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Downton Abbey Season 3 Episode 7 Matthew Crawley fishing

A bar of soap and solidarity tied up episode six of Downton Abbey of Masterpiece Classic very neatly last week. It was an uplifting conclusion, until this week’s devastating final episode. I wish episode six had been the last of the season. Instead, the Crawley’s went to Scotland to visit Cousin Shrimpie, stalked deer, fished for salmon and danced a reel while the downstairs mice left at Downton Abbey played at the local fair while the cat was away.

My Recap (Major, Major Spoilers!)

Joy arrived with the birth of the long awaited heir to Downton Abbey—but into each life some rain must fall—and in this case, a monsoon hit Yorkshire and swamped our hearts. I will not pad the deep blow with my usual detailed recap but cut to the chase. After spending a very brief time with his wife and newly-born son, Matthew Crawley died in a car crash on his way back home from visiting her and the baby at the hospital. The happily-ever-after will never be possible for him or many at Downton again.

No cliff-hangers here by writer Julian Fellowes—at all—quite the opposite. More on this tragic, startling, ending in my review below, after I point out some of the happier moments during the episode that was called the Downton Christmas Special in the UK when it aired there.

Favorite moments:

Have a bit of the tart if you like.” – Mrs. Patmore

I don’t mind if I do.” – Joss Tufton

There is romance in the air at Downton upstairs and down. Many attempted hook-up’s for young and old added levity and humor for most of the episode. There are a lot of sexual innuendos planted throughout. Have fun catching them as they wiz by.

I love reeling. If I weren’t pregnant I dance until dawn.” – Lady Mary

So, in the opening scenes we discover Lady Mary is pregnant. But, we are immediately distressed to learn that she is due in a month yet traveling with her husband and family to Scotland by train. This seems rather risky after all the couple went through to get in the family way, and how important an heir is to the future safety of the estate.

Downton Abbey Season 3 Episode 7: Duneagle Castle, Scotland

Duneagle Castle in Scotland

The destination vacation for the Crawley’s is Cousin Hugh ‘Shrimpie’ MacClare, Marquess of Flintshire’s estate Duneagel in Scotland. We first heard tell of him in season two when Violet, Dowager Countess of Grantham placed a phone call to him at the War Office when Matthew had gone missing during combat. He is a diplomat and her cousin by marriage through her niece Susan, daughter of her sister. The MacClare’s are the parents of young Rose, the flapper we met in episode six.

Edith. My basic fact is that I am in love with you…you know that already.” Michael Gregson

Do I? Yes, I supposed I do.” – Lady Edith

OMG! I am getting peeved that poor Edith is being made into a naïve idiot again. No, please no.

No man’s wanted to squire me since the Golden Jubilee. Even then he expected me to buy the drinks.” – Mrs. Patmore

The Golden Jubilee of Queen Victoria of the United Kingdom was celebrated on 20 June 1887. Since this is 1922, Mrs. P. has been without a date for 35 years. No wonder she’s all giddy and girlish.

Ten hours crawling through heather and nothing to show for it. Perhaps it’s a parable of life.” Matthew Crawley

There are a lot a parables, euphemisms and philosophy in this episode. Just watch Mrs. Hughes and Matthew Crawley very closely.

Unless you want Rose married to a third rate colonial official with no money and bad teeth Susan better think again.” – Violet, Dowager Countess Grantham

The MacClare’s are being sent to some unknown colonial outpost. This remark is Violet’s way of letting us know what she thinks of the marriage prospects away from England. Considering that she was ready to pack up her granddaughter Mary in season one and send her to Italy or America to find a husband is a telling clue of Rose’s prospects unless she intercedes.

Downton Abbey Season 3 Episode 7: Rope pull at fair

You don’t want to go to the fair?” – Alfred

I’d sooner chew broken glass.” – Mr. Carson

After all of the romantic hook-up’s, gambling, drinking and fighting, we are very happy that Mr. Carson did not go to the fair.

A man of mystery. Edith could use some of that.” – Lady Mary

“You are horrid when you want to be.” – Matthew Crawley

Lady Mary was back to her old snarky remarks about Edith in this episode. We will cut her some slack since she is preggers and well, just Lady Mary.

What’s going on in here?…you were just taking advantage of the cat’s absence. We’ll see what Mr. Carson has to say.” Mrs. Hughes

Mrs. Hughes catches the two footmen Alfred and James sitting on the settee in the parlor.  She has a keen eye in this episode and catches inappropriate behavior all around. This usually falls to Mr. Carson’s watchful radar, so it was fun to see the Great Philosopher of Downton in action.

Love to be in love, any time any place. I’ll not deny it Mrs. Hughes. I love to be in love.” – Joss Tufton

Telescoping I’d say.

Does the law expect me to have no life at all until I die? Would Lord Grantham?” – Michael Gregson

You can’t expect that he would want you to involve his own daughter, what when all you have to offer her is a job as your own mistress.” – Matthew Crawley

No, I love her.  I’m offering my love.” – Michael Gregson

You’ve been misled by our surroundings. We’re not in a novel by Walter Scott.” – Matthew Crawley

Mr. Rochester/Michael Gregson is corrected by Matthew with a literary euphemism. What irony. This new plot with Edith’s faux beaux really stinks. I know that is not very professional, but there you have it. Edith deserves much better than a married man with a mad wife in the attic. Lady Mary, Lord Grantham and Matthew are all very suspicious and for good reason. We are all yelling at the screen!

Either way it was the cooking he was after and not me.” – Mrs. Patmore

What a relief that Mrs. Patmore’s romantic incident with the gross grocer ended in laughter and not heartbreak.

Downton Abbey Season 3 Episode 7: Moseley and O'Brien

Are you proud of your handy work?” – Miss O’Brien

Well, I don’t know what you …” – Miss Wilkins

Never mind Miss Wilkins, it might do him good to let it all go for once.” – Miss O’Brien

We knew “every savage could dance” but Mr. Mosley? Hysterical!!! I felt that we had met O’Brien’s evil twin in Scotland with fellow lady’s maid Miss Wilkins, but she had obviously not earned her evil bangs yet and was no match for her. Touché!

…be your own master and call your own tune.” – Mrs. Hughes

Great advice to Tom Branson from the Great Philosopher of Downton, Mrs. Hughes.

There are rules to this way of life Edna, and if you’re not prepared to live by them, then it’s not the right life for you.” – Mrs. Hughes

Again, brava to more Mrs. Hughesisms. New maid Edna gets the boot for having the hots for Mr. Branson and not being able to contain it.

Love is like riding or learning French. If you don’t learn it young, it’s hard to get the trick of it later.” – Lord Flintshire (Cousin Shrimpie)

Young, wild Cousin Rose is going to live with the Crawley’s at Downton while her dueling parents are away on diplomatic duty. I thought this was very touching of her father to say this to Lady Grantham. He wants the best for his daughter who is always fighting with her horrid mother Susan, who will hopefully be eaten by tigers in India.

Just think. We’ve done our duty. Downton is safe. Papa must be dancing a jig.” – Lady Mary

Ahhh…another baby for Downton. This one gets to be the Little Prince for about ten seconds and then, tick tock, tick tock, he is Prince Regent.

Downton Abbey Season 3 Episode 7: Violet, Countess Grantham

Yet, here we are with two healthy heirs, an estate in good order and I wonder what I’ve done to deserve it.” – Lord Grantham

I agree. But then, we don’t always get our just deserts.” Violet, Dowager Countess of Grantham

Just deserts? Oh Granny, please do not mention levelers of life right now as Matthew is so happy and we are riding along with him on the road to Downton and doom.

My Review:

I saw this episode when it aired in the UK on Christmas Day. It has been almost three months and I am still angry and sad. The writer/creator Julian Fellow offers this explanation. It didn’t help.

I have been an advocate for Downton Abbey from day one. I have blogged about it and reviewed every episode. I have co-moderated three years of live twitter parties hosted by Masterpiece Classic. I have cheered and laughed and reveled in it glorious success for PBS and period drama. I am about as big of a fan girl as they come—but I still do not agree with how this season ended so tragically for Matthew and the fans of the series.

Unfortunately, Dan Stevens who portrayed Matthew Crawley wanted to move on and do other work. He may be remembered as the bloke who ditched the mega-hit series Downton Abbey, or he could win some fantastic role that might save him and move him to the next level. It is all a crap shoot. I try to be philosophical like housekeeper Mrs. Hughes whose advice to Tom Branson was spot on “…be your own master and call your own tune.” Obviously the writer Mr. Fellowes planted that for us to just chew on.

Season four of Downton Abbey starts production in England this month. Fellowes has dug himself a big whole to fill. We shall see if the series can crawl out of it.

Further reading:

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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Downton Abbey Season 3 Episode 6: Christening of baby Sybil

Faith and food filled last week’s episode 5 of Downton Abbey after the devastation of the loss of Lady Sybil. As the family continues to mourn, the future of her baby and husband Tom at Downton are uncertain. Branded the scarlet woman of Downton, former housemaid Ethel’s return as Mrs. Crawley’s housekeeper has shocked the community. When Lord Grantham crashes a luncheon attended by the ladies of Downton at Crawley house, the ladies are united in their support of her rehabilitation and refuse to leave. On an upbeat note, Mr. Bates’ conviction has been overturned and he has been set free! Anna and Bates are now once again together and happy!

Recap of episode 6 (spoilers ahead)

Downstairs: All but one welcome Downton’s prodigal servant Mr. Bates back home with open arms! His return places interim valet Mr. Thomas Barrow in an untenable position and he must give way and let Mr. Bates return as Lord Grantham’s valet. This situation is quickly overshadowed by a sexual scandal that could taint the reputation of the estate as Miss O’Brien’s plotting to ruin Thomas comes to fruition when her nephew Alfred catches him making sexual advances at footman James late at night in his bedroom. After James’ continued complains to Mr. Carson, Thomas is forced to resign without references, ruining his chances for future work. Mr. Bates feels sorry for Thomas and offers his assistance with pressuring Miss O’Brien to convince James to recant. Thomas reveals a certain fact about her ladyship’s soap that immediately does the rick and her scheme is thwarted. This further angers her nephew Alfred who reports the incident to the police.

Upstairs: Matthew and Tom work together to develop a new plan to save Downton and make it self-sufficient. Robert’s resistance to change and his concern for his tenants is supported by his long-time estate manager Mr. Jarvis whose indignation results in his resignation. To stop the scandal that is Ethel, the Dowager Countess is determined to see her move elsewhere and secretly places an advertisement in the London paper for a housekeeper seeking a position. One of the replies is from a woman who lives nearby the home of the Bryant’s, the grandparents who now care for her son little Charlie. Violet orchestrates a reunion of Mrs. Byrant and Ethel so they can come to terms with her working nearby and seeing her son. Lady Edith has a new job as a journalist for a paper in London whose editor Michael Gregson is keen on her. She is cautiously interested until she discovers he is married. He reveals that his wife is a lunatic and there is no hope of him obtaining a divorce. Young cousin Lady Rose MacClare visits Cousin Lady Rosamund Painswick in London with Lady Edith and Matthew. Escaping to meet her married lover in a jazz club, she is caught in the act. Matthew controls her by bargaining with their silence if she will behave. The annual cricket match is in full swing when the local police arrive looking for a statement from Alfred who reported Thomas for criminal behavior against James. Lord Grantham intercedes and Alfred recants claiming to be drunk at the time. Now that Lord Grantham is on board with the new plans for Downton, Matthew and Mary are pleased to be building a new kingdom and making a little prince.

Favorite Moments:

Are you sure you wouldn’t rather cut and run like me?” – Tom Branson

I love the frankness of Tom Branson’s humor. The bromance between he and Matthew is one of the highlights on the series.

I do think the women’s place is in the home, eventually. But I don’t see any harm in her having some fun before she gets there.” – Violet, Dowager Countess Grantham

Another great zinger from the Downton whisperer.

Downton Abbey Season 3 Episode 6: Matthew and Mary Crawley

You berate me for not taking responsibility and then you tell me off for doing just that. You can’t have it both ways.” – Matthew Crawley

I can if I want to.” – Lady Mary

I am relieved to see some genuine romance and less bickering from the love birds of Downton!

Cousin Violet has never let an inconvenience stand in the way of a principle.” – Mrs. Crawley

As the kettle said to the pot.” – Violet, Dowager Countess

Young Lady Rose’s introduction to the world of Isobel vs. Violet begins in a throw down. She laughs it off, but she won’t be laughing later!

Downton Abbey Season 3 Episode 6: Rose in London Jazz Club

Married men who wish to seduce young women always have horrid wives.” – Matthew Crawley

Best line of the night!

There must be something you know about Miss O’Brien that you can use against her.” – Mr. Bates

You’ve heard of the phrase “you know when your beaten”? Well, I’m beaten Mr. Bates. I’m well and truly beaten.” – Mr. Barrow

Well, then give me the weapon and I’ll do the work.” Mr. Bates

Who would have thought that two fierce adversaries would be on the same side? Mr. Bates’ need to fall on his own sword might just kill him some day.

Shall I tell you how I look at it? Every man or woman who marries into this house, every child born into it has to put their gifts at the families disposal. I’m a hard worker with some knowledge of the land. Matthew knows the law and the nature of business.” – Tom Branson

Which I do not.” – Lord Grantham

You understand the responsibilities we owe to the people round here, those who work for the estate and those who don’t. It seems to me if we could pool all of that, if we each what we can do, then Downton has a real chance.” – Tom Branson

Interesting moment where the former chauffeur/family outsider Tom Branson reveals to the Lord of the Manor what he should be seeing himself. A turning point for Lord Grantham and the estate.

I’m afraid that I find the idea of a married man flirting with me wholly repugnant. So you see…I must hand in my resignation at once.” – Lady Edith

Oh dear a big blow to #TeamEdith. Another mad wife in the attic? Why must the rug be constantly pulled out from her happiness?

Downton Abbey Season 3 Episode 6: Matthew and Mary Crawley at cricket match

So we will be building our new kingdom while we make our little prince.” – Lady Mary

My Review

Malfeasance, shenanigans, whippersnappers and harlots ran a muck at Downton last night as we experienced one of the sharpest written episodes, whose dialogue had our ears are burning with delight. Our only complaint was that it was too long. We much prefer the one hour length that we have been feed for the past four weeks. There is just too much to absorb in two hours. There. We never thought there could be too much Downton Abbey, but there it is.

Intervene was the key word of last night’s episode as help from unexpected sources arrived to save some, and condemn others. Mary and Matthew have (thankfully) ended their bickering over money and joined sides in Matthew’s plan to modernize Downton. He is very definite about her being on his team now and she did not object as she has in the past. Lady Violet, Dowager Countess Grantham, was in fine form and as Machiavellian as ever manipulating the family and staff into convincing Isobel Crawley that Ethel would be much happier living a new town where no one knew of her past. How she orchestrated obtaining a new position for Ethel by using so many different people to remove the source of scandal was disturbingly brilliant. I never thought I would see Mr. Bates teaming up with Thomas to thwart Miss O’Brien, but he did—and was able to accomplish his goal with one fact from Thomas against her, “her ladyship’s soap.” There were many other instances of characters helping those in need or upsetting plans, but I was most moved by family outsider Tom Branson. As the widow of Lady Sybil, and the new estate manager, he has the unique position of not being deeply entrenched in family dynamics so he can say the obvious to Lord Grantham—that it is everyone’s responsibility to bring their talents forward so they can pool their resources for the benefit of the estate. That is a very socialist ideology that even traditionalist Lord Grantham can agree to.

The Oddest Plot Twist Award of the season goes again to poor Lady Edith and her working girl adventures in London. I am encouraged that they are allowing her to “do” something besides her grandmother’s suggestion of watercolors and charity work, but really Mr. Fellowes—you have taken her character around the bend and through the woods several times in the love department—but fixing her up with her editor (a younger looking version of the infamous altar jilter Sir Anthony Strallen) whose wife is insane is just too close to turning her into Jane Eyre in love with her employer whose wife is madwoman living in the attic. Really? Seriously? This is all you could think up for her?

I will end on that note and ask readers what they thought of all the resolutions and one last dangling conflict?

Downton Abbey Twitter Party

Join me as I co-moderate the live Downton Abbey Twitter parties every Sunday through February 17, 2013 at 9:00pm eastern and again during the Pacific coast time slot. Just use hashtag #DowntonPBS and add @pbs, @masterpiecepbs, @austenprose, @televisionary, @tomandlorenzo and @vulture to your favorite Twitter aggregator such as Tweetdeck, Tweetgrid, etc. It’s great fun, and totally free.

Join us for the conclusion of Downton Abbey Season 3 when episode 7 takes us to Scotland to meet Cousin Shrimpie and his family, next Sunday, February 17, 2013 at 9:00pm ET & PT (check your local listings).

