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Downton Abbey Season 3 Episode 7 Matthew Crawley fishing

A bar of soap and solidarity tied up episode six of Downton Abbey of Masterpiece Classic very neatly last week. It was an uplifting conclusion, until this week’s devastating final episode. I wish episode six had been the last of the season. Instead, the Crawley’s went to Scotland to visit Cousin Shrimpie, stalked deer, fished for salmon and danced a reel while the downstairs mice left at Downton Abbey played at the local fair while the cat was away.

My Recap (Major, Major Spoilers!)

Joy arrived with the birth of the long awaited heir to Downton Abbey—but into each life some rain must fall—and in this case, a monsoon hit Yorkshire and swamped our hearts. I will not pad the deep blow with my usual detailed recap but cut to the chase. After spending a very brief time with his wife and newly-born son, Matthew Crawley died in a car crash on his way back home from visiting her and the baby at the hospital. The happily-ever-after will never be possible for him or many at Downton again.

No cliff-hangers here by writer Julian Fellowes—at all—quite the opposite. More on this tragic, startling, ending in my review below, after I point out some of the happier moments during the episode that was called the Downton Christmas Special in the UK when it aired there.

Favorite moments:

Have a bit of the tart if you like.” – Mrs. Patmore

I don’t mind if I do.” – Joss Tufton

There is romance in the air at Downton upstairs and down. Many attempted hook-up’s for young and old added levity and humor for most of the episode. There are a lot of sexual innuendos planted throughout. Have fun catching them as they wiz by.

I love reeling. If I weren’t pregnant I dance until dawn.” – Lady Mary

So, in the opening scenes we discover Lady Mary is pregnant. But, we are immediately distressed to learn that she is due in a month yet traveling with her husband and family to Scotland by train. This seems rather risky after all the couple went through to get in the family way, and how important an heir is to the future safety of the estate.

Downton Abbey Season 3 Episode 7: Duneagle Castle, Scotland

Duneagle Castle in Scotland

The destination vacation for the Crawley’s is Cousin Hugh ‘Shrimpie’ MacClare, Marquess of Flintshire’s estate Duneagel in Scotland. We first heard tell of him in season two when Violet, Dowager Countess of Grantham placed a phone call to him at the War Office when Matthew had gone missing during combat. He is a diplomat and her cousin by marriage through her niece Susan, daughter of her sister. The MacClare’s are the parents of young Rose, the flapper we met in episode six.

Edith. My basic fact is that I am in love with you…you know that already.” Michael Gregson

Do I? Yes, I supposed I do.” – Lady Edith

OMG! I am getting peeved that poor Edith is being made into a naïve idiot again. No, please no.

No man’s wanted to squire me since the Golden Jubilee. Even then he expected me to buy the drinks.” – Mrs. Patmore

The Golden Jubilee of Queen Victoria of the United Kingdom was celebrated on 20 June 1887. Since this is 1922, Mrs. P. has been without a date for 35 years. No wonder she’s all giddy and girlish.

Ten hours crawling through heather and nothing to show for it. Perhaps it’s a parable of life.” Matthew Crawley

There are a lot a parables, euphemisms and philosophy in this episode. Just watch Mrs. Hughes and Matthew Crawley very closely.

Unless you want Rose married to a third rate colonial official with no money and bad teeth Susan better think again.” – Violet, Dowager Countess Grantham

The MacClare’s are being sent to some unknown colonial outpost. This remark is Violet’s way of letting us know what she thinks of the marriage prospects away from England. Considering that she was ready to pack up her granddaughter Mary in season one and send her to Italy or America to find a husband is a telling clue of Rose’s prospects unless she intercedes.

Downton Abbey Season 3 Episode 7: Rope pull at fair

You don’t want to go to the fair?” – Alfred

I’d sooner chew broken glass.” – Mr. Carson

After all of the romantic hook-up’s, gambling, drinking and fighting, we are very happy that Mr. Carson did not go to the fair.

A man of mystery. Edith could use some of that.” – Lady Mary

“You are horrid when you want to be.” – Matthew Crawley

Lady Mary was back to her old snarky remarks about Edith in this episode. We will cut her some slack since she is preggers and well, just Lady Mary.

What’s going on in here?…you were just taking advantage of the cat’s absence. We’ll see what Mr. Carson has to say.” Mrs. Hughes

Mrs. Hughes catches the two footmen Alfred and James sitting on the settee in the parlor.  She has a keen eye in this episode and catches inappropriate behavior all around. This usually falls to Mr. Carson’s watchful radar, so it was fun to see the Great Philosopher of Downton in action.

Love to be in love, any time any place. I’ll not deny it Mrs. Hughes. I love to be in love.” – Joss Tufton

Telescoping I’d say.

Does the law expect me to have no life at all until I die? Would Lord Grantham?” – Michael Gregson

You can’t expect that he would want you to involve his own daughter, what when all you have to offer her is a job as your own mistress.” – Matthew Crawley

No, I love her.  I’m offering my love.” – Michael Gregson

You’ve been misled by our surroundings. We’re not in a novel by Walter Scott.” – Matthew Crawley

Mr. Rochester/Michael Gregson is corrected by Matthew with a literary euphemism. What irony. This new plot with Edith’s faux beaux really stinks. I know that is not very professional, but there you have it. Edith deserves much better than a married man with a mad wife in the attic. Lady Mary, Lord Grantham and Matthew are all very suspicious and for good reason. We are all yelling at the screen!

Either way it was the cooking he was after and not me.” – Mrs. Patmore

What a relief that Mrs. Patmore’s romantic incident with the gross grocer ended in laughter and not heartbreak.

Downton Abbey Season 3 Episode 7: Moseley and O'Brien

Are you proud of your handy work?” – Miss O’Brien

Well, I don’t know what you …” – Miss Wilkins

Never mind Miss Wilkins, it might do him good to let it all go for once.” – Miss O’Brien

We knew “every savage could dance” but Mr. Mosley? Hysterical!!! I felt that we had met O’Brien’s evil twin in Scotland with fellow lady’s maid Miss Wilkins, but she had obviously not earned her evil bangs yet and was no match for her. Touché!

