Along with oodles of other media outlets and book bloggers, it’s time to reveal my own favorite books of 2018. It has been a serendipitous journey—full of adventure, comfort and surprises—mostly generated from reading beloved authors and stepping outside my sphere.
Traditionally I gravitate toward classic or modern authors in the historical fiction genre, focusing on novels inspired by Jane Austen. My reading choices this year were diverse within historical and contemporary fiction, romance, mysteries, and nonfiction, exploring new tropes and themes. However, they all share a common thread—sharp writing, comprehensive research, compelling stories and levity.
In my very, very small way I hope that my reading experiences this past year will act as a catalyst to those seeking a curated list of books from the vantage of a Janeite. Enjoy!
BEST AUSTENESQUE FICTION
The Longbourn Letters, by Rose Servitova
Lo and behold. Mr. Bennet and Mr. Collins are pen pals! For those familiar with these two minor characters in Austen’s Pride and Prejudice, you will not be disappointed in the full story of their relationship featuring Mr. Bennet’s dry sarcasm in all it’s glory while he goads his cousin and heir in pursuit of amusement, and in return the Odious One’s (Mr. Collins) obsequious prosing and sermonizing right back at him. I enjoy Austenesque novels that expand upon Austen’s characters more than any other type in the genre. Servitova’s creative and reverent take on the Bennet & Collins relationship is an impressive debut novel that many Janeites will enjoy, if only they knew about this sharp sleeper. 5 Stars Continue reading
Now that my holiday décor, baking, and gift shopping are finished—reading time was in order! What better way to celebrate the season than tucking up with a cup of tea and a good holiday themed story? Fortunately for my Jane Austen obsession, a surprise anthology appeared like an irresistible kitten with a big red bow arriving on your doorstep on Christmas Eve.
Yuletide is a new short story collection edited by Christina Boyd. Inspired by Jane Austen’s classic novel Pride and Prejudice, seven altruistic Austenesque authors donated their stories, along with others involved in the independent publishing process, to create a small collection of stories to benefit Chawton House, the manor house owned by Jane Austen’s brother Edward Austen Knight near Alton, England. This seemed a win-win for me. My purchase would benefit a worthy cause and support the Austenesque genre.
I understand that the book was pulled together in a very short time frame, so we shall see what magic happens when authors, editors, and book designers’ mettle is tested. Here is a rundown of the seven stories in the anthology. Continue reading
It’s time to announce the winners of the giveaway contest for the Love & Friendship Janeite Blog Tour. The three lucky winners of hardcover copies of the book drawn at random are:
Congratulations ladies! To claim your prize, please contact me with your full name and address by July 7, 2016, or you will forfeit your prize! Shipment is to US addresses only.
Thanks to all who left comments and to Little, Brown and Company for the giveaway prizes.
Cover image courtesy of Little, Brown and Company © 2016, text Laurel Ann Nattress © 2016, Austenprose.com
From the desk of Tracy Hickman:
Lady Susan is my favorite of Jane Austen’s minor works. A scheming widow who also happens to be “the most accomplished coquette in England,” Lady Susan Vernon is intelligent, attractive, and unscrupulous, agreeing with her immoral friend Alicia Johnson that “Facts are such horrid things!” (256) Her letters to Alicia detail her plans to snare wealthy husbands for both herself and her daughter Frederica, while causing pain and suffering to those she deems detestable. As she includes her own daughter in this camp, calling her a “stupid girl,” she has no qualms in forcing Frederica to marry a decidedly silly man with a large fortune. Lady Susan is a terrible person, but a wonderful character. While the novella lacks the depth of later works, it is a wickedly funny short story in epistolary form; its tone is reminiscent of the snarky comments found in many of Austen’s letters.
Who better to capture Austen’s witty social commentary than filmmaker and writer Whit Stillman? His first film, Metropolitan, was one of my favorites from the 1990s, but I confess that I didn’t catch its similarities to Mansfield Park until many years later. Now Stillman has written a companion piece to his latest film Love & Friendship in straight narrative form. He introduces a new character to the story: Rufus Martin-Colonna de Cesari-Rocca, Lady Susan’s nephew. Rufus has penned his “true narrative of false-witness” to expose Austen’s supposed hatchet job on his aunt. His loyalties are made clear with the novel’s subtitle, “In Which Jane Austen’s Lady Susan Vernon Is Entirely Vindicated (Concerning the Beautiful Lady Susan Vernon, Her Cunning Daughter & the Strange Antagonism of the DeCourcy Family).”
Readers familiar with Austen’s Lady Susan will notice an inversion of good and evil from the outset. Rufus has dedicated his novel to none other than the Prince of Wales, mimicking Austen’s dedication of Emma to the Prince Regent, but in a much more effusively toad-eating style. After two knowing winks from Stillman in two pages: consider yourself warned. Rufus is the quintessential unreliable narrator, writing his rebuttal of Austen’s version of events from debtors prison in Clerkenwell in 1858. The vindication of his maligned aunt, riddled with inconsistencies and bizarre logic, is peppered with tirades on a range of subjects: history, theology, and grammar. These make for some of the funniest passages in the novel. Continue reading
Austen scholar Devoney Looser joins us today during the Love & Friendship Janeite Blog Tour to interview ‘Friend of Jane,’ writer/director/author Whit Stillman, whose new hit movie Love & Friendship, and its companion novel, are on the radar of every Janeite.