Further reading:

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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Downton Abbey Season 3 Episode 5: Footman James

Life and death weighed in deeply in last week’s episode 4 of Downton Abbey. The birth of Lady Sybil’s daughter and her shocking death overshadowed any of the other plot developments. As the two doctors in attendance stood at her bedside with her family and watched helpless (as did we) as she was overcome with toxemia from eclampsia, I felt that writer Julian Fellowes was using every emotion to rip out our hearts. Sybil was such a kind, sweet soul—a rare commodity at Downton and the world—that her death is doubly hard for all to bear. Here is a link to a lovely tribute video of Lady Sybil created by Masterpiece PBS. Downstairs, the new staff is posturing for position and romance while Miss O’Brien plants the seeds of destruction for her former partner in crime valet Mr. Barrow. Lady’s maid Anna and her husband, former valet Mr. Bates, discover a previously overlooked fact that may overturn his murder conviction of his wife and set him free from jail.

Recap of episode 5 (spoilers ahead)

Lady Sybil has been laid to rest and Downton Abbey will never be the same. The family’s grief and mourning is very acute, especially by her husband Tom Branson whose future there seems uncertain. The baby must be christened and Tom is determined to have her baptized in his own faith. This appalls Lord Grantham who feels her life will be doomed as a “left footer.” Catholicism vs. Anglicism is discussed at dinner upstairs and down and there is a definite division of beliefs. The growing rift between Lord and Lady Grantham over local Dr. Clarkson’s advice to save Sybil vs. the London specialist Dr. Tapsell moves the Dowager Countess to step in and convince Dr. Clarkson to tell her son and daughter-in-law that Lady Sybil was destined to die even with the surgery he recommended. This realization mends the fence and they are reconciled in their grief.

Mrs. Crawley wants to throw a luncheon for the ladies of Downton to ease their suffering and asks her housekeeper Ethel to prepare a simple meal. Ethel is determined that she can cook finer fare than cold ham and a salad and convinces the cook at Downton Mrs. Patmore to coach her. The more elaborate meal surprises Mrs. Crawley and delights her guests until Lord Grantham crashes the party furious that the ladies are endangering the reputation of Downton by associating with a woman who bore a bastard and was previously a prostitute. He insists that they leave immediately, but they refuse. Assistant cook Daisy is still keen on Alfred who is keen on Ivy who is keen on James. Everyone is in love with the wrong person as Mrs. Patmore’s keen eyes so clearly perceive. Mr. Bates’ lawyer interviews his dead wife’s neighbor Mrs. Bartlett and it is not surprise that she has changed her story, most likely tipped off and bribed by that irksome prison guard hounding Bates. Well two can play at this game so Bates threatens his cellmate which turns the tide so the witness can recant and Bates is sprung. It is the only good news at Downton in months.

Favorite Moments:

Did you hear about Tom’s announcement at breakfast? He wants the child to be a left footer.” – Lord Grantham

It was interesting to see all of the household’s reaction to the Catholic vs. Anglican issue. It helped us remember what era this drama is placed in and how important your choice of faith was.

My dearest boy. There is no test on earth greater than the one you have been put to. I do not speak much of the heart since it is seldom helpful to do so, but I know well enough the pain when it is broken.” – Violet, Dowager Countess Grantham

A nice mother and son moment from the whisperer of Downton herself.

Downton Abbey Season 3 Episode 5: Mrs Patmore and Daisy

You know the trouble with you lot, you’re all in love with the wrong people.” – Mrs. Patmore

Too true – as I mentioned before, Daisy is keen on Alfred who is keen on Ivy who is keen on James. There is another who is also in love with the wrong person too. When will the shoe drop?

The Dowager Duchess of Norfolk is a dear friend and she is more Catholic than the Pope.” – Violet, Dowager Countess Grantham

Lady Violet is referring to Gwendolen Fitzalan-Howard, 12th Lady Herries of Terregles, The Dowager Duchess of Norfolk. She was a Roman Catholic aristocrat whose family was the model for the Marchmain family in Evelyn Waugh’s novel Brideshead Revisited.

You are always flabbergasted by the unconventional…not everyone chooses their religion to satisfy Debrett’s.” – Lady Grantham

Lady Grantham is referring to Debrett’s Perrage & Baronetage, a book that is a genealogical reference to the British aristocracy. Austen fans will remember that in Persuasion, Sir Walter Elliot “for his own amusement, never took up any book but the Baronetage.” He was a puffed up snob. Lady Grantham’s mention of this is a rub to her husband’s snobbish beliefs reminding him of her American roots and values. Well said Lady Grantham.

So there’s a country boy inside the revolutionary?” – Matthew Crawley

Not much of one.” – Tom Branson

You must hate it here.” – Matthew Crawley

No. I don’t hate it, but I don’t belong here either.” – Tom Branson

Both Matthew and Tom are outsiders at Downton who have married into the family. This bromance between the two son-in-law’s is developing nicely though it is a bit harder for them to accept the revolutionary Fenian former chauffeur than a middle class former attorney as family.

Downton Abbey Season 3 Episode 5: Mr. Bates in prison

I expected her to deny everything once she realized that her testimony would release me.” – Mr. Bates

Mr. Bates’ last chance at freedom does not look promising. Depending on the honesty of his dead wife’s neighbor Mrs. Bartlett who hates him is a long shot.

Of course, if Mrs. Patmore wants to spend her time frolicking with prostitutes.” – Mr. Carson

Do I look like a frolicker? – Mrs. Patmore

Caught in the act of visiting Ethel at Crawley House by the disapproving Mr. Carson, Mrs. Patmore back peddles quickly and offers the perfect comeback! Ha!

It seems such a pity to miss a good pudding.” – Violet, Dowager Countess Grantham

Huzzah! Prostitutes and pudding prevail at Downton! A very tense scene with Lord Grantham crashing the party at Crawley House is softened again by a bon mot by the Dowager Countess. So perfect.

A fool and his money are soon parted, and I have been parted from my money so I suppose I am a fool.” – Lord Grantham

Again, Lady Mary is discussing money matters with her father. This time she is running defense for her husband Matthew and brother-in-law Tom. She mentions she is always on her father’s team, but this time he is wrong about disapproving of the Catholic christening of baby Sybil, and Matthew’s concerns about the mismanagement of the Downton estate. Both Lord Grantham and Mr. Carson are traditionalists hanging on the past. Is there a message here that Fellowes is foreshadowing?

My Review

Nourishing our bodies and souls are key themes in episode 5 tonight. Food and religion. Two popular topics often debated but never agreed upon.

We see food preparation and its importance in stature through housekeeper Ethel’s desire to improve herself and impress her employer and the ladies at Downton when she makes a fine meal for luncheon and surprises them all. She takes a risk and is rewarded until Lord Grantham imposes his unyielding traditional values while attempting to banish his family from the house because of Ethel’s tainted past. I love the reaction by the Dowager Countess when he uses the “B” word to shame Ethel and Mrs. Crawley for inviting the ladies to lunch. Priceless!

Food is also an important plot axis in Mr. Bates’ fate too. The newly discovered fact of poisoned pie that his wife baked for herself that her neighbor Mrs. Bartlett mentions might set him free. And, Daisy the assistant cook who thinks she will spend her whole life in the preparation of food may have another option when her father-in-law offers her his tenancy at the farm including equipment and money. She would be an heiress of sorts – not on the scale of the Downton ladies – but still quite a step up from kitchen duties and a life in service. Now, let’s Segway to another dinner at Downton where the topic of religion is so prominent. The local vicar’s opinions of Catholicism vs. Anglicism is not only startling to today’s ears but to some family members in 1920 too. It was a great way for screenwriter Fellowes to show us how religion, values, character, and food are so important to all and how things have not changed as much as they should have in one hundred years.

I was a bit taken aback by Lord Grantham tonight. He has never been one of those cool, calm, stiff upper lip Englishmen types that the nation is so famous for, but geesh, his temper really blew in all directions: mad at Tom, mad at Lady Mary, mad at Matthew, mad at Isobel etc. The only family member who didn’t get their ears boxed was Lady Edith who is usually the whipping boy in the family! I presume it was amplified by the grief of the loss of his daughter Lady Sybil. It was interesting to see Lady Grantham deal with her own grief in the totally opposite way by being controlled and quiet – dolling out her anger in small bursts focused on one person, her husband.

The death of Lady Sybil was a deep blow to the series and I was concerned about how they could move past it. She was such a sweet character and so admired. Only the good die young.

Downton Abbey Twitter Party

Join me as I co-moderate the live Downton Abbey Twitter parties every Sunday through February 17, 2013 at 9:00pm eastern and again during the Pacific coast time slot. Just use hashtag #DowntonPBS and add @pbs, @masterpiecepbs, @austenprose, @televisionary, @tomandlorenzo and @vulture to your favorite Twitter aggregator such as Tweetdeck, Tweetgrid, etc. It’s great fun, and totally free.

Episode 6 of season 3 of Downton Abbey airs next Sunday, February 10, 2013 at 9:00pm ET & PT (check your local listings).

Further reading:

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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Downton Abbey Season 3 Episode 4: Mrs. Hughes and Mrs. Patmore

As rebellion reached Downton Abbey last week in episode 3, we were thrown into the drama of Tom and Lady Sybil’s flight from Ireland, Lady Edith’s venture into women’s suffrage and Cousin Matthew’s resistance of how the Downton estate has been managed over the years. Downstairs, new staff added the needed hands to bring the service back up to the pre-war standards that butler Mr. Carson and housekeeper Mrs. Hughes demand. While two new footman James and kitchen maid Ivy flutter a few hearts, the recently promoted lady’s maid Anna and her incarcerated husband Mr. Bates had a rocky separation before months of their correspondence was released by the prison and delivered to each of them.

Recap of episode 4 (major spoilers ahead)

Downstairs, Miss O’Brien is planting her seeds of destruction against valet Thomas, now rightfully called Mr. Barrow in honor due his position and not his personality. She advises footman James to seek his assistance when he can, hoping to throw them into each others path to fuel her plot to destroy Thomas’ pride and position. Daisy is in a tizzy over the attentions that the two footmen James and Alfred are lavishing on the comely new kitchen maid Ivy. She is doubly hard on her, barking commands and being all-around surly until Alfred sees an opportunity to save Ivy from embarrassment and steps in to fix the Hollandaise sauce at the last minute for her. Mrs. Patmore’s sharp eyes see all and humbles Daisy into acknowledging Ivy’s skill by making her thank her for her good work. Lady’s maid Ann finally visits her husband John Bates in jail and they discuss a new fact previously overlooked that might set him free. It all hinges on the word of a woman who hates him, so extra precautions must be taken with Vera’s neighbor Mrs. Bartlett so that she does not know that her word might overturn his conviction.

Upstairs, Lady Mary and her husband Matthew discuss Downton’s management (or mismanagement) as they tour the estate. His understanding of how Downton has been run in the past is from a business perspective which shows his middle-class upbringing, while Mary’s father sees things from an aristocratic view of caring for his tenants as individuals no matter what the financial outcome. Mrs. Crawley offers Ethel a job in her household which causes quite a stir. Her housekeeper Mrs. Bird refuses to work with a women with a past and gives Mrs. Crawley a her or me ultimatum, the outcome of which is not what she expected. Later, the staff at Downton are shocked to learn that Mrs. Bird has resigned because of Ethel. Outraged that a fallen women is working in service for a lady, Mr. Carson will not allow any of the maids or the footmen to go to Mrs. Crawley’s house lest everyone’s reputation be tainted by association. Lady Sybil’s baby is due and Lady Grantham seeks the advice of the local physician Dr. Clarkson while Lord Grantham sends for a famous doctor from London. The two doctors do not see eye to eye and the family is divided during a crisis while she is in labor. A baby girl arrives and everyone is relieved until Sybil’s health takes a turn with the worst possible outcome. Her death is a deep blow to everyone at Downton and the blame game begins between Lady Grantham and her husband.

Favorite Moments:

There really is nothing wrong?” – Tom Branson

Nothing at all.” – Dr. Clarkson

Tom Branson asks the family doctor about his wife’s health so close to her delivery. Of course he says nothing is wrong. This from the man who prescribed cinnamon and milk for the Spanish Flu!

You better ask Mr. Barrow. He’s the clock expert. He used to wind them but it is of course quite wrong for a valet to do it.” – Miss O’Brien

Mr. Barrow won’t mind?” – James Kent

Oh no. I can see he likes you and that’s good since he’s got the ear of his Lordship.” – Miss O’Brien

Miss O’Brien the Dear Abbey of Downton Abbey – offering advice to the needy – yeah right! She knows  whose clock Thomas wants to wind.

Downton Abbey Season 3 Episode 4: Matthew Crawley

I think he harks back to a time when money was abundant and there wasn’t much need to keep on top of it. I think he equates being businesslike with being mean or worse, middle class like me.” – Matthew Crawley

Ah. Another light bulb revelation. As Matthew and Mary discuss money matters of the Downton estate we are shown the difference between the classes. An interesting point, but why are Mary and Matthew always discussing money? Since he will inherit the estate and she wears the pants in the family, it is her point of view that must evolve here. This could be fun.

Don’t bother Matthew. I’m always a failure in this family.” – Lady Edith Crawley

Edith is astounded to receive an offer of employment from the editor of The Sketch who wants her to write a weekly column. Someone values her opinion! How sad that her father Lord Grantham thinks that they only want her for her name and the title. Buck up Edith. If you storm out of rooms every time you get dinged by a member of your dysfunctional family you will be in constant motion. #TeamEdith

Downton Abbey Season 3 Episode 4: downstairs kitchen

Just one of the tricks of the trade.” – Ivy

Well done Ivy you played a good one there. Thank her Daisy.” – Mrs. Patmore

Daisy is riding the new kitchen maid Ivy pretty hard while the two footmen James and Alfred vie for her attention. In this scene we get to see Alfred help save the Hollandaise sauce that has separated and make Ivy look like a star. *raised eyebrow*

Oh don’t look at me. Cora is right. The decision lies with the chauffeur.” – Violet, Dowager Counter of Grantham

In a scene reminiscent of a tennis volley, the two doctors present differing opinions on Lady’s Sybil’s condition while in labor dividing the family: Lady Cora on the side of Dr. Clarkson and Lord Grantham on the side of Dr. Tapsell. Lady Violet, always the voice of reason in the family almost never agrees with her daughter-in-law’s decisions, but finally does, and we are left to applaud.

She was the only person living who always thought you and I were such nice people.” – Lady Mary

Oh, Mary. Do you think you and I might get along a little better in the future?”– Lady Edith

I doubt it. But since this is the last time we all three shall be together in this life, let’s love each other as sisters should.” – Lady Mary

Black. Everything is black. Goodbye Lady Sybil.

Downton Abbey Season 3 Episode 4: Sybil and Tom Branson and new baby

My Review:

I am really quite numb after this episode. Sybil’s death was not expected and I feel like the rug has been pulled out from under us. It has overshadowed any of the other plot developments such as Edith’s good news about an invitation to write for a newspaper, or Ethel getting a job with Mrs. Crawley. Sybil was such a bright and energetic soul. Seeing all of her family in black morning and the servants with armbands was so devastating. When people die, one never knows what to say beyond offering condolences – and so, I am also speechless.

The staff story is heating up. #CrankyDaisy is back and miffed over the attention that the pretty new kitchen maid is receiving from the two footmen. It was interesting to see the footman Alfred to the rescue with the Hollandaise sauce. He obviously knows a thing or two about cooking. Miss O’Brien is weaving her evil web over Thomas and innocent James is being used for her selfish purpose. I don’t like where this is going, nor how Thomas is  being portrayed like a lecherous stalker. Finally a ray of hope for Anna and Bates, but whenever that corrupt prison guard and Bate’s cellmate put their heads together I am left wondering why. What is their motive?

How did you like episode four? Are you all as stunned as I am with the outcome and new developments?

Downton Abbey Twitter Party

Join me as I co-moderate the live Downton Abbey Twitter parties every Sunday through February 17, 2013 at 9:00pm eastern and again during the Pacific coast time slot. Just use hashtag #DowntonPBS and add @pbs, @masterpiecepbs, @austenprose, @televisionary, @tomandlorenzo and @vulture to your favorite Twitter aggregator such as Tweetdeck, Tweetgrid, etc. It’s great fun, and totally free.

Join us for episode 5 of season 3 of Downton Abbey next Sunday, February 3, 2013 at 9:00pm ET & PT (check your local listings).

Further reading:

Watch Downton Abbey: Sybil and Tom on PBS. See more from Masterpiece.

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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Downton Abbey Season 3 Episode 3: Miss O'Brien and Alfred

Last week in episode 2 of Downton Abbey Cousin Matthew accepted his dead fiancée’s dead father’s money, gave it to Lord Grantham, and they became business partners (whoa) saving Downton from ruin. Those who were not game to the cause were promptly crossed off the list and sent away – point in case for mama Levinson who because she could not save the estate, again, with her husband’s fortune, exited stage left and was never spoken of again. Hmmm? Plots churn so quickly in this series that we are not given a moment’s repose to think lest we see the wholes.

