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Posts Tagged ‘Sense and Sensibility’

Just in case you were interested to know how much your first editions of Jane Austen’s works were worth, this video featuring Adam Douglas, Senior Specialist in Early Literature at Peter Harrington, a rare book dealer in London, introduces a selection of Jane Austen’s first editions and explains how bindings affect value.

We just love how he handles the books. It’s like an aphrodisiac for an Austen fan as he sensually glides his hands over first editions of Sense and Sensibility and Mansfield Park and speaks in reverent and seductive tones! Adam, you are such a Willoughby!

Enjoy!

Laurel Ann

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Sense and Sensibility Bicentenary Edition, by Jane Austen (Penguin Deluxe Classics 2011)For two hundred and one years readers have had the pleasure of reading Jane Austen’s first published novel, Sense and Sensibility. For the bicentenary celebration last year, Penguin Classics issued this new edition with an introduction by Cathleen Schine (The Three Weissmanns of Westport) and cover illustration by Audrey Niffenegger (yes the author of The Time Travelers Wife is also an artist).

The cover shows us a tempest in a teacup. While I love the design, I’m not sure that it exactly mirrors the action in Sense and Sensibility. The phrase tempest in a teacup, or teapot, has a slightly derogatory implication, like making a mountain out of a molehill. I personally think that Austen’s drama is not puffed up and only her heroine Marianne Dashwood is exaggerated (on purpose) to show her overly romantic personality. But, that’s just me.

Elinor could not be surprised at their attachment. She only wished that it were less openly shewn; and once or twice did venture to suggest the propriety of some self-command to Marianne. But Marianne abhorred all concealment where no real disgrace could attend unreserve; and to aim at the restraint of sentiments which were not in themselves illaudable appeared to her not merely an unnecessary effort, but a disgraceful subjection of reason to common-place and mistaken notions. – Sense and Sensibility, Ch 11

For those who have not had the pleasure yet of reading Austen’s tale of two divergent sisters and their financial and romantic challenges, what are you waiting for? If you need further inducement or would like a refresher on the plot, characters and style, you can read my reviews of the print book, Naxos audio recording and four movie adaptations from 1971, 1981, 1995 and 2008 Episode One, Episode Two.

Make haste and purchase this lovely Penguin Classics Bicentenary Edition of Sense and Sensibility directly at the Penguin website.

Many happy reading/listening/viewing hours await all those who seek the Dashwood story.

Cheers,

Laurel Ann

© 2012 Laurel Ann Nattress, Austenprose

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The Three Colonels: Jane Austen's Fighting Men, by Jack Caldwell (2012)Review by Jeffrey Ward

From Jack Caldwell, the author who brought us Pemberley Ranch, comes a 3-alarm war-time romance: The Three Colonels, Jane Austen’s Fighting Men. An amalgamation of two separate novels is often labeled a “mish-mash” but Mr. Caldwell’s unique melding of the principals from Pride and Prejudice with those from Sense and Sensibility deserves a much classier description.

Two of the three military heroes emerge straight from Jane Austen: Colonel Richard Fitzwilliam and Colonel Christopher Brandon.  The third, Colonel Sir John Buford, has been conjured up from the author’s fertile imagination.  One is married; (Brandon) one gets married; (Buford) One wants marriage. (Fitzwilliam)

Colonel Brandon is enjoying domestic tranquility with his beloved Marianne and the two are doting on their newly-arrived infant daughter, Joy.  Following an uninvited and intrusive encounter with John Willoughby, she weighs the merits of her husband against her former lover.  “Colonel Brandon, however, said little but did much….His deeds spoke volumes.  He was the true romantic.”

Colonel Sir John Buford is a handsome war hero, multi-talented, and a notorious rake.  As he reforms his philandering ways, he falls in love with none other than Caroline Bingley.  Miss Bingley is also ridding herself of her prickly reputation as a haughty and prideful social climber.  Initial suspicions of each other’s marriage motives dissolve away as they’re lovingly mentored by the role models in their families and friends.  “He was aware of Miss Bingley’s reputation, but her actions showed a desire for improvement, and Colonel Buford wondered if they might be fellow souls, striving for redemption.”

The author’s account of Colonel Fitzwilliam’s escapades at Rosings are brilliant and the high point of the book for me.  The colonel’s own romance is just too wonderful for me to want to reveal anything of it here.  Initially he is dispatched to Rosings by his father, Lord Hugh Fitzwilliam, (the rightful owner of the estate) to audit Rosings which has been mismanaged by Lady Catherine.  The grand lady’s turf war and her explosive dialogues with Fitzwilliam and virtually everyone else are Mr. Caldwell at his best.  During this time, Mrs. Jenkinson, Anne DeBourgh’s companion, stumbles upon the source of Anne’s poor health and the unexpected details are wildly funny.  To my delight, a maturing Anne acquires some steel against the controlling machinations of her overbearing Mother:  “Silence, Mother! Your schemes are not to be borne!  Let us have a right understanding between us, madam.  I will NEVER go to Bath with you.  The day Mrs. Jenkinson leaves this house is the day I do.  You have a choice before you – suffer my companion or lose both of us..”

By the time I was half-way though the novel, I was so thoroughly in love with the colonels, their ladies, and the endearing camaraderie amongst them all, I wished it never to stop.  However, their tranquility doesn’t last long as the dreaded news of Napoleon’s escape from Elba and his massing of another army galvanizes the officers into action and strikes terror into the women.  The author’s helpful dramatis personae includes a list of actual historical figures who are skillfully interwoven with the fictional characters into the spectacle of Waterloo, one of history’s pivotal battles.  The slaughter of men and livestock was almost incalculable and it was into this horrifying inferno that the heroic three colonels descended as their women waited in England for news….any news of their whereabouts at the front.

One of the techniques I appreciated was the author’s use of place name markers which he introduces in italics, to signify sudden changes in the location of the story.  Because of this, the action, at times, takes on the characteristic of a fast-breaking contemporary news event.  Without these markers, I would have been hopelessly lost.

The only drawback worth mentioning was the sexually explicit nature of the honeymoon bedroom scenes of Colonel Buford and Caroline which added little for me and seemed to actually detract from the lofty overall spirit of the story.

The author has possibly presented the most historically accurate account of Waterloo in a work of fiction since Georgette Heyer’s An Infamous Army, which is noted in the author’s bibliography, and does he pay homage to it here? “Green troops, green cavalry, green officers – that is what we have here, Colonel! An Infamous Army, what?”  And, I still think Colonel Fitzwilliam’s unexpected but glorious romance is worth the price of the book alone.  Achingly romantic and breathlessly paced, the story ate me alive with alternating feelings of dread, mirth, tears, and joy….just what a great read is supposed to do.

4.5 out of 5 Regency Stars

The Three Colonels: Jane Austen’s Fighting Men, by Jack Caldwell
Sourcebooks (2012)
Trade paperback (384) pages
ISBN: 9781402259739
NOOK: ISBN: 978-1402259746
Kindle: ASIN: B006OI2AKU

Jeffrey Ward, 65, native San Franciscan living near Atlanta, married 40 years, two adult children, six grandchildren, Vietnam Veteran, degree in Communications from the University of Washington, and presently a Facilitator/designer for the world’s largest regional airline.  His love affair with Miss Austen began about 3 years ago when, out of boredom, he picked up his daughter’s dusty college copy of Emma and he was “off to the races.”

© 2007 – 2012 Jeffrey Ward, Austenprose

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The Sense and Sensibility Bicentenary Challenge 2011 sidebar graphicWell Janeites, it’s been fun. A whole year of Sense and Sensibility  in celebration of the bicentenary of its publication in 1811.

I read 8 books, watched 2 movies and listened to one audio book. Here is a list of my reviews. A big thank you to my reviewer Kimberly who pinch hit the review of Expectation of Happiness for me when I was deep into my book Jane Austen Made Me Do It’s promotional Grand Tour in October.

My reading & viewing for the challenge:

  1. Jan 26 – The Three Weissmanns of Westport
  2. Feb 23 –  Sense and Sensibility 1981
  3. Mar 23 – The Dashwood Sisters Tell All
  4. Apr 27 –   Sense and Sensibility: The Screenplay and Diaries
  5. May 25 – The Annotated Sense and Sensibility
  6. Jun 22 – Sense and Sensibility 1995
  7. Jul 27 – Sass and Serendipity
  8. Aug 24 – Suspense and Sensibility
  9. Sept 28 – Sense and Sensibility (Naxos Audiobooks)
  10. Oct 26 – Expectations of Happiness
  11. Nov 23 – Sense and Sensibility (The Jane Austen Bicentenary Library)
  12. Dec 28 – Willoughby’s Return

83 of you signed up for the reading challenge. You can find their reviews in The Sense and Sensibility Bicentenary Reading Challenge archive.

Anyone who left a comment or a review here on Austenprose or on any of the posts on the participants reviews posted on their blogs qualified for the Grand Giveaway: one copy of each of the twelve books/movies/audios that I reviewed and a Pemberley Shoppe tote.

The winner drawn at random is: JOY ANDREA who left a comment on August 25, 2011 on my review of Suspense and Sensibility.

Congratulations JOY ANDREA. To claim your boat load of prizes, please contact me with your full name and address by 11:59 pm PT, Wednesday, January 11, 2012. Shipment to US and Canadian addresses only.

Thanks again to all who participated.

Cheers,

Laurel Ann

© 2007 – 2012 Laurel Ann Nattress, Austenprose

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Willoughbys Return, by Jane Odiwe (2009)This is my final contribution to The Sense and Sensibility Bicentenary Reading Challenge 2011. Feeling nostalgic during the holidays, I resorted to an old chestnut in selection of my final read. I enjoyed Willoughby’s Return immeasurably when I first read it two years ago. After re-reading it again, I began to write my new review and quickly realized that I was just repeating what I had previously written – with the exception that my respect for Odiwe’s writing had increased in comparison to other Austenesque fiction that I had read since – so I increased my star rating from 4 to 5.