…be your own master and call your own tune.” – Mrs. Hughes

Great advice to Tom Branson from the Great Philosopher of Downton, Mrs. Hughes.

There are rules to this way of life Edna, and if you’re not prepared to live by them, then it’s not the right life for you.” – Mrs. Hughes

Again, brava to more Mrs. Hughesisms. New maid Edna gets the boot for having the hots for Mr. Branson and not being able to contain it.

Love is like riding or learning French. If you don’t learn it young, it’s hard to get the trick of it later.” – Lord Flintshire (Cousin Shrimpie)

Young, wild Cousin Rose is going to live with the Crawley’s at Downton while her dueling parents are away on diplomatic duty. I thought this was very touching of her father to say this to Lady Grantham. He wants the best for his daughter who is always fighting with her horrid mother Susan, who will hopefully be eaten by tigers in India.

Just think. We’ve done our duty. Downton is safe. Papa must be dancing a jig.” – Lady Mary

Ahhh…another baby for Downton. This one gets to be the Little Prince for about ten seconds and then, tick tock, tick tock, he is Prince Regent.

Downton Abbey Season 3 Episode 7: Violet, Countess Grantham

Yet, here we are with two healthy heirs, an estate in good order and I wonder what I’ve done to deserve it.” – Lord Grantham

I agree. But then, we don’t always get our just deserts.” Violet, Dowager Countess of Grantham

Just deserts? Oh Granny, please do not mention levelers of life right now as Matthew is so happy and we are riding along with him on the road to Downton and doom.

My Review:

I saw this episode when it aired in the UK on Christmas Day. It has been almost three months and I am still angry and sad. The writer/creator Julian Fellow offers this explanation. It didn’t help.

I have been an advocate for Downton Abbey from day one. I have blogged about it and reviewed every episode. I have co-moderated three years of live twitter parties hosted by Masterpiece Classic. I have cheered and laughed and reveled in it glorious success for PBS and period drama. I am about as big of a fan girl as they come—but I still do not agree with how this season ended so tragically for Matthew and the fans of the series.

Unfortunately, Dan Stevens who portrayed Matthew Crawley wanted to move on and do other work. He may be remembered as the bloke who ditched the mega-hit series Downton Abbey, or he could win some fantastic role that might save him and move him to the next level. It is all a crap shoot. I try to be philosophical like housekeeper Mrs. Hughes whose advice to Tom Branson was spot on “…be your own master and call your own tune.” Obviously the writer Mr. Fellowes planted that for us to just chew on.

Season four of Downton Abbey starts production in England this month. Fellowes has dug himself a big whole to fill. We shall see if the series can crawl out of it.

Further reading:

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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Downton Abbey Season 3 Episode 6: Christening of baby Sybil

Faith and food filled last week’s episode 5 of Downton Abbey after the devastation of the loss of Lady Sybil. As the family continues to mourn, the future of her baby and husband Tom at Downton are uncertain. Branded the scarlet woman of Downton, former housemaid Ethel’s return as Mrs. Crawley’s housekeeper has shocked the community. When Lord Grantham crashes a luncheon attended by the ladies of Downton at Crawley house, the ladies are united in their support of her rehabilitation and refuse to leave. On an upbeat note, Mr. Bates’ conviction has been overturned and he has been set free! Anna and Bates are now once again together and happy!

Recap of episode 6 (spoilers ahead)

Downstairs: All but one welcome Downton’s prodigal servant Mr. Bates back home with open arms! His return places interim valet Mr. Thomas Barrow in an untenable position and he must give way and let Mr. Bates return as Lord Grantham’s valet. This situation is quickly overshadowed by a sexual scandal that could taint the reputation of the estate as Miss O’Brien’s plotting to ruin Thomas comes to fruition when her nephew Alfred catches him making sexual advances at footman James late at night in his bedroom. After James’ continued complains to Mr. Carson, Thomas is forced to resign without references, ruining his chances for future work. Mr. Bates feels sorry for Thomas and offers his assistance with pressuring Miss O’Brien to convince James to recant. Thomas reveals a certain fact about her ladyship’s soap that immediately does the rick and her scheme is thwarted. This further angers her nephew Alfred who reports the incident to the police.

Upstairs: Matthew and Tom work together to develop a new plan to save Downton and make it self-sufficient. Robert’s resistance to change and his concern for his tenants is supported by his long-time estate manager Mr. Jarvis whose indignation results in his resignation. To stop the scandal that is Ethel, the Dowager Countess is determined to see her move elsewhere and secretly places an advertisement in the London paper for a housekeeper seeking a position. One of the replies is from a woman who lives nearby the home of the Bryant’s, the grandparents who now care for her son little Charlie. Violet orchestrates a reunion of Mrs. Byrant and Ethel so they can come to terms with her working nearby and seeing her son. Lady Edith has a new job as a journalist for a paper in London whose editor Michael Gregson is keen on her. She is cautiously interested until she discovers he is married. He reveals that his wife is a lunatic and there is no hope of him obtaining a divorce. Young cousin Lady Rose MacClare visits Cousin Lady Rosamund Painswick in London with Lady Edith and Matthew. Escaping to meet her married lover in a jazz club, she is caught in the act. Matthew controls her by bargaining with their silence if she will behave. The annual cricket match is in full swing when the local police arrive looking for a statement from Alfred who reported Thomas for criminal behavior against James. Lord Grantham intercedes and Alfred recants claiming to be drunk at the time. Now that Lord Grantham is on board with the new plans for Downton, Matthew and Mary are pleased to be building a new kingdom and making a little prince.

Favorite Moments:

Are you sure you wouldn’t rather cut and run like me?” – Tom Branson

I love the frankness of Tom Branson’s humor. The bromance between he and Matthew is one of the highlights on the series.

I do think the women’s place is in the home, eventually. But I don’t see any harm in her having some fun before she gets there.” – Violet, Dowager Countess Grantham

Another great zinger from the Downton whisperer.