Was there really any doubt that the money would materialize? After all, the show is not called the Crawley’s.

#TeamEdith went down in flames after the ungentlemanlike behavior at the altar by that infamous drudgemaker Sir Anthony Strallen. We are still reeling over his erratic behavior. Could it be post-traumatic stress syndrome from the WWI? We like to think so and feel the need to rationalize it to death. He seemed like a nice enough chap even though the family thought him a looser. Really harsh—even by toff standards. I just had to dwell on her beautiful wedding dress a bit longer and post a picture of her in it before she has the maid burn it.

Recap of Episode 3 (spoilers ahead)

Downton Abbey Series 3 Episode 3: Lady Edith, wedding dressNow that the coffers of Downton are once again flush from cash from a dead fiancée’s dead father, the household staff will be pumped up to pre-war standards by searching for a new footman, housemaid, and kitchen maid. This means Anna will be a lady’s maid and Daisy will be assistant cook (finally) and not have to carry out the duties of two positions while being paid for one. Unfortunately, Anna does not seem excited in the least because there has been no mail for weeks from her husband John Bates who is locked in the hoosegow in York for bumping off his wicked wife Vera. She thinks he is being honorable and wants her to move on with her life without him. Depressed and downtrodden at Downton won’t do, so Mrs. Hughes to the rescue with a pep talk cheering her up, and us! Jimmy the dishy young footman is quickly renamed James, because Mr. Carson could never take anyone seriously who has a nickname. While James sets hearts throbbing downstairs with the ladies and valet Thomas, Daisy’s working strike is finally over when Ivy is hired as the new kitchen maid to replace her. However, she is not happy that her crush, Alfred the footman, has eyes for Ivy.

Mrs. Hughes has a visit from Isobel Crawley who delivers a letter from former housemaid Ethel Parks, who left service after an affair with an officer recuperating at Downton during the War left her in a motherly way. Once again she would like Mrs. Hughes to intercede and arrange a meeting with her son’s grandparents who she previously turned down for help. Isobel, always eager to get involved and be helpful to anyone would like to make Ethel her new project to get her off the street. The meeting takes place and Ethel surprises everyone by giving her young son to his grandparents to raise. A reversal of finger pointing for Mr. Bates and his cellmate in prison frees up a cache of letters from Anna being held as punishment by the guards, while Anna in turn receives her own stash of letters from him renewing their confidence in their love for one another.

Lady Sybil rings up from Ireland with a cryptic message that Edith reveals to the family shortly before her husband Tom Branson shows up on their doorstep dripping wet with rain and Irish rebellion. He has fled the country to escape the law after helping to burn down an Anglo-Irish country estate. The Crawleys are horrified by his participation in such a violent act, except Lady Violet who thought it an ugly castle anyway. Lord Grantham is furious that his pregnant daughter has been left to fend for herself in a foreign country, but still acts on Tom’s behalf with the authorities in London to clear the waters. Tom’s punishment is the worst imaginable (short of prison) to a rebel who wants to be a part of the Irish revolution: he must never step foot again in Ireland or he will be arrested. Other family members rebel too. Edith takes up a banner for the cause of women’s suffrage and writes a letter in protest of the current laws to The Times which is published, much to her father’s horror. Matthew Crawley goes over the estate finances only to discover that they are being greatly mismanaged. He seeks the advice of the dowager countess who does not see how the news will not put many noses out of joint.

Favorite Moments:

Other men have normal families with sons-in-law who farm or preach or serve in the army.” – Robert, Lord Grantham

Maybe they do, but no family is what it seems from the outside.” – Violet, Dowager Countess of Grantham

Wow! That line is like the gun shot at Sarajevo. No one saw it coming because they were ignoring the truth.

Good God almighty. You abandon a pregnant woman in a land that is not her own. You leave her to shift for herself while you run for it?…Go to bed. I’ll give you my answer in the morning.” – Robert, Lord Grantham

Serious moment for Tom Branson and the Crawley family. I can’t help feeling by Lord Grantham’s last words that he does not treat his children like adults. I thought he would blow a gasket.

Downton Abbey Season 3 Episode 3: Mrs. Hughes and Mrs. Crawley

You’ve done a hard thing Ethel, the hardest thing of all.” – Mrs. Hughes

What chance is there for a woman like her? She’s taken the road to ruin and there’s no way back.” – Mrs. Hughes

Another really, miserable moment in Ethel’s down-spiraling life. I know that her character is there to let us learn how women in this era had little choice if they broke the rules of propriety, and how the aftermath of the war multiplied this and forced many women into a life of prostitution, but it is just so dang depressing to watch.

Downton Abbey Season 3 Episode 3: Daisy and Mrs Patmore

Downton is being mismanaged cousin Violet and something must be done. The thing is, how do I do it without putting people’s noses out of joint” – Matthew Crawley

Oh my dear. I doubt there is a way to achieve that. You must do what needs to be done, but I think I can safely say a great many noses will be out of joint.” – Violet, Dowager Countess Grantham

Well, Cousin Matthew, personally I would rather carry a deceased Turkish diplomat through the halls of Downton Abbey in the black of night than tell Lord Grantham he has mucked up the estate finances, but if you don’t, your dear dead fiancée’s dead father’s money will be gone with the wind in no time. Even the Downton whisperer, Lady Violet, is stumped and that is a very rare instance indeed. We shall see how you progress with this new business arrangement without alienating every member of your family including your wife (that document forging vixen you sleep next to) who you know will think your conclusions idiotic. Really, good luck with this.

My Review:  

After the high drama of last week’s jilting at the altar, this episode seemed rather tame – but there was actually a great deal going on – but none of it good news. Even though many of the plot developments were depressing, this episode was really interesting for me. I am glad to leave behind some of the old, long standing conflicts such as Matthew’s dithering over the Swire money, Edith’s pseudo-decrepit beau and the down-spiraling, wrongfully imprisoned Mr. Bates. It was actually a relief to me that Anna could not visit him in prison and their communication was entirely shut down. It was worth the prolonged misery of both to get our reward of seeing them reading their letters to each other after they were finally delivered. We are also really proud of Edith for using her brain and abilities (at Granny suggestion of course) and struck out from the family strictures by voicing her opinion on women’s rights. Yes, let’s let Edith be a flapper and go a bit wild on us, please-o-please. We want something else happy and fun in this family to be about her that really happens.

Downton Abbey Season 3 Episode 3: Mr. Bates in jail

Besides Bates’ incarceration, several characters seem to be imprisoned by duty or default. It is disturbing how the family used their influence to cover up the crime that Tom committed in Ireland. Despicable, really. Even his wife Lady Sybil was shocked by his activities. I wonder why they chose to return to Downton where he hates the life of his English oppressors? Ironically, he is now a prisoner there and cannot return to his homeland. What will he do? Matthew is discovering that his business arrangement with his father-in-law is going to be more challenging than he ever imagined. How could he be so naïve? Here is another example of how Cousin Matthew is not very smart (or the writers just don’t allow him to be) even though he is a college educated, practicing attorney! Now he is surprised to learn that the estate is being mismanaged? It appears that it has been happening for generations: first when the current Earl of Grantham’s father needed to shore up the estate by having his son marry an American heiress, and recently by the bit of foreshadowing after Lord Grantham lost the family fortune on the one shot railroad deal in Canada, and then brushed off concerned comments by his attorney about how things should be done differently with the estate. Change will be difficult for everyone as the plot powers up for more crises.

This episode in definitely a bridge to new conflicts. Despite the questionable efforts of its inhabitants, Downton still stands!

Downton Abbey Twitter Party

Join me as I co-moderate the live Downton Abbey Twitter parties every Sunday through February 17, 2013 at 9:00pm eastern and again during the Pacific coast time slot. Just use hashtag #DowntonPBS and add @pbs, @masterpiecepbs, @austenprose, @televisionary, @tomandlorenzo and @vulture to your favorite Twitter aggregator such as Tweetdeck, Tweetgrid, etc. It’s great fun, and totally free.

Join us for episode 4 of season 3 of Downton Abbey next Sunday, January 27, 2013 at 9:00pm ET & PT (check your local listings).

Further reading:

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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Downton Abbey Season 3 Episode 2: Lady Edith and Lord Anthony

Brides, bickering, and retrenching fuel the major plots in the 2nd episode of season 3 of Downton Abbey tonight, challenging almost every member of the household—upstairs and down. Here is a brief recap of the sufferings of the toffs and the ones who wait on them.

Recap of Episode 2 (spoilers)

The Crawley family and staff are in high gear in preparation for Lady Edith’s wedding to neighbor Sir Anthony Strallen. Mary and Matthew’s ongoing disagreement over his reluctance to receive the fortune that Reggie Swire (his deceased fiancée’s father) has left him causes conflict for the newlyweds. The money could save Downton from financial ruin, but his honor and guilt will not allow him to accept it. Because of the loss of the family fortune, Lord Grantham must plan for the future which includes selling Downton and moving to another one of their other estates, a smaller manor house in the north that Lady Grantham has cheerfully names Downton Place. Edith and Anthony have their own Waterloo at the altar, *queue Abba theme song*, while Matthew conquers his own demons and acquiesces to his wife’s insistence that he accept a “bloody” fortune after she learns that Lavinia sent a letter from her deathbed to her father commending his love for her. *sigh*

The feud between valet Thomas and lady’s maid O’Brien continues after last week’s missing dress shirt incident orchestrated by O’Brien embarrassed Thomas in the eyes of his lordship and the staff. To retaliate, Thomas unjustly alludes to valet Mr. Mosely that O’Brien’s position will soon be available. Lady Grantham is caught unawares that O’Brien is leaving when Mosely recommends a family member for the job. Butler Mr. Cason suspects that Mrs. Hughes is seriously ill and tricks both Dr. Clarkson and the cook Mrs. Patmore into revealing more information about her possible cancer. Concerned for Mrs. Hughes’ condition, Carson reveals her illness to Lady Grantham who is then faced with the loss of O’Brien, Mrs. Hughes and her home at the same time. Lady’s maid Anna travels to London to investigate a lead to help free her husband John Bates wrongfully imprisoned for the crime of killing his wife Vera, but her neighbor Mrs. Bartlett, does not offfer anything useful. A fellow prisoner tips Bates off to a search of his cell, allowing him to discover contraband planted by his cell-mate to frame him.

Favorite Moments:

So this is the moment when you receive a huge fortune to save Downton and you give it away.” – Lady Mary

Guilt and pride often get in the way of what is obviously the right choice in our lives. (Based on Matthew’s continued reactions, one wonders out loud if he was secretly raised Catholic?) This is wholly evident for the future heir of Downton Abbey who still thinks his poor fiancée died of a broken heart after seeing him kiss Mary. I think we need a heavenly miracle to fix this problem.

It must be strange to receive a letter from a dead man.” – Mr. Charkhum

It’s very strange.” – Matthew Crawley

It is just plain weird! The miracle has arrived! This is the ultimate deus ex machina to resolve the guilt/pride problem for Matthew. It is highly implausible that Reggie Swire would write a letter to all three of his successive heirs in the event that one of them succeeded the other—but this is a television drama, not real life—so we must just run with it.

Downton Abbey Season 3 Episode 2: Lady Edith and the Violet, Dowager Countess

Vulgarity is no substitute for wit.” – Lady Violet, Dowager Countess of Grantham

The Dowager Countess did not get much screen time this episode, but she did get few good zingers in all the same.

You don’t have to leave. I’ll explain it later. I’m going to give you Reggie’s money. I’ll accept it and I’ll give it to you.” – Matthew Crawley

Who would have thought that Daisy delivering a letter written by Lavinia Swire on her deathbed would save the day? Not me. Double deus ex machina! When writers resort to this sort of plot device, they lose credibility with me. Please, please Mr. Fellowes, don’t’ resurrect Lavinia because her death was just a dream sequence!

Downton Abbey Season 3 Episode 2: servant's hall dinner

Everything all right Miss O’Brien?” – Thomas

Oh yes. Everything is right with me. But, it will be all wrong with you before too long, mark my words.” – O’Brien

And…we’re off to the races!

At one point in this highly angst ridden episode Lady Grantham attempted to comfort her daughter with a bit of wisdom.

You are being tested. And, you know what they say my darling? Being tested only makes you stronger.”

It seemed that everyone in episode 2 was tested—personally, financially or emotionally. It was interesting to see how each of them dealt with it, but it also caused a lot of frustration for this Downtonite. We realize that the writer is building up conflicts to carry us through five more episodes, but, really? I struggled with some of the logic of the confrontations – and there are so many!!!

Downton Abbey Season 3 Episode 2: Alfred and Anna

My first grievance is with the story line of poor Anna and Bates. Every scene with them at the prison feels like a ground hog day rewind. Here they are again seated at a table, facing each other in a dimly lit room. The outcome of the conversation is the same: Bates is pessimistic. Anna is optimistic. Will she find the evidence to clear him of the crime of killing his wife? Enough already. Either let her find it, or kill Bates off, because this is boring me to death.

Secondly, I am not convinced with the Matthew and Mary conflict. If he is so guilt ridden over causing the death of his fiancée Lavinia that he will not accept the fortune that her father has left him, how could he marry the woman that caused the rift in the first place? One would think that he let that go to marry Mary, but I guess not. What results is a bicker-fest between newlyweds that is just no fun. It makes Matthew look like a wimpy sod and Mary a shrew. I was relieved to see him move beyond it because Mary learns that Daisy did indeed post the letter Lavinia wrote on her deathbed *cough, cough* allowing Matthew to accept the money to save Downton.

Thirdly, O’Brien and Thomas are now adversaries? After the evil dynamic duo of Downton schemed and plotted and contrived for two seasons, now they are enemies because of O’Brien wants her nephew Alfred the footman to be a valet? I’m not buying it.

Fourthly, we travel with the Crawley family for a picnic at an estate in the north that they own and are moving to after they are forced out of Downton. They are all grumbling (expect Lady Grantham the American) at the need to retrench to a less grand style of life. I was expecting a hovel on the moors, but what we are shown is a gorgeous English country house with extensive grounds. WHAT? Then, Lady Violet asks where SHE will live, because goodness know she cannot live with them, and Lord Grantham states that they also own most of the town! *falls off sofa* This is what aristocrats feel is poverty? Big mistake Mr. Fellowes. All of the empathy you had established for the ruling class just went up in a giant plume of purple smoke. I was surprised that the Irish republican son-in-law Branson did not go off on a tirade. What was the point of the scene? You just squashed the fairytale. Let’s hope we just forget it, or better yet, it was a dream sequence.

Lastly, poor Edith. We could go on forever about #TeamEdith, but shan’t. Someone needs to remove the pins from that Edith voodoo doll that Mary has hidden in her lingerie drawer. Seriously! Does being the least pretty daughter really condemn one to a life of misery and ridicule? How shallow. Will they ever let her find a little happiness?

Okay, now that I have vented my spleen, I am still glued to the screen and anxiously awaiting episode 3 next Sunday, January 20th. What did you all think of episode 2?

Downton Abbey Twitter Party

Join me as I co-moderate the live Downton Abbey Twitter parties every Sunday through February 17, 2013 at 9:00pm eastern and again during the Pacific coast time slot. Just use hashtag #DowntonPBS and add @pbs, @masterpiecepbs, @austenprose, @televisionary, @tomandlorenzo and @vulture to your favorite Twitter aggregator such as Tweetdeck, Tweetgrid, etc. It’s great fun, and totally free.

Join us for episode 3 of season 3 of Downton Abbey next Sunday, January 20, 2013 at 9:00pm ET & PT (check your local listings).

Further reading:

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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The Chronicles of Downton Abbey, by Jessica Fellowes (2012)Did you catch the season premiere of Downton Abbey last Sunday night on Masterpiece Classic PBS? It was a great kick-off to a promising third season of this incredibly popular period drama. Written by Academy Award winning screenwriter Julian Fellowes, it has truly embraced the sensibilities of viewers world-wide with its splendid English grand manor house setting, cast of endearing and contemptible characters, cultural insights, drama, and romance. I can think of no other period drama, excepting the A&E/BBC Pride and Prejudice in 1995, that has had such an impact on the viewing public. As Andrew Davies adaptation of P&P turned a new generation of Jane Austen fans into Janeites, so has Julian Fellowes created Downtonites.

In 2011 we were treated to the sumptuously appointed, full-color coffee table book The World of Downton Abbey by Jessica Fellowes, the niece of the series creator. Given carte blanche by her uncle, Fellowes gave us the inside story of the award-winning series with tons of film stills and vintage images. To bring us into that in-between the wars era, she has written a new volume with Matthew Sturgis entitled The Chronicles of Downton Abbey. It is the perfect companion to the first volume and will be indispensable to Downtonites.