While the Jane Austen sequel industry abounds with numerous books inspired by Pride and Prejudice, regretfully there are very few sequels to Austen’s first published novel Sense and Sensibility. Why? Possibly because some readers have been disappointed with half of Austen’s unsatisfactory ending for her two heroines. While the two Dashwood sisters do marry: staid and stoic Elinor to Edward Ferrars and impulsive and free-spirited Marianne to Col. Brandon, the second pairings future happiness seemed doubtful. How could a young lady with Marianne’s intense passionate depth be happy with anyone other than her Byronic first love Mr. Willoughby – even after he threw her over for an heiress? Nagging questions arise. Did she settle when she married the Colonel? Would she be tempted into extramarital affairs and runaway with her lover? Possibly, leaving an intriguing premise for continuing the story.

All these concerns are addressed in Willoughby’s Return: A Tale of Almost Irresistible Temptation a new sequel to Sense and Sensibility by Jane Odiwe. How, or if they will be resolved to our satisfaction is now a possibility.

Three years after her marriage to Colonel Brandon, Marianne is the mistress of Delaford Park and the mother of a young son James. She has everything that a young married woman could desire: wealth, position, an heir and a loving husband, but her insecurities, jealousy and impetuous nature rob her of complete happiness. Resentful that her husband is frequently called away to attend his ward Eliza Williams and her infant daughter, Marianne “feels” that he cares for his other family more than his own. Their ties to the Brandon’s are strong and painful; Eliza being the daughter of Brandon’s first love who died tragically, and Eliza’s young child Lizzie the illegitimate daughter of John Willoughby the rogue who also threw over Marianne’s affections for an heiress five years prior. In addition, there is that imposing portrait of Eliza’s mother hanging in the Hall staring down at her. Every time Marianne passes it she sees the similarities of their appearances and doubts more and more if Brandon married her because he loved her, of if she is replacing the woman that he loved and lost years ago. When the charming rogue John Willoughby reappears in her life proclaiming he has never stopped loving her, the pain of their failed romance is renewed gradually replaced by conflicting emotions and the temptation to be with him again.

We are reintroduced to many of the characters from the original novel: Elinor Ferrars and her husband Edward, Mrs. Jennings, the Middleton’s, Lucy Ferrars and importantly Elinor and Marianne’s younger sister Margaret Dashwood who has her own romance in the course of the novel that may equal Marianne’s dilemma in emotion and drama. It could not be a Jane Austen sequel without talk of beaus, gowns and a glamorous Ball, so imagine everything most “profligate and shocking” in the way of young couples dancing and sitting down together! Margaret Dashwood supplies the shocking (to the horror of the neighborhood biddies) in her behavior by dancing more than three times in one night with one partner, Henry Lawrence, the charming and bold nephew of Col Brandon. Like Willoughby, Henry appears to be a good catch: attractive, well connected, an heir to a fortune and too irresistible. He wastes no time in pursuing Margaret’s affections. There is a surprise twist to their relationship that I will not reveal, but readers might recognize similarities to another Austen heroine.

Odiwe has captured Marianne’s spirit superbly. Romantic, impulsive and let’s face it, high maintenance! At times I really wanted to give her a firm dressing down and felt the same of Austen’s younger Marianne, so I knew that Odiwe had connected their characteristics seamlessly. Marianne may be five years older, but she’s still Marianne the drama queen and that makes for great entertainment! Interestingly, the two men in her life, Brandon and Willoughby, had fewer scenes than expected but caused many reactions to fuel the narrative serving their purpose. This was a nice mirror to women’s fate in Regency times. Men have all the power, women all the presence.

This is Odiwe’s second Austen sequel, and like Lydia Bennet’s Story she has chosen a character in Marianne Brandon that is ruled by impulse and emotion making for surprise and tension – all good elements to an engaging story that she delivers with confidence and aplomb. Developing younger sister Margaret Dashwood brought youth, vivacity and a bit of rebellion against social dictums to the story. Her romance with Henry Lawrence was an excellent choice as she shared the narrative equally with Marianne and balanced the story. Odiwe’s research and passion for the Regency era shine, especially in her descriptions of the country fair and fashions. It is rewarding to see her develop her own style evocative of Austen but totally modern in its sensibility. There were a few missteps with cadence and vernacular, but I am splitting hairs, and few will notice. Of course we are never in much doubt that it will all end happily, but unlike Jane Austen’s tale, the final transformation of the heroine’s troubling want of caution and choice of spouse will not prompt debate two hundred years later.

A light and enjoyable read, Willoughby’s Return is a charming tale that sweeps you back into Austen’s mannered world of a young girl searching for love and a married woman realizing it.

5 out of 5 Regency Stars

This is my twelfth selection in the Sense and Sensibility Bicentenary Challenge 2011, my year-long homage to Jane Austen’s first published novel, Sense and Sensibility. You can read the archive of all of my reviews and those of the other participants reviews posted in the challenge review pages here. It has been great fun to visit Jane Austen’s first published novel and many of the film adpatations and books that it has inspired this year. 

A Grand Giveaway

Enter a chance to win one copy of Willoughby’s Return, by Jane Odiwe by leaving a comment by midnight PT, Wednesday, January 4, 2012 stating if you are Team Willoughby or Team Brandon and why? Winner to be announced on Thursday, January 5, 2012. Shipment to US or Canadian addresses only. Good luck!

The deadline to enter the Grand Prize drawing of The Sense and Sensibility Reading Challenge 2011, which includes a copy of each of the twelve items that I reviewed for the challenge in a Jane Austen tote bag from The Republic of Pemberley Shoppe will be midnight PT, January 4, 2012. Winner announced on Thursday, January 5th, 2012. All of the participants in the challenge and the commenters in their review posts in the event are eligible.  Shipment to US and Canadian addresses only. Good luck to all!

Willoughby’s Return: A Tale of Almost Irresistible Temptation, by Jane Odiwe
Sourcebooks Landmark, Naperville, IL (2009)
Trade paperback (345) pages
ISBN: 978-1402222672

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Sense and Sensibility (The Jane Austen Bicentenary Library), by Jane Austen, annotated by Margaret C. Sullivan, illustrated by Cassandra Chouinard (2011)As 2011 marks the 200th anniversary of Jane Austen’s first published novel, Sense and Sensibility, we are offered another annotated edition to help us understand the social and historical context of the world that Jane Austen places us into in late eighteenth century England.

The Sense and Sensibility (The Jane Austen Bicentenary Library) is the first Jane Austen novel, in what I hope will be the bookend of Jane Austen’s six major works, to be offered in eBook format from Girlebooks. Yes, the format is digital gentle readers – and I think it quite appropriate that Margaret Sullivan is leading the way for us as its annotator. Many know Margaret as the editrix of AustenBlog.com, but she is also a strong advocate of digital books, and has for many years been waving their flag in attempt to prepare us for the inevitable. That time has come. This is the first book I am reviewing for Austenprose that is being produced solely for the digital market.

Sense and Sensibility is the tale of two sisters, Elinor and Marianne Dashwood, each cut from the same cloth, yet facing financial, social and romantic trials together from totally different perspectives, and – with varying degrees of hardship and success. Level headed and practical Elinor is the older of the two and often the only one in the family to keep her widowed mother and impetuous younger sister on a straight path. Marianne is wildly romantic and hell-bent to stretch the limits of proper decorum into the next county. Three men will change their life paths: Edward Ferrars, a reserved and stoic eldest son whose family aspires to greatest, yet he craves the simple life a country parson; Colonel Brandon, retired from the army and from love because of the loss of his first love many years hence; and Mr. Willoughby, handsome, charming and impassioned, but at a price. As the young ladies search for love, honor and financial security, Austen weaves in a rich social tapestry of minor characters, social commentary and the dry humor that she is renowned for.

While Sense and Sensibility offers some recognizable themes of the era of financially challenged young women searching for love and security in a society whose constraints sharply narrow their possibility of success, Austen has infused deep social context as well. Of all of Austen’s six major novels, S&S is driven by legal inheritance laws of primogeniture in England and how women were affected by them. These can be very puzzling to the contemporary reader and Sullivan’s notes throughout the text can help smooth a few furrowed brows. For example, in Volume One, Chapter two “Mrs. John Dashwood now installed herself mistress of Norland; and her mother and sister-in-law were degraded to the condition of visitors.” This one sentence is the lynchpin of the novel. If you understand why the widow Dashwood and her three daughters are be to displaced, downsized in social standing, the rest of the narrative will all fit into place. If you don’t you’re in trouble and will miss much of the inside story that Austen wants you to experience. If you tap on the numbered endnotes within the text, it will take you to the explanation. Tapping on the number again will take you back to the text. It is that simple.

With only 97 endnotes, this edition is not as extensively annotated as this year’s The Annotated Sense and Sensibility, by Jane Austen, Edited and Annotated by David M. Shapard, Anchor Books (2011), however, it does contain: A biography of the authoress; A bibliography and further reading; Information and Jane Austen’s life and culture; Author’s having fun with Jane Austen’; Fiction inspired by Sense and Sensibility; Films adapted from and inspired by Sense and Sensibility; and a buoyant forward and an unerring eye by the annotator. The illustrations by Cassandra Chouinard add levity, but are not expandable, so it was difficult to appreciate any detail. One must also take a leap of faith and assume that this is an unabridged text, but what version used, is not stated.

The eBook is available in Adobe Reader PDF, Kindle/Mobipocket PRC, ePub & Microsoft Reader LIT for the modest price of $2.99. Yes, there are a lot of “free” editions of S&S out there to be had for digital readers. Don’t be fooled by “free” gentle readers. Not all eBooks are created equal. The expert formatting and craftsmanship exhibited by this Girlebook edition is well worth the value.  For a middlin’ annotated edition, this Bicentenary Library presentation is “everything that is worthy and amiable.”

4 out of 5 Regency Stars

This is my eleventh selection in the Sense and Sensibility Bicentenary Challenge 2011, my year-long homage to Jane Austen’s first published novel, Sense and Sensibility. You can follow the event as I post reviews on the fourth Wednesday of every month and read all of the other participants contributions posted in the challenge review pages here.

