challenge 2011, my year-long homage to Jane Austen’s first published novel, Sense and Sensibility. You can follow the event as I post reviews on the fourth Wednesday of every month and read all of the other participants contributions posted in the challenge review pages here.

Sense and Sensibility (The Jane Austen Bicentenary Library), by Jane Austen, annotated by Margaret C. Sullivan, illustrated by Cassandra Chouinard
Girlebooks (2011)
Available at Girlebooks, Kindle US, Kindle UK, Nookbook Store & Smashwords

© 2007 – 2011 Laurel Ann Nattress, Austenprose

Persuasion: An Annotated Edition, by Jane Austen, edited by Robert Morrison – A Review

Persuasion: An Annotated Edition, by Jane Austen, edited by Robert Morrison (2011)Last year, the good folks at the Harvard University Press presented the first installment in their commitment to annotate all six of Jane Austen’s major novels. Pride and Prejudice: An Annotated Edition, by Jane Austen and edited by Patricia Meyer Spacks set the standard for the series: an unabridged first edition text, annotations by an Austen scholar, full color illustrations, over-sized coffee table format (9.5” X 10”), extensive scholarly introduction, and supplemental material – all pulled together in a beautifully designed interior and stunning cover. It was a grand slam home run. Now, just in time for holiday gift giving, Persuasion: An Annotated Edition was released this month supplying the same powerful presentation; this time to Jane Austen’s final, most profound and poignant novel, Persuasion.

Packed in the side margins of almost every page are running commentaries by editor Robert Morrison. Adding explanations, asides and illuminations, readers will be aided in understanding the narrative that may appear to the first time reader as a simple story of love lost and regained, but in actuality, is quite layered in complexity: laced with historical context, social commentary and influenced by Austen’s personal life. The illustrations run the gambit from paintings and line drawings of country manor houses and city dwellings similar to the residences of the principal characters, portraits of the monarchy, political figures, contemporary authors, Austen and her family, title pages of books of the era including Austen’s, maps, fashion plates, and images from famous illustrated editions of Persuasion by A. Wallis Mills, Charles Edmund Brock and Hugh Thomson. Of note are the helpful and interesting appendixes which include the two canceled chapters of Persuasion that were deleted by Austen herself, “Biographical Notice of the Author’ written by her brother Henry Austen, a list of further reading, and credits for the illustrations.

Students will be happy to know that quotes from major Austen scholars abound: for example, the famous “You pierce my soul. I am half agony, half hope.” love letter in volume II, chapter 11 (p 290) from Captain Wentworth to Anne Elliot rightly receives two plus pages of small type commentary from leading Austen experts such as Stuart Tave, Roger Gard, Deidre Lynch, Mary Favret, John Wiltshire, and Tony Tanner alone. There are numerous others as well, placing this edition in the scholarly category because of the numerous citations.

Besides the unabridged text, scholarly notations and quotes from deep thinkers, this edition is sumptuous eye candy for the Janeite. It is a real pleasure to have so much information collected and assembled for our edification and enjoyment. Morrison offers a lengthy and lucid introduction, but I wished that he had continued his personal observations and opinions more extensively in his annotation and not relied so heavily on quoting others. If this edition has any shortcomings, like its predecessor, the quality of the illustration does not match the content therein.

Next year we will be treated to their next annotated edition, Emma. After HUP has completed Austen’s six major novels, one secretly hopes that they might consider her novella, Lady Susan. Often overlooked, it is one of my personal favorites and could attract more readers if properly explained.

4.5 out of 5 Regency Stars

Persuasion: An Annotated Edition, by Jane Austen and edited Robert Morrison
Belknap Press of Harvard University Press (2011)
Hardcover (360) pages
ISBN: 978-0674049741

© 2007 – 2011 Laurel Ann Nattress, Austenprose

Sense and Sensibility, by Jane Austen (Naxos Audiobooks) – A Review

Sense and Sensibility, by Jane Austen, read by Juliet Stevenson (Naxos Audiobooks) 2005Even though it has been two hundred years since the world was first introduced to sisters Marianne and Elinor Dashwood’s financial, social and romantic trials, their story remains for me, as fresh and vibrant as any contemporary story you might read of, experience yourself, or hear tell tale of today. I give full credit, of course, to Jane Austen. Her understanding of human nature and how to craft emotions and characters into an engaging story remains unparalleled. Add to that a delightful twelve hour and forty-three minute reading by the accomplished British actress Juliet Stevenson’s polished interpretation of memorable personalities and you are primed for unsurpassed entertainment. Here is a brief description from the publisher:

When Mrs. Dashwood is forced by an avaricious daughter-in-law to leave the family home in Sussex, she takes her three daughters to live in a modest cottage in Devon. For Elinor, the eldest daughter, the move means a painful separation from the man she loves, but her sister Marianne finds in Devon the romance and excitement which she longs for. The contrasting fortunes and temperaments of the two girls as they struggle to cope in their different ways with the cruel events which fate has in store for them are portrayed by Jane Austen with her usual irony, humor and profound sensibility.

It is amazing to think that Sense and Sensibility was Jane Austen’s first published novel. As a debut author she showed incredible understanding of characterization and plot development. Many of the personalities contained in this novel remain the most memorable for me of her entire canon. The affability of Sir John Middleton, the persistent meddling of Mrs. Jennings, the droll indifference of Mr. Palmer and the malleable weakness of Mr. John Dashwood are played against the narrow greed of the unscrupulous Fanny Dashwood and her officious, spiteful mother Mrs. Ferrars. These secondary characters really make our heroes and villains shine, and withstanding the two heroines Elinor and Marianne, it is amusing to see how Austen plays with our emotions in guessing who the heroes will be and how the morality will play out.

Sense and Sensibility does have a few plot wholes and loose coincidences that readers will be raising eyebrows over, but it remains a novel wholly entrenched in the passionate joys of youthful love and emotional loss, cruel social snobbery and biting social reproof as relevant today as it was in 1811.

5 out of 5 Regency Stars

This is my ninth selection in the Sense and Sensibility Bicentenary Challenge 2011, my year-long homage to Jane Austen’s first published novel, Sense and Sensibility. You can follow the event as I post reviews on the fourth Wednesday of every month and read all of the other participants contributions posted in the challenge review pages here.

A Grand Giveaway

Enter a chance to win one unabridged CD or digital download of Sense and Sensibility (Naxos Audiobooks) by leaving a comment by midnight PT, Wednesday, October 5, 2011 stating which character you love to hate in Sense and Sensibility or what motivates you to read Jane Austen’s classic for the first time. Winner to be announced on Thursday, October 6, 2011. CD shipment to US or Canadian addresses only. Digital download internationally. Good luck!

Sense and Sensibility, by Jane Austen and read by Juliet Stevenson
Naxos Audiobooks (2005)
Unabridged audio CD’s, 12 hours, 43 minutes
ISBN: 978-9626343616

© 2007 – 2011 Laurel Ann Nattress, Austenprose

The Annotated Sense and Sensibility, by Jane Austen, Edited and Annotated by David M. Shapard – A Review

The Annontated Sense and Sensibility, by Jane Austen, Annotated & Edited by David M. Shapard (2011)How appropriate that The Annotated Sense and Sensibility is being published during the bicentenary year of Jane Austen’s first published novel.

This new book includes the complete text of Jane Austen’s classic with annotations by Dr. David M. Shapard, an expert in eighteenth-century European History who also brought us similar annotated editions of Pride and Prejudice in 2007 and Persuasion in 2010. I enjoyed both of his previous works. I find annotated editions of classics fascinating, especially if they are written from the perspective of historical and social events and not weighed down with scholarly opinions. Dr. Shapard’s agenda here is obviously to enlighten the reader by opening up Austen’s two hundred-year old text with facts, tidbits, asides, and information that a novice reader or veteran can relate to so they can appreciate the story even more.

This volume weighs in at a hefty one pound and six ounces and contains 784 pages of wow factor for any Jane Austen fan or literature lover. Jane Austen’s complete and unabridged text is included on the left hand page and the enumerated annotations on the right. No stone has been left unturned. Even the illustration on the front cover depicting two fashionably attired Regency-era young ladies walking in the countryside with an umbrella receives its own corresponding page of enlightenment on the history of the umbrella, walking as an amusement, large muffs as a winter accoutrement, and an observation on the picturesque landscape depicted in the illustration. This keen sense of the era in relation to the text continues throughout the over 2,000 annotations including: textural explanations of historical and social details, black and white illustrations of art works, caricatures, cartoons and maps, definitions of archaic words, citations from Jane Austen’s life and letters, a chronology of the novel, extensive bibliography, fifteen page introduction by the editor, and his literary interpretations of plot and characters. It is a monumental achievement that I will spend years coming back to and exploring.