This new edition has been published again by St. Martins Press and is just as impressive in size and quality as the first. Julian Fellowes offers a prologue; there are quotes by the characters; reams of text; a bibliography for further reading; and oodles of images. Interestingly, the chapters are broken down by characters – and in an irony befitting Jane Austen herself, the upstairs and the downstairs inhabitants of this stately manor have not been segregated to their class, but integrated throughout the book! Egalitarianism one assumes. This is very forward thinking. Were characters Tom Branson or Martha Levinson the editors? It would appear so. Placing the upstairs aristocrats of Downton next to the serving class is a very republican notion indeed! No…Violet, the Dowager Countess of Grantham would not approve of this breach of decorum, but I do. Traditions die hard at Downton, but obviously not at St. Martins Press!

Regardless of my first impression of the layout, the book is stunning. I will spend hours poring over it. You will too. Here is a brief description from that bastion of social revolution, St. Martins Press:

“Americans can’t get enough of ‘Downton Abbey,” said The Boston Globe. As Season 3 of the award-winning TV series opens, it is 1920 and Downton Abbey is waking up to a world changed forever by World War I. New characters arrive and new intrigues thrive as the old social order is challenged by new expectations.

In this new era, different family members abound (including Cora’s American mother, played by Shirley MacLaine) and changed dynamics need to be resolved: Which branch of the family tree will Lord Grantham’s first grandchild belong to? What will become of the servants, both old and new?

The Chronicles of Downton Abbey, carefully pieced together at the heart and hearth of the ancestral home of the Crawleys, takes us deeper into the story of every important member of the Downton estate. This lavish, entirely new book focuses on each character individually, examining their motivations, their actions, and the inspirations behind them. An evocative combination of story, history, and behind-the-scenes drama, it will bring fans even closer to the secret, beating heart of the house.

Author Bios:

Jessica Fellowes is the New York Times and Globe and Mail bestselling author of The World of Downton Abbey. Formerly the Deputy Editor of Country Life, she has also been a columnist for the London Paper. Jessica also writes for the Daily Telegraph, Telegraph Weekend, The Lady and Sunday Times Style, and lives with her family in London.

Matthew Sturgis is a writer and critic who has written for Harpers & Queen, The Sunday Telegraph, and The Independent on Sunday. He is the author of Passionate Attitudes: the English Decadence of the 1890s and the highly-praised Aubrey Beardsley. He lives in London.

Julian Fellowes is the creator, writer, and executor producer of Downton Abbey, which won six Emmy Awards and the Golden Globe for best mini-series. Previously, he won the Academy Award for best original screenplay for Gosford Park, and wrote the bestselling novels Snobs and Past Imperfect. A member of the House of Lords, he lives with his wife and son in London and Dorset, England

A GRAND GIVEAWAY

Enter a chance to win one of three copies available of The Chronicles of Downton Abbey: A New Era by leaving a comment revealing your favorite republican character of the series and why, by 11:59 PT, Wednesday, January, 16, 2013. Winners to be announced on Thursday, January 17, 2013. Shipment to US addresses. Good luck to all.

The Chronicles of Downton Abbey: A New Era, by Jessica Fellowes & Matthew Sturgis, forward by Julian Fellowes
St. Martin Press (2012)
Hardcover (320) pages
ISBN: 978-1250027627

Cover images courtesy of St. Martins Press © Carnival Film & Television Limited 2012 for MASTERPIECE

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Downton Abbey Season 3 Episode 1: Mary and Mathew Crawley wedding (2012)

The premiere of Season 3 of Downton Abbey airs on PBS tonight at 9:00pm (check your local listings).

Like so many of its ardent fans, I have enjoyed every (almost) moment of the last two seasons of Downton Abbey. They say that the third season of a hit television series is the most challenging to write and produce. After being hooked in the first season by the very British characters, the glamor, ambiance and prestige of an English grand manor house during the Edwardian-era; enthralled with some of the resolutions, new characters and harrowing plot developments during WWI in the second; can they really keep the momentum rolling during season 3? That was the big question in my mind when I viewed the first episode of the phenomenally popular series. Will it be as fresh and engrossing as the last two seasons? We shall see…

If you want a sneak peek of the entire season check out my preview, then sit back with your cup or tea (or port) and get ready for your bonnet to be blown off.

Many of the original all-star British cast is returning including: Hugh Bonneville as Lord Grantham, Maggie Smith as the redoubtable Dowager Countess of Grantham, and Dan Stevens as the handsome, but reluctant heir apparent Matthew Crawley. There are also a few new faces to liven up the party, namely, the esteemed American actress Shirley MacLaine as Martha Levinson, Countess Grantham’s freewheeling American mother. Just the thought of the two formidable grandmothers, Violet, the Dowager Countess, and Martha Levinson, in the same room together engaging in fiery repartee (and you know with those two strong personalities that it’s going to  be a fireworks show) that the first episode has a very promising premise. Having seen the entire season in advance, I can tell you that they are not the only eyebrow rising, laugh-out-loud scenes in the new season—there are plenty—and some real shockers too. Here is a brief description of episode 1 (includes some spoilers).

Downton Abbey Season 3 Episode 1: Lord Grantham and Mr. Carson

Recap of Episode 1 (spoilers)

In the spring of 1920 the wake of WWI is deeply felt at Downton Abbey as change is in the air for England and the Crawley family and their servants. Long standing traditions die hard, and many members, upstairs and downstairs, are determined to resume their pre-war style of life. As guests arrive for the wedding of Matthew Crawley (Dan Stevens) and Lady Mary Crawley (Michele Dockery), they bring with them a touch of the outside world to this isolationist enclave of English society. Lady Cora Crawley, Countess of Grantham’s (Elizabeth McGovern) American mother Martha Levinson (Shirley MacLaine) descends on her English in-laws with all the delicacy of a bull in a china shop; her brash American manners and customs are in direct opposition to the other grandmother of the household, Lady Violet Crawley, the Dowager Countess of Grantham (Maggie Smith). Other family members traveling from afar are a pregnant Lady Sybil nee Crawley (Jessica Brown-Findlay) and her new husband, Tom Branson (Allen Leech), the former family chauffeur whose marriage to the daughter of an Earl has caused quite a stir in the county.

Love is in the air and Lady Edith Crawley ardently (and doggedly) pursues neighbor Sir Anthony Strallan (Robert Bathurst), causing grave concern by her father Lord Grantham and his mother Lady Violet. Money becomes a critic issue for the family when a surprise reversal of fortunes requires creative solutions causing conflict between Mary and her mother Cora and her fiancé Matthew. The fate of Downton’s future lies entirely in his hands when he learns that Reggie Swire, the father of his deceased fiancé, has made him his heir to a large fortune. His reluctance to accept money from the woman who died because he broke her heart, causes a riff between him and Lady Mary shortly before the wedding. When Mary sees Mathew’s implacable honor will not save Downton from ruin, she and her grandmother Violet scheme to put pressure on the other rich grandmother,  Martha Levinson, to supply the funds to save the estate from bankruptcy.

Downton Abbey Season 3 Episode 1: Martha Levinson arrives

Downtstairs, Carson the butler (Jim Carter) and housekeeper Mrs. Hughes (Phyllis Logan) try to keep the grand manor house running to pre-war standards with a reduced staff. A new kitchen maid, housemaid and footman are needed and Lady Cora’s lady’s maid O’Brien’s (Siobhan Finneran) suggest her nephew Alfred Nugent (Matt Milneis) who is hired against the opposition of her former partner-in-crime Thomas (Rob James-Collier). This causes a riff between the two evil-ones of the downstairs staff. Kitchen maid Daisy, whose promised promotion to assistant cook has not materialized, goes on strike while her boss Mrs. Patmore (Lesley Nicol), deals with a more serious medical issue with housekeeper Mrs. Hughes. Lady’s maid Anna visits her husband John Bates in prison determined to find the evidence to free him from an unjust murder conviction.

Favorite Moments:

An aristocrat without servants is as much use to the county as a glass hammer.” – Lady Violet, Dowager Countess of Grantham

I look forward to Violet’s bon mot’s more than anything — more witty wisdom from Downton Abbey whisperer…

Mary, dearest Mary. You tell me all of your wedding plans and I’ll see what I can do to improve them.” – Martha Levinson

Grand-mama arrives from the colonies with all her lovely comments and tacky clothes. Will Downton ever be the same?

How can I possibly allow myself to profit from her death? Dine in splendor because I took away a woman’s will to live?” – Matthew Crawley

Don’t you see what this means? Don’t you see what a difference this make? It mean that you’re not on our side Matthew!” – Lady Mary

Oh my. This is serious. Not even married yet and they are at odds with each other!

Downton Abbey Season 3 Episode 1: Daisy in the kitchen

I see what you’re doing you know.” – Daisy

What is that then?” – Mrs. Patmore

Not responding to my protests.” – Daisy

LOL, go Daisy! Demand what they promised. #CrankyDaisy

This is Thomas’ doing. Don’t you fret. I’ll make him sorry.” – O’Brien

The evil-one is out for revenge Thomas. Watch your back. #EvilOBrien

How can you not like him because of his age when almost every young man we grew up with is dead? Do you want me to spend my life alone?” – Lady Edith

My heart goes out to Edith. Of course she is correct. So many eligible men died in the war that there are few left as possible beaux. Personally, I wanted grand-mama Levinson to swoop her up and take her back to Newport. She would have been a big hit in America, and the irony of the Crawley’s now needing the social assistance of the Levinson’s would have been a brilliant touch. Oh well.

Downton Abbey Season 3 Episode 1: Violet and Martha

Both of our husband’s tied the money up tight before they were taken.” – Martha Levinson

Didn’t they, and how it has changed so many lives.

Have you done something jolly with your hair?” – Sir Anthony Strallen

We all need to do something jolly with our hair in Edith’s honor, don’t we? :-)

So Edith and Anthony are an item again. This has me worried.

One day I will die and so will he and you and every one of us under this roof. You must put these things in proportion Mrs. Patmore, and I think I can do that now.” – Mrs. Hughes

Is this an omen of what is to come this season? It ends on such a dark note that one can only wonder what trouble is ahead.

My Review:

Writer Julian Fellowes has set up the new season superbly—lots of conflict, drama and romance/heartbreak in the queue. On first impression, there seems to be a less melodramatic air this season which I rather like. But it is early days, and I will only allude to the fact that there are plenty of twists and surprises in store.

It was a stoke of brilliance to bring on Shirley MacLaine as Martha Levinson, who added the perfect counterpoint of the uncouth American brassiness to Maggie Smith’s elegantly staid and traditional English Lady Violet. MacLaine’s stark make-up and flashy clothes were just so over-the-top, almost theatrical. When she took over during the failed dinner party and turned it into a cold buffet/picnic, and then broke out in song after, I howled with laughter at the reaction by her English relatives and the guests. When the stalwart Butler Mr. Carson agreed (amazingly) that in the nontraditional party was a success with the locals and family, I knew that change was indeed in store for us this season.

Downton Abbey Season 3 Episode 1: Anna and Bates talk in prison

In stark contras to this charmed life of privilege is the miserable existence that the incarcerated Bates must endure while locked up in York prison.  Anna is working hard to discover evidence of his innocence. And, what of the financial crisis?  Will life as the Crawley family has known it for hundreds of years end soon?

Downton Abbey Twitter Party

Join me as I co-moderate the live Downton Abbey Twitter parties throughout the seven week series every Sunday through February 17, 2013 at 9:00pm Eastern and again during the Pacific coast time slot. Just use hashtag # DowntonPBS and add @pbs, @masterpiecepbs, @austenprose, @televisionary, @tomandlorenzo and @vulture to your favorite Twitter aggregator such as Tweetdeck, Tweetgrid, etc. It’s great fun and totally free.

Join us for episode 2 of season 3 of Downton Abbey next Sunday, January 13, 2013 at 9:00pm ET on Masterpiece Classic PBS (check your local listings).

Further reading:

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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Downton Abbey Season 3 banner

The long wait is almost over Downtonites. The two-hour premiere of Season 3 of Downton Abbey is next Sunday. Yes, the phenomenon continues for seven new episodes, January 6 – February 17, 2013 at 9:00pm ET & PT on PBS.

The Emmy® and Golden Globe® Award winning period drama begins its seven week run in on January 6 and concludes with a ninety-minute finale on February 17.  Hold on to your bonnets—there is much to get excited about—including 9 1/2 hours of screen time entrenched in drama, romance, deceit and heartbreak. The acclaimed all-star cast returns, including Maggie Smith as the Dowager Countess of Grantham and guest star, Academy Award®-winner Shirley MacLaine as Martha Levinson, Countess Grantham’s freewheeling American mother.  Here is a brief preview from PBS:

Downton Abbey Season 3: Hugh Bonneville as Lord Grantham and Jim Carter as Carson (2012)

It is the spring 1920. The Great War is over and the long-awaited engagement of Lady Mary and Matthew is on, but all is not tranquil at Downton Abbey as wrenching social changes, romantic intrigues, and personal crises grip the majestic English country estate. Shirley MacLaine joins the much-loved cast, which includes Dame Maggie Smith, Elizabeth McGovern, Hugh Bonneville, Dan Stevens, Michelle Dockery, Jim Carter, Penelope Wilton, and a host of others. “No family is ever what it seems from the outside,” observes Smith’s shrewd character.

Last season closed with the reluctant heir to Downton, Matthew Crawley (Dan Stevens), recovered from his war wounds and ready to tie the knot with the eldest of Lord and Lady Grantham’s daughters, Lady Mary (Michelle Dockery). Meanwhile, Mary’s youngest sister, Sybil (Jessica Brown-Findlay), has eloped to Ireland with the political-minded chauffeur, Branson (Allen Leech), and is expecting a child.

Downton Abbey Season 3: Jessica Brown-Findlay as Lady Sybil Branson (2012)

A tantalizing glimpse ahead: Lovebird servants Anna (Joanne Froggatt) and Bates (Brendan Coyle) face new ordeals in their star-crossed marriage. Downton’s impeccable butler, Carson (Jim Carter), breaks in a new footman, who happens to be the nephew of the scheming lady’s maid O’Brien (Siobhan Finneran). Following Matthew and Mary’s engagement, Robert sticks to his duty to maintain Downton more firmly than ever—even as other great houses are crippled psychologically and financially in the wake of World War I. In this changing landscape nothing is assured, and could it be that even the war-weary Crawleys must fight a new battle to safeguard their beloved Downton?

Downton Abbey Season 3 is a Carnival/Masterpiece Co-production. It is written and created by Julian Fellowes. The first episode is directed by Brian Percival. Other episodes are directed by Andy Goddard, Jeremy Webb, and David Evans.

Downton Abbey Season 3: Brendan Coyle as John Bates (2012)

I have seen the new season and it does not disappoint. There are many twists and surprises, so I shan’t spoil any of the great drama and romance for anyone by saying too much. I will be recapping and reviewing each new episode as they air, so please check back every Sunday for my insights and decided opinion! If you would like to catch up on previous episodes of season 1 and 2, you can browse through our Downton Abbey archives here on Austenprose. The DVD of season 1 & 2 are available for purchase and stream live at Netflix. Have fun, and get psyched. There will be a totally awesome Downton Abbey-a-thon here at Austenprose over the next seven weeks.

Downton Abbey Twitter Party

Masterpiece is hosting their famous (if not infamous) live Downton Abbey Twitter parties throughout the seven week series of the series beginning on Sunday, January 6, 2013, at 9:00pm Eastern and again during the Pacific coast time slot. I will be co-moderating with Jace Lacob, television critic for The Daily Beast and Newsweek, Tom & Lorenzo, fashion and pop-culture aficionadas, and Adriana Nova, head of social media for New York Magazine. I use Tweetgrid for the parties, but other Twitter aggregators like TweetDeck, Hootsuite, etc. will link together all the tweets during the party including: moderators, your tweets, and anyone else participating using the hashtag #DowntonPBS. Here are the party co-moderators Twitter handles to enter: @pbs, @masterpiecepbs, @austenprose, @televisionary, @tomandlorenzo and @vulture. If you are participating, the new season has some stunning events in store, so please be careful not to tweet any major spoilers for those who may not have seen the episode yet.

Episode Guide

Downton Abbey Season 3: Shirley MacLaine as Martha Levinson (2012)

Episode 1 – January 6, 2013, 9-11pm ET on PBS

Wedding guests descend on Downton Abbey, where disasters large and small threaten. One is Martha Levinson (Shirley MacLaine), the Countess of Grantham’s out-spoken and carefree American mother who tries to loosen up her in-laws.

Downton Abbey Season 3: Laura Carmichael as Lady Edith Crawley and Robert Bathurst as Sir Anthony Strallen (2012)

Episode 2 – January 13, 2013, 9-10pm ET on PBS

The fate of Downton Abbey hinges on a letter from a dead man. Lady Edith Crawley (Laura Carmichael) and Sir Anthony Strallan (Robert Bathurst) face their own fateful moment. And Mrs. Hughes (Phyllis Logan) confronts a crisis.