Sense and Sensibility (The Jane Austen Bicentenary Library), by Jane Austen, annotated by Margaret C. Sullivan, illustrated by Cassandra Chouinard
Girlebooks (2011)
Available at Girlebooks, Kindle US, Kindle UK, Nookbook Store & Smashwords

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Expectations of Happiness, by Rebecca Ann Collins (2011)Guest review by Kimberly Denny-Ryder of Reflections of a Book Addict

I’m delighted to again read another fantastic work by Rebecca Ann Collins.  She is the critically acclaimed author of the bestselling 10 novel series, The Pemberley Chronicles.  Her writing style is unparalleled in its depth and completion, and I’m always amazed at how detailed and engaging her novels are.  After an incredibly rich 50 years worth of stories starring Lizzy and Darcy, we now turn our attention to Edward, Elinor, Marianne, and Col. Brandon as Collins begins to entice us with her versions of what happened after Jane laid down her pen in writing Sense and Sensibility.

Picking up seven years after the end of Sense and Sensibility, we are transported back into the world of the Dashwood sisters (now Mrs. Ferrars and Mrs. Brandon).  Opening on a rather morbid note, we are taken to Barton Park for the funeral of Lady Middleton (Sir John’s wife) who unfortunately died of an apparent seizure during a dinner party for her mother’s (Mrs. Jennings) birthday.  It’s during this unfortunate event we’re given updates as to where our favorite characters are: Margret, the youngest Dashwood sister, is now studying at a seminary near Oxford thanks to brother-in-law Edward’s assistance.  Edward and Elinor live in the parsonage at Delaford, the estate of Col. Brandon and Marianne.  Edward and Elinor are blessed with two children while the Brandons have none.  After the funeral, Col. Brandon leaves to travel to see his property in Ireland, and it is in his absence that everyone’s worriment for Marianne begins.  She has been the mistress of Delaford for seven years now, and is bored; bored with her day to day life, the lack of inspiration from her surroundings, and above all the lack of like minded people in her circle of friends.  She takes a day trip with some acquaintances and surprisingly comes in contact with Willoughby.  Will seeing him rekindle old feelings, or will she find strength in the love that Col. Brandon has for her?  How will Elinor react when she finds that Willoughby has returned?  What will become of Margret once she’s completed her education at the seminary?

One of Collins’ greatest attributes is her ability to channel the prose of Austen herself.  Her style, while remaining Austen-like, is still unique, and all her own.  I’ve said it before, and I’ll say it again, Collins is a  true gem in the world of Jane Austen fan fiction.  I’m always excited to read her novels as I know they’ll leave me feeling content and entertained to the highest degree.  They have afforded many Jane Austen purists an escape back to the Victorian era and all its wonders.  This time is exciting in particular because it’s the first time we get Collins’ perspective of the world of Sense and Sensibility.  Her unique vision for the sister seemingly tranquil lives are never dull.

My one complaint was with Elinor’s character.  She seemed filled with more anxiety then I ever remember.  Yes, in the original she is worried about the family’s finances and about Marianne’s relationship with Willoughby, but she was not as bad as she is in Expectations of Happiness.  She seems always on the verge of a nervous breakdown, and poor Edward tries to comfort and console her as she cries her eyes out over almost everything.  It seems that most of the other characters walk on eggshells around her in what they can and can’t tell her for fear of her nerves.  This bothered me, because I read Elinor as a strong woman in Sense and Sensibility.  She gets her family together, helps them stay economical, and is there for Marianne caring for her both on an emotional and physical level when she falls ill.  Heck, she even kicks Willoughby out when he comes back in the end, trying to come back just one more time to see Marianne.  This “new” Elinor seriously displeased me and left a bad taste in my mouth.

Despite this, I have to give Collins credit for her imagination in creating the characterization of Margret, the youngest Dashwood sister.  As she is young and unknown to us in Austen’s original work, it was exciting to see her character take shape and become a strong, intelligent woman with thoughts on her future and what she wanted for it.  I was quite pleased by this plot addition, and the depth that Margret added to the storyline was a great inclusion in an already great story.

So, it is with a happy heart that I conclude my review of Expectations of Happiness (no pun intended!)  Collins has once again showed us that she is a master of Austen’s language and time, and can add postscripts to Austen’s works that dovetail seamlessly to the originals.  Happiness was unique and exciting, and it fulfilled my curiosity as to the fate of Elinor and Marianne after their happy endings as told by Austen.  Give it a try; I’m positive that you won’t be disappointed!

4 out of 5 Stars

Kimberly has kindly filled in for me this month and completed the tenth selection in the Sense and Sensibility Bicentenary Challenge 2011, my year-long homage to Jane Austen’s first published novel, Sense and Sensibility. You can follow the event as I post reviews on the fourth Wednesday of every month and read all of the other participants contributions posted in the challenge review pages here.

Expectations of Happiness, by Rebecca Ann Collins
Sourcebooks (2011)
Trade paperback (336) Pages
ISBN: 978-1402253898

© 2007 – 2011 Kimberly Denny-Ryder, Austenprose

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Expectations of Happiness, by Rebecca Ann Collins (2011)As 2011 marks the 200th anniversary of the publication of Jane Austen’s first novel Sense and Sensibility, it is a great pleasure to see a new sequel to it arrive from Pemberley Chronicles author Rebecca Ann Collins.

Please join us today in welcoming Rebecca Ann on her blog tour in celebration of the release of Expectations of Happiness published this month by Sourcebooks. Rebecca Ann has kindly shared with us some insights on creating the novel.

Thank you very much Laurel Ann, for inviting me to contribute to your blog; it is a pleasure to be able to speak directly to you and your readers about my work and the new book – Expectations of Happiness.

You have asked why I chose to write a companion volume to Sense and Sensibility and how I managed to “get my head into the Regency period after writing The Pemberley Chronicles.

If I may answer your second question first – I had absolutely no difficulty with the Regency Period, which covers the latter part of Jane Austen’s life; I was familiar with the historical, social and cultural background of that era.

As a Jane Austen addict ever since I first read Pride and Prejudice and Sense and Sensibility when I was just twelve years old, and a student of both English Literature and History, I had read everything I could get my hands on about the author, her family, her life and times.   Her novels were published within the period of the Regency so it was inevitable that a passionate reader and student of Miss Austen’s work and the society in which she lived would absorb the events and ambience of the era.

Besides that, I should point out that the first volume of The Pemberley Chronicles series follows directly after the conclusion of Pride and Prejudice – which is in the middle of the Regency, and I had undertaken careful research of the period in which the story takes place, as the main characters moved from Longbourn and Netherfield in Hertfordshire to London and Pemberley in Derbyshire. This period includes the years covered by Expectations of Happiness – 1819 to 1820, that mark the end of the Regency with the death of George III and the beginning of the reign of George IV – which was in many ways an extension of the Regent’s style into the next decade of the 19th century.

To proceed to your first question – choosing to write a continuation to Sense and Sensibility was easy because of all Miss Austen’s novels, it is the one that leaves the door open widest for a sequel.

Unlike all her major novels – Emma, Pride and Prejudice, Persuasion – in which the main characters settle happily and credibly into their new lives with their beloved partners, I found the conclusion of Sense and Sensibility unconvincing – particularly the manner in which the author describes Marianne’s marriage to Colonel Brandon.  Not because I thought Brandon was not a suitable husband for Marianne, Jane Austen makes it clear that he is man of excellent character and loves her dearly, but because it seemed to be taken for granted, that having been betrayed by Willoughby, Marianne – at nineteen, could discard her dreams of romance and accept a rather staid marriage to Brandon, with whom she is not in love, as a kind of safe haven after a storm.

I felt that we needed to see more of the development of Marianne’s character – post Willoughby, to be convinced that she had matured sufficiently to appreciate the true worth of Brandon’s character and his genuine love for her. Using the opportunity of a chance meeting with Willoughby a few years later, to test this, was, I felt, justifiable in the circumstances. Furthermore, Jane Austen makes it clear that Willoughby is miserable in his own marriage and deeply resents Brandon’s marriage to Marianne.

The clues are all there in Miss Austen’s novel. It wasn’t difficult to develop the characters and draw out the plotlines, including some of the best minor figures in the story – Sir John Middleton, Mrs. Jennings, the Palmers, Lucy Steele, Mrs. Ferrars – to reach a more satisfying conclusion, while respecting the essential integrity of the original.

And then, there was young Margaret Dashwood; only in Sense and Sensibility are we left with an attractive young girl on the brink of womanhood, her potential as a character undeveloped, with the rest of her life uncharted as the book concludes.  It was unthinkable that she should not be given the chance to fulfil “that sanguine expectation of happiness that is happiness itself”.

I also wanted to tell younger sister Margaret’s story, which I could do with a greater degree of freedom than I had with Elinor and Marianne, whose paths through life had already been set. With Margaret, one had more flexibility to develop a young woman – educated, well-travelled and with a new outlook on life. It was irresistible, and telling her story was a particular pleasure.

However, as in The Pemberley Chronicles series, in Expectations of Happiness, my concern has been to extend the lives and expand the horizons of Jane Austen’s beloved characters, while working within the framework she created, rather than to distort their personalities and manipulate their lives in ways that would have outraged their creator and her many devoted fans.  In so doing, I hope I have provided my readers with a story they can enjoy reading as much as I have loved writing it.

I look forward to reading your comments and those of your readers.

Thank you again and best regards,

Rebecca Ann Collins

Author Bio:

Rebecca Ann Collins is the author of The Pemberley Chronicles series of novels, which traces the continuing lives of certain characters in Jane Austen’s Pride and Prejudice over a period of some fifty years.

A lifelong fan of the art of Miss Austen, Rebecca Ann Collins first read Sense and Sensibility and Pride and Prejudice at the age of twelve. Encouraged by a perceptive English mistress, she read everything available about the author, her life and times and the historical and social background of the era. At University, she studied both English Literature and History.

Ms Collins – a teacher and librarian – loves reading, writing, listening to music and entertaining her friends. She lives in Australia’s beautiful capital city – Canberra and enjoys gardening and walking her dog. Visit Rebecca Ann at her website- www.rebeccaanncollins.com

Giveaway of Expectations of Happiness

Enter a chance to win one of three copies of Expectations of Happiness, by Rebecca Ann Collins by leaving a comment stating what intrigues you about this new sequel to Sense and Sensibility, or which character in the original novel you love or hate, by midnight PT, Wednesday, October 19, 2011. Winner announced on Thursday, October 20, 2011. Shipment to US and Canadian addresses only. Good luck!

