I have been blogging about Jane Austen here at Austenprose for over five years and I have reviewed many books and movies, yet I have held off writing about the one that really turned me into a Jane Austen disciple—the 1980 BBC Pride and Prejudice. When something is close to our hearts we want to keep it in a special place, so my personal impressions of Fay Weldon’s adaptation of Jane Austen’s most popular novel has remained my own. In this bicentenary year, I think it is time for me to share.
It first aired in five (55) minute episodes on the BBC in the UK in 1979, and on US television on Masterpiece Theatre between October 26 and November 23, 1980. I was a great fan of Masterpiece and period drama and remember being quite excited to watch the new series. I was not disappointed in the first episode—in fact I was mesmerized—and watched the episode again when it aired again that week on PBS. Considering that in 1980 disco music was all the rage and Magnum P.I. and Three’s Company were the most popular television shows, you might understand why this anglophile was entranced by a series set in Regency England with beautiful costumes, country houses, sharp dialogue and swoon worthy romance. I was totally hooked and started reading the novel for the first time while the series aired.
Now, considering that many of you who are reading this review where not even born by 1980, you might not get the significance of the way in which our entertainment was doled out to us in the those early days. There was the television broadcast, and that was it. In fact there were no VCR’s yet, so you could not tape a video. I had to wait another 10 years before I saw the series again. Shocking, I know. But remember that the Internet would not be born until the mid-1990’s and the concept of streaming video was totally unknown.
On reflection, why did I like P&P 1980 so much when it originally aired, and does it still stand up to the litmus test for P&P adaptations?
Even though the BBC had produced radio and television adaptations of Pride and Prejudice in 1938, 1952, 1958 and 1967 this would be the first time that a US audience would see a television series of Jane Austen’s novel. Some of us had seen the 1940 MGM move of P&P staring Laurence Olivier and Greer Garson, but it was hardly faithful to the novel and was a two hour theatrical movie. Very little of Jane Austen’s original language had been used and let’s not even begin the conversation about the changes that were made. Now for the first time we could hear Austen’s words and see the plot unfold as she imagined it—well not word for word or scene by scene—but screenwriter Fay Weldon did adhere much more faithfully to Austen intensions than we had ever seen before, nor since. Here is a list of the cast and production team:
CAST & CREW
- Elizabeth Bennet – Elizabeth Garvie
- Mr. Fitzwilliam Darcy – David Rintoul
- Mr. Bennet – Moray Watson
- Mrs. Bennet – Priscilla Morgan
- Jane Bennet – Sabina Franklyn
- Mary Bennet – Tessa Peake-Jones
- Kitty Bennet – Clare Higgins
- Lydia Bennet – Natalie Ogle
- George Wickham – Peter Settelen
- Mr. Collins – Malcolm Rennie
- Charlotte Lucas – Irene Richard
- Mr. Bingley – Osmund Bullock
- Caroline Bingley – Marsha Fitzalan
- Lady Catherine de Bourgh – Judy Parfitt
- Director – Cyril Coke
I will spare you the rehash of the synopsis and cut to the case. This adaptation flies freely by the strength of the screenplay and the interpretation by the director of the actors. They act like Regency era ladies and gentlemen and in the manner that Jane Austen intended. Elizabeth Garvie as Elizabeth Bennet is perfection. She is just as clever and impertinent as her book persona. If she has any defect it is that she is too perfect, appearing too controlled at every moment and not quite as spirited and flawed as one would expect. Her hero Mr. Darcy, portrayed by David Rintoul, is flawed, but that is his strength. He is stiff as a wooden solider, and we hate him until we meet him again at Pemberley two thirds through the story. But, his portrayal is as Austen wrote the character: noble, proud, arrogant, overconfident and infuriating. His transition to an open and engaging personality is a gradual shift which grows as his affection for Elizabeth does. His transformation from an arrogant prig to an amiable gentleman suitor for our heroine is a great character arch well worth waiting for.
Every director wants to put their own stamp on a classic. I cannot condemn Cyril Coke for taking his chance. He does not swerve off the garden path too far. There are two moments that are his creations that are memorable for me. The first was when Darcy hands Elizabeth the “be not alarmed, Madame,” letter after the first proposal. Elizabeth and Darcy meet along a path at Rosings Park and he hands her his letter. She accepts it and takes a seat on a fallen tree and reads it. We hear David Rintoul’s beautiful velvet voice, and perfect diction, as a voiceover as she reads the letter. As he walks away from her, the camera pulls back and follows him. As he gets father away we see both Elizabeth and Darcy in the frame become smaller and smaller. It is quite affective in relaying his presence and driving home the fact that as she reads his explanation of his behavior, and she has her “until this moment I never knew myself” revelation, we are left with the feeling that he has walked out of her life, and now how will she get him back?
The second great moment comes when Elizabeth and her Aunt and Uncle Gardiner are touring Pemberley. They think that Darcy is far away in Town. They are in a garden adjacent to the house and Elizabeth is admiring the facade and looks down to see Mr. Darcy’s dog appear around a corner of the building. His master soon follows and walks into the garden and is surprised to find Elizabeth at his home. They have an awkward meeting and Elizabeth is very uncomfortable. Now, Mr. Darcy does not have a dog in the original novel, but this addition of the well-trained spaniel, as proud and contained as his master, appearing as a foreshadowing to Elizabeth was brilliant.
The secondary characters really shine in this production too. Malcolm Rennie as Mr. Collins is just priceless. He is tall and toady and just the perfect smarmy buffoon. Peter Settelen as George Wickham is such a handsome, charming cad that we want to love him like Elizabeth is tempted to do. There is a scene where he and Lizzy are walking in the garden and all I can concentrate on are his canary breeches! Judy Parfitt gives us an imperious Lady Catherine de Bourgh that is quite younger than I had envisioned in the book, but still as imposing.
Since the 1980 P&P aired there has been one major miniseries filmed in 1995 and a movie in 2005. Everyone has their favorite and I have this pet theory why Janeites love one version and abhor another. Everyone seems to bond with the first version that they see, so for those who love the 2005 Keira Knightley version with pigs in the Longbourn kitchen and Mr. Darcy walking across a misty morning glade to find Elizabeth in her nightgown, or the 1995 version with Colin Firth as Mr. Darcy taking a bath or a dip in Pemberley pond, think long and hard about what Jane Austen wrote about and what she wanted us to experience with her characters, and watch the 1980 version again.
And, what may you ask is the P&P litmus test? Why the first proposal scene of course. If the screenwriter, director, and actors can portray the misguided, passionate tension of Mr. Darcy and the cool indigence of Miss Eliza Bennet in Austen’s masterful scene as well as it unfolds in the 1980 version, then there is hope for the rest of the production.
Pride and Prejudice (1980)
BBC Worldwide (2004 re-issue)
DVD (226 minutes)
DVD cover and images courtesy of © 2004 BBC Worldwide; text © 2013 Laurel Ann Nattress, Austenprose