Downton Abbey Season 3: Joanne Froggat as Anna Bates and Brendan Coyle as John Bates (2012)t

Episode 3 – January 20, 2013, 9-10pm ET on PBS

Two social revolutions arrive at Downton Abbey: the Irish civil war and the fight for women’s suffrage. A mysterious conspiracy keeps newlywed Anna (Joanne Froggatt) and Bates (Brendan Coyle) apart.

Downton Abbey season 3: Sophie McShera as Daisy Mason (2012)

Episode 4 – January 27, 2013, 9-10pm ET on PBS

The Crawley family faces its severest test yet. Meanwhile, new faces try to fit into the tight-knit circle of servants. And new evidence turns up in a baffling case.

Downton Abbey Season: 3 Dan Stevens as Matthew Crawley and Michelle Dockery as Mary Crawley (2012)

Episode 5 – February 3, 2013, 9-10pm ET on PBS

Things go badly amiss at Downton Abbey. Lord and Lady Grantham are not speaking. The servants are shunning Matthew Crawley’s mother Isobel. And Matthew and Lord Grantham have fallen out. Also, Mr. Bates takes a gamble.

Downton Abbey Season 3: Jim Carter as Mr. Carson and Hugh Bonneville as Robert  Crawley (2012)

Episode 6 – February 10, 2013, 9-11pm ET on PBS

Change arrives in a big way for several key characters at Downton Abbey. A yearly cricket match with the village sees old scores settled and new plots hatched.

Downton Abbey Season 3: Maggie Smith as Violet Crawley (2012)

Episode 7 – February 17, 2013, 9-10:30pm ET on PBS

The Crawleys travel to Duneagle Castle in Scottish for a holiday, while the downstairs staff stays behind at Downton Abbey. New romances flare up, and a crisis unfolds.

Downton Abbey Characters/Cast

Downton Abbey Season 3: Michelle Dockery as Lady Mary and Jessica Brown-Findlay as Lady Sybil (2012)

Upstairs:

Robert Crawley, Earl of Grantham – Hugh Bonneville
Cora Crawley, Countess of Grantham – Elizabeth McGovern
Lady Mary Crawley – Michelle Dockery
Lady Edith Crawley – Laura Carmichael
Lady Sybil Branson – Jessica Brown-Findlay
Violet Crawley, Dowager Countess of Grantham – Maggie Smith
Lady Rosamund Painswick – Samantha Bond
Sir Anthony Strallan – Robert Bathurst
Hugh ‘Shrimpie’ MacClare, Marquess of Flintshire – Peter Egan
Susan MacClare, Marchioness of Flintshire – Phoebe Nicholls
Lady Rose MacClare – Lily James
Martha Levinson – Shirley MacLaine
Isobel Crawley – Penelope Wilton
Matthew Crawley – Dan Stevens
Tom Branson – Allen Leech
Dr. Richard Clarkson – David Robb
Michael Gregson – Charles Edwards

Downton Abbey Season 3: the servants hall

Downstairs:

Mr. Carson – Jim Carter
Mrs. Elsie Hughes – Phyllis Logan
John Bates – Brendan Coyle
Joseph Molesley – Kevin Doyle
Mrs. Patmore – Lesley Nicol
Sarah O’Brien – Siobhan Finneran
Anna Bates – Joanne Froggatt
Thomas Barrow – Rob James-Collier
Ivy Stuart – Cara Theobold
Jimmy Kent – Ed Speleers
Alfred Nugent – Matt Milne
Edna Braithwaite – Myanna Buring
Daisy Mason – Sophie McShera

Downton Abbey Season 3: Laura Carmichael as Edith Crawley (2012)

Further reading

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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Image from Upstairs Downstairs Season 2: cast pictured © 2011 MASTERPIECE

Get ready period drama fans – Season 2 of the new Upstairs Downstairs starts next Sunday, October 7 at 9pm on Masterpiece Classic PBS.

Last year we saw the triumphant return after thirty-four years of the award winning and much beloved series Upstairs Downstairs to Masterpiece Classic. The original series (1974-77) focused on the Bellamy family upstairs and their household staff downstairs: all living at 165 Eaton Place, a posh townhouse in London. Last year Season 1 began in 1936, six years after the close of the original series. We were treated to only three episodes: The Fledgling; The Ladybird; and The Cuckoo. Original co-creators of the series Jean Marsh and Dame Eileen Atkins were heavily involved in the new sequel. Marsh returned as housekeeper Rose Buck and Dame Eileen Atkins as the Dowager Lady Holland was one of the stellar new characters. You can read my preview of Season 1 to catch up on the new cast and the reaction when it aired in the UK 2010.

Image from Upstairs Downstairs Season 2:  Keeley Hawes and Edward Stoppard Lord & Lady Holland© 2011 MASTERPIECE

Keeley Hawes and Edward Stoppard as Lord & Lady Holland

Season 2 is much more ambitious with six new episodes, so we will have a lot of great period drama to dish about over the next few weeks. Most of Season 1’s cast is returning, but one key player has died and the other recovering from a stroke in hospital. However, there are some new characters that I found quite intriguing.

Upstairs:

Image from Upstairs Downstairs Season 2: Alex Kingston as Dr. Blanche Mottershead © 2011 MASTERPIECE

Alex Kingston as Dr. Blanche Mottershead

Downstairs:

Image from Upstairs Downstairs (2012) Season 2: Laura Haddock as Beryl Ballard © 2011 MASTERPIECE

Laura Haddock as Beryl Ballard

Image from Upstairs Downstairs Season 2: Ami Metcalf as Eunice McCabe © 2011 MASTERPIECE

Ami Metcalf as Eunice McCabe

Image from Upstairs Downstairs Season 2: Sarah Lancashire as Mrs Whisset © 2011 MASTERPIECE

Sarah Lancashire as Mrs Whisset

Here is a description of the new season with an episode guide from my friends at Masterpiece Classic PBS. Be sure to mark your calendars or set your DVR’s for Sundays, October 7 – November 11, 2012 at 9pm ET on PBS. Check your local listings for exact times. Enjoy!

In 1938, war is about to topple a way of life. But not quite yet.

The intrigues of life, love, and international politics come to a boil at 165 Eaton Place in a thrilling panorama of English society on the eve of World War II. Keeley Hawes (Wives and Daughters), Ed Stoppard (Brideshead Revisited), and Claire Foy (Little Dorrit) return in Season 2 of the Emmy®-nominated continuation of the 1970s classic. Guest stars include Alex Kingston (ER) and Emilia Fox (Rebecca and Pride and Prejudice 1995). Upstairs Downstairs Season 2 is a BBC/MASTERPIECE Co-Production, written by Heidi Thomas. The directors are Mark Jobst (parts one and two), Brendan Maher (parts four and five), and Anthony Byrne (parts three and six).

Image from Upstairs Downstairs Season 2: Adrian Scarborough as Mr. Warwick Pritchard © 2011 MASTERPIECE

Episode 1: A Far Away Country about Which We Know Nothing (October 7, 2012)

Pritchard takes the rap for Johnny in a shocking incident, which leads to a revelation that casts the butler into disgrace. On a diplomatic mission to Germany, Hallam meets Persie, who has a Nazi lover.

Image from Upstairs Downstairs Season 2: The Kennedy's come to dinner © 2011 MASTERPIECE

Episode 2: The Love that Pays the Price (October 14, 2012)

Ambassador Kennedy and his dashing son Jack come to dinner at Eaton Place. But Agnes is more entranced by another guest: millionaire Caspar Landry. Before the evening is over, Mrs. Thackeray resigns.

Image from Upstairs Downstairs Season 2: Emilia Fox & Alex Kingston © 2011 MASTERPIECE

Episode 3: A Perfect Specimen of Womanhood (October 21, 2012)

Hallam’s Aunt Blanche appears in a lesbian novel by a former lover, sparking a scandal that threatens the good name of Eaton Place. Meanwhile, Agnes’s demands on the servants bring a social worker to set her straight.

Image from Upstairs Downstairs Season 2: Nico Mirallegro as Johnny Proude © 2011 MASTERPIECE

Episode 4: All the Things You Are (October 28, 2012)

All of London sees Agnes’s shapely legs when she models stockings for Landry’s company—offending Hallam. Intent on impressing Beryl, Harry enters the servants’ boxing competition as Johnny’s manager.

Image from Upstairs Downstairs Season 2: Claire Foy as Lady Persie Towyn © 2011 MASTERPIECE

Episode 5: The Last Waltz (November 4, 2012)

With war looming, romance is in the air—illicit and otherwise. Hallam, Agnes, Landry, and Persie each pursue their heart’s desire in different ways. Harry and Beryl get engaged. And even Pritchard finds a soulmate.

Image from Upstairs Downstairs Season 2: Edward Stoppard as Sir Holland in Nazi Germany © 2011 MASTERPIECE

Episode 6: Somewhere Over the Rainbow (November 11, 2012)

A chance remark at the Foreign Office alerts Hallam that one of his associates is a German spy—with tragic consequences. As war is declared, life upstairs and downstairs is transformed at Eaton Place.

Excited period drama lovers? I am

Images courtesy © 2011 MASTERPIECE

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Image from Downton Abbey Season 2 Episode 6: Lady Mary and Matthew dancing © Carnival Film & Television Limited 2011 for MASTERPIECE

It’s been a week since the final episode of Downton Abbey aired on Masterpiece Classic leaving us delighted over Matthew and Mary’s alliance, and anxious for Mr. Bates’ fate. *sigh*

Are you feeling those Downton Abbey withdrawals as keenly as I am? If so, you can watch all seven episodes of season 2 again online in streaming video until March 7th, 2012 at the PBS Video web site. Up next on Masterpiece Classic, Sunday April 1st, 2012 is the new adaptation of Charles Dickens Great Expectations, staring Gillian Anderson and newcomer Douglas Booth. I have had a peek at it already and the art direction and costumes are stunning.

If you are ready to explore and or revisit some late Victorian, Edwardian and WWI era drama, here are a few of my favorite movies and mini-series to tide you over until season three of Downton Abbey next January:

Upstairs Downstairs the complete series (1971-1975)Upstairs Downtstairs (1971-1975)

Well…this series is a given, but I just had to sing its praises once again; it is 57 hours of pure bliss for any period drama lover. For those of you who have not yet had the pleasure: follow the wealthy, aristocratic Bellamy’s, who make up the upstairs family, and their loyal and lively servants downstairs. From 1903 to 1930 they share a fashionable London townhouse at 165 Eaton Place, surviving social change, scandals, and the horrors of the First World War. The most popular British drama series in TV history, Upstairs Downstairs won 7 Emmys®, a Golden Globe, and a Peabody. Seen on Masterpiece Theatre from 1971 to 1975 this is must see Edwardian and World War I drama at its finest. Downton Abbey tie-in? It is great view of the social classes in Britain as the lives of both upstairs and downstairs inhabitants of the household are closely observed.

The Buccaneers (1995)The Buccaneers (1995)

Based on Edith Wharton’s unfinished novel of the same name, set in the 1890’s this adaptation was written and completed by Maggie Wadey (Mansfield Park 2007) and stars Carla Gugino, Mira Sorvino and Greg Wise. Four young, beautiful, and totally American heiress’ travel to London for the Season in hopes of marrying titled husbands. The great men they meet and fall in love with are not always what they appear to be. Downton Abbey tie-in? Cora, the current Countess of Grantham, was herself a buccaneer. In 1888, at the age of twenty, she and her mother arrived in London. By the end of her first Season she was betrothed to Robert, Viscount Downton, an heir to a great estate.

Waterloo Bridge (1940)Waterloo Bridge (1940)

Winston Churchill’s favorite film, we are rather fond of it too. Staring Vivian Leigh at her most vibrant and beautiful, it is indeed a tear jerker. Get your lace hankies at the ready. On the eve of World War II, a British officer Roy Cronin revisits Waterloo Bridge in London and recalls the young man he was at the beginning of World War I and the young ballerina Myra who he met just before he left for the front. They fell in love. He proposed before he departed and they were blissfully happy for about an instant. Later, she thinks he is killed and turns to street walking in hard times, only to have him return oblivious to what she has been doing to earn her bread. He introduces her to his family at their country estate. It all goes terribly wrong, but makes for great melodrama. Downton Abbey tie-in? Myra gives Roy a good luck charm before he departs for the war, just like Lady Mary gives her lucky stuffed plush toy to Matthew.

Jennie: Lady Randolph Churchill (1974)Jennie: Lady Randolph Churchill (1974)

Here we go with another spirited, rich, and beautiful American crossing the pond and marrying an English peer. This time she hooks a big fish; Lord Randolph Churchill, third son of the 7th Duke of Marlborough and gets to live at Blenheim Palace. This award winning mini-series stars Lee Remick as the luminous and captivating Jennie Churchill, the mother of statesman Sir Winston Churchill, all-around socialite and political advisor extraordinaire. Filmed on location in family homes including Blenheim Palace, the series also stars Warren Clarke as Winston, and Jeremy Brett as Count Kinsky, Lady Jennie’s great love. Even though Jennie is considered a generation before the American buccaneers hit British soil, she certainly opened the path for Cora and other Americans. Downton Abbey tie-in? Men behaving badly; women being witty and strong in beautiful country manor houses and London.

Gosford Park (2001)Gosford Park (2001)

We might say that screenwriter Julian Fellowes got his feet wet with this Oscar winning screenplay of Gosford Park before he created Downton Abbey, but it is really a whole other kettle of fish. Set a little later in the 1930’s, it still an observant look at the British class system involving the upstairs and downstairs inhabitants and their guests during a weekend of pheasant shooting at a county manor house. This time it involves a murder, so you could say that it is Agatha Christy meets the Grantham’s if one was really stretching the comparison. Downton Abbey tie-in? Apart from the direct Fellowes connection, Dame Maggie Smith excels as the toffee-nosed Constance, Dowager Countess of Trentham. This role is only a warm up to Violet, Dowager Countess of Grantham, we suspect, whose biting wit is even more razor sharp and hilarious than her predecessor.

The Grand (1997-98)The Grand (1997-1998)

This mini-series never aired on Masterpiece Theatre, but it should have. Set in an opulent Manchester, England hotel at the end of WWI through the Roaring 1920′s, it is full of upstairs/downstairs dissipation and vice. This 15 hour drama has enough scandal, romance, and intrigue to keep even Downton’s evil lady’s maid O’Brien’s bangs curled for years. The story sags a bit in the middle, lacking the heart of characters in Downton, but three-time Emmy®-winner Susan Hampshire (The Pallisers & The Three Lives of Thomasina) is superb as the retired professional woman Esme Harkness, who really keeps this rocky ship from sinking. Downton Abbey tie-in? Of course the class comparisons to  the upstairs and downstairs are plainly evident, but money and romance is the heart of both dramas.

What are your favorite films from this era? I would love to discover a few new chestnuts.

Cheers,

Laurel Ann

Downton Abbey image courtesy of © Carnival Film & Television Limited 2011 for MASTERPIECE

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Downton Abbey Season 2 Episode 7: shooting scene

There is nothing like the Christmas season to bring out the best and worst in relationships. It was the perfect setting for the finale of season two of Downton Abbey on Masterpiece Classic PBS last night. Packed with resolution and romance, we were treated to couples grappling for love and others smoothing out rough patches.

We were very happy to see screenwriter Julian Fellowes return to the more sophisticated, AND interesting, sphere of personal relationships to wrap up this tumultuous, and at times outrageous, second season. Here is brief synopsis from PBS:

Recap of Episode 7 (spoilers ahead)

Christmas 1919 reunites most of the Grantham family as Lady Rosamund, her gossipy maid Shore in tow, arrives eager to introduce her new suitor to the family. But neither the Granthams nor the servants can escape into the season’s merriment when they are forced to turn against one of their own. Not even games can pierce the gloom surrounding Downton, where downstairs the servants are desperate for guidance. Thomas and O’Brien are up to their old tricks, Daisy tries to make sense of her future, and Anna holds tight to endure the present.

Robert hopes that the annual New Years Shooting Party will lift everyone’s spirits, but an ill-tempered Richard resets his sights on a familiar target. His petulant and brutish efforts to dominate Mary do not go unnoticed. But with his threat hanging over her head, Mary must choose between two kinds of ruin.

Favorite Moments:

My husband is on trial for his life Mrs. Hughes. Oh course I worry.” Anna

As we mentioned earlier, we had a hunch that the murder trial of Lord Grantham’s valet Mr. Bates would not go well. Fellowes would never miss an opportunity to make him the victim. It is a sad business, and we predict we have not heard the last of it.

I couldn’t bear for you to thinks that we might…take up together again. When of course we can’t… you see the thing is. I am far too old for you…And now, I’m a cripple. I don’t need a wife, I need a nurse.” Sir Anthony Strallen

But, but, Sir Anthony. Edith could be both, silly dunderhead. We are very happy to see Edith taking the initiative and reconnecting with her neighbor Sir Anthony Strallen. Even granny got into the scheme, but sadly had reservations once she learned that he had been injured. Get real granny. Most eligible men died in the War. We now know the real reason why Edith learned to drive. He may not have use of his right arm any longer, but he is still a good catch Edith. Go for it.

