From the desk of Ruth Anderson:
Jane Austen’s unparalleled wit, biting social commentary, and sharply-drawn characters have transformed works that were once private scribblings, shared only with family, to classics beloved the world over. For the spinster daughter of a clergyman, Jane Austen’s work has proven to have a remarkable staying power, the unforgettable characters and storylines having been indelibly imprinted on the public consciousness, giving rise to a wide array of interpretations – from stage plays to films – as well as sequels or spin-offs. When I was approached with the opportunity to review Charlie Lovett’s First Impressions, I was simultaneously intrigued and wary, as it promised to address the creation of two of my most beloved characters in all of literature – Elizabeth Bennet and Fitzwilliam Darcy from Pride and Prejudice.
Happily, Lovett’s charming sophomore effort won me over on all counts. This is both a loving homage to the enduring power and appeal of Austen’s stories and the passion that her works inspire, but the power of story. Bibliophiles of the type featured within these pages such as Lovett’s heroine Sophie are uniquely wired to grasp the inherent power and potential of words, and of how stories can forge connections across time and experience, knitting together authors and those who love their words in a community of common ground birthed from the shared reading experience, no matter how varied the respective interpretation.
First Impressions is a dual-narrative, a difficult feat to pull off successfully in my reading experience. In these cases, typically one half of the story thread resonates more strongly than the other, but here Lovett proves equally adept at balancing his contemporary narrative with the historical thread. The historical portion of the novel introduces a young Jane Austen, circa 1796, deep in the first draft of Elinor and Marianne, the epistolary novel that would serve as the genesis for Sense and Sensibility. She strikes up an unlikely friendship with Richard Mansfield, an elderly and retired clergyman whom she is shocked to discover shares her passion for novels. Despite the wide disparity in their age and experience, Jane and the reverend prove to be a meeting of remarkably like minds from which a fast friendship is born. This friendship and the trust that comes to underscore their every interaction transforms Jane’s life as Reverend Mansfield becomes the staunchest support of Jane’s writing efforts (outside of her family). When Jane confesses a secret shame to her friend and mentor, a story called “First Impressions” is birthed from their joint project of reconciliation and redemption – the genesis of a love story between one Elizabeth Bennet and one Fitzwilliam Darcy. Continue reading