From the desk of Katie Patchell:
Digital Cameras. Laptops. Word documents and Note Apps. In 2015, these and countless other electronic items are used to quickly capture memories and jot down thoughts. But in 1815, the primary means of recording moments and ideas was through paper, pen, and paintbrush. Novels, journals, and artwork show moderns what life was like in the early 1800s, bringing readers and viewers into the thoughts and events of two centuries ago. In The Painter’s Daughter, Julie Klassen’s latest Regency romance set against the backdrop of Devon’s towering cliffs, readers discover a story of secrets and danger, prophecies and hope. But unlike the portraits from the Regency period, “viewers” are not given a glimpse of 1815 through the paint on a canvas, but rather through the story of the painter herself.
March 1815: Captain Stephen Marshall Overtree has only a few short weeks left of shore leave before he returns to the Navy, and he has one last family duty to perform: Locating his wayward brother, Wesley. Stephen digs up his brother’s last address at a painter’s cottage and rides to the small seaside town, Lynmouth. His plan is simple—find Wesley, and return to his blissfully regimented life in the Navy. But his retrieval plan is ruined when on his arrival at the Devon seaside, all he finds is a locked cottage, crates of paintings, and a beautiful woman standing perilously close to a cliff’s edge.
Sophie Dupont never expected Wesley Overtree to abandon her. They had spent months together working on their artwork, and as the days of painting and modeling passed, she had felt her inhibitions drift away as their love grew. He had made her feel as if she were the most precious woman in the world…until he jumped on a boat to Italy, leaving her with boxes of his portraits of her and his unborn child. When Captain Stephen Overtree saves her from a cliff-top plunge as Sophie was grabbing for Wesley’s fallen goodbye note, she has no choice but to pack up the last of Wesley’s belongings—including his scandalous portraits of her—and send them with Stephen.
Despite his sudden attraction to the beautiful but withdrawn Miss Dupont, Stephen plans to put Wesley out of his mind and return to the Navy. But when he catches Sophie in a bout of morning sickness, he realizes that he is in for a bigger plan change than he ever imagined. Knowing his brother’s personality and Sophie’s future as an unwed mother, Stephen offers her a way of escape: to elope with him, gaining security from the Overtree name and family. Despite her lingering feelings for Wesley, Sophie accepts, and within a few days, becomes a wife and new resident at the Overtree family home. What begins as a marriage of convenience slowly morphs into something more, but when an ominous prophecy of Stephen’s impending death is revealed and Wesley returns home, ready to open and make public his crates containing Sophie’s revealing portraits, Sophie and Stephen must decide which is more important: their previous separated lives, or their possible future together. Continue reading