There is something I should tell you.” Lord Hepworth

I hope it is nice.” Lady Rosamund

No. Not particularly nice.” Lord Hepworth

It is interesting that Fellowes chose to introduce the other side of the aristocracy after the war; those who were ruined. Lord Hepworth’s loss of fortune, and the family estates, was more common than not. That way of life would never be the same after the Great War. Those who survived, like the Crawley family, were dependent on new industry, or new money, to continue their way of life. It would only get worse.

You don’t have to marry him. You don’t have to marry anyone. You’ll always have a home here as long as I am alive.” Matthew

Didn’t the war teach you never to make promises? And, anyway, you are wrong. I do have to marry him.” Lady Mary

Mary is right to be skeptical of Matthew’s offer. Being a maiden aunt, or cousin in her case, is precarious at best. It is kind of Matthew to give Mary the assurance that she has other options than to marry without love, but if she chose to take him up, her life would be so much different than what she expected for herself. Who would want to watch your former love interest raising a family with another woman? She wouldn’t last a week.

Say something, if it’s only goodbye.” Lady Mary

Go or stay, you must sack Carlisle. It isn’t worth buying off a month of scandal with a lifetime of misery.” Matthew

Lady Mary dropped the Pamuk bomb. Worse than the trenches in the war Matthew? Will he forgive her, or won’t he? Is this end?

What on earth is the matter?” Dowager Countess Violet

I am leaving in the morning Lady Grantham. I doubt we will meet again.” Sir Richard

Do you promise?” Dowager Countess Violet

Best granny line of the night. Just the perfect reply!

You mean you have forgiven me?” Lady Mary

No, I haven’t forgiven you.” Matthew

Well then.” Lady Mary

I haven’t forgiven you, because I don’t believe you need my forgiveness.” Matthew

Well Matthew. I am quite put out that you let a lady shiver in the snow in her evening frock without giving her your dinner jacket, but, I will forgive you since it ended with you on one knee. We are happy to say that there is a cowboy in America who is really bummed since Lady Mary will not be at the rodeo.

My Review:

Upstairs entanglements: While, it ONLY took two seasons and eleven episodes to finally bring heir Matthew Crawley and Lady Mary together, we were happy none-the-less. They deserve each other: each with their hang-up’s canceling each other’s out quite nicely.  We were also introduced to a new amour of the older generation that at first impression appeared promising, but their defects could not be overlooked. Lady Rosamund Painswick’s beau Lord Hepworth looked great in Burke’s Peerage, but with the help of that super sleuth, the Dowager Countess of Grantham, who is really the relationship whisperer of Downton, you know, and the observant housemaid Anna, we learn the nasty truth. On the other hand, we were very pleased to see that Lady Edith took our advice and sought out her own happiness by reconnecting with her former beau, Sir Anthony Strallen. Go #TeamEdith! And, there is nothing like a near death experience to put all to right in the romance department. No one expects the Spanish Flu, but almost losing Lady Grantham to the grim reaper has done wonders for the floundering, mid-life crisis inflicted Lord Grantham. He and his lady seem to have rekindled their affections enough for her to feel confident to wheedle his approval for their newly married, rebel, expat, daughter Lady Sybil off in Ireland making babies. Nothing like a grandchild to cement burned bridges, ehh?

Downstairs the most interesting non-romantic couple, footman Thomas and lady’s maid O’Brien, continue their smoking sessions, scheming and sarcasm. Though, even the evil bangs are getting tired of Thomas and his blunderings. Ha! The most gripping plot of this episode was Mr. Bates’ murder trial. We had a feeling this would not end well. The scenes of his wife Anna at the trial, (conveniently moved to York), and the rest of the household’s reactions to being called to testify against their fellow servant were harrowing. Even evil O’Brien was uncomfortable and showed concern! Personally, we still think Sir Richard ‘Murdock’ Carlisle had Vera Bates done in to protect Lady Mary. Just sayin’. On another front, we were happy that Dithering Daisy got scammed by Mrs. Patmore into thinking that her dead husband (of six hours) William was speaking to her from beyond the grave through the parlor game planchettes (Ouija board in the US), telling her to go see his father on the farm. She did. It went well, so maybe we can put this plot to bed please.

We are greatly relieved that this episode saw the return of more sanity to the plot lines and tone of the narrative. As always, Granny Crawley got all the best zingers. That “do you promise” line might equal her “what is a week-end” in popularity. It was a perfectly timed putdown to that cretin Sir Richard ‘Murdock’ Carlisle. The most disappointing part of the scene was that we did not get to see his face when she delivered it. We thought that Julian Fellowes tied up the important bits regarding romance, (except #TeamEdith), and left the plot with Mr. Bates and Anna dangling for us to fester over for another year. Yes, season three of Downton Abbey is currently in production. It will air first in the UK this fall and in the US in January 2013. Sorry American Downtonites; we are still being punished for that radical revolution of 1776.

Overall, it was a fabulous season at Downton Abbey. Here are my predictions for season 3. Mary and Matthew’s wedding is a given, but there are still romantic possibilities for Lady Edith. Surely Julian Fellowes will not let her remain unattached? Will she form an alliance with reluctant neighbor Sir Anthony Strallen, or will Edith be given a new amore? Maybe she will find a career. Race car driver? What about that creepy usurper Patrick Gordon/Crawley? I don’t think we have heard the last of him. And, what happened to Lady Rosamund’s two children, Lavinia and Cyril? I hope we get to meet them. I fear that they will kill off Branson since he has basically served his purpose. If so, Sybil will move back to Downton with her children. Yes, there will be more than one by then.

Whatever they throw at us, including Shirley Maclaine as Cora’s American mother, it will be pure torture to wait. See you next year Downtonites.

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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Downton Abbey Lady Edith

#TeamEdith

As a few of you might be aware of, I am co-moderating the Downton Abbey live Twitter Parties for Masterpiece Classic PBS’s weekly airing of the hit mini-series. For the benefit of those unknowing souls who have not experienced a Twitter Party, just image thousands of fans tweeting 140 word messages to each other in response to the dramatic doings being thrown at us during the broadcast. It’s one giant love/laugh fest!

Co-moderating is a blast – it’s like trying to watch a ticker tape parade on speed. It is so fast that I miss most of the thousands of tweets whizzing by on Tweetgrid. Every week, I do go back and read my stream in case some poor soul really needs an answer to some puzzling bit, and just for laughs. Here are a few that just made me LOL (laugh out loud) even four days after the party on Sunday. Enjoy!

Oh, and please do join in the fun this Sunday during the national broadcast of the finale episode of Downton Abbey on February 19th at 9:00 pm ET & PT.

Laurel Ann Nattress @Austenprose

And…. The best tweet of the night goes to my fellow Janeite Vic

Vic @janeaustenworld

  • John Bates in bed just doesn’t twirl my cookies. #DowntonPBS

I hope I see a few familiar Janeites at this Sunday’s Downton Abbey Twitter Party. Just use hashtag #DowntonPBS and your favorite Twitter aggregator like TweetDeck or TweetGrid to join in the fun!

Cheers Downtonites,

Laurel Ann

Image courtesy of © MASTERPIECE

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Image from Downton Abbey Season 2 Episode 6: Lady Mary and Matthew dancing

Past regret, future aspirations, and fate punctuated the dramatic plot of episode six of Downton Abbey season two last night on Masterpiece Classic.

The end of World War I should bring peace and normalcy back to the residents of Downton, but the Lord of the manor Robert Crawley struggles to find logic in all the change and senseless loss, while his daughter Lady Sybil is determined that her life will never go back to the empty and unproductive existence of a debutant. An interesting development in Matthew’s health changes his prospects in many eyes, and a fatal sickness will level the playing field for Lady Mary. Here is a brief recap from PBS.

Recap of Episode 6 (spoilers)

1919 sees the last of the recovering officers depart Downton, the house is reverted to its former state — but not so its residents. The future looms large for a lost and melancholy Robert, an uneasy Bates, a determined Sybil, a cunning, ambitious Thomas and a desperate Ethel.

A stunning revelation deeply affects Robert and Cora and incites Richard to tighten his grip on Mary. But Mary has accepted her fate with detachment. Violet, however, will do no such thing, and even Carson reaches his limit.

Sybil discovers unlikely, however unenthusiastic, allies. A wedding is planned but fate cruelly intervenes. In its wake lay guilt, grief and, among the servants, fresh horrors.

Favorite Moments:

Image from Downton Abbey Season 2 Episode 6: Lord Grantham and Jane

Do you ever wonder what it was all for?”

Lord Grantham is very introspective and melancholy to new housemaid Jane, who he seems to be reaching out to. He mentions thirty men killed in the war on his estate alone, coupled with his continued friction with his wife Cora and his three grown daughter’s machinations, and you have one Earl in a midlife crisis.  Lord Grantham is very kind hearted, but he does have a temper which we see ignited several times in this episode.

All this unbridled joy has given me an appetite.” Dowager Countess Violet

As the family all run into the drawing room to witness Cousin Matthew’s miraculous recovery of the use of his legs, and um, well as granny so delicately put it, a happy family life, one wonders out loud how this turn of events will change his value to those in the family who are in favor of Lady Mary still marrying him? Of course the Dowager Countess delivers the best, and most sensible, line to close the ridiculous reactions by all of her family. Unbridled joy indeed! And these are Englishmen? They certainly are not acting like it.

The truth is, Ethel’s made her choice and now she’s stuck with it.” Lady Mary

That’s seems a little hard.” Lavinia

Does it? Aren’t all of us stuck with the choices we make?” Lady Mary

Lady Mary is rather peeved throughout this entire episode. I feel her anger and frustration seeping through her cold reserve in her cynicism. Her caustic remarks are rampant throughout. This ironic statement strikes a sharp cord with her mother Cora and sister, Lady Sybil. Her mother sees that she is striking out in reaction to her own situation. She made the choice to ruin herself by being ‘pamuked’ when she slept with that hunky Turkish diplomat and now she must lie in it. On the other hand, her sister Lady Sybil is about to make a decision with Branson that she will be stuck with. The different reactions by both ladies to Lady Mary’s cold statement tells all.

Don’t worry. You time will come.” Dowager Countess Violet

Will it? Or am I just to be the maiden aunt. Isn’t this what they do? Arrange presents for their prettier relations?” Lady Edith

Don’t be defeatist dear, it’s very middle class.” Dowager Countess Violet

More praise and sympathy for poor Edith. As the lorry pulled away with the last of the hospital equipment in the opening scene, and with it, her job at being useful, I felt a pang of angst for the middle Crawley daughter who just can’t find her place in the world. She seems to always be at everyone’s beck and call, even driving cars and carrying luggage. Now she is responsible for unpacking Matthew and Lavinia’s wedding gifts? Ugh. I am all for Team Edith this season, so, my unsolicited advice to her is to not hang back and wait for people to need you. Go out and find your own happiness Edith. Don’t expect it to come to you, or you will end up that maiden aunt that you are so fearful of becoming.

Image from Downton Abbey Season 2 Episode 6 Anna and Bates wedding

Well Mrs. Bates. You’ve had your way with me.” Mr. Bates

*Giggle*.” Mrs. Bates

We wanted to write about Anna and Bates finally getting married, but we are too nauseous over their one night of connubial bliss, (too much really English white skin and giggling in bed), that we decided to abstain from comment to save our readers the embarrassment too!

The aristocracy has not survived by its intransigence. We must work with what we’ve got to minimize the scandal.” Dowager Countess Violet

Thank goodness granny chips in a grand one liner at the end of the episode to save the day after Lord Grantham gives his blessing for Lady Sybil to marry Branson the chauffeur. Yes, the aristocracy is stubborn. That is how they survived.

My Review:

In this packed two hour episode, some older plot lines were resolved and new ones introduced. Screenwriter Julian Fellowes certainly pulled out all the melodramatic stops. As emotions ran from regret, guilt, anger, envy, grief, desire and fear, I wondered what else could possibly have been squeezed into this once classy and well-written corset drama that has now slipped into “so middle-class” territory as granny would say.

Granted, all this highly charged, multiple plot line, melodramatic tosh is intensely entertaining, but I am seriously craving a return to the more sophisticated narrative and character development of season one. I am most disappointed in the trite and sappy character that poor actor Dan Stevens is trying to add some dignity to. Some of the things that come out of Matthew Crawley’s mouth are so, so, silly, that I am embarrassed for him. We were impressed, however, that O’Brien’s bangs and Lady Mary’s eyebrows suffered no harm during this week’s series of incredibly wild events. We hope that next week’s two hour Christmas special will bring all the other lacking elements to right.

Please join us next Sunday for episode 7 of Downton Abbey and live tweet with me as co-moderator of the PBS Twitter Party during the episode on February 19, 2012 at 9:00pm ET and PT. Just use hashtag #DowntonPBS at Twitter or on your favorite Twitter aggregator like Tweetdeck or Tweetgrid.

Episode 7 of the second season airs next Sunday, February 19th at 9:00pm ET & PT (check local listings) on Masterpiece Classic PBS. I will be live Tweeting the entire season, so please join us.

Images courtesy © Carnival Film & Television Limited 2011 for MASTERPIECE

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Image from Downton Abbey Season 2 Episode 4: Matthew Crawley at war

As episode four of season two of Downton Abbey on Masterpiece Classic unfolded last night, the emotions of the household passed into the dark side of the moon. Three members return to Downton, all bringing heartache.

Sacrifices are felt both upstairs and downstairs from the devastating war. While shocking news brings sadness and concern to loved ones at home, those not so loved employ blackmail and deceit to play out their power games and revenge. However, when the going gets tough, who better than to be in your corner than the Dowager Countess Violet? Granny on the warpath, fighting for her family and staff, is an implacable force.

The final scene of this emotional episode will leave a lump in your throat. Even the theme music played over the final credits sounds like a requiem mass. Here is a brief recap of the episode from PBS.

Recap of Episode 4 (spoilers)

Amiens, 1918: Devastating news from the front rocks the very foundations of Downton Abbey, and it is up to the Dowager Countess to buck bureaucratic protocol and bring Downton’s men home. In an unwelcome return, Vera Bates threatens to make public the scandalous story of Lady Mary’s ill-fated indiscretion. Desperate to contain the story, Mary appeals to the savvy opportunist Sir Richard Carlisle.

Mary is not the only woman to consider hard sacrifice. Some will make it against their will, some will be denied a chance, and some will refuse. Daisy may buckle from its pressure, while Lavinia desperately wishes for such a burden. Sybil must push back. And Cora, preoccupied with the running of the home, cannot see that a sacrifice may already have been made.

Favorite Moments:

They’re going to chuck everything they’ve got at us.” Matthew Crawley

Matthew. When this episode opened at the front with a scene of rats the size of small dogs, I knew we were in for some startling visuals. Being the cynic that I am, I can usually find humor in just about anything, but I have to confess upfront that there is nothing to laugh about men living in deplorable conditions and dying in the trenches in France. When you and William prepare for battle I felt an overwhelming sense of doom. With my lace hanky at the ready, I bravely continued. My instincts were right. Not good.

I say. Is this an instrument of communication or torture?” Dowager Countess Violet

Dowager Countess of Grantham. Thanks for the one true laugh of the entire episode. You vs. technology. Anyone who has ever tried to learn a new computer program, cell phone or any other electronic device today was laughing out loud with you. But, the burning question of the night? Who the heck is your niece Shrimpy who you were conversing with on the telephone? What kind of name is that? One is reminded of fictional characters named Bunny, Slugo and Turnip, but Shrimpy seems so funny coming from the lips of the esteemed Dowager Countess. (Will we meet Shrimpy next season?)

Probable spinal damage.” Lady Mary

Matthew. Your return after being injured on the front is a shocker to all of your family and the downstairs staff. You do not take the news of your probable life-long limitations very well, and we can’t blame you. Your reaction to push away all who love you is pretty typical. This turn of events would bring many a man to his knees. We commend you for your dignity, but please don’t make anymore rash decisions.

Who would of thought it? The cold and careful Lady Mary Crawley. Well, we know better now.” Sir Richard Carlisle

Lady Mary. You have told us that your fiancé is from a tough world. Well, he just pulled you into it. Do you really want to marry that  Rupert Murdock wannabe from hell? Whatever the outcome of the scandal from your night of sin might bring, it would only last a few years. Ditch the jerk. Go to America and find a randy Yank and be happy, please. Last season was all about you being tormented by the entail. This season it is the fallout from being pamuked. (addition of verb to the Downton lexicon courtesy of @OBriensBangs)

Definition of pamuked:

pamuked  /pä(m)üked /

v. pamukedChiefly British Vulgar Slang
v.tr.

To engage in sexual intercourse with a Turkish diplomat.

