Just in time for Valentine’s Day on February fourteenth, a new Jane Austen-inspired anthology has been published to fill our romantic hearts with Mr. Darcy and Elizabeth Bennet and many other characters from Austen’s beloved novels. A Very Austen Valentine contains six novellas by popular Austenesque authors: Robin Helm, Laura Hile, Wendi Sotis, Barbara Cornthwaite, Susan Kaye and Mandy H. Cook and includes stories inspired by Pride and Prejudice, Persuasion, and Sense and Sensibility. Featuring many of our favorite characters, readers will find sequels, adaptations, and spin offs of Austen’s works in this new book.
I am very happy to welcome three of the A Very Austen Valentine authors to Austenprose today. They have kindly agreed to an interview.
Welcome ladies. Here are a few questions to introduce us to your new anthology, your writing process and philosophies, and an opportunity to tell us about your next project.
Can you share your inspiration for this Austen-inspired anthology?
Laura: Several years ago Robin Helm and I talked about putting together an anthology – no small feat, as Laurel Ann knows (Jane Austen Made Me Do It) – and last Christmas we banded together with Wendi Sotis and Barbara Cornthwaite to release our first. Who knew that Jane Austen and Christmas would combine so well? Our readers, that’s who! We were overwhelmed by the response to A Very Austen Christmas. Next, we decided to take on Valentine’s Day. This holiday was not widely popular during the Regency, but when we found extant Valentine cards from the period, we were off and running. A Very Austen Valentine is the result.
We call our anthologies “books that friendship built” because, this is absolutely true. They are our way of introducing our writing friends to our reading friends – like you. We plan to include guest authors in each. Susan Kaye (Frederick Wentworth, Captain Series) and Mandy H. Cook (The Gifted) are with us for this one. Continue reading
Along with oodles of other media outlets and book bloggers, it’s time to reveal my own favorite books of 2018. It has been a serendipitous journey—full of adventure, comfort and surprises—mostly generated from reading beloved authors and stepping outside my sphere.
Traditionally I gravitate toward classic or modern authors in the historical fiction genre, focusing on novels inspired by Jane Austen. My reading choices this year were diverse within historical and contemporary fiction, romance, mysteries, and nonfiction, exploring new tropes and themes. However, they all share a common thread—sharp writing, comprehensive research, compelling stories and levity.
In my very, very small way I hope that my reading experiences this past year will act as a catalyst to those seeking a curated list of books from the vantage of a Janeite. Enjoy!
BEST AUSTENESQUE FICTION
The Longbourn Letters, by Rose Servitova
Lo and behold. Mr. Bennet and Mr. Collins are pen pals! For those familiar with these two minor characters in Austen’s Pride and Prejudice, you will not be disappointed in the full story of their relationship featuring Mr. Bennet’s dry sarcasm in all it’s glory while he goads his cousin and heir in pursuit of amusement, and in return the Odious One’s (Mr. Collins) obsequious prosing and sermonizing right back at him. I enjoy Austenesque novels that expand upon Austen’s characters more than any other type in the genre. Servitova’s creative and reverent take on the Bennet & Collins relationship is an impressive debut novel that many Janeites will enjoy, if only they knew about this sharp sleeper. 5 Stars Continue reading
Now that my holiday décor, baking, and gift shopping are finished—reading time was in order! What better way to celebrate the season than tucking up with a cup of tea and a good holiday themed story? Fortunately for my Jane Austen obsession, a surprise anthology appeared like an irresistible kitten with a big red bow arriving on your doorstep on Christmas Eve.
Yuletide is a new short story collection edited by Christina Boyd. Inspired by Jane Austen’s classic novel Pride and Prejudice, seven altruistic Austenesque authors donated their stories, along with others involved in the independent publishing process, to create a small collection of stories to benefit Chawton House, the manor house owned by Jane Austen’s brother Edward Austen Knight near Alton, England. This seemed a win-win for me. My purchase would benefit a worthy cause and support the Austenesque genre.
I understand that the book was pulled together in a very short time frame, so we shall see what magic happens when authors, editors, and book designers’ mettle is tested. Here is a rundown of the seven stories in the anthology. Continue reading
We were very pleased when a novel inspired by Jane Austen’s fourth daughter in Pride and Prejudice crossed our path. What Kitty Did Next is a continuation, as such, of one of the five Bennet sisters after the close of the classic novel, whose heroine Elizabeth receives most of the praise from her father and a marriage to Mr. Darcy of Pembeley in the end. Her younger sister Catherine on the other hand, or Kitty as she is called by her family, only earns put-downs and threats from her father after her involvement in her younger sister Lydia’s infamous elopement with Mr. Wickham. Accused of being silly and ignorant, what could Kitty do to regain her family’s trust, raise her self-esteem and make herself marriageable? From the title of the book, my expectations were high. How would Kablean turn the floundering duckling of Longbourn into a swan?
Much of the anticipation for the reader is generated by Kitty’s past behavior in Pride and Prejudice. For those who have not read the original, Kablean gives us ample background and character backstory.