Downton Abbey Season 3 Episode 6: Matthew and Mary Crawley

You berate me for not taking responsibility and then you tell me off for doing just that. You can’t have it both ways.” – Matthew Crawley

I can if I want to.” – Lady Mary

I am relieved to see some genuine romance and less bickering from the love birds of Downton!

Cousin Violet has never let an inconvenience stand in the way of a principle.” – Mrs. Crawley

As the kettle said to the pot.” – Violet, Dowager Countess

Young Lady Rose’s introduction to the world of Isobel vs. Violet begins in a throw down. She laughs it off, but she won’t be laughing later!

Downton Abbey Season 3 Episode 6: Rose in London Jazz Club

Married men who wish to seduce young women always have horrid wives.” – Matthew Crawley

Best line of the night!

There must be something you know about Miss O’Brien that you can use against her.” – Mr. Bates

You’ve heard of the phrase “you know when your beaten”? Well, I’m beaten Mr. Bates. I’m well and truly beaten.” – Mr. Barrow

Well, then give me the weapon and I’ll do the work.” Mr. Bates

Who would have thought that two fierce adversaries would be on the same side? Mr. Bates’ need to fall on his own sword might just kill him some day.

Shall I tell you how I look at it? Every man or woman who marries into this house, every child born into it has to put their gifts at the families disposal. I’m a hard worker with some knowledge of the land. Matthew knows the law and the nature of business.” – Tom Branson

Which I do not.” – Lord Grantham

You understand the responsibilities we owe to the people round here, those who work for the estate and those who don’t. It seems to me if we could pool all of that, if we each what we can do, then Downton has a real chance.” – Tom Branson

Interesting moment where the former chauffeur/family outsider Tom Branson reveals to the Lord of the Manor what he should be seeing himself. A turning point for Lord Grantham and the estate.

I’m afraid that I find the idea of a married man flirting with me wholly repugnant. So you see…I must hand in my resignation at once.” – Lady Edith

Oh dear a big blow to #TeamEdith. Another mad wife in the attic? Why must the rug be constantly pulled out from her happiness?

Downton Abbey Season 3 Episode 6: Matthew and Mary Crawley at cricket match

So we will be building our new kingdom while we make our little prince.” – Lady Mary

My Review

Malfeasance, shenanigans, whippersnappers and harlots ran a muck at Downton last night as we experienced one of the sharpest written episodes, whose dialogue had our ears are burning with delight. Our only complaint was that it was too long. We much prefer the one hour length that we have been feed for the past four weeks. There is just too much to absorb in two hours. There. We never thought there could be too much Downton Abbey, but there it is.

Intervene was the key word of last night’s episode as help from unexpected sources arrived to save some, and condemn others. Mary and Matthew have (thankfully) ended their bickering over money and joined sides in Matthew’s plan to modernize Downton. He is very definite about her being on his team now and she did not object as she has in the past. Lady Violet, Dowager Countess Grantham, was in fine form and as Machiavellian as ever manipulating the family and staff into convincing Isobel Crawley that Ethel would be much happier living a new town where no one knew of her past. How she orchestrated obtaining a new position for Ethel by using so many different people to remove the source of scandal was disturbingly brilliant. I never thought I would see Mr. Bates teaming up with Thomas to thwart Miss O’Brien, but he did—and was able to accomplish his goal with one fact from Thomas against her, “her ladyship’s soap.” There were many other instances of characters helping those in need or upsetting plans, but I was most moved by family outsider Tom Branson. As the widow of Lady Sybil, and the new estate manager, he has the unique position of not being deeply entrenched in family dynamics so he can say the obvious to Lord Grantham—that it is everyone’s responsibility to bring their talents forward so they can pool their resources for the benefit of the estate. That is a very socialist ideology that even traditionalist Lord Grantham can agree to.

The Oddest Plot Twist Award of the season goes again to poor Lady Edith and her working girl adventures in London. I am encouraged that they are allowing her to “do” something besides her grandmother’s suggestion of watercolors and charity work, but really Mr. Fellowes—you have taken her character around the bend and through the woods several times in the love department—but fixing her up with her editor (a younger looking version of the infamous altar jilter Sir Anthony Strallen) whose wife is insane is just too close to turning her into Jane Eyre in love with her employer whose wife is madwoman living in the attic. Really? Seriously? This is all you could think up for her?

I will end on that note and ask readers what they thought of all the resolutions and one last dangling conflict?

Downton Abbey Twitter Party

Join me as I co-moderate the live Downton Abbey Twitter parties every Sunday through February 17, 2013 at 9:00pm eastern and again during the Pacific coast time slot. Just use hashtag #DowntonPBS and add @pbs, @masterpiecepbs, @austenprose, @televisionary, @tomandlorenzo and @vulture to your favorite Twitter aggregator such as Tweetdeck, Tweetgrid, etc. It’s great fun, and totally free.

Join us for the conclusion of Downton Abbey Season 3 when episode 7 takes us to Scotland to meet Cousin Shrimpie and his family, next Sunday, February 17, 2013 at 9:00pm ET & PT (check your local listings).

Further reading:

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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Downton Abbey Season 3 Episode 5: Footman James

Life and death weighed in deeply in last week’s episode 4 of Downton Abbey. The birth of Lady Sybil’s daughter and her shocking death overshadowed any of the other plot developments. As the two doctors in attendance stood at her bedside with her family and watched helpless (as did we) as she was overcome with toxemia from eclampsia, I felt that writer Julian Fellowes was using every emotion to rip out our hearts. Sybil was such a kind, sweet soul—a rare commodity at Downton and the world—that her death is doubly hard for all to bear. Here is a link to a lovely tribute video of Lady Sybil created by Masterpiece PBS. Downstairs, the new staff is posturing for position and romance while Miss O’Brien plants the seeds of destruction for her former partner in crime valet Mr. Barrow. Lady’s maid Anna and her husband, former valet Mr. Bates, discover a previously overlooked fact that may overturn his murder conviction of his wife and set him free from jail.