I know that there has been criticism of Dr. Shapard’s unscholarly approach to annotation in his two previous editions. He uses open and accessible language for the layperson, and for the sake of clarity, he repeats definitions so the reader does not have to jump back and forth throughout the book for answers. In my view, this is considerate and not tiresome as some have complained. After all, who is this book’s primary audience? Pleasure readers and students, or scholars?  If you are a scholar you should be seeking primary source material and interpreting it in your own style, as Dr. Shapard has chosen to do in this volume. Amusingly, I find objections to the un-pedantic qualities of his writing an irony that Jane Austen would take delight in.

Overall, this new edition was mesmerizing. My only complaint is that not every inch of the right hand page is packed to the brim with annotation – but I am a greedy Janeite. Retailing at $16.95, this is a bargain resource book that every Jane Austen and Regency-era history enthusiast should own.

5 out of 5 Regency Stars

This is my fifth selection in the Sense and Sensibility Bicentenary Challenge 2011, my year-long homage to Jane Austen’s first published novel, Sense and Sensibility. You can follow the event as I post reviews on the fourth Wednesday of every month and read all of the other participants contributions posted in the challenge review pages here.

A Grand Giveaway

Enter a chance to win one copy of The Annotated Sense and Sensibility, by Jane Austen, Edited and Annotated by David M. Shapard by leaving a comment by midnight PT Wednesday, June 14, 2011 stating who your favorite character is in Sense and Sensibility and why, or what intrigues you about reading an annotated edition of Sense and Sensibility. Winners will be announced on Thursday, June 15, 2011. Shipment to US or Canadian addresses only.

The Annotated Sense and Sensibility, by Jane Austen, Edited and Annotated by David M. Shapard
Anchor Books (2011) New York
Trade paperback (784) pages
ISBN: 978-0307390769

© 2007 – 2011 Laurel Ann Nattress, Austenprose

The Sense and Sensibility Screenplay & Diaries, by Emma Thompson – A Review

The Sense and Sensibility Screenplay & Diaries, by Emma Thompson (1995)Nominated for seven Academy Awards®, the 1995 movie Sense and Sensibility remains one of my most cherished interpretations of a Jane Austen novel. Everything about this film project seems to be touched with gold; from the award winning screenplay by actress Emma Thompson; to the incredible depth of British acting talent: Kate Winslet, Alan Rickman, Gemma Jones, Harriet Walter, Greg Wise, Hugh Grant and Emma Thompson; stunning film locations in Devonshire; and the fine brush-work of the Taiwanese director Any Lee. The movie touched many and introduced Jane Austen’s classic story of two divergent sisters searching for happiness and love to millions. I never tire of viewing it, basking in its beautiful cinematography, enjoying its thoughtful performances and marveling at its exquisitely crafted screenplay – both reverent to Austen’s intensions and engaging to modern audiences.

Reading The Sense and Sensibility Screenplay & Diaries written by Emma Thompson and introduced by the movie producer Lindsay Doran was such a pleasure. What a labor of love this movie was for both actress/writer Thompson and producer Doran who spent fifteen years to bring it to the screen. This highly acclaimed film won the Best Adapted Screenplay Oscar and Golden Globe in 1996 for Thompson and the praise of hundreds of film critics and fans. Her acceptance speech at the Golden Globes was so witty and Austen-like that the film clip is a perennial favorite on Youtube. This book contains the complete screenplay, over fifty photos of the actors and scenes from the film and Thompson’s candid and often hilarious daily entries of what it was like to be involved in this incredible project. Here is a great excerpt:

Tuesday 11 April: No one can sleep for excitement. Costume designers John Bright and Jenny Beavan wish they had three more weeks but have done truly great work. The shapes and colours and inimitable. Lindsay’s already in Plymouth frantically trying to cut the script. It’s still too long. The art department object to us bathing Margaret in the parlour. Apparently they always used a kitchen or bedroom in the nineteenth century. Perhaps the Dashwoods are different, I suggest, unhelpfully.