Welcome Ms. Looser and Mr. Stillman to Austenprose.com.
Devoney Looser: We Janeites know that you go way back as a Janeite yourself. (Would you label yourself that? I see you’ve copped elsewhere to “Jane Austen nut.”) You’ve admitted you were once dismissive of Austen’s novels as a young man—telling everyone you hated them—but that after college you did a 180, thanks to your sister. Anything more you’d like to tell us about that?
Whit Stillman: I prefer Austenite and I consider myself among the most fervent. Yes, there was a contretemps with Northanger Abbey when I was a depressed college sophomore entirely unfamiliar with the gothic novels she was mocking — but I was set straight not many years later.
DL: What made you decide that “Lady Susan” wasn’t the right title to present this film to an audience? (Most of Austenprose’s readers will be wise to the fact that Austen herself didn’t choose that title for her novella, first published in 1871.) I like your new title Love & Friendship very much, but clever Janeites will know you lifted it from a raucous Austen short story, from her juvenilia, Love & Freindship. What led you to make this switch in titles? (I do want to register one official complaint. You’ve now doomed those of us who teach Austen’s Love & Freindship to receiving crazy-wrong exam answers on that text from our worst students for years to come.)
WS: Perhaps it is irrational but I always hated the title “Lady Susan” and, as you mention, so far as we know it was not Jane Austen’s; the surviving manuscript carries no title (the original binding was chopped off) and she had used “Susan” as the working title for “Northanger Abbey.” The whole trajectory of Austen’s improved versions of her works was from weak titles, often character names (which I know many film distributors hate as film titles*) toward strong, resonant nouns — either qualities or place names. “Elinor and Marianne” became Sense and Sensibility, “First Impressions” became Pride and Prejudice, “Susan” became Northanger Abbey. Persuasion and Mansfield Park are similarly sonorous. Continue reading
A new Jane Austen-inspired movie released on May 13th. Love & Friendship has received rave reviews from critics and Jane Austen fans alike.
- “FLAT-OUT-HILARIOUS. Jane Austen has never been funnier.” – The Telegraph
- “Whit Stillman and English novelist Jane Austen make for a delightful pairing in this comedy of manners.” – The Star.com
- “Kate Beckinsale magnetizes the screen.” – Variety
Written and directed by renowned independent filmmaker Whit Stillman, (a big friend of Jane Austen with his previous movies Metropolitan and Last Day of Disco), the movie has been adapted from Austen’s comic gem, Lady Susan, and features an all-star cast reuniting Kate Beckinsale and Chloë Sevigny and featuring a string of British period drama acting royalty: Steven Fry, James Fleet and Jemma Redgrave. I saw it on Sunday. I was astounded to discover there were actually people in the theater laughing louder than me, inspired by Tim Bennet’s performance as the rattle, Sir James Martin, and the all-around witty banter and comedic timing!
In addition, Stillman has written a companion novel to the film also entitled Love & Friendship with the added subtitle: In Which Jane Austen’s Lady Susan Vernon Is Entirely Vindicated. For those who have read Austen’s original novella, you will remember that Lady Susan Vernon is described by Reginald De Courcy as “the most accomplished coquette in England.” and by others as devious, wicked and “with a happy command of language, which is too often used, I believe, to make black appear white.” To vindicate her scurrilous behavior is an intriguing premise indeed!
Love & Friendship, the novel, is told from the perspective of a new character, Rufus Martin-Colonna de Cesari-Rocca, Lady Susan’s nephew. His voice throughout the book is very Austenesque, with tongue-in-cheek humor and inside Austen jokes that will delight Janeites. Continue reading
From the desk of Tracy Hickman:
Jane Austen is a tough act to follow and that is exactly what the Austen Project asks contemporary authors to do: reimagine one of Austen’s novels in the here and now. Curtis Sittenfeld, author of four novels including Prep and American Wife, was chosen to take on Austen’s best-known work, Pride and Prejudice. While P&P-inspired books and films such as Bridget Jones’ Diary and Bride and Prejudice demonstrate that the story and its themes have broad appeal, I wondered how Sittenfeld’s Eligible would handle the main plot points in a modern setting. Many of the issues that Austen’s characters grappled with are barely recognizable if they exist at all in modern daily life.
In Eligible, the tension between the original story and Sittenfeld’s inventions kept me turning pages. Brief, episodic chapters mirror the short attention span of a digital era audience. In contemporary Cincinnati, Mr. Bennet spends as much time as possible alone at his computer, while Mrs. Bennet’s life revolves around country club gossip and planning luncheons for the Women’s League. Jane and Liz have carved out careers in Manhattan: the eldest Miss Bennet teaches yoga while her sister writes features for a magazine. They return to Cincinnati when Mr. Bennet has a heart attack. Their practical assistance and support are needed because their younger sisters, while living at home, are little help to their parents. Socially awkward Mary is pursuing her third online master’s degree while Kitty and Lydia, as crass and self-absorbed as ever, are obsessed with working out at the gym and following trendy diets. Sittenfeld’s group portrait of the Bennet clan was one of my favorite parts of Eligible. It’s easy to picture Jane Austen smiling at this: Continue reading