Recap of episode 5 (spoilers ahead)

Lady Sybil has been laid to rest and Downton Abbey will never be the same. The family’s grief and mourning is very acute, especially by her husband Tom Branson whose future there seems uncertain. The baby must be christened and Tom is determined to have her baptized in his own faith. This appalls Lord Grantham who feels her life will be doomed as a “left footer.” Catholicism vs. Anglicism is discussed at dinner upstairs and down and there is a definite division of beliefs. The growing rift between Lord and Lady Grantham over local Dr. Clarkson’s advice to save Sybil vs. the London specialist Dr. Tapsell moves the Dowager Countess to step in and convince Dr. Clarkson to tell her son and daughter-in-law that Lady Sybil was destined to die even with the surgery he recommended. This realization mends the fence and they are reconciled in their grief.

Mrs. Crawley wants to throw a luncheon for the ladies of Downton to ease their suffering and asks her housekeeper Ethel to prepare a simple meal. Ethel is determined that she can cook finer fare than cold ham and a salad and convinces the cook at Downton Mrs. Patmore to coach her. The more elaborate meal surprises Mrs. Crawley and delights her guests until Lord Grantham crashes the party furious that the ladies are endangering the reputation of Downton by associating with a woman who bore a bastard and was previously a prostitute. He insists that they leave immediately, but they refuse. Assistant cook Daisy is still keen on Alfred who is keen on Ivy who is keen on James. Everyone is in love with the wrong person as Mrs. Patmore’s keen eyes so clearly perceive. Mr. Bates’ lawyer interviews his dead wife’s neighbor Mrs. Bartlett and it is not surprise that she has changed her story, most likely tipped off and bribed by that irksome prison guard hounding Bates. Well two can play at this game so Bates threatens his cellmate which turns the tide so the witness can recant and Bates is sprung. It is the only good news at Downton in months.

Favorite Moments:

Did you hear about Tom’s announcement at breakfast? He wants the child to be a left footer.” – Lord Grantham

It was interesting to see all of the household’s reaction to the Catholic vs. Anglican issue. It helped us remember what era this drama is placed in and how important your choice of faith was.

My dearest boy. There is no test on earth greater than the one you have been put to. I do not speak much of the heart since it is seldom helpful to do so, but I know well enough the pain when it is broken.” – Violet, Dowager Countess Grantham

A nice mother and son moment from the whisperer of Downton herself.

Downton Abbey Season 3 Episode 5: Mrs Patmore and Daisy

You know the trouble with you lot, you’re all in love with the wrong people.” – Mrs. Patmore

Too true – as I mentioned before, Daisy is keen on Alfred who is keen on Ivy who is keen on James. There is another who is also in love with the wrong person too. When will the shoe drop?

The Dowager Duchess of Norfolk is a dear friend and she is more Catholic than the Pope.” – Violet, Dowager Countess Grantham

Lady Violet is referring to Gwendolen Fitzalan-Howard, 12th Lady Herries of Terregles, The Dowager Duchess of Norfolk. She was a Roman Catholic aristocrat whose family was the model for the Marchmain family in Evelyn Waugh’s novel Brideshead Revisited.

You are always flabbergasted by the unconventional…not everyone chooses their religion to satisfy Debrett’s.” – Lady Grantham

Lady Grantham is referring to Debrett’s Perrage & Baronetage, a book that is a genealogical reference to the British aristocracy. Austen fans will remember that in Persuasion, Sir Walter Elliot “for his own amusement, never took up any book but the Baronetage.” He was a puffed up snob. Lady Grantham’s mention of this is a rub to her husband’s snobbish beliefs reminding him of her American roots and values. Well said Lady Grantham.

So there’s a country boy inside the revolutionary?” – Matthew Crawley

Not much of one.” – Tom Branson

You must hate it here.” – Matthew Crawley

No. I don’t hate it, but I don’t belong here either.” – Tom Branson

Both Matthew and Tom are outsiders at Downton who have married into the family. This bromance between the two son-in-law’s is developing nicely though it is a bit harder for them to accept the revolutionary Fenian former chauffeur than a middle class former attorney as family.

Downton Abbey Season 3 Episode 5: Mr. Bates in prison

I expected her to deny everything once she realized that her testimony would release me.” – Mr. Bates

Mr. Bates’ last chance at freedom does not look promising. Depending on the honesty of his dead wife’s neighbor Mrs. Bartlett who hates him is a long shot.

Of course, if Mrs. Patmore wants to spend her time frolicking with prostitutes.” – Mr. Carson

Do I look like a frolicker? – Mrs. Patmore

Caught in the act of visiting Ethel at Crawley House by the disapproving Mr. Carson, Mrs. Patmore back peddles quickly and offers the perfect comeback! Ha!

It seems such a pity to miss a good pudding.” – Violet, Dowager Countess Grantham

Huzzah! Prostitutes and pudding prevail at Downton! A very tense scene with Lord Grantham crashing the party at Crawley House is softened again by a bon mot by the Dowager Countess. So perfect.

A fool and his money are soon parted, and I have been parted from my money so I suppose I am a fool.” – Lord Grantham

Again, Lady Mary is discussing money matters with her father. This time she is running defense for her husband Matthew and brother-in-law Tom. She mentions she is always on her father’s team, but this time he is wrong about disapproving of the Catholic christening of baby Sybil, and Matthew’s concerns about the mismanagement of the Downton estate. Both Lord Grantham and Mr. Carson are traditionalists hanging on the past. Is there a message here that Fellowes is foreshadowing?

My Review

Nourishing our bodies and souls are key themes in episode 5 tonight. Food and religion. Two popular topics often debated but never agreed upon.

We see food preparation and its importance in stature through housekeeper Ethel’s desire to improve herself and impress her employer and the ladies at Downton when she makes a fine meal for luncheon and surprises them all. She takes a risk and is rewarded until Lord Grantham imposes his unyielding traditional values while attempting to banish his family from the house because of Ethel’s tainted past. I love the reaction by the Dowager Countess when he uses the “B” word to shame Ethel and Mrs. Crawley for inviting the ladies to lunch. Priceless!