“Thompson’s rare and personal perspective makes The Sense and Sensibility: The Screenplay and Diaries an irresistible book for students of film and Austen devotees, as well as for everyone who loved this extraordinary movie.” This is a must read for Jane Austen and period movie fans, and I highly recommend it.

5 out of 5 Regency Stars

This is my fourth selection in the Sense and Sensibility Bicentenary Challenge 2011, my year-long homage to Jane Austen’s first published novel, Sense and Sensibility. You can follow the event as I post reviews on the fourth Wednesday of every month and read all of the other participants contributions posted in the challenge review pages here.

A Grand Giveaway

Enter a chance to win one copy of The Sense and Sensibility Screenplay and Diaries, by Emma Thompson by leaving a comment by midnight PT Wednesday, May 11, 2011 stating who your favorite character is in the 1995 movie or what intrigues you about a movie adaptation of Sense and Sensibility. Winners will be announced on Thursday, May 12, 2011. Shipment to US or Canadian addresses only.

The Sense and Sensibility Screenplay and Diaries, by Emma Thompson
Newmarket Press (2007) reprint of 1995 edition
Trade paperback (288) pages
ISBN: 978-1557047823

© 2007 – 2011 Laurel Ann Nattress, Austenprose

Pride and Prejudice: An Annotated Edition, by Jane Austen, edited by Patricia Meyer Spacks – A Review

Just when I thought I had more editions of Pride and Prejudice than I should ever own up to, I will freely admit to just one more. After all, what Janeite could resist this tempting package? An unabridged first edition text; Annotations by an Austen scholar; Color illustrations; Over-sized coffee table format; Extensive introduction; And, supplemental material – all pulled together in a beautifully designed interior and stunning cover. *swoon* Where are my aromatic vinegars?

This new annotated edition appeals to modern readers on many levels beyond being a pretty package of a beloved classic. Austen is renowned for her witty dialogue and finely drawn characters, but not for her elaborate physical descriptions or historical context. When Pride and Prejudice was originally published in 1813, this brevity was accessible to her contemporary readers who assumed the inferences, but after close to two hundred years words have changed their meaning, insinuations and subtle asides have become fuzzy, and cultural differences from Regency to twenty-first century are worlds apart. Anyone can read Pride and Prejudice and follow the narrative, but it is so much more enjoyable if you can read it on an expanded level understanding it in social, cultural and historical context. Editor Patricia Meyer Spacks has not only added extensive notes on plot, characters, events, history, culture and critical analysis from a vast array of Austen and literary scholars, but added her own personal insights and observations from years of reading Austen and her experience as a college professor. From shoe roses to Fordyces Sermons to military floggings to the 19th-century meaning of condescension, readers will be informed and enlightened on every aspect related to the novel, the author and her times. In a nut shell, she has vetted great resources, gathered nuggets of knowledge and placed them at our feet.

As with all of Austen’s characters, this new annotated edition of Pride and Prejudice has its own charms, “frailties, foibles and follies.” Weighing in at over three pounds, and encompassing 464 pages of unabridged text and fine print margin notes, this book easily reigns as the most all-inclusive and well-researched editions of Jane Austen’s masterpiece that I have ever encountered. Considering that the elaborate annotation classifies it as a reference work in addition to a full text, it is quite puzzling that it lacks an index. In addition, the illustrations are expertly selected but sadly lost some of their refinement in the printing process, coming across dark and murky in places. However, I was pleased to see a list of further reading and illustration credits listed in the back of the book to encourage readers to “add something more substantial, in the improvement of [their] minds by extensive reading.

Beautiful, sumptuous and satisfying, Pride and Prejudice: An Annotated Edition is a monumental achievement that should be on the top of your holiday wish list and considered one of few editions available to be esteemed truly accomplished.

5 of of 5 Regency Stars

Pride and Prejudice: An Annotated Edition, by Jane Austen, edited by Patricia Meyer Spacks
Belknap Press of Harvard University Press (2010)
Hardcover (464) pages
ISBN: 978-0674049161

© 2007 – 2010 Laurel Ann Nattress, Austenprose