From the desk of Kimberly Denny-Ryder:
When I was first asked to review Then Comes Winter edited by Christina Boyd, I felt that the fact that it was a short story compilation was perfect. In the midst of holiday planning, gift buying, and cookie baking, I had less than my normal appointed time for reading. So, having the ability to read these shorter, Austen-inspired stories let me fit them right in with my schedule and enjoy them that much more. Couple that with the fact that I now had a bunch of new authors to check out, and I was certainly excited to get started. Even more exciting, however, is the fact that my fellow Austenprose contributor Christina Boyd is the editor!
As I did with my last compilation review, Sun-kissed, I’m posting the Goodreads summary below as there are multiple stories and I cannot summarize them all here.
If you long for a toasty snuggle on a cold winter’s night, this compilation of original short stories inspired by the magic of the holiday season-and more than a nod to Jane Austen-is fancied as a sublime wintertime treat. On the heels of the summer anthology, Sun-kissed: Effusions of Summer, and in concert with some of Meryton Press’s most popular authors, this romantic anthology introduces several promising writers. With a robust mix of contemporary and Regency musings, Then Comes Winter rekindles passionate fires with equal wonder, wit, and admiration. Stories by: Lory Lilian, Linda Gonschior, Suzan Lauder, Beau North & Brooke West, Sophia Rose, Natalie Richards, Anngela Schroeder, Melanie Stanford, Denise Stout, Erin Lopez, and Maureen Lee.
From the desk of Katie Patchell:
Digital Cameras. Laptops. Word documents and Note Apps. In 2015, these and countless other electronic items are used to quickly capture memories and jot down thoughts. But in 1815, the primary means of recording moments and ideas was through paper, pen, and paintbrush. Novels, journals, and artwork show moderns what life was like in the early 1800s, bringing readers and viewers into the thoughts and events of two centuries ago. In The Painter’s Daughter, Julie Klassen’s latest Regency romance set against the backdrop of Devon’s towering cliffs, readers discover a story of secrets and danger, prophecies and hope. But unlike the portraits from the Regency period, “viewers” are not given a glimpse of 1815 through the paint on a canvas, but rather through the story of the painter herself.
March 1815: Captain Stephen Marshall Overtree has only a few short weeks left of shore leave before he returns to the Navy, and he has one last family duty to perform: Locating his wayward brother, Wesley. Stephen digs up his brother’s last address at a painter’s cottage and rides to the small seaside town, Lynmouth. His plan is simple—find Wesley, and return to his blissfully regimented life in the Navy. But his retrieval plan is ruined when on his arrival at the Devon seaside, all he finds is a locked cottage, crates of paintings, and a beautiful woman standing perilously close to a cliff’s edge. Continue reading
From the desk of Tracy Hickman:
Jane Austen fans cannot be filed neatly into a single category any more than Austen’s works can be limited to one literary genre. How might an editor attempt to do justice to the multiplicity of Janeite fandom in a slim volume of essays and interviews? This question was uppermost in my mind as I began reading Fan Phenomena: Jane Austen. The Fan Phenomena series website explains that the goal of the series is to “look at particular examples of ‘fan culture’ and approach the subject in an accessible manner aimed at both fans and those interested in the cultural and social aspects of these fascinating–and often unusual–‘universes’.”
What is the joy of Jane? What is it about her work that keeps readers, and viewers, coming back for more? Is it the Darcy effect? Is it the irony, the wit, the romance? Or is it a combination of all these factors? Many critics and authors have compiled works to analyse this vast and still growing phenomenon of fandom…This collection offers material about the fans, for the fans, by the fans, and offers a combination of the popular and the academic. (5)
Editor Gabrielle Malcom’s introduction provides a clear description of the purpose and scope of the collection. She acknowledges the differences between mainstream fan culture and the academic treatment of Austen. After setting Austen’s work in its historical context with a few concise and insightful paragraphs, she provides brief descriptions of the essays and interviews that follow. While Fan Phenomena: Jane Austen has the look of an academic journal, its design and use of color photographs creates a visually appealing experience for the reader, with the exception of the excessively small font size used for the text of the essays. Although I suspect that the text format is dictated by the Fan Phenomena series as a whole and not unique to this volume, the cramped appearance distracted me from the content at times. I found the format used in the Fan Appreciation interviews to be much more appropriate and reader-friendly. Continue reading
From the desk of Lisa Galek:
Georgiana Darcy might be a minor character in Pride and Prejudice, but we know that she’ll go on to play a very important role in the lives of the future Mr. and Mrs. Darcy. As a resident of Pemberley, Georgiana’s daily life would have been intimately connected with the lives of her brother and sister-in-law. How would she have learned from them? How would she grow into a woman? Would she ever find her own true love? In Shannon Winslow’s book, Miss Georgiana Darcy of Pemberley, all those questions are answered and more.