Food is also an important plot axis in Mr. Bates’ fate too. The newly discovered fact of poisoned pie that his wife baked for herself that her neighbor Mrs. Bartlett mentions might set him free. And, Daisy the assistant cook who thinks she will spend her whole life in the preparation of food may have another option when her father-in-law offers her his tenancy at the farm including equipment and money. She would be an heiress of sorts – not on the scale of the Downton ladies – but still quite a step up from kitchen duties and a life in service. Now, let’s Segway to another dinner at Downton where the topic of religion is so prominent. The local vicar’s opinions of Catholicism vs. Anglicism is not only startling to today’s ears but to some family members in 1920 too. It was a great way for screenwriter Fellowes to show us how religion, values, character, and food are so important to all and how things have not changed as much as they should have in one hundred years.

I was a bit taken aback by Lord Grantham tonight. He has never been one of those cool, calm, stiff upper lip Englishmen types that the nation is so famous for, but geesh, his temper really blew in all directions: mad at Tom, mad at Lady Mary, mad at Matthew, mad at Isobel etc. The only family member who didn’t get their ears boxed was Lady Edith who is usually the whipping boy in the family! I presume it was amplified by the grief of the loss of his daughter Lady Sybil. It was interesting to see Lady Grantham deal with her own grief in the totally opposite way by being controlled and quiet – dolling out her anger in small bursts focused on one person, her husband.

The death of Lady Sybil was a deep blow to the series and I was concerned about how they could move past it. She was such a sweet character and so admired. Only the good die young.

Downton Abbey Twitter Party

Join me as I co-moderate the live Downton Abbey Twitter parties every Sunday through February 17, 2013 at 9:00pm eastern and again during the Pacific coast time slot. Just use hashtag #DowntonPBS and add @pbs, @masterpiecepbs, @austenprose, @televisionary, @tomandlorenzo and @vulture to your favorite Twitter aggregator such as Tweetdeck, Tweetgrid, etc. It’s great fun, and totally free.

Episode 6 of season 3 of Downton Abbey airs next Sunday, February 10, 2013 at 9:00pm ET & PT (check your local listings).

Further reading:

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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Downton Abbey Season 3 Episode 4: Mrs. Hughes and Mrs. Patmore

As rebellion reached Downton Abbey last week in episode 3, we were thrown into the drama of Tom and Lady Sybil’s flight from Ireland, Lady Edith’s venture into women’s suffrage and Cousin Matthew’s resistance of how the Downton estate has been managed over the years. Downstairs, new staff added the needed hands to bring the service back up to the pre-war standards that butler Mr. Carson and housekeeper Mrs. Hughes demand. While two new footman James and kitchen maid Ivy flutter a few hearts, the recently promoted lady’s maid Anna and her incarcerated husband Mr. Bates had a rocky separation before months of their correspondence was released by the prison and delivered to each of them.

Recap of episode 4 (major spoilers ahead)

Downstairs, Miss O’Brien is planting her seeds of destruction against valet Thomas, now rightfully called Mr. Barrow in honor due his position and not his personality. She advises footman James to seek his assistance when he can, hoping to throw them into each others path to fuel her plot to destroy Thomas’ pride and position. Daisy is in a tizzy over the attentions that the two footmen James and Alfred are lavishing on the comely new kitchen maid Ivy. She is doubly hard on her, barking commands and being all-around surly until Alfred sees an opportunity to save Ivy from embarrassment and steps in to fix the Hollandaise sauce at the last minute for her. Mrs. Patmore’s sharp eyes see all and humbles Daisy into acknowledging Ivy’s skill by making her thank her for her good work. Lady’s maid Ann finally visits her husband John Bates in jail and they discuss a new fact previously overlooked that might set him free. It all hinges on the word of a woman who hates him, so extra precautions must be taken with Vera’s neighbor Mrs. Bartlett so that she does not know that her word might overturn his conviction.

Upstairs, Lady Mary and her husband Matthew discuss Downton’s management (or mismanagement) as they tour the estate. His understanding of how Downton has been run in the past is from a business perspective which shows his middle-class upbringing, while Mary’s father sees things from an aristocratic view of caring for his tenants as individuals no matter what the financial outcome. Mrs. Crawley offers Ethel a job in her household which causes quite a stir. Her housekeeper Mrs. Bird refuses to work with a women with a past and gives Mrs. Crawley a her or me ultimatum, the outcome of which is not what she expected. Later, the staff at Downton are shocked to learn that Mrs. Bird has resigned because of Ethel. Outraged that a fallen women is working in service for a lady, Mr. Carson will not allow any of the maids or the footmen to go to Mrs. Crawley’s house lest everyone’s reputation be tainted by association. Lady Sybil’s baby is due and Lady Grantham seeks the advice of the local physician Dr. Clarkson while Lord Grantham sends for a famous doctor from London. The two doctors do not see eye to eye and the family is divided during a crisis while she is in labor. A baby girl arrives and everyone is relieved until Sybil’s health takes a turn with the worst possible outcome. Her death is a deep blow to everyone at Downton and the blame game begins between Lady Grantham and her husband.

Favorite Moments:

There really is nothing wrong?” – Tom Branson

Nothing at all.” – Dr. Clarkson

Tom Branson asks the family doctor about his wife’s health so close to her delivery. Of course he says nothing is wrong. This from the man who prescribed cinnamon and milk for the Spanish Flu!

You better ask Mr. Barrow. He’s the clock expert. He used to wind them but it is of course quite wrong for a valet to do it.” – Miss O’Brien

Mr. Barrow won’t mind?” – James Kent

Oh no. I can see he likes you and that’s good since he’s got the ear of his Lordship.” – Miss O’Brien

Miss O’Brien the Dear Abbey of Downton Abbey – offering advice to the needy – yeah right! She knows  whose clock Thomas wants to wind.