Good God almighty. The engagement is announced between Lady Mary Josephine Crawley, eldest daughter of the Earl and Countess of Grantham and Sir Richard Carlisle, son of Mr. and the late Mrs. Mark Carlisle of Morningside, Edinburgh.” Lord Grantham

Edith! I loved your reaction during the surprising news of the announcement in the London newspaper of Mary engagement in this scene. Your expressions are priceless. I wanted to know what your were thinking. Are you happy because Mary is finally going to be married and move out of Downton? Or, are you inwardly beaming because Mary looks like a fool in front of your parents for not having any control over her fiancé? Or, are you thinking now your parents are so distracted by Mary’s problems that you might get a chance to drive that tractor again?

My Review:

I think we are at the point in the narrative where things look very grim for many before the story arch. Not to worry. Screenwriter Julian Fellowes has taken us to the dark side for a reason. He knows what he is about.

Even though this episode was filled with sadness and loss, the plot is moving in an interesting direction. There are so many open ends to tie up. What is Vera Bates going to do next to ruin her husband’s happy life with Anna? Will Mary really marry that heartless Rupert Murdock wannabe who holds her secrets over her like blackmail? Can Lavinia say no to her inner child and find the strength to return to Matthew? What will Matthew’s new different life be like in a wheelchair? And poor Edith and Sybil. Is romance even possible for them now with so many good men dead in the war, and the one that wants one of them a socialist? Stay tuned.

Please join us next Sunday for episode 5 of Downton Abby and live tweet with me as co-moderator of the PBS Twitter Party during the episode on February 5, 2012 at 9:00pm ET and PT. Just use hashtag #DowntonPBS at Twitter or on your favorite Twitter aggregator like Tweetdeck or Tweetgrid.

Episode 5 of the second season airs next Sunday, Februrary 5th at 9:00pm ET on Masterpiece Classic PBS. I will be live Tweeting the entire season, so please join us.

Images courtesy © Carnival Film & Television Limited 2011 for MASTERPIECE

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While US viewers were glued to their TV’s last night watching the 2nd episode of season 2 of Downton Abbey on Masterpiece Classic PBS, season 1 was awarded a Golden Globe for best miniseries or motion picture made for television beating out the BBC America’s The Hour and three HBO films: Mildred Pierce, Too Big to Fail and Cinema Verite. I was live tweeting the new episode as co-moderator of the weekly Downton Twitter Party with: @pbs, @masterpiecepbs, @VanityFair and @tomandlorenzo when the news broke. To the many fans of the hit series set in England during Edwardian and WWI times, the recognition and award meant that we might see a season four. Period drama has resurfaced after threats of extinction. Ha!

Season 2 continues to intrigue. Last week in episode 1, we were thrown into the trenches of 1916 France as Great Britain battles the Hun during WWI, heir Matthew Crawley introduces his fiancé Lavinia Swire to his family, housemaid Anna Smith and valet John Bates were separated by the arrival of his estranged wife Vera, former footman Thomas Barrow purposely injures himself on the front for a ticket home, and cook Mrs. Patmore presses scullery maid Daisy into a romance with newly enlisted footman William. This week the scenes are set entirely in England at Downton and London in 1917. Here is a brief recap from PBS:

Recap of Episode Two (spoilers)

As a convalescent home for wounded officers, Downton Abbey offers respite from the front. But Cora and Isobel, locked in a power struggle over running the home, wage domestic war, and Thomas in his new rank as acting-Sergeant is not one to broker peace.

Mary rejects Rosamund’s dubious advice while Daisy reluctantly accepts Mrs. Patmore’s — in both cases, new bonds are irreversibly forged. Meanwhile, Anna dares to hope when she spies a familiar figure in the village.

When Matthew accompanies a visiting General to Downton, a dinner party brings much of the war’s painful demands into sharp relief, claiming one victim and very nearly several others. Branson’s ambitions are revealed and William’s aspirations are fulfilled. And Edith, finally, catches someone’s eye.

Favorite Moments:

 ”I don’t know many people who would threaten me behind the laurels.” – Violet, Dowager Countess Grantham

Mary seems defensive of Lavinia. Countess Violet’s comment was the perfect comeback.

Favorite touching scene: Housemaid Anna and former valet Mr. Bates are reunited after Lady Mary uses Sir Richards resources to discover that he is tending bar in a local town.

Favorite underdog shines: Lady Edith sheds her “Jan Brady” image and earns the recognition she deserves for helping the patients. Go Team Edith!

Sense of impending doom: Matthew’s fiance Lavinia Swire is as delicate as a candle in the wind.

Classic Rosamund. She is never more rightous when she is in the wrong.” – Violet, Dowager Countess Grantham

Chip off the ole block: Aunt Rosamund is rivaling her mother Violet, Dowager Countess Grantham in the manipulation department.

My Review:

The quality of the production continues to shine. Even though we are deep into the war with cutbacks and rationing in place, we do see new frocks on many of the ladies, and the gentlemen all in striking red regimental uniforms. Lady Mary’s stunning black beaded evening gown reflects up to date fashions of a sheath dress that had been embellished and a string on jet beads.

Screenwriter Fellowes is building up his characters and plot line nicely. I really like how he has worked in the historical facts of the era. Several grand manor houses became hospitals and the ladies of the household nurses while many of the male residents, upstairs and downstairs enlisted for King and Country. It is early days yet in the season, so the jury is still out on this season.

Episode 3 of the second season airs next Sunday, January 22 at 9:00pm ET on Masterpiece Classic PBS. I will be live Tweeting the entire season, so please join us.

Images courtesy © Carnival Film & Television Limited 2011 for MASTERPIECE

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Image from Downton Abbey Seasin 2 Episode 1: Matthew Crawley and Lady Mary

Season 2 of the award winning television series Downton Abbey aired on Masterpiece Classic PBS last night. I had a blast as co-moderator of the official Twitter Party hosted by PBS. Many thanks to my fellow moderators:  @pbs, @masterpiecepbs, @VanityFair and @tomandlorenzo. The turnout of Tweeters was amazing and we had great fun dishing about this long-awaited second season. Join us on Twitter, or your favorite aggregator like TweetDeck or TweetGrid, next Sunday by using hashtag #DowntonPBS, and every Sunday at 9:00pm ET & PT (check local listing) through February 19, 2012.

Season one concluded last year with the announcement of the war by Lord Grantham. This is a real turning point for life at Downton and the British nation. We know from history that the devastation in deaths and the way of life will change everything – now we must watch and wait to see how these true life events play out with the characters that Fellowes has crafted. Here is a brief recap from PBS:

Recap of Episode 1 (spoilers) 

1916 opens in the throes of the Great War. Uncertainty and worry have taken up residence in the great house of Downton Abbey. Some newcomers arrive, met with varying degrees of welcome; some young men are absent, desperately clinging to survival in the trenches of France; and some men remain at Downton, their discontent festering.

Robert, ever the honorable patriarch, struggles with the uneasiness of a diminished house and the suspicion that the uniform he wears is empty. The Crawley women, too, attempt to find their place in the new climate, as Isobel helps chart a new course for one sister and Branson exerts his influence over yet another. Among the servants, love is in the air — O’Brien being, as always, the exception — until Bates makes a decision that crushes the hearts of the two people who love him most.

News about Matthew stuns the house, and Mary has a revelation of her own. Downton Abbey itself is to be made useful, transformed into a convalescent home for wounded officers. In wartime, not even the seemingly immutable Dowager Countess, Violet, remains entirely unchanged!

Favorite Moments:

I want the best. And I’m not ashamed to admit it.” – Ethel Park

Favorite new character: Cheeky housemaid Ethel Park.

Amputation in the dining room? Resuscitation in the pantry? I forbid it!” – Violet, Dowager Countess of Grantham

Favorite laugh out loud line! Violet is such a wit. She reminds me of Lady Bracknell on Oscar Wilde’s play The Importance of Being Earnest. Her off the cuff reactions are just priceless!

You thought you’d got the better of me. But you were wrong.” – Vera Bates

Favorite new evil character: Wicked Witch Vera Bates!

Favorite flashback to Gone with the Wind: Lady Mary at train station asking Matthew to come back safely from the war.

Favorite check with reality: Thomas at the front in the thick of trench war and facing his courage/cowardice.

Favorite *snort*: Lady Edith goes all Greenacres on us and drives a tractor to aid the cause!

My Review:

What an incredible, mesmerizing premiere. We have been introduced to new characters with cheeky housemaid Ethel Parks and Mr. Bates wicked wife Vera. The war is in full swing and we know we in for a tragedy as so many members of the household enlist and serve in trenches of WWI.

The costumes in this episode were stunning. Seeing the men in their red coats always takes my breath away. It is still very early in the season so I am keeping an open mind to plot and character development. What did you think of the season two premiere? Who is your favorite character so far?

Period drama flourishes at Downton. Bravo creator/screen writer Julian Fellowes. You have us in the palm of your hand.

Episode 2 of the second season airs next Sunday, January 15 at 9:00pm ET on Masterpiece Classic PBS. Don’t miss it.

Images courtesy © Carnival Film & Television Limited 2011 for MASTERPIECE

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Sense and Sensibility (1995) DVDNominated for seven Academy Awards®, the 1995 movie Sense and Sensibility remains one of my most cherished interpretations of a Jane Austen novel. Everything about this film project seems to be touched with gold; from the award winning screenplay by actress Emma Thompson; to the incredible depth of British acting talent: Kate Winslet, Alan Rickman, Gemma Jones, Harriet Walter, Greg Wise, Hugh Grant and Emma Thompson; stunning film locations in Devonshire; and the fine brush-work of the Taiwanese director Any Lee. The movie touched many and introduced Jane Austen’s classic story of two divergent sisters searching for happiness and love to millions. I never tire of viewing it, basking in its beautiful cinematography, enjoying its thoughtful performances and marveling at its exquisitely crafted screenplay – both reverent to Austen’s intentions and engaging to modern audiences.

There has been so much discussed online already about this movie that I doubt I can add any new insights. I can however share with you what I find so moving about it: the performances, the music, the language and the filming locations. I feel that the movie can say it so much more than I, so here are a few video excerpts for your enjoyment.

The trailer

Edward Ferrars and Elinor listen to Marianne play the pianoforte

Mrs. Jennings tries to winkle information out of the young Miss Dashwood’s and Col. Brandon meets Marianne.

Mr. Palmer is quite rude today!

Good God Willoughby!

Elinor, where is your heart?

Miss Lucy Steele calls on Elinor – and so does Edward Ferrars!

Marianne goes in search of Combe Magna in the rain

All’s well that ends with a wedding!

5 out of 5 Regency Stars

This is my sixth selection in the Sense and Sensibility Bicentenary Challenge 2011, my year-long homage to Jane Austen’s first published novel, Sense and Sensibility. You can follow the event as I post reviews on the fourth Wednesday of every month and read all of the other participants contributions posted in the challenge review pages here.

A Grand Giveaway

Enter a chance to win one DVD copy of Sense and Sensibility 1995 by leaving a comment by midnight PT Wednesday, July 6, 2011 stating who your favorite character is in the 1995 movie or what intrigues you about a movie adaptation of Sense and Sensibility. Winners will be announced on Thursday, July 7, 2011. Shipment to US or Canadian addresses only.

Sense and Sensibility 1995
Sony Pictures (1995)
DVD Region 1 (2h 16m)
UPC: 043396115996

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Image from Upstairs Downstairs Season One: cast pictured © 2010 MASTERPIECE

Enter DVD Giveaway!

Did you catch the incredible new revival of Upstairs Downstairs broadcast in the US on Masterpiece Classic PBS this month? Three new episodes continue the story of the lives of the residents of 165 Eaton Place. For those who enjoyed the award winning 1970’s BBC series of the aristocratic Bellamy family and their servants, you will be happy to meet the new cast of characters of both upstairs and downstairs residents who now reside in this Georgian townhouse in London, including the original parlormaid Rose who returns as the housekeeper.

Synopsis: One of the most beloved television series of all time is brought back to life in a sumptuous new production with a fresh new cast.  It’s 1936 and six years since parlormaid Rose  (Jean Marsh, Sense & Sensibility) left 165 Eaton Place. Fate brings her back as housekeeper to its new owners, Sir Hallam  Holland (Ed Stoppard, The Pianist, Brideshead Revisited), his wife Lady Agnes (Keeley Hawes, MI-5, Ashes to Ashes), and his mother, Lady Maud Holland (Eileen Atkins, Cranford, Gosford Park). Rose soon finds she has her work cut out for her as she recruits a new “downstairs” family to help run the elegance and finery of the “upstairs” world. Both upstairs and downstairs, it soon becomes apparent there lies a labyrinth of secrets, lies and scandal.  Set against the historical backdrop of a pre-World War II Britain with a new King on the throne, with Fascism on the rise on the continent, and with sexual, social and political tensions at 165 Eaton Place, this new series provides an evocative take on the master-servant relationship.

Today, April 26th, the three new episodes of Upstairs Downstairs are available on DVD from BBC Video. In honor of the US broadcast the BBC America is offering one copy of the DVD set of Upstairs Downstairs as a giveaway. To qualify, leave a comment stating which your favorite characters are in the new series, or what intrigues you about this time period by May 4, 2011. Winner will be chosen at random from comments and announced on May 5, 2011. Shipment to the US only. Good luck all you Up Down fans.

Image courtesy © 2010 MASTERPIECE

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Image from Upstairs Downstairs Season 1: Eileen Atlins as Maude Lady Holland © 2010 MASTERPIECE  The new residents of 165 Eaton Place have a “day full of unimaginable things” in The Cuckoo, the third and concluding episode of the revival season on Masterpiece Classic PBS.

Last week’s episode two, The Ladybird, had strong political overtones as rebellious Lady Persie (Claire Foy) and the chauffeur Harry Spargo (Neil Jackson) joined the Blackshirts, a fascist group stirring up unrest among the laboring class who are hard hit by the depression. This week, the drama revolves around personal relationships and their effect on the nation and the household, revealing secrets, scandals and new beginnings. Here is the episode three synopsis from PBS.

A chance encounter with greatness goes to Mrs. Thackeray’s (Anne Reid) head, and in turn annoys Rose (Jean Marsh), who, fed up with her pretensions, unleashes an insult so great that it sparks a feud. Yet despite the embattled cook and housekeeper, the downstairs staff is united in their love and nurturing of the child Lotte (Alexia James), who appears to need more help than they can provide. With even more than her customary authority, Maud (Eileen Atkins) steps up to take charge, whisking the child away for treatment even as she guards a secret of her own.

Preoccupied with the abdication crisis, Hallam (Ed Stoppard) attempts to buy some time from the press by hosting a special dinner for the Duke of York (Blake Ritson), placing 165 Eaton Street in the center of the monarchy’s storm. Now preoccupied, Agnes (Keeley Hawes) has abdicated her responsibility of Persie (Claire Foy), who has snapped the long leash her sister provided, and begun engaging in behavior that threatens to taint them all. Only Lotte’s absence galvanizes Hallam to bring light into his home, purging it of dishonor and dark secrets that have been hidden for too long. But just as the king charts his fate, a momentous event will change the Holland family forever.

In this very tightly constructed and emotional charged third episode written by Heidi Thomas, many of the story subplots where concluded and new ones begin. It was indeed a “day full of unimaginable things” for the Holland family and the nation. What a refreshing surprise to witness the selfish Lady Persie being thrown over by the handsome chauffeur Harry Spargo. Bravo Harry. Lady Persie is developing into a repulsive character: ungrateful for her sister’s attentions, uninterested in bettering herself, and uncaring in her selfish actions and how they affect others. It only takes her about two seconds for her to exit Harry’s bed and transfer her shallow affections  to the German Ambassador, Herr Ribbentrop (Edward Baker-Duly) and invite him for a late night cocktail at the house of her brother-in-law Sir Hallam. Ribbentrop’s blaring Nazi pin on his lapel is so shocking. Everything he stands for is controversial, and that is exactly why Persie is attracted to him. I am uncertain of her motivations in wanting to shock and hurt her sister and her family, but sense an interesting family backstory that hopefully we will learn about in future episodes.

We knew that the devastating abdication of King Edward VIII in favor of the “help and support of the women that he loved” was looming over us and history, but it was very interesting to see the political maneuverings to control the bad press transpire in the dining room at 165 Eaton Place. Hallam’s relationship with the Duke of York (Blake Ritson), who in this version is strangely sans a speech impediment and very suave, places us right in the front line of the controversy of the American divorcee Mrs. Simpson and her romantic relationship with the current King of the British Empire, and its inevitable tragic outcome. Watching Maude, Lady Holland matter-of-factly bring the dinner conversation to the point of directly asking the influential editor of a newspaper who has Mrs. Simpson’s ear to encourage her to accept the Morganatic marriage as a suitable compromise is priceless. Lady Maude is my favorite character so far in this new production, which oddly is filled with women that are weak, selfish and unlikeable: i.e. Lady Agnes, Lady Persie, and shockingly Rose the housekeeper, who has evolved into someone that I do not recognize. Does age make people give up their spunk and values? I remember Rose as being outspoken and direct in the original series. This Rose (what little we see of her) seems resigned and ready for pasture.