Our story begins about a year after the events of Pride and Prejudice. Georgiana Darcy is about to turn eighteen years old and lives at Pemberley with her brother and new sister-in-law. She is profoundly happy there and never has to worry about being married off to some odious relative for financial reasons. Of course, that doesn’t mean Georgiana doesn’t want to get married… if the right man comes along. Right now, she has her heart set on her cousin Colonel Fitzwilliam, who is starting to look less like a guardian and more like husband material every day. Continue reading
From the desk of Monica Perry:
Readers of Pride and Prejudice retellings know that sometimes it’s a great thing when Mr. Darcy’s proposal to Elizabeth Bennet gets interrupted. It isn’t his best moment and perhaps if it’s averted, the universe will realign in his favor, giving him time to learn of her disdain for him and correct his behavior before she hands him his heart on a stick. In Victoria Kincaid’s Pride and Proposals, Darcy doesn’t get the chance to propose, yet he still has his heart broken, as he arrives at the parsonage just in time to learn his lady love just got engaged to his best friend and cousin, Colonel Richard Fitzwilliam. What can he do? Richard is kind and honorable, and they seem to be very happy. If Darcy can’t have her, she could do far worse in a spouse. Can he risk embarrassing himself and harming his relationship with Richard by admitting his feelings? Does she truly love Richard or is she marrying for convenience? Colonel Fitzwilliam is such a beloved personage in Pride and Prejudice stories; in a world without Mr. Darcy, he and Elizabeth could be quite well- suited for each other. I wanted to know if Ms. Kincaid could possibly get Darcy and Elizabeth to a happy ending without breaking Richard’s heart in the process. Continue reading
From the desk of Christina Boyd:
Seemingly moments after reading the end of award winning author’s Carrie Bebris, The Deception at Lyme (Or, The Peril of Persuasion) in 2011, the sixth novel in her Mr. and Mrs. Darcy Mystery series, I, along with other fans wondered what Bebris might write next. Much speculation surfaced whether she would attempt a mystery with Austen’s lesser known works: Sanditon, The Watsons, and Lady Susan or abandon the scheme altogether! Not four years later, and all anticipation, I had my hands on an advanced copy of Bebris’s seventh in the Mr. and Mrs. Darcy Mystery series, Suspicion at Sanditon (Or, the Disappearance of Lady Denham).
Only the most astute Austen fans will know Sanditon is the unfinished novel that Jane Austen began writing in January 1817 and forsook after the first eleven chapters on March 18—dying 4 months later on July 18, 1817. Others might be interested to understand this first draft centers on a Miss Charlotte Heywood, the daughter of a country gentleman, who travels to a developing seaside resort, Sanditon, and encounters a ridiculous baronet Sir Edward Denham, the Parker family who were always imagining themselves unwell, and the twice-widowed dowager Lady Denham with no heir apparent. “In those few chapters she sets her stage, populates it with memorable characters, and infuses the whole with humor reminiscent of her earlier writings.” (332) Author’s Note. Continue reading
From the desk of Katie Patchell:
One crumbling manor house. Three estranged sisters. And a garden full of roses. All of these and more are ingredients in The Rose Girls, the latest novel by Victoria Connolly, author of the currently six-book Austen Addicts series. While not a book connected to Jane Austen’s novels or the Regency period, The Rose Girls is a story that shares timeless themes from Austen’s own masterpieces: the importance of family, forgiveness, healing, nature, and love.
After the news that her mother recently died of cancer, Celeste Hamilton is called back home to Little Eleigh Manor and Hamilton Roses, the family rose business, to support her two sisters. Still recovering from a divorce and memories of a painful childhood, Celeste plans only on spending a few weeks at her old home to sort through things and comfort her sisters, before escaping with her dog, Frinton, to somewhere much better and (hopefully) memory-free. On arriving back at her family home, Celeste realizes her responsibilities are much more than she bargained for. Little Eleigh Manor desperately needs repairs, and she’s the only sister willing to sell possessions to keep the house from (quite literally) falling down around them.
Supported by her sister Gertie, resented by her other sister Evie, and hearing the echoes of her mother’s past verbal abuse in her ears as she wanders Little Eleigh Manor’s halls, Celeste is surprisingly comforted by the forgotten beauty of the roses her family has grown and sold for years. With her beloved sisters distant and hiding their own secrets, and a friendly, perceptive, and surprisingly young art auctioneer interested in more than just family paintings, Celeste finds reasons to put off her escape for a few more weeks—and with her two sisters, a few roses, and a lot of love, forgive the past and change the future. Continue reading