Downton Abbey Season 3 Episode 4: Matthew Crawley

I think he harks back to a time when money was abundant and there wasn’t much need to keep on top of it. I think he equates being businesslike with being mean or worse, middle class like me.” – Matthew Crawley

Ah. Another light bulb revelation. As Matthew and Mary discuss money matters of the Downton estate we are shown the difference between the classes. An interesting point, but why are Mary and Matthew always discussing money? Since he will inherit the estate and she wears the pants in the family, it is her point of view that must evolve here. This could be fun.

Don’t bother Matthew. I’m always a failure in this family.” – Lady Edith Crawley

Edith is astounded to receive an offer of employment from the editor of The Sketch who wants her to write a weekly column. Someone values her opinion! How sad that her father Lord Grantham thinks that they only want her for her name and the title. Buck up Edith. If you storm out of rooms every time you get dinged by a member of your dysfunctional family you will be in constant motion. #TeamEdith

Downton Abbey Season 3 Episode 4: downstairs kitchen

Just one of the tricks of the trade.” – Ivy

Well done Ivy you played a good one there. Thank her Daisy.” – Mrs. Patmore

Daisy is riding the new kitchen maid Ivy pretty hard while the two footmen James and Alfred vie for her attention. In this scene we get to see Alfred help save the Hollandaise sauce that has separated and make Ivy look like a star. *raised eyebrow*

Oh don’t look at me. Cora is right. The decision lies with the chauffeur.” – Violet, Dowager Counter of Grantham

In a scene reminiscent of a tennis volley, the two doctors present differing opinions on Lady’s Sybil’s condition while in labor dividing the family: Lady Cora on the side of Dr. Clarkson and Lord Grantham on the side of Dr. Tapsell. Lady Violet, always the voice of reason in the family almost never agrees with her daughter-in-law’s decisions, but finally does, and we are left to applaud.

She was the only person living who always thought you and I were such nice people.” – Lady Mary

Oh, Mary. Do you think you and I might get along a little better in the future?”– Lady Edith

I doubt it. But since this is the last time we all three shall be together in this life, let’s love each other as sisters should.” – Lady Mary

Black. Everything is black. Goodbye Lady Sybil.

Downton Abbey Season 3 Episode 4: Sybil and Tom Branson and new baby

My Review:

I am really quite numb after this episode. Sybil’s death was not expected and I feel like the rug has been pulled out from under us. It has overshadowed any of the other plot developments such as Edith’s good news about an invitation to write for a newspaper, or Ethel getting a job with Mrs. Crawley. Sybil was such a bright and energetic soul. Seeing all of her family in black morning and the servants with armbands was so devastating. When people die, one never knows what to say beyond offering condolences – and so, I am also speechless.

The staff story is heating up. #CrankyDaisy is back and miffed over the attention that the pretty new kitchen maid is receiving from the two footmen. It was interesting to see the footman Alfred to the rescue with the Hollandaise sauce. He obviously knows a thing or two about cooking. Miss O’Brien is weaving her evil web over Thomas and innocent James is being used for her selfish purpose. I don’t like where this is going, nor how Thomas is  being portrayed like a lecherous stalker. Finally a ray of hope for Anna and Bates, but whenever that corrupt prison guard and Bate’s cellmate put their heads together I am left wondering why. What is their motive?

How did you like episode four? Are you all as stunned as I am with the outcome and new developments?

Downton Abbey Twitter Party

Join me as I co-moderate the live Downton Abbey Twitter parties every Sunday through February 17, 2013 at 9:00pm eastern and again during the Pacific coast time slot. Just use hashtag #DowntonPBS and add @pbs, @masterpiecepbs, @austenprose, @televisionary, @tomandlorenzo and @vulture to your favorite Twitter aggregator such as Tweetdeck, Tweetgrid, etc. It’s great fun, and totally free.

Join us for episode 5 of season 3 of Downton Abbey next Sunday, February 3, 2013 at 9:00pm ET & PT (check your local listings).

Further reading:

Watch Downton Abbey: Sybil and Tom on PBS. See more from Masterpiece.

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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Downton Abbey Season 3 Episode 3: Miss O'Brien and Alfred

Last week in episode 2 of Downton Abbey Cousin Matthew accepted his dead fiancée’s dead father’s money, gave it to Lord Grantham, and they became business partners (whoa) saving Downton from ruin. Those who were not game to the cause were promptly crossed off the list and sent away – point in case for mama Levinson who because she could not save the estate, again, with her husband’s fortune, exited stage left and was never spoken of again. Hmmm? Plots churn so quickly in this series that we are not given a moment’s repose to think lest we see the wholes.

Was there really any doubt that the money would materialize? After all, the show is not called the Crawley’s.

#TeamEdith went down in flames after the ungentlemanlike behavior at the altar by that infamous drudgemaker Sir Anthony Strallen. We are still reeling over his erratic behavior. Could it be post-traumatic stress syndrome from the WWI? We like to think so and feel the need to rationalize it to death. He seemed like a nice enough chap even though the family thought him a looser. Really harsh—even by toff standards. I just had to dwell on her beautiful wedding dress a bit longer and post a picture of her in it before she has the maid burn it.

Recap of Episode 3 (spoilers ahead)

Downton Abbey Series 3 Episode 3: Lady Edith, wedding dressNow that the coffers of Downton are once again flush from cash from a dead fiancée’s dead father, the household staff will be pumped up to pre-war standards by searching for a new footman, housemaid, and kitchen maid. This means Anna will be a lady’s maid and Daisy will be assistant cook (finally) and not have to carry out the duties of two positions while being paid for one. Unfortunately, Anna does not seem excited in the least because there has been no mail for weeks from her husband John Bates who is locked in the hoosegow in York for bumping off his wicked wife Vera. She thinks he is being honorable and wants her to move on with her life without him. Depressed and downtrodden at Downton won’t do, so Mrs. Hughes to the rescue with a pep talk cheering her up, and us! Jimmy the dishy young footman is quickly renamed James, because Mr. Carson could never take anyone seriously who has a nickname. While James sets hearts throbbing downstairs with the ladies and valet Thomas, Daisy’s working strike is finally over when Ivy is hired as the new kitchen maid to replace her. However, she is not happy that her crush, Alfred the footman, has eyes for Ivy.