I am glad to see the shift back to inter-personal relationships of the family and staff in this episode. Even though last week’s foray into the political sphere of fascism was true to events transpiring in London during the mid-1930’s, I found it overpowered the personal drama that I have enjoyed in the original series and hoped to experience in this new revival. In this episode we saw some characters reveal secrets, react to change, emotionally evolve and others make choices that will cause anguish for their families and the nation. In folklore, the cuckoo is symbolic of loss and misery.  One wonders if the cuckoo in this episode is the abdicated King, this new wife, or the spiteful Lady Persie?

Image courtesy of © 2010 MASTERPIECE

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Pride and Prejudice (1980) Masterpiece Theatre PBS PosterThis year marks the 40th anniversary of Masterpiece Theatre, now with a new name of Masterpiece Classic under the umbrella of Masterpiece: which includes the trifecta of presentations in the Classic, Mystery and Contemporary categories. This television show premiered in 1971 and is produced by WGBH in Boston. It airs on PBS in the US and is now the longest running prime-time drama series on the air. Over the years they have presented many British dramas, comedies and mysteries based on classic novels and new material.

Masterpiece has been very good to Jane Austen fans bringing us movies and miniseries of her novels starting with Fay Weldon’s 1980 adaptation of Pride and Prejudice staring David Rintoul and Elizabeth Garvie. Since then we have been treated to Northanger Abbey (1986 & 2007), Persuasion (1996 & 2007), Pride and Prejudice (1995), Sense and Sensibility (2008), Mansfield Park (2007), Emma (1996 & 2010) and Miss Austen Regrets (2008).

Masterpiece has a wonderful website listing the current season lineup and an extensive archive. You can follow them on Twitter as @MasterpiecePBS, on Facebook as MASTERPIECE | PBS (Masterpiece Theatre) and watch videos of their current production at PBS Video.

Be sure to watch the last episode of the continuation of Upstairs Downstairs this Sunday, April 24th at 9:00pm ET on PBS.  You can catch up by watching part one and part two online at PBS video until May 24, 2011. Enjoy!

Image courtesy of © MASTERPIECE

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Jean Marsh as Rose Buck in Upstairs Downstairs (2010)After a thirty-four year wait, many faces will be beaming and hearts gladdened by the concluding scenes of the first episode of Upstairs Downstairs’ triumphant return to Masterpiece Classic tonight.

As the camera panned the front façade of the stately Georgian townhouse at 165 Eaton Place, my heart was in my throat, and Goosebumps covered my arms. It does not get much better than this for a period drama lover – well – maybe if it is a Jane Austen mini-series, but that is only a far off dream at this point.

For the benefit of those unfamiliar with the highly successful and beloved original 1974-77 series of the same name, this posh address was the London home of the Bellamy clan. Renowned for its intimate view of an aristocratic family and their household of servants, the series spanned the Edwardian period until post WWI, ending in 1930 with a scene of ladies maid Rose Buck (Jean Marsh) closing the front door and walking down the street. Jean Marsh is the one returning cast member from the original series. It was a very long walk Rose, but we are glad you finally made it back.

Upstairs Downstairs original Masterpiece Theatre series poster 1970'sOne of the delights of episode drama is that it’s never really over, ever. Years can pass in our physical dimension but they stand still in TV land until recalled into service. Happily, the original series co-creators Dame Eileen Atkins and Jean Marsh are both attached to this new series – Atkins as eccentric widow Maud, Lady Holland and Marsh reprising her role as Rose Buck, now promoted to housekeeper.  Here is an episode synopsis from PBS:

It’s 1936, and 165 Eaton Place sees its first stirrings of life after years of neglect when the house’s new master, Sir Hallam Holland (Ed Stoppard), and his wife, Lady Agnes (Keeley Hawes), cross the threshold. Though dust shrouds every surface, Lady Agnes is stirred to proclaim, “This house is going to see such life!” And with relish, she sets about an extravagant restoration and enlists the help of the staffing agency Bucks of Belgravia and its owner, former longtime 165 Eaton Place housemaid, Rose Buck (Jean Marsh).

Rose brings her cherished memories and high standards to the project, assembling a motley staff ranging from seasoned snobs to fledgling teens. Upstairs, the unexpected arrival of Hallam’s mother, Maud, Lady Hallam (Eileen Atkins) — returning from India with a Sikh secretary Amanjit Singh (Art Malik) and monkey Solomon in tow — introduces both eccentricity and tension as she interferes with Agnes’s management of the house. Somewhat in over her head in her new position, Agnes is further tested upon the arrival of her devil-may-care younger sister, Lady Persie (Claire Foy). As King George is dying, and against a backdrop of uncertainty, the residents of 165 Eaton Place host an elegant party to launch the Hollands in London society, and together attempt to field obstacles, both comical and sinister, that come their way.

The opening episode of this three part drama brings us The Fledgling – and very aptly named. Like a young bird, this series has new wings and must learn to fly. Acclaimed screenwriter Heidi Thomas (Cranford) has written a superb script. The storyline is filled with endings and beginnings – a perfect bridge for our memories of the original series and the introduction to the new one. There are nice touches of nostalgia, but it does not get too maudlin. The opening credits use the famous series music, but with a new remix, focusing on the sparkling crystal chandelier in the townhouse foyer. It is a symbol of both the old elegance and lifestyle of the Bellamy’s and a new beginning for the Holland clan and their household of servants. The scene when Rose returns to 165 Eaton Place, her former home of almost forty years, will require a hanky.

Upstairs Downstairs (2010) cast

The casting is top notch and their performances amazing. There is a wide range of personalities interacting in this newly refurbished series, all appealing to different demographics. The standouts are hard to earmark, since everyone was superb. We are happy to see scene stealing conceded to age and experience over youth and beauty. Dame Eileen Atkins as the Dowager Lady Holland and Jean Marsh as Miss Rose Buck dominated every scene over their younger compatriots. Of the upstairs personalities, Keeley Hawes is duly luminescent as the rattled social climber, Ed Stoppard charming as her careening husband, and Claire Foy sizzles as the rebellious baby sister.

Downstairs, Adrian Scarborough has big shoes to fill after butler Mr. Hudson left a indelible impression in our memories of what a proper English butler should be. He has a promising beginning. Anne Reid as the snooty cook should stir up some trouble and Art Malik as Lady Maud’s Indian secretary is imposing and mysterious. The selection of younger actors might attract a new crowd to this Masterpiece series. Ellie Kendrick as saucy orphan housemaid teases footman in the making Nico Mirallego into a risky flirtation, and every household needs a hunky chauffeur like Neil Jackson to drive you around and put naughty thoughts in your head. We concede to being personally delighted with Solomon the monkey, Lady Holland’s particular friend she brought back with her from India, since he is partial to sweet tea and thick-cut marmalade.

The staff at 165 Eaton Place, Upstairs Downstairs (2010)

Welcome home Upstairs Downstairs fans. It has begun again. A new period drama series filled with secrets, scandals and seductions from both sides of the stairs. Episode two, The Lady Bird, continues next Sunday April 17 on PBS

Images courtesy © MASTERPIECE

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Mia Wasikowska in Jane Eyre (2011)

Lots of news in the media this week over the upcoming release of Jane Eyre, the new major motion picture adaptation of Charlotte Bronte’s 1847 classic novel produced by the UK trifecta BBC Films, Focus Features and Ruby Films. It premieres in the US on Friday March 11, a full six months before its native land of England, a surprising twist since Yanks usually don’t get anything produced by the BBC until months after it has aired on UK television.

Michael Fassbender as Mr. Rochester in Jane Eyre (2011)

We are not complaining mind you, just puzzled at their marketing strategy.  Less than two years ago BBC executives declared the death of the bonnet drama announcing a shift from period fare to contemporary stories. When the premiere television producer of period drama for the past thirty years makes ugly noises we believe them and grieved the loss to our entertainment future. Not only have they changed their minds, but they have moved from television production to major theatrical release of a novel that has been adapted into film no less than 18 times. Why the change of heart, and why Jane Eyre?

Sally Hawkins as Mrs. Reed in Jane Eyre (2011)

Social Times blog asks, How Has Facebook Revitalized Jane Austen and Charlotte Bronte? They would like you to contemplate the possibility that social media is driving the market.

More than 150 years after her death, author Charlotte Bronte and her lovable character Jane Eyre are more popular than ever, and experts attribute their newfound notoriety to social networking sites like Facebook and Twitter.

They want to clump Jane Austen into the mix too because Austen has an even stronger online presence than the Brontes. Recently Toronto University English professor Deidre Lynch credited Austen’s recent rise in popularity to actor Colin Firth, Mr. Darcy in Pride and Prejudice 1995, for getting “a lot of people got hooked on the novels,” adding “that’s too simple an explanation for Austen’s ever-growing legion of fans. Social media, too, have given Austen a second life.”

Mia Wasikowska in Jane Eyre (2011)

Devotees of the Bronte’s can be found on Twitter, Facebook and blogs across the Internet, but as someone who searches social media daily for news on Jane Austen and period dramas, we see more chatter and articles on Austen than on the Brontes, by far. If the logic that the new Jane Eyre movie has been fueled by interest on social media, than exponentially, Austen would have ten new movies in production to the Bronte’s one.

Michael Fassbender and Imogen Poots in Jane Eyre (2011)

We are in favor of the new Jane Eyre producer Alison Owen’s pragmatic explanation.  It appears that in the world of period costume drama, Jane Eyre is inexpensive to produce.

“It’s set in a house in the middle of a moor,” she explained. “Jane Austen can be quite expensive. You need horses, carriages, houses, gowns. But on the whole Jane Eyre is much more starkly peopled than most period movies. You don’t need swaths of costumes. And scenery costs nothing. Point a camera at those moors, and it looks like a David Lean film.”

So, there you go Janeites. Because Austen’s novels do not have descriptions of clothing, scenery or political times, our projected expectations make adaptation costly to produce. Could we abide an Austen miniseries without fine frocks, carriages or country manor houses to drool over? Would the lack of an assembly balls or walks in the shrubberies make us change the channel?

Mia Wasikowska in Jane Eyre (2011)

I will let you ponder that a bit and bring this back to those bare bones Brontes. I have seen six Jane Eyre movie or miniseries adaptations in my day. They seem to arrive every seven years or so like hungry cicada eager to devour our hearts. The 1943 Jane Eyre with Orson Welles and Joan Fontaine was my favorite movie for decades. This is a story that demands to remain in black and white. Give it color and you lose the Gothic shadows and creepy coldness that is required. Even the last 2006 version starring Toby Stevens and Ruth Wilson didn’t get it right. Maybe, just maybe this new Jane will be the one. We shall find out next Saturday with family and friends. Hope you go see it too, so we can chat about it on Facebook and Twitter!

Mia Wasikowska and Michael Fassbender in Jane Eyre (2011)

Major Cast

• Jane Eyre – Mia Wasikowska (Alice in Wonderland)
• Mr. Rochester – Michael Fassbender (Band of Brothers)
• Mrs. Fairfax – Judi Dench (Lady Catherine de Bourgh – Pride and Prejudice 2005)
• Adele Varens – Romy Settbon Moore
• Mrs. Reed – Sally Hawkins (Anne Elliot – Persuasion 2007)
• Blanche Ingram – Imogen Poots (Fanny Austen Knight – Miss Austen Regrets)
• Lady Ingram – Sophie Ward (Land Girls)

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Sense and Sensibility (1981)19 of you left comments qualifying you for a chance to win the DVD of Sense and Sensibility 1981. The winner chosen at random is drush76 who left a comment on February 25th.

Congratulations drush76! To claim your prize, please contact me with your full name and address by March 9, 2011. Shipment is to US and Canadian addresses only.

Thanks to all who left comments, and for all those participating in the Sense and Sensibility Bicentenary Challenge 2011. In celebration, we are reading and viewing many S&S inspired novels and movies this year.

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Sense and Sensibility (1981) DVD coverThis is my second review for the Sense and Sensibility Bicentenary Challenge 2011. *throws confetti* It is my year-long homage to Jane Austen’s first published novel, Sense and Sensibility.

This 1981 BBC seven-part miniseries of Sense and Sensibility is a solid but flawed adaptation of Jane Austen’s masterpiece. In my mind, the character of Marianne Dashwood is always the benchmark for a superior adaptation. She is a complicated creature driven by emotion and racked with vulnerability, and if the actress portraying Jane Austen’s most melodramatic character can play her as intended, the whole production can rest on her shoulders. Tracey Childs as Marianne Dashwood exuded all the frantic emotion and romantic “sensibilities” that Marianne should at all the right moments, and Irene Richards as her sister Elinor was equally convincing, and at times touching, as her stoic, stable and guarded counterpart. However, my disappointment in the male characters: Edward Ferrars, John Willoughby and Colonel Brandon, pushed this production below my expectations. Part of this can be attributed to the loose adaptation of dialogue by screenwriter Alexander Baron and partly to Austen herself, who chose to craft male roles that are weaker than the two female ones. Yes. Not everything in Sense and Sensibility is balanced, and that was Austen’s point. Even though this imperfection is one of its charms, it can be unsatisfying. Here is the description of the production by the distributor.

Offering equal measures of humor and drama, this magnificent remastered  BBC production is an utterly charming version of Jane Austen’s Sense and Sensibility.

This delightful story tells of two sisters attempting to find happiness in the tightly structured society of 18th century England. Elinor, disciplined, restrained and very conscious of the manners of the day, represents sense. Outspoken, impetuous, emotional Marianne represents sensibility. Attracted to a man already promised to another, Elinor suffers silently to keep scandal away from her family. Marianne enjoys a flirtation with a handsome scoundrel that could lead to her downfall. Through their experiences with men and their relationship with each other, they learn that neither sense nor sensibility alone is enough, but that one must strive for a balance of the two.

The “magnificent remastered” boast makes one wonder what they had to start with? Considering that this was originally videotaped instead of today’s standard of digital film, we must allowances, but it is still blurry and faded in comparison. The film locations are mediocre too. I have been truly spoiled by the 1995 Ang Lee and the 2008 John Alexander productions magnificent locations. The costumes exhibited the oddest colors and most unflattering of Regency styles in *gasp* polyester fabrics, and the screenwriter Alexander Baron chose to eliminate little sister Margaret entirely! (For shame) What saves this 3 hour adaptation is the acting. Irene Richards, who you might recognize from her portrayal as Charlotte Lucas in the 1980 BBC Pride and Prejudice, is a solid oak who bends with the wind of change and shades her sister and mother from her own romantic pain. Her scene where Colonel Brandon asks her to inform Edward Ferrars of this offer of a church living was really moving. Tracey Child as Marianne happily did not play the melodrama over the top like Ciaran Madden did in the earlier 1971 production. I was amazed at the similarity of her interpretation to that of Kate Winslet’s 1995 version. Minor roles of note were Julia Chambers who plays cunning vixen Lucy Steele to a tea, and Amanda Boxer as stingy Fanny Dashwood. The scene where Fanny discovers that Lucy Steele and her brother Edward have been secretly engaged might be one of the best screaming scenes on film! Overall, an enjoyable but flawed production that could have benefited from more of Jane Austen’s beautiful language.

Elinor Dashwood – Irene Richards
Marianne Dashwood – Tracey Childs
Mrs. Dashwood – Diana Fairfax
Edward Ferrars – Bosco Hogan
Colonel Brandon – Robert Swann
John Willoughby – Peter Woodward
John Dashwood – Peter Gale
Fanny Dashwood – Amanda Boxer
Mrs. Jennings – Annie Leon
Sir John Middleton – Donald Douglas
Lady Middleton – Marjorie Bland
Lucy Steele – Julia Chambers
Ann Steele – Pippa Sparkes
Robert Ferrars – Philip Bowen
Charlotte Palmer – Hetty Baynes
Screenplay – Alexander Baron
Directed by – Rodney Bennet

Film locations:

Norland – Babington House, Babington, Somerset, England, UK
Barton Cottage – C ame Cottage, Dorchester, Dorset, England, UK
Barton Park – Came House, Dorchester, Dorset, England, UK
Mrs. Jennings House in London – Cowcombe Court, Crowcombe, Somerset, England, UK
Cleveland – Hatch Court, Taunton, Somerset, England, UK

A Grand Giveaway

Win one copy of the BBC Sense and Sensibility 1981 by leaving a comment by midnight PT March 2, 2011 stating what intrigues you about this adaptation of Sense and Sensibility or who your favorite character was. Winners will be announced on Thursday, March 3, 2011. Shipment to US addresses only.

Sense and Sensibility 1981
BBC Warner Video
DVD (174) minutes
UPC: 794051168320

DVD cover image courtesy © BBC Warner Video

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