Expectations of Happiness: A Companion Volume to Jane Austen’s Sense and Sensibility, by Rebecca Ann Collins
Sourcebooks (2011)
Trade paperback (352) pages
ISBN: 978-1402253898

©2007 – 2011 Rebecca Ann Collins, Austenprose

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Sense and Sensibility, by Jane Austen, read by Juliet Stevenson (Naxos Audiobooks)42 of you left comments qualifying you for a chance to win a copy of Sense and Sensibility, by Jane Austen, read by Juliet Stevenson (Naxos Audiobooks). The winner drawn at random is haliegirl who left a comment on September 22, 2011.

Congratulations haliegirl! To claim your prize, please contact me with your full name and address by October 19th, 2011. Digital download or shipment is to US and Canadian addresses only.

Thanks to all who left comments! Juliet Stevenson has recorded several of the Naxos Audiobooks recordings of Jane Austen novels. They are excellent! I often pop them into my CD player on the way to work. You can check out the full inventory at the Naxos Audiobooks website. Enjoy!

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Sense and Sensibility, by Jane Austen (Bath Bicentenary Edition) 2011In celebration of the 200th anniversary of the publication of Sense and Sensibility (1811), Palazzo Editions Limited in Bath, England is publishing a deluxe hardcover edition available in September in the UK and January 2012 in the US. Illustrated by Niroot Puttapipat, one of my favorite Austen artist who worked on the famed Folio Society editions of Pride and Prejudice, Emma and Persuasion, this very special collectors edition is the first in the series of Jane Austen’s classic novels that Palazzo plans to produce. Here are the particulars:

  • Full unabridged text of Jane Austen’s beloved novel
  • 11 color & black & white illustrations by Niroot Puttapipat
  • Introduction by Katharine Reeve
  • Hardcover with quarter-binding (332) pages
  • Palazzo Editions (September 1, 2011 in the UK & January 1, 2012 in the US)
  • Language: English
  • ISBN: 978-0956494245

Sense and Sensibility, the first of Jane Austen’s published novels, started out as Elinor and Marianne, which Jane first wrote when she was only twenty years old. Originally entitled after its two heroines, Elinor and Marianne, the novel tells the tale of sensible Elinor Dashwood, the older of the two sisters, who believes in privacy, propriety and logic, and flighty Marianne who follows her heart without so much as a second thought for the consequences. The story unfolds following the death of the sisters father, and recounts how the two women fall in love, have their hearts broken, and finally understand the need for both ‘sense and sensibility’ in order to find lasting happiness.

Jane Austen made final revisions to her early work in 1809, having re-titled it Sense and Sensibility, and it was published in October 1811. As much a commentary on social etiquette as a story about love and belonging, this timeless favorite illuminates Jane Austen’s world.

This beautiful new edition, published to coincide with the bicentary of the book’s original publication, brings together Jane Austen’s complete and unabridged text with original color plates and silhouettes by Niroot Puttapipat, each capturing the spirit of Regency England.

Sense and Sensibility is the first of six specially produced ‘Bath Bicentenary Editions of Jane Austen’, each published to coincide with the bicentenary of their first publication and suitably to be published by Palazzo Editions of Bath, England

We plan to review this new edition on September 28th during our monthly installment of reviews for The Sense and Sensibility Bicentenary Challenge and will be giving away a copy to one lucky winner. Be sure to mark your calendars and return for the review & giveaway.

Cheers,

Laurel Ann

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Sass and Serendipity, by Jennifer Ziegler (2011)Sisters Daphne and Gabby Rivera are as different as night and day! Older sis Gabriella is all “straight A’s and neat-freak genes,” according to younger, impulsively romantic sister “Daffy.” Sensible Gabby works part-time to help her single mom make ends meet while studying hard for a scholarship so she can get out of Barton, Texas. On the other hand, unsensible Daphne lives in a dream world, shopping for prom dresses instead of applying for jobs and literally falling head over heels in love with the new cute boy of the moment, Luke Pascal. Gabby is quite cynical about love, after witnessing her parents’ divorce. Who needs it? It only causes misery and pain. The sisters bicker and bark at each other, rarely agreeing on anything. The only stable person in their lives is dependable friend “Mule,” short for Samuel, who seems to always be there helping Gabby study and offering friendly advice.

While Daphne moons and dreams about her new heartthrob Luke, Gabby has reason to not believe in love. Sonny Hutchins, a young boy she connected romantically with one incredible brief afternoon died in a tragic accident which she is certain his rich, spoiled cousin Prentiss Applewhite is to blame for. Her deep affection for Sonny is her secret that she shares with no one, not even her best buddy Mule. Gabby is certain that the only one you can depend on life is yourself.

As Gabby retreats into her reclusive inner world of loneliness and grief, Daphne’s histrionics are abrasive and unproductive. She deals with her family’s emotional crisis’ by ignoring reality, worshiping her flake of a father and falling madly in love in a moment. Her mom tries to bring her back into reality…

“Real life, real love, isn’t the way you see it in movies or read about in books,” her mom went on. “I hate to see you risk yourself like this. I just wish you’d be more sensible.”

“Sensible.” It was one of those words Daphne hated. Something she apparently wasn’t – along with being “responsible” or “mature.”  “Sensible,” she repeated, considering the term. The opposite would be “foolish,” right? “Silly.” “Idiotic.” “Stupid.” “Do you mean sensible like Gabby, who’s never even been on a real date? Or sensible like you, who couldn’t make her marriage work?” pages 99-100

When late child support payments and a steep rent increase cause a crisis for the Rivera women, they must move in a hurry. Feeling fatalistic, Gabby is certain that they would be better off homeless. Life changes for the two sisters when Daphne’s unsensible way of dealing with life challenges results in more troubles than she ever dreamed of until help from an expected source saves the day and Gabby must face facts about her fond memories of Sonny and her feelings for his cousin Prentiss before the two sisters can find happiness.

In Sass & Serendipity, author Jennifer Ziegler has given us a boldly creative tribute to 200th anniversary of Jane Austen’s classic novel, Sense and Sensibility. Her modern interpretation of the two sisters: one too sensible and the other not sensible enough mirrors Jane Austen’s Dashwood sisters beautifully. Even though the plot does not follow Austen’s storyline faithfully, the essence of the emotional dilemma that each of the sets of sisters face with life and love challenges is a great match. Ziegler reminds us that sisterly relationships are like no others, filled with friendship, rivalry, devotion, frustration, love and “strong family affection.” Read Sass & Serendipity to remember that incredible time in your life when you were on the cusp of adulthood and a sister or best friend in your life made all the difference.

Between Barton and Delaford, there was that constant communication which strong family affection would naturally dictate; and among the merits and the happiness of Elinor and Marianne, let it not be ranked as the least considerable, that though sisters, and living almost within sight of each other, they could live without disagreement between themselves, or producing coolness between their husbands. Sense and Sensibility, Chapter 50

4 out of 5 Stars

This is my seventh selection in the Sense and Sensibility Bicentenary Challenge 2011, my year-long homage to Jane Austen’s first published novel, Sense and Sensibility. You can follow the event as I post reviews on the fourth Wednesday of every month and read all of the other participants contributions posted in the challenge review pages here.

A Grand Giveaway

Enter a chance to win one copy of Sass & Serendipity by leaving a comment by midnight PT Wednesday, August 10, 2011 stating what intrigues you about reading a young adult retelling of Sense and Sensibility, or who your favorite character was in the original novel. Winners will be announced on Thursday, August 11 7, 2011. Shipment to US or Canadian addresses only.

Sass & Serendipity, by Jennifer Ziegler
Delacorte Press (2011)
Hardcover (384) pages
ISBN: 978-0385738989

© 2007 – 2011, Laurel Ann Nattress, Austenprose

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Sass and Serendipity, by Jennifer Ziegler (2011)Huzzah! 39 of you left comments qualifying you for a chance to win one of three copies of Sass & Serendipity, by Jennifer Ziegler. The winners drawn at random are:

  • Blaire who left a comment on July 14, 2011
  • Stacey Graham who left a comment on July 11, 2011
  • Heather who left a comment on July 12, 2011

Congratulations ladies. To claim your prize, please contact me with your full name and address by July 27th, 2011. Shipment is to US and Canadian addresses only.

Thanks to author Jennifer Ziegler for her great blog on her new Sense and Sensibility inspired Young Adult novel Sass & Serendipity, and to all who left comments!

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Sass and Serendipity, by Jennifer Ziegler (2011)Please join us today in welcoming young adult fiction author Jennifer Ziegler for the official launch of her book blog tour of Sass & Serendipity a new Sense and Sensibility-inspired YA novel that is releasing tomorrow, Tuesday, July 12, 2011 by Delacorte Books for Young Readers (Random House).

Growing up, I found great comfort in reading Jane Austen.  I can’t remember exactly when I discovered her, but it was sometime during my high school years.  From a purely literary standpoint I would have to say that Pride and Prejudice is her masterwork, but Sense and Sensibility has always been my favorite.

I adored the characters of Elinor and Marianne, and, being a sister myself, I could really relate to their relationship – especially the way they were so different and yet still fiercely devoted to each other.  I realized that sisterhood today wasn’t all that different from sisterhood two centuries ago, and I started to wonder when somebody would do a modern retelling – something that would stay true to the themes and moods of the book.

And here is where I make a confession:  I think, in some ways, Jane Austen wrote YA.  Before anyone tosses tomatoes at me, please allow me to explain…

Austen’s books centered around young women on the verge of adulthood.  They are nearly ready to leave the nest and take their spot in the world – and in the Regency era, the best landing of all would be that of a happy marriage to a good and prosperous man.  Standing on this threshold of life is the emotional setting for all young adult novels.  Teens are caught between the insular world of the childhood home and that of society at large.  Even if they don’t strike out on their own at the end, they have surely become more “adult” by the final page.