Kitty, meanwhile, was just Kitty. A docile child, she had trailed after her adored eldest sisters but they, like many older siblings, had not delighted in her presence and had sent her off to play with the younger ones. Only sickness and prolonged periods of enforced rest had brought Jane, and occasionally Elizabeth, to her bedside, and when she had fully recovered her health Lydia had so far inserted herself as her mother’s favourite that it had seemed obvious that she should follow in her younger sister’s wake and share all the delights and comforts bestowed upon her. Neither commanding nor being the centre of attention, Kitty had become more adept at observing than doing and, until the events of the previous year, had not questioned this order of things. Chapter 6
It’s time to announce the winners of the giveaway contest for the Love & Friendship Janeite Blog Tour. The three lucky winners of hardcover copies of the book drawn at random are:
Congratulations ladies! To claim your prize, please contact me with your full name and address by July 7, 2016, or you will forfeit your prize! Shipment is to US addresses only.
Thanks to all who left comments and to Little, Brown and Company for the giveaway prizes.
Cover image courtesy of Little, Brown and Company © 2016, text Laurel Ann Nattress © 2016, Austenprose.com
From the desk of Tracy Hickman:
Lady Susan is my favorite of Jane Austen’s minor works. A scheming widow who also happens to be “the most accomplished coquette in England,” Lady Susan Vernon is intelligent, attractive, and unscrupulous, agreeing with her immoral friend Alicia Johnson that “Facts are such horrid things!” (256) Her letters to Alicia detail her plans to snare wealthy husbands for both herself and her daughter Frederica, while causing pain and suffering to those she deems detestable. As she includes her own daughter in this camp, calling her a “stupid girl,” she has no qualms in forcing Frederica to marry a decidedly silly man with a large fortune. Lady Susan is a terrible person, but a wonderful character. While the novella lacks the depth of later works, it is a wickedly funny short story in epistolary form; its tone is reminiscent of the snarky comments found in many of Austen’s letters.
Who better to capture Austen’s witty social commentary than filmmaker and writer Whit Stillman? His first film, Metropolitan, was one of my favorites from the 1990s, but I confess that I didn’t catch its similarities to Mansfield Park until many years later. Now Stillman has written a companion piece to his latest film Love & Friendship in straight narrative form. He introduces a new character to the story: Rufus Martin-Colonna de Cesari-Rocca, Lady Susan’s nephew. Rufus has penned his “true narrative of false-witness” to expose Austen’s supposed hatchet job on his aunt. His loyalties are made clear with the novel’s subtitle, “In Which Jane Austen’s Lady Susan Vernon Is Entirely Vindicated (Concerning the Beautiful Lady Susan Vernon, Her Cunning Daughter & the Strange Antagonism of the DeCourcy Family).”
Readers familiar with Austen’s Lady Susan will notice an inversion of good and evil from the outset. Rufus has dedicated his novel to none other than the Prince of Wales, mimicking Austen’s dedication of Emma to the Prince Regent, but in a much more effusively toad-eating style. After two knowing winks from Stillman in two pages: consider yourself warned. Rufus is the quintessential unreliable narrator, writing his rebuttal of Austen’s version of events from debtors prison in Clerkenwell in 1858. The vindication of his maligned aunt, riddled with inconsistencies and bizarre logic, is peppered with tirades on a range of subjects: history, theology, and grammar. These make for some of the funniest passages in the novel. Continue reading
Austen scholar Devoney Looser joins us today during the Love & Friendship Janeite Blog Tour to interview ‘Friend of Jane,’ writer/director/author Whit Stillman, whose new hit movie Love & Friendship, and its companion novel, are on the radar of every Janeite.
Welcome Ms. Looser and Mr. Stillman to Austenprose.com.
Devoney Looser: We Janeites know that you go way back as a Janeite yourself. (Would you label yourself that? I see you’ve copped elsewhere to “Jane Austen nut.”) You’ve admitted you were once dismissive of Austen’s novels as a young man—telling everyone you hated them—but that after college you did a 180, thanks to your sister. Anything more you’d like to tell us about that?
Whit Stillman: I prefer Austenite and I consider myself among the most fervent. Yes, there was a contretemps with Northanger Abbey when I was a depressed college sophomore entirely unfamiliar with the gothic novels she was mocking — but I was set straight not many years later.
DL: What made you decide that “Lady Susan” wasn’t the right title to present this film to an audience? (Most of Austenprose’s readers will be wise to the fact that Austen herself didn’t choose that title for her novella, first published in 1871.) I like your new title Love & Friendship very much, but clever Janeites will know you lifted it from a raucous Austen short story, from her juvenilia, Love & Freindship. What led you to make this switch in titles? (I do want to register one official complaint. You’ve now doomed those of us who teach Austen’s Love & Freindship to receiving crazy-wrong exam answers on that text from our worst students for years to come.)
WS: Perhaps it is irrational but I always hated the title “Lady Susan” and, as you mention, so far as we know it was not Jane Austen’s; the surviving manuscript carries no title (the original binding was chopped off) and she had used “Susan” as the working title for “Northanger Abbey.” The whole trajectory of Austen’s improved versions of her works was from weak titles, often character names (which I know many film distributors hate as film titles*) toward strong, resonant nouns — either qualities or place names. “Elinor and Marianne” became Sense and Sensibility, “First Impressions” became Pride and Prejudice, “Susan” became Northanger Abbey. Persuasion and Mansfield Park are similarly sonorous. Continue reading