Mrs. Hughes has a visit from Isobel Crawley who delivers a letter from former housemaid Ethel Parks, who left service after an affair with an officer recuperating at Downton during the War left her in a motherly way. Once again she would like Mrs. Hughes to intercede and arrange a meeting with her son’s grandparents who she previously turned down for help. Isobel, always eager to get involved and be helpful to anyone would like to make Ethel her new project to get her off the street. The meeting takes place and Ethel surprises everyone by giving her young son to his grandparents to raise. A reversal of finger pointing for Mr. Bates and his cellmate in prison frees up a cache of letters from Anna being held as punishment by the guards, while Anna in turn receives her own stash of letters from him renewing their confidence in their love for one another.

Lady Sybil rings up from Ireland with a cryptic message that Edith reveals to the family shortly before her husband Tom Branson shows up on their doorstep dripping wet with rain and Irish rebellion. He has fled the country to escape the law after helping to burn down an Anglo-Irish country estate. The Crawleys are horrified by his participation in such a violent act, except Lady Violet who thought it an ugly castle anyway. Lord Grantham is furious that his pregnant daughter has been left to fend for herself in a foreign country, but still acts on Tom’s behalf with the authorities in London to clear the waters. Tom’s punishment is the worst imaginable (short of prison) to a rebel who wants to be a part of the Irish revolution: he must never step foot again in Ireland or he will be arrested. Other family members rebel too. Edith takes up a banner for the cause of women’s suffrage and writes a letter in protest of the current laws to The Times which is published, much to her father’s horror. Matthew Crawley goes over the estate finances only to discover that they are being greatly mismanaged. He seeks the advice of the dowager countess who does not see how the news will not put many noses out of joint.

Favorite Moments:

Other men have normal families with sons-in-law who farm or preach or serve in the army.” – Robert, Lord Grantham

Maybe they do, but no family is what it seems from the outside.” – Violet, Dowager Countess of Grantham

Wow! That line is like the gun shot at Sarajevo. No one saw it coming because they were ignoring the truth.

Good God almighty. You abandon a pregnant woman in a land that is not her own. You leave her to shift for herself while you run for it?…Go to bed. I’ll give you my answer in the morning.” – Robert, Lord Grantham

Serious moment for Tom Branson and the Crawley family. I can’t help feeling by Lord Grantham’s last words that he does not treat his children like adults. I thought he would blow a gasket.

Downton Abbey Season 3 Episode 3: Mrs. Hughes and Mrs. Crawley

You’ve done a hard thing Ethel, the hardest thing of all.” – Mrs. Hughes

What chance is there for a woman like her? She’s taken the road to ruin and there’s no way back.” – Mrs. Hughes

Another really, miserable moment in Ethel’s down-spiraling life. I know that her character is there to let us learn how women in this era had little choice if they broke the rules of propriety, and how the aftermath of the war multiplied this and forced many women into a life of prostitution, but it is just so dang depressing to watch.

Downton Abbey Season 3 Episode 3: Daisy and Mrs Patmore

Downton is being mismanaged cousin Violet and something must be done. The thing is, how do I do it without putting people’s noses out of joint” – Matthew Crawley

Oh my dear. I doubt there is a way to achieve that. You must do what needs to be done, but I think I can safely say a great many noses will be out of joint.” – Violet, Dowager Countess Grantham

Well, Cousin Matthew, personally I would rather carry a deceased Turkish diplomat through the halls of Downton Abbey in the black of night than tell Lord Grantham he has mucked up the estate finances, but if you don’t, your dear dead fiancée’s dead father’s money will be gone with the wind in no time. Even the Downton whisperer, Lady Violet, is stumped and that is a very rare instance indeed. We shall see how you progress with this new business arrangement without alienating every member of your family including your wife (that document forging vixen you sleep next to) who you know will think your conclusions idiotic. Really, good luck with this.

My Review:  

After the high drama of last week’s jilting at the altar, this episode seemed rather tame – but there was actually a great deal going on – but none of it good news. Even though many of the plot developments were depressing, this episode was really interesting for me. I am glad to leave behind some of the old, long standing conflicts such as Matthew’s dithering over the Swire money, Edith’s pseudo-decrepit beau and the down-spiraling, wrongfully imprisoned Mr. Bates. It was actually a relief to me that Anna could not visit him in prison and their communication was entirely shut down. It was worth the prolonged misery of both to get our reward of seeing them reading their letters to each other after they were finally delivered. We are also really proud of Edith for using her brain and abilities (at Granny suggestion of course) and struck out from the family strictures by voicing her opinion on women’s rights. Yes, let’s let Edith be a flapper and go a bit wild on us, please-o-please. We want something else happy and fun in this family to be about her that really happens.

Downton Abbey Season 3 Episode 3: Mr. Bates in jail

Besides Bates’ incarceration, several characters seem to be imprisoned by duty or default. It is disturbing how the family used their influence to cover up the crime that Tom committed in Ireland. Despicable, really. Even his wife Lady Sybil was shocked by his activities. I wonder why they chose to return to Downton where he hates the life of his English oppressors? Ironically, he is now a prisoner there and cannot return to his homeland. What will he do? Matthew is discovering that his business arrangement with his father-in-law is going to be more challenging than he ever imagined. How could he be so naïve? Here is another example of how Cousin Matthew is not very smart (or the writers just don’t allow him to be) even though he is a college educated, practicing attorney! Now he is surprised to learn that the estate is being mismanaged? It appears that it has been happening for generations: first when the current Earl of Grantham’s father needed to shore up the estate by having his son marry an American heiress, and recently by the bit of foreshadowing after Lord Grantham lost the family fortune on the one shot railroad deal in Canada, and then brushed off concerned comments by his attorney about how things should be done differently with the estate. Change will be difficult for everyone as the plot powers up for more crises.