Austen never makes the search for a proper husband the point of her stories.  In every case the main character needs to go through some significant growth first.  Whether it’s Elinor learning to trust her feelings as much as her intellect, Marianne coming out of her fantasies and into her senses, Elizabeth learning not to judge too prematurely, Emma learning not to meddle in other people’s lives, and so on, Austen makes sure her heroines recognize and overcome character flaws in order to earn their happy-ever-afters.  Such maturation is central to young adult literature, as it is with all good character-based fiction.  However, in YA, the age of the protagonists is key.  Teens and early twenties don’t know as much about the world or themselves quite yet.  Because of this, the problems they face are brand new, but also – and this is critical – their emotions are brand new.  This is first love, first heartbreak, first crushing disillusionment.

Thus, when I really stopped to consider it, I realized that any retelling of an Austen novel would almost have to be a young adult book in order to stay true to these themes and arcs.  At that point it was a quick hop from “Someone should do an update of Sense and Sensibility” to “Yes … and why not me?”

Of course, it was a daunting suggestion.  Me update Austen?  Would I give the original source material the proper care and reverence?  The answer was no.  I mean, I knew I would do my best, but I also knew that I couldn’t duplicate Austen’s prose.  My writing style is just too different.  I also knew that the scope of the book would have to be changed – favorite scenes and characters would have to go.  An exact retelling, with faithful character match-ups and plot recreations would be impossible.  Any attempt would end up a mess.

So, to avoid disappointing Austen fans, my fans, and myself, I decided early on that my novel would pay homage to Sense and Sensibility without being a strict retelling.  It was the feel of the book – the themes of sisterly bonds, romance, and identity – that inspired me to update it in the first place, so that is where I would start.

Ironically, to be true to the tone and premise of her book, I had to stay far away from it.  In fact, I avoided all things Austen while drafting the novel (a huge sacrifice for me).  I didn’t want to be tempted toward replication, so instead, I worked from memory – the storylines, moods, and ideas that had made an indelible impression on me.

The result was Sass & Serendipity, a story of two sisters living in modern, small-town Texas, and their run-ins with romance, economic hardships, societal pressures, and each other.  It was tough to write – but fun.  I really enjoyed getting to “play Austen.”

And now that the book is out, I’ve gotten the best endorsement ever:  my sister, Amanda, loves it.  I hope others will, too.

Author Jennifer ZieglerAuthor Bio:

Jennifer Ziegler is the author of Alpha Dog and How Not to be Popular. Born in Temple, Texas, as a child she also lived in Anchorage, Alaska and then returned to the Lone Star state to attend the University of Texas, where she earned degrees in journalism and English. While there she fell in love with Austin and its many cool hangouts, music venues, swimming holes, and hip people. Upon graduation, she decided to settle there, working as a freelance reporter, editorial assistant, and middle school language arts teacher. Jennifer also met a cute musician guy named Carl and the two got married. Visit Jennifer at her website, or Facebook, and follow her on Twitter as @ZieglerJennifer.

Giveaway of Sass & Serendipity

Enter a chance to win one of three copies of Sass & Serendipity by leaving a comment answering what intrigues you most about reading a Sense and Sensibility-inspired young adult novel or which character in the original novel is your favorite, by midnight PT, Wednesday, July 20, 2011. Winners to be announced on Thursday, July 21, 2010. Shipment to US and Canadian addresses only. Good luck!

Sass & Serendipity, by Jennifer Ziegler
Delacorte Books (2011)
Hardcover (384) pages
ISBN: 978-0385738989

© 2007 – 2011 Jennifer Ziegler, Austenprose

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Sense and Sensibility (1995) DVD cover24 of you left comments qualifying you for a chance to win a DVD of Sense and Sensibility 1995, staring Kate Winslet & Emma Thompson. The winner drawn at random is Nicole who left a comment on June 24th, 2011.

Congratulations Nicole! To claim your prize, please contact me with your full name and address by July 13th, 2011. Shipment is to US and Canadian addresses only.

Thanks to all who left comments, and for all those participating in the Sense and Sensibility Bicentenary Challenge 2011. We are reading and viewing several S&S inspired books and movies this year in honor of the 200th anniversary of the publication of Jane Austen’s novel. You can read other reviews in the S&S Bicentenary review archive!

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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All roads lead to Jane Austen (Chawton road sign)

Well, not really a holiday, but it sounds much better than telling you all that I am in the midst of moving to a new cottage here in the Pacific Northwest and my life is in transit right now. In this instance, we are in agreement with that buffoon Robert Ferrars…

“For my own part,” said he, “I am excessively fond of a cottage; there is always so much comfort, so much elegance about them. And I protest, if I had any money to spare, I should buy a little land and build one myself, within a short distance of London, where I might drive myself down at any time, and collect a few friends about me, and be happy. I advise everybody who is going to build, to build a cottage.” Robert Ferrars, Sense and Sensibility, Ch 36

I will have intermittent Internet for the next week or so dependent on when they can get my new service up and running. Even though my life is up in air at the moment, I would never forget my loyal readers and have scheduled posts to publish automatically at midnight over several days. We shall have blog tours by Mary Simonsen and Victoria Connelly, book reviews by Kimberley and a new addition to the review staff, Br. Paul, yep, a real Dominican friar who is a true Janeite, so it should be entertaining while I am away. You won’t even know I’m gone!!!

Just remember if you are new to the site and have not posted a comment before, you will be in the queue awaiting approval until I read it, so it might take a few days.

Everyone have a wonderful 4th of July weekend.

Cheers,

Laurel Ann

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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The Annotated Sense and Sensibility, by Jane Austenm edited by David M. Shapard (2011)37 of you left comments qualifying you for a chance to win a copy of The Annotated Sense and Sensibility, by Jane Austen, edited by David Shapard. The winner drawn at random is Jocelyn who left a comment on May 28th.

Congratulations Jocelyn! To claim your prize, please contact me with your full name and address by June 21st, 2011. Shipment is to US and Canadian addresses only.

Thanks to all who left comments in the giveaway, and for all those participating in The Sense and Sensibility Bicentenary Challenge. This year we are reading Jane Austen’s first published novel Sense and Sensibility and books inspired by it as well as viewing many of the movies adaptation this year in honor of its 200th anniversary.

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Cast of Book-It Reperatory Theatre's adaptation of Jane Austen's Sense and Sensibility 2011

“Happy, happy Elinor, you cannot have an idea of what I suffer.”

“Do you call me happy, Marianne? Ah; if you knew! And can you believe me to be so while I see you so wretched!”

- Sense and Sensibility, Chapter 29

Happiness and suffering, and the emotional extremes that cause it, is an important theme in Jane Austen’s Sense and Sensibility that was well served in a new stage adaptation of her novel premiering at the Book-It Repertory Theatre on June 3rd at the Centre House Theatre, Seattle Center. It is the Rep’s fourth Austen novel to stage production after the highly successful Pride and Prejudice in 2004, Persuasion in 2008, and Emma in 2010. Their interpretations of Austen are always brisk, lighthearted and memorable. Jane Austen has been very good to the Rep, and obviously, audiences have felt that the Rep has been likewise to Jane Austen.

Book-It Reperatory Theatre's adaptation of Jane Austen's Sense & Sensibility (2011)Even though Sense and Sensibility is not as light, bright and sparkling as Austen’s beloved Pride and Prejudice, it may be the most adaptable of her works for the stage. At 200 years old it remains a compelling tale touting a favorable list of dramatic attributes: dual heroines with divergent personalities; three red herring heroes who are really anti-heroes in disguise; and an incredible assortment of unscrupulous and humorous minor characters that add levity and balance to a story that is quite seriously entrenched in 19th century British inheritance laws and the plight of women who were ruled by them. Heady stuff for any playwright to embrace and adapt. Even more so for the lucky audience if they get it right.

The two heroines of this cautionary tale are Elinor (Kjerstine Anderson) and Marianne (Jessica Martin) Dashwood – one with too much sense, and the other with not enough. Each of the sisters reacts differently to their life tragedies and budding romances. Jessica Martin’s Marianne was all pure unbridled emotion: extreme, exuberant, exasperating! Never loving by halves, she gushed about dead leaves, poetry and her beaux Willoughby with a passion leaping into Bronteism.  Marianne also dips into the depths of despair after being thrown-over by her suitor, wearing her down and into a serious illness. We had wished this had been given more attention and that Marianne had not rebounded back to herself with such cheerful alacrity.

Kjerstine Anderson as Elinor Dashwood in Sense and Sensibility at the Book-It Rep (2011)Kjerstine Anderson as the solid, staid and correct sister Elinor was surprisingly regal, imposing and privately snarky – a different interpretation than I had experienced in my reading of the novel, or in any of the movie adaptations. Questioning my previous conclusions, was Austen’s Elinor as introspective, subtle and guarded as I had thought? Anderson did a commendable job as Austen’s anchor of reason and rationality, albeit too emotionally at critical moments. I am uncertain if this change in characteristics was artistic license or by direction, but it altered the divergence in the sisters personalities and lessened some of Austen’s critical plot points.

Aaron Blakely as John Willoughby in Sense and Sensibility at the Book-It  Rep (2011) x 200The three heroes (or anti-heroes): Edward Ferrars (Jason Marr), Col Brandon (David Quicksall) and John Willoughby (Aaron Blakely) were sensitively cast as the affable nerd, the gallant geezer and the charming cad to extreme satisfaction. Austen gave us an interesting assortment of suitors for our heroines. Often we are uncertain who the hero is because of major character flaws that act like red-herrings. In this interpretation (happily) Edward did not stutter, but he was so innocuous we wonder what Elinor saw in him. Really wonder! Marr was more than a bit of a milquetoast, and so was Quicksall as Col. Brandon who barely uttered a line for several scenes (to disconcerting effect) until he finally finds his voice making it all the more moving and admirable. Well done. When Blakely’s Willoughby gallantly arrives  to rescue the injured Marianne in a billowing greatcoat, our expectation of a Byronic hero was totally fulfilled. *swoon* The fact that he looked like a young Jonny Lee Miller did not hurt either. No wonder Marianne lost all sense. Who wouldn’t?  He was equally convincing in relaying his conflicted loyalties of money vs. love.

Jessica Martin and David Quicksall in Sense and Sensibility at the Book-It Rep (2011) The minor characters in Austen’s tale are so endearingly flawed and humorous, supplying the comedy to offset the tragedy. Of note were the scheming and duplicitous Miss Lucy Steele (Angela DiMarco); selfish and manipulative Mrs. Dashwood (Emily Grogan) and her equally unappealing husband Mr. John Dashwood (Shawn Law); gossipy matchmaker Mrs. Jennings (Karen Nelson); and the jovial and obliging Sir John Middleton (Bill Johns). They brought levity to Jen Taylor’s energetic dramatization which at times had its charms and foibles. The narrative faithfully followed Austen’s own right down to some exact quotes. Huzzah! Gone though were Austen’s cynical underpinnings, subtle puns and measured pacing – all replaced by an emphasis on humor and breakneck speed. Scenes quickly altered with the draw of a curtain across the stage taking us from London to the country within seconds. Actors changed costumes by adding layers as they delivered lines on stage. Spoken dialogue shifted to narrative recited directly from the novel in one breath. It was exhausting and exhilarating. Austen encapsulated and accelerated for the modern stage.

We enjoyed every line and every moment, but we were happy to wind down afterwards with a cup of tea and the novel.

Jessica Martin and Kjerstine Anderson in Sense and Sensibility at the Book-It Rep (2011)

Book-It’s Sense and Sensibility runs at the Center House Theater thru June 26th

Photos © Alan Alabastro 2011

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Sense and Sensibility at the Book-It Repertory Theatre (2011)

We are very fortunate to have one of the nation’s premiere small theater companies right in our own backyard. For the last 20 years the Book-It Repertory Theater of Seattle has been exclusively adapting written work for the stage. Among the sixty plus world premier adaptations they have presented are stage productions of three Jane Austen novels: Pride and Prejudice (2004), Persuasion (2008) and Emma (2010). Now in honor of the bicentenary of the publication of Jane Austen’s first published novel, Sense and Sensibility will premiere on Friday June 3, 2011 at the Center House Theatre.

In Austen’s first published novel (1811), the Dashwood sisters find that love is an unpredictable struggle against the most important social values: family, honor, and wealth.  As teens, Elinor and Marianne’s family fortunes take a turn when they lose their father, and their welcome in his home, now owned by their half-brother and his overbearing wife. With a move and a few chance meetings, Elinor falls for the intelligent and reserved Edward Ferrars, while Marianne dotes upon the handsome John Willoughby. Through Elinor’s sense and Marianne’s sensibility, this sprightly tale wends along the twisting path of love among the English gentry.

Directed by Makaela Pollock and playscript by Jen Taylor, of all of Jane Austen’s novels, Sense and Sensibility might prove to be the most adapatable. We are all anticipation of its high voltage emotional elements and endearingly flawed characters being brought to the stage. Just the thought of drama-queen Marianne Dashwood emoting in body and spirit sends shivers and chills, and the humor of the Middletons and the Misses Steeles should keep us laughing.

Marianne Dashwood (Jessica Martin) and Elinor Dashwood (Kjerstine Anderson) in Sense and Sensibility at Book-it Rep Seattle (2011)

Marianne (Jessica Martin) & Elinor (Kjerstine Anderson) Dashwood
in Book-It’s Sense and Sensibility

After attending their production of Persuasion in 2008, I am looking forward to experiencing Book-It’s unique style where the actors recite much of the text as it was originally written – but with the added benefit of costuming, lighting and the excitement of a live production. I will be attending on Sunday, June 12 with a group of Janeites so be sure to check back for my review.

  • Sense and Sensibility at the Book-It Repertory Theatre, Seattle
  • May 25 – June 26, 2011
  • Pay-what-you-will previews: May 25, 26, 31
  • Subscriber Preview: June 2
  • Opening Night: Friday, June 3

2007 – 2011 Laurel Ann Nattress, Austenprose

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The Annontated Sense and Sensibility, by Jane Austen, Annotated & Edited by David M. Shapard (2011)How appropriate that The Annotated Sense and Sensibility is being published during the bicentenary year of Jane Austen’s first published novel.

This new book includes the complete text of Jane Austen’s classic with annotations by Dr. David M. Shapard, an expert in eighteenth-century European History who also brought us similar annotated editions of Pride and Prejudice in 2007 and Persuasion in 2010. I enjoyed both of his previous works. I find annotated editions of classics fascinating, especially if they are written from the perspective of historical and social events and not weighed down with scholarly opinions. Dr. Shapard’s agenda here is obviously to enlighten the reader by opening up Austen’s two hundred-year old text with facts, tidbits, asides, and information that a novice reader or veteran can relate to so they can appreciate the story even more.

This volume weighs in at a hefty one pound and six ounces and contains 784 pages of wow factor for any Jane Austen fan or literature lover. Jane Austen’s complete and unabridged text is included on the left hand page and the enumerated annotations on the right. No stone has been left unturned. Even the illustration on the front cover depicting two fashionably attired Regency-era young ladies walking in the countryside with an umbrella receives its own corresponding page of enlightenment on the history of the umbrella, walking as an amusement, large muffs as a winter accoutrement, and an observation on the picturesque landscape depicted in the illustration. This keen sense of the era in relation to the text continues throughout the over 2,000 annotations including: textural explanations of historical and social details, black and white illustrations of art works, caricatures, cartoons and maps, definitions of archaic words, citations from Jane Austen’s life and letters, a chronology of the novel, extensive bibliography, fifteen page introduction by the editor, and his literary interpretations of plot and characters. It is a monumental achievement that I will spend years coming back to and exploring.

I know that there has been criticism of Dr. Shapard’s unscholarly approach to annotation in his two previous editions. He uses open and accessible language for the layperson, and for the sake of clarity, he repeats definitions so the reader does not have to jump back and forth throughout the book for answers. In my view, this is considerate and not tiresome as some have complained. After all, who is this book’s primary audience? Pleasure readers and students, or scholars?  If you are a scholar you should be seeking primary source material and interpreting it in your own style, as Dr. Shapard has chosen to do in this volume. Amusingly, I find objections to the un-pedantic qualities of his writing an irony that Jane Austen would take delight in.

Overall, this new edition was mesmerizing. My only complaint is that not every inch of the right hand page is packed to the brim with annotation – but I am a greedy Janeite. Retailing at $16.95, this is a bargain resource book that every Jane Austen and Regency-era history enthusiast should own.

5 out of 5 Regency Stars

This is my fifth selection in the Sense and Sensibility Bicentenary Challenge 2011, my year-long homage to Jane Austen’s first published novel, Sense and Sensibility. You can follow the event as I post reviews on the fourth Wednesday of every month and read all of the other participants contributions posted in the challenge review pages here.

A Grand Giveaway

Enter a chance to win one copy of The Annotated Sense and Sensibility, by Jane Austen, Edited and Annotated by David M. Shapard by leaving a comment by midnight PT Wednesday, June 14, 2011 stating who your favorite character is in Sense and Sensibility and why, or what intrigues you about reading an annotated edition of Sense and Sensibility. Winners will be announced on Thursday, June 15, 2011. Shipment to US or Canadian addresses only.

The Annotated Sense and Sensibility, by Jane Austen, Edited and Annotated by David M. Shapard
Anchor Books (2011) New York
Trade paperback (784) pages
ISBN: 978-0307390769

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Sense and Sensibility, by Jane Austen (Penguine Classics) 2003Mags at AustenBlog shares news on a new beta website, Classroom Salon for Sense and Sensibility, by Carnegie Mellon University. The first lucky 50 Janeites to sign up get to participate, so make haste if you are interested in this innovative way to learn, share insights and discuss one of Jane Austen’s novels.

Cheers, Laurel Ann

We are pleased to announce that the Gentle Readers of AustenBlog, as well as Janeites everywhere, have been invited to join a discussion of Sense and Sensibility at Classroom Salon, a free discussion platform from Carnegie Mellon University. Using this tool, one may select any section of text, make comments, answer questions, and see and respond to the comments and questions. The Salon team at Carnegie Mellon is starting to post the text of Sense … Read More

via AustenBlog

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Gentle Readers, Vic  from Jane Austen’s World and I both freely admit to being passionate Jane Austen fans, which tends to infiltrate our everyday world in ways that have us viewing friends and ourselves through Austen’s unique prism. Here is a bit of fun today for your amusement:

LA: Vic and I were chatting on the phone today. Over the course of our three plus year Austen-inspired friendship we have mostly emailed, so this was a treat. She has the most infectious laugh which made me laugh too. Of course we were talking about our favorite author and she remarked that Austen excelled at humor and the amazing secondary characters she developed. Somehow it just popped out and I boldly asked her what Jane Austen character she most identified with. Without hesitation she replied, Lady Russell from Persuasion. “Lady Russell?” I replied in surprise! “Well, yes.”

Jane Rus.., er, Mrs. Russell

She then revealed that she is often wrong about the advice she gives people. At work she gathers the young-uns around her and freely offers opinions, whether they are solicited or not. When she gives wrong counsel – which she admits is more often than not – she torpedos herself in a most spectacular fashion. “The error of my ways does not go unnoticed by this unforgiving crowd. Unlike Lady Russell, I will own up to a misteak, er, mistake or two, and apologize for having interfered, but I hold the line at groveling.”

Another reason why she identifies with this character is her independence. Lady Russell is a widow with a healthy income and she has no intention of remarrying and being subjugated by a man. “I am a divorced woman who has discovered the joys of living singly on my own terms and by my own schedule. Ah, what total, selfish bliss!”

Vic further admitted that at a party, or when she lets her hair loose, she starts to resemble Mrs. Jennings. You know the type: a bit vulgar, out for a good time, giggling at precisely the wrong moments, and making those with a more composed nature feel uncomfortable with crass jokes and loud language. “Like Mrs. Jennings, I have a good heart. But I can be out there and in your face too. I might seem unseemly to a quieter person like Elinor, and be totally disliked by the likes of a Marianne, but my friends and family get me, and that’s what counts.”

Oh Vic! You are such a card. Lady Russell and Mrs. Jennings? She then turned the tables on me. “Now, who do you identify with in Jane’s novels? Are you like me, a bossy and interfering carouser? Or are your a bit more sedate and ladylike?”

Harriet Smith (Tony Collette) patiently poses for Emma

Vic: “Sedate. A total Harriet Smith,” LA replied. Many years ago a dear Janeite friend tagged her as a Harriet to her Emma. “It seemed appropriate since I was often asking for advice and was very mailable to change.” In her view, Harriet was a bit of a ditz and gullible which she has been accused of too. The thing she liked about being a Harriet is that Austen gave her such a great ending. She is resilient, and after being tossed about in love no less than three times in a year, Harriet gets the man she wanted in the first place and proves Emma, with her self-important airs, was totally clueless about the human heart. “I like having the last laugh, and being right.” ;-)

Sir John Middleton (Robert Hardy) and Mrs. Jennings (Elizabeth Spriggs)

Lately LA thinks she has evolved into Sir John Middleton from Sense and Sensibility. He was the Dashwood’s cousin and landlord of Barton Cottage. He is very gracious and likes to pop in and make sure his tenants are comfortable and entertained. He is a bit of a bore and talks too much about things that are not of interest to his young companions, but he likes dogs, has a good heart and loves to laugh. “As an enthusiastic bookseller, I like to inform customers of their choices and make suggestions. I am also a bit of an organizer and enjoy planning events on my blog, and orchestrating the 23 authors in my anthology. It is like herding cats, but I like being the boss of my own world!”

One man’s ways may be as good as another’s, but we all like our own best. Persuasion, Ch 13

Now our question. Which Jane Austen character do you, estimable viewer, most identify with, or which character are you afraid of becoming? Feel free to leave your comments!

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The Dashwood Sisters Tell All, by Beth Pattillo (2011)This is my third selection in the Sense and Sensibility Bicentenary Challenge 2011, my year-long homage to Jane Austen’s first published novel, Sense and Sensibility. You can follow the event as I post reviews on the fourth Wednesday of every month and read all of the other participants contributions posted in the challenge review pages here.

Following Jane Austen Ruined My Life (2009) and Mr. Darcy Broke My Heart (2010), Austenesque author Beth Pattillo presents the third book in the “Formidables Series,” The Dashwood Sisters Tell All. If you are wondering what “Formidables” are, besides being the thread that binds all three of these modern Jane Austen themed novels together, it is a clever play on Jane’s own stern moniker for herself and her sister Cassandra in their later years, and, the appropriately named secret society of devoted Janeites safekeeping Austen manuscripts and letters thought to have been destroyed ages ago. Each of the novels involves an American heroine (or in this case heroines) thrown into the investigation of Austen documents held (or wanted) by the society while she is visiting England. They are Jane Austen meets the Da Vinci Code; light-hearted mysteries/Austenalia/romances that have become one of my favorite light, bright and sparkly indulgences to loose myself in with a cup of tea and a little fantasy.

Inspired by Jane Austen’s Sense and Sensibility, the plot of The Dashwood Sisters Tell All parallels many elements in Austen original story. Any Janeite worthy of their set of The Oxford Illustrated Jane Austen will recognize siblings Ellen and Mimi Dodge as Austen’s divergent protagonists Elinor and Marianne Dashwood. These two modern thirty-something Dashwood’s don’t have much in common personality wise, nor do they like each other very much, but to honor their mother’s dying wish they travel to England for a walking tour of Hampshire. Taking the Jane Austen pilgrimage to Steventon Rectory, Chawton Cottage, and the Chawton Great House, their journey concludes at her final resting place, Winchester Cathedral. Along the way they must decide where they want to scatter their mother’s ashes and what to do with a diary she gave them that may have been written by Jane’s sister Cassandra. Each of the sisters reacts differently to the realization that the diary may be authentic and valuable. Shallow and vain Mimi smells money to fund her desire to open a fashion boutique in New York City, and practical and stoic Ellen wants to read, understand and discover if the diary is indeed authentic and if they want to sell it.

Mysteriously, others in the tour group, especially the Jane Austen expert Mrs. Gwendolyn Parrot, seem to know who the sisters are and why they are there, even though they have not shared any of the details with her. Also popping back into Ellen’s life after fifteen years, and into the tour group is Daniel, her college heartthrob and the only man she has ever loved, even though he never knew it. He is now an antiques dealer and Ellen assumes that her mother also sent him on the tour to help her daughters with the diary, and rekindle the unrequited love that Ellen never pursued. On the other hand, Mimi who fails in and out of love as quickly as the changing fashion season immediately hooks up with another enigmatic gentleman on the tour, the hunky Ethan Blakemore, a descendant of Jane Austen who has recently inherited a local estate. Ellen secretly questions why a local would take a walking tour in his own backyard? Mimi doesn’t wonder anything about Ethan, except when he will propose.

As the sisters travel through the countryside following in Austen’s path, they also read the diary revealing secrets in Jane and her sister Cassandra’s relationship that so tested their love and friendship for each other that it nearly tore them apart forever. While Ellen and Mimi have their own Elinor and Marianne Dashwood romantic entanglements and disappointments, they are drawn together when they question if the plot in Sense and Sensibility is based on the author’s real life experiences, and others in their group who are part of the “Formidables” go to great lengths to prevent them from discovering the truth.

Anyone eager for a vacation from the usual Austenesque fare inspired by Elizabeth Bennet and Mr. Darcy will appreciate the creative, unique, and intriguing contemporary theme and snap this novel up without a second thought. Pattillo has the clever knack of combining a romantic contemporary tale with historical connections centered around Austen lore. The Dashwood Sisters Tell All nourishes Jane Austen fans senses, and romance readers sensibilities! Come for the Austen travelogue and get lost in the romance and adventure.

P.S. – we are still patiently awaiting the invitation to become a Formidable.

4 out of 5 Regency Stars

A Grand Giveaway

Win one copy of The Dashwood Sisters Tell All, by Beth Pattillo by leaving a comment by midnight PT Wednesday, March 30, 2011 stating what intrigues you about this Sense and Sensibility inspired novel or who your favorite character was in Beth’s previous two novels in the series. Winners will be announced on Thursday, March 31, 2011. Shipment to US or Canadian addresses only.

The Dashwood Sisters Tell All: A Modern Day Novel of Jane Austen, by Beth Pattillo
Guideposts (2011)
Trade paperback (288) pages
ISBN: 978-0824948740

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Sense and Sensibility Bicentenary Celebration at My Jane Austen Book ClubThere are great reading and writing challenges, and  literary events in the queue around the blogosphere that have come to my attention. So many in fact, that I decided to combine the announcements into one grand post, so here goes.

Sense and Sensibility Bicentenary Celebration

Maria Grazia at My Jane Austen Book Club is celebrating the bicentenary of the publication of Jane Austen’s first published novel, Sense and Sensibility by hosting a year-long blog event. Each month will feature a blog on a topic inspired by S&S from Austen enthusiasts and authors. I will be contributing as the final leg in December with my essay, Marianne Dashwood: A Passion for Dead Leaves and Other Sensibilities. You can check out the full list of bloggers participating and all of the prizes offered each month at Maria’s great Jane Austen inspired blog.

Jane Austen Twitter Project

Author of Murder at Mansfield Park, Lynn Shepherd asks if you would like to be part of a Jane Austen story project? If you are on Twitter, you can participate in a new multi-author story in the works.

She has been developing the idea with Adam Spunberg (@AdamSpunberg on Twitter) and they plan to run a storytelling session one day every week for about three months this year. Each week’s chapter will be posted online and on www.AustenAuthors.com on Sunday. You don’t have to be a published writer to join in – you just have to love your Jane! If you are ready to get your creative juices jumping, then check it out.

The Gaskell Reading Challenge

Katherine at GaskellBlog is hosting a six month reading challenge, January to June, 2011 of Mrs. Gaskell’s works. It’s as easy as selecting two to read and leaving a comment to commit. I have selected Moorland Cottage and will be participating also in her reading group event on the book February 1st to the 15th, 2011 to fulfill one of my challenge commitments. We shall see what my second book is as the year develops. Wives and Daughters? Ruth? Sylvia’s Lovers? I’m undecided. Any suggestions?

The Classics Reading Challenge 2011

Courtney at Stiletto Storytime is hosting a classics reading challenge in 2011. What is a classic you ask? To Courtney, a classic is a “book that has in some way become bigger than itself. It’s become part of culture, society or the bigger picture. It’s the book you know about even if you have not read it. It’s the book you feel like you should have read.” I heartily concur. There are four levels of commitment from 5 books to 40 for those seriously addicted classics readers. I have committed to the Student level at 5 books and will be reading Sense and Sensibility, a Gaskell novel, and three Georgette Heyer novels, because I consider her a classic of the Regency romance genre.

Heroine Love

Yes. We can never have enough love! It makes the world go around. Erin Blakemore, author of that great celebration of our favorite heroines, The Heroine’s Bookshelf: Life Lessons from Jane Austen to Laura Ingalls Wilder is hosting a blog event February 1st – 18th, 2011 featuring 12 book bloggers writing on their favorite heroine’s and how they changed their lives. Yours truly will be participating on February 18th, (Last again. I know!) honoring one of my favorite heroines Elizabeth Bennet. In addition to the great gush of love for the literary ladies in our lives, there will be tons of swag, yes, great giveaways to reinforce the love all around!

Well gentle readers, get motivated and join in the literary love of writing, reading and books. My two challenges for 2011 are still open: The Sense and Sensibility Bicentenary Challenge and the Being a Jane Austen Mystery Challenge 2011. So…take the leap, and join the celebrations.

Cheers,

Laurel Ann

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The Sense and Sensibility Bicentenary Challenge 20112011 is a celebratory year for Jane Austen and her legion of fans. It marks the bicentenary of her first published novel, Sense and Sensibility. Since 1811, we have been enjoying her romantic, dramatic and witty story filled with divergent characters – the Dashwood sisters: cool, practical Elinor and emotional, impulsive Marianne, and the men in their lives: stoic Edward Ferrars, staid Colonel Brandon and rakish Willoughby. There is much to praise in this novel which has inspired many movie adaptations, book sequels and spinoffs.

The Sense and Sensibility Bicentenary Challenge 2011

We are very pleased to announce the Sense and Sensibility Bicentenary Challenge 2011. If you have not read Jane Austen’s masterpiece or would like to revisit it in honor of its significant anniversary, seen all of the movies or read all of the sequels and spinoffs, this is the year to join the challenge along with other Janeites, historical fiction readers and period drama movie lovers.

Challenge Details

Time-line: The Sense and Sensibility Bicentenary Challenge 2011 runs January 1, through December 31, 2011.

Levels of participation: Neophyte: 1 – 4 selections, Disciple: 5 – 8 selections, Aficionada: 9 – 12 selections.

Enrollment: Sign up’s are open until March 1, 2011. First, select your level of participation.  Second, copy the Sense and Sensibility Bicentenary Challenge 2011 graphic and include it in your blog post detailing the novels or movies that you commit to reading and watching in 2011. Third, leave a comment linking back to your blog post in the comments of this announcement post. If you do not have a blog you can still participate. Just leave your commitment to the challenge in the comments below.

Check Back Monthly: The Sense and Sensibility Bicentenary Challenge 2011 officially begins on Wednesday, January 26, 2010 with my review of the novel The Three Weismanns of Westport. Check back on the 4th Wednesday of each month for my next review in the challenge.

Your Participation: Once the challenge starts you will see a tab included at the top of Austenprose called Reading Challenges. Click on the tab and select the Sense and Sensibility Bicentenary Challenge 2011. Leave a comment including the name of the book or movie read or viewed and a link to your blog review. If you do not have a blog, just leave a comment about your selection that you finished with a brief reaction or remark. It’s that easy.

The Prizes

Oh, of course there are prizes! There will be giveaways each month of the book or movie that I review in the challenge here on Austenprose to be drawn from comments left with each post, and one lucky Grand Prize Winner of all 12 titles tucked into a Jane Austen tote bag ($200.00 value) to be drawn from comments left at any and all of the reviews left on this blog or yours. Yes, that means that your readers who comment on your challenge reviews have a chance to win too. Winners will be announced monthly two weeks after each blog post, and the Grand Prize winner will be announced on January 05, 2012. Shipment to US or Canadian addresses only.

So, make haste and join the challenge today. I am so looking forward to revisiting Jane Austen’s classic tale through her eyes and others. Here is a list of possibilities for your reading and viewing selections:

Books

Movies

My reading & viewing schedule

  1. Jan 26 – The Three Weissmanns of Westport
  2. Feb 23 –  Sense and Sensibility 1981
  3. Mar 23 – The Dashwood Sisters Tell All
  4. Apr 27 –   Sense and Sensibility: The Screenplay and Diaries
  5. May 25 – The Annotated Sense and Sensibility
  6. Jun 22 – Sense and Sensibility 1995
  7. Jul 27 – Sass and Serendipity
  8. Aug 24 – Suspense and Sensibility
  9. Sept 28 – Sense and Sensibility (Naxos Audiobooks)
  10. Oct 26 – Expectations of Happiness
  11. Nov 23 – √ Sense and Sensibility (The Jane Austen Bicentenary Library)
  12. Dec 28 – Willoughby’s Return

Cheers,

Laurel Ann

Participants:

  1. Laurel Ann – Austenprose
  2. Bella
  3. Adriana Zardini – Jane Austen in Brazil
  4. Nicole
  5. Elsie
  6. Meredith – Austenesque Reviews
  7. Meredith – The Librarian Next Door
  8. Raquel – Jane Austen in Portuguese
  9. RegencyRomantic
  10. Jennrenee
  11. Karen Field
  12. Brittanie – A Book Lover
  13. Katherine – November’s Autumn
  14. Luthien84 – My Love For Jane Austen
  15. Wallace – Unputdownables
  16. Joanna Y.
  17. Whitney – She Is Too Fond of Books
  18. Lauren Cartelli – The Literary Gothamite
  19. Trai – Tutor Girl Reads
  20. Brooke – Bluestocking Guide
  21. C. Allyn Pierson
  22. Dana Huff – Much Madness is Divinest Sense
  23. Jillian
  24. Angie – Attentively Attentive to All Things
  25. Sue
  26. Renate – Literary Scribbles
  27. kswortzel
  28. JJ – Citivolus Sus
  29. Kerri
  30. Lisa – Lit and Life
  31. Courtney – Stiletto Storytime
  32. Miss Sneyd  – Mansfield Park
  33. Ruth – Book Talk and More
  34. Alexa Adams – First Impressions
  35. Emilee Turner – Another Binkley Sister Blog
  36. Sara – Notes in the Margins
  37. Leslie
  38. Kimberly – Reflections of a Book Addict
  39. Mags – AustenBlog
  40. K – Books, Movies and TV
  41. Patricia – Impedance of Locomotion
  42. Elizzy B. – Salon Jane Austen
  43. Marg – Adventures of an Intrepid Reader
  44. LynnS
  45. Kaye – The Road Goes Ever Ever On
  46. Alice – Jane Austen is my Wonderland
  47. Becky Roode – This I Know
  48. Deborah – By the Book
  49. Missy
  50. Anna – Diary of an Eccentric
  51. Kira
  52. Laura – Laura’s Reviews
  53. Else T. – Bellasarte
  54. Melissa – Swamp of Boredom
  55. Sam – Sam Still Reading
  56. Heather – The Duchess of Devonshire’s Gossip Guide
  57. Nancy Kelly – Austen Inspiration
  58. Becca
  59. Jenny the Librarian
  60. Kelli
  61. Rivkabelle – A Word’s Worth
  62. Diane
  63. Andrea – Custard Kisses
  64. Nadia – A Bookish Way of Life
  65. In My Book Ag
  66. Vonna Viglione
  67. Diana I C
  68. Lynn Sherick
  69. Maria Grazia – My Jane Austen Book Club
  70. Lynnae – The Little White Attic
  71. Kassie Freeman
  72. Tarina – Doodle Bugs and Sweet Peas
  73. Svea – Muse in the Fog
  74. Lit~Lass – Frigate to Utopia
  75. Alison – Threads
  76. Lady Doc – Tilting at Windmills
  77. Debera
  78. Grace 2302 – Old South Part Two
  79. Marina Barrie – Mariners Compass
  80. Faith Hope & Cherry Tea
  81. Pascale M. – Pascale Maret Author
  82. Cassia – Bonjour Mademoiselle
  83. Raquel
  84. You’re Next!

© 2007 – 2011 Laurel Ann Nattress, Austenprose

The Sense and Sensibility Bicentenary Challenge 2011 Graphic by Katherine Cox of November’s Autumn

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An old Richmond, Virginia plantation, a festive wedding and family disputes set the stage for murder in Tracy Kiely’s novel Murder on the Bride’s Side, the second novel in the Elizabeth Parker mystery series inspired by Jane Austen’s classic novels. A year ago, Kiely wowed me with her debut novel Murder at Longbourn loosely based on characters from Austen’s Pride and Prejudice. This time we follow the further adventures of her endearingly flawed, angst ridden sleuth Elizabeth Parker as she draws strength and great quotes from Sense and Sensibility.

The story picks up eight months after Elizabeth solved a double murder at her aunt Winnie’s B&B in Cape Cod. She and her boyfriend Peter McGowan (who she reconnected with in Murder at Longbourn) are still an item, but the challenge of a long distance relationship niggles at her insecurities. He is joining Elizabeth in Richmond, Virginia while she fulfills her maid-of-honor duties for her best friend Bridget Matthews whose wedding is at the family estate Barton Landing, a former tobacco plantation fronting the James River. It would not be a proper old southern family without an elderly potentate to wield their cane and pelt cross words at their children, so Kiely has supplied us with Elsie Matthews, a meddling grand dame who likes to match make and foretell the future. Upon Elizabeth’s arrival her ominous prediction of “death is coming” ultimately comes to pass the day after the wedding when the body of her daughter-in-law Roni is found brutally murder with a large kitchen knife in her chest. This is a tragic event, so why is no one grieving?

Elizabeth soon discovers that almost everyone in the Matthews clan wanted Roni dead. She is what Barbara Bush quipped “a noun beginning with b and rhyming with witch.” She was the much younger second wife of Elsie’s eldest son Avery, the heir presumptive and president of a thriving landscaping company whose recent stroke has left him in a wheelchair. His scheming wife (with a man-made figure) was determined that he sell in order to slow down and enjoy life. This news sends the family into a tailspin of anger and fear, so much so that someone commits murder to stop her.

Among Elsie’s three children and their families the chief suspect is Bridget’s cousin Harry Matthew’s, a Willoughby-like playboy who is often in his cups but not at all the killing kind. Because of Elizabeth’s success with sleuthing out the murderer at her aunt’s B&B last January, she is called upon by Bridget to find the proof of the real murderer and free Harry. Could it be Roni’s browbeaten teenage daughter Megan, Avery’s starchy infatuated nurse Millicent McDaniel, womanizer and family leech David Cook, Avery’s jilted girlfriend Julia Fitzpatrick, or Elizabeth herself, who is found in possession of the valuable diamond necklace missing from Roni’s body? Add to this drama the coincidence of Peter’s former flame, wedding coordinator Chloe Jenkins, is on the prowl again and Elizabeth will need to channel the Dashwood sisters: Elinor’s inner strength and Marianne’s passionate determination to solve the crime.

Written from her heroine’s perspective, it was a delight to return to Kiely’s breezy, familiar, blog-like writing style. It drew me into Elizabeth’s anxious world as a singleton and struggles with confidence in her own abilities, building upon my desire for her to succeed. Like Austen, Kiely excels at endearing characterization supplying an array of odd, interesting, unique but somehow familiar characters. I particularly appreciated her descriptive use of metaphor and subtle humor. This mystery enthusiasts paid close attention to clues, had my predictions, but was still surprised at the final reveal. My major quibble is that this novel has even less connections to Austen than her previous outing. If you are going to claim that it has been drawn from Sense and Sensibility, you better deliver. Elizabeth’s ongoing relationship with Peter had its ups and downs – but really – how could anyone not be besotted by a man who can quote lines from Cary Grant movies by heart? Kudos to St. Martin’s for the beautiful cover. BIG improvement. I am looking forward to Tracy’s next murder mystery in the series inspired by Austen’s Persuasion. Yay! Men in blue. Go Wentworth.

4 out of 5 Regency Stars

Murder on the Bride’s Side, by Tracy Kiely
St. Martin’s Press (2010)
Hardcover (304) pages
ISBN: 978-0312537579

© 2007 – 2010 Laurel Ann Nattress, Austenprose

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