This episode in definitely a bridge to new conflicts. Despite the questionable efforts of its inhabitants, Downton still stands!

Downton Abbey Twitter Party

Join me as I co-moderate the live Downton Abbey Twitter parties every Sunday through February 17, 2013 at 9:00pm eastern and again during the Pacific coast time slot. Just use hashtag #DowntonPBS and add @pbs, @masterpiecepbs, @austenprose, @televisionary, @tomandlorenzo and @vulture to your favorite Twitter aggregator such as Tweetdeck, Tweetgrid, etc. It’s great fun, and totally free.

Join us for episode 4 of season 3 of Downton Abbey next Sunday, January 27, 2013 at 9:00pm ET & PT (check your local listings).

Further reading:

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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The Chronicles of Downton Abbey, by Jessica Fellowes (2012)103 of you left comments qualifying you for a chance to win one of three copies available of The Chronicles of Downton Abbey: A New Era, by Jessica Fellowes & Matthew Sturgis. The winners drawn at random are:

  • heidenkind who left a comment on January 08, 2013
  • Lady Mary’s Eyebrows who left a comment on January 09, 2013
  • JuneA** who left a comment on January 09, 2013

Congratulations ladies and eyebrows! To claim your prize, please contact me with your full name and address by January 23, 2013.  I have several giveaways running, so please mention which book you have won in the subject line. Shipment is to US addresses only please.

Many thanks to St. Martins Press for the giveaway copies. Happy reading to the winners!

Cover images courtesy St. Martins Press, © Carnival Film & Television Limited 2012 for MASTERPIECE

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Downton Abbey Season 3 Episode 2: Lady Edith and Lord Anthony

Brides, bickering, and retrenching fuel the major plots in the 2nd episode of season 3 of Downton Abbey tonight, challenging almost every member of the household—upstairs and down. Here is a brief recap of the sufferings of the toffs and the ones who wait on them.

Recap of Episode 2 (spoilers)

The Crawley family and staff are in high gear in preparation for Lady Edith’s wedding to neighbor Sir Anthony Strallen. Mary and Matthew’s ongoing disagreement over his reluctance to receive the fortune that Reggie Swire (his deceased fiancée’s father) has left him causes conflict for the newlyweds. The money could save Downton from financial ruin, but his honor and guilt will not allow him to accept it. Because of the loss of the family fortune, Lord Grantham must plan for the future which includes selling Downton and moving to another one of their other estates, a smaller manor house in the north that Lady Grantham has cheerfully names Downton Place. Edith and Anthony have their own Waterloo at the altar, *queue Abba theme song*, while Matthew conquers his own demons and acquiesces to his wife’s insistence that he accept a “bloody” fortune after she learns that Lavinia sent a letter from her deathbed to her father commending his love for her. *sigh*

The feud between valet Thomas and lady’s maid O’Brien continues after last week’s missing dress shirt incident orchestrated by O’Brien embarrassed Thomas in the eyes of his lordship and the staff. To retaliate, Thomas unjustly alludes to valet Mr. Mosely that O’Brien’s position will soon be available. Lady Grantham is caught unawares that O’Brien is leaving when Mosely recommends a family member for the job. Butler Mr. Cason suspects that Mrs. Hughes is seriously ill and tricks both Dr. Clarkson and the cook Mrs. Patmore into revealing more information about her possible cancer. Concerned for Mrs. Hughes’ condition, Carson reveals her illness to Lady Grantham who is then faced with the loss of O’Brien, Mrs. Hughes and her home at the same time. Lady’s maid Anna travels to London to investigate a lead to help free her husband John Bates wrongfully imprisoned for the crime of killing his wife Vera, but her neighbor Mrs. Bartlett, does not offfer anything useful. A fellow prisoner tips Bates off to a search of his cell, allowing him to discover contraband planted by his cell-mate to frame him.

Favorite Moments:

So this is the moment when you receive a huge fortune to save Downton and you give it away.” – Lady Mary

Guilt and pride often get in the way of what is obviously the right choice in our lives. (Based on Matthew’s continued reactions, one wonders out loud if he was secretly raised Catholic?) This is wholly evident for the future heir of Downton Abbey who still thinks his poor fiancée died of a broken heart after seeing him kiss Mary. I think we need a heavenly miracle to fix this problem.

It must be strange to receive a letter from a dead man.” – Mr. Charkhum

It’s very strange.” – Matthew Crawley

It is just plain weird! The miracle has arrived! This is the ultimate deus ex machina to resolve the guilt/pride problem for Matthew. It is highly implausible that Reggie Swire would write a letter to all three of his successive heirs in the event that one of them succeeded the other—but this is a television drama, not real life—so we must just run with it.

Downton Abbey Season 3 Episode 2: Lady Edith and the Violet, Dowager Countess

Vulgarity is no substitute for wit.” – Lady Violet, Dowager Countess of Grantham

The Dowager Countess did not get much screen time this episode, but she did get few good zingers in all the same.

You don’t have to leave. I’ll explain it later. I’m going to give you Reggie’s money. I’ll accept it and I’ll give it to you.” – Matthew Crawley

Who would have thought that Daisy delivering a letter written by Lavinia Swire on her deathbed would save the day? Not me. Double deus ex machina! When writers resort to this sort of plot device, they lose credibility with me. Please, please Mr. Fellowes, don’t’ resurrect Lavinia because her death was just a dream sequence!

Downton Abbey Season 3 Episode 2: servant's hall dinner

Everything all right Miss O’Brien?” – Thomas

Oh yes. Everything is right with me. But, it will be all wrong with you before too long, mark my words.” – O’Brien

And…we’re off to the races!

At one point in this highly angst ridden episode Lady Grantham attempted to comfort her daughter with a bit of wisdom.

You are being tested. And, you know what they say my darling? Being tested only makes you stronger.”

It seemed that everyone in episode 2 was tested—personally, financially or emotionally. It was interesting to see how each of them dealt with it, but it also caused a lot of frustration for this Downtonite. We realize that the writer is building up conflicts to carry us through five more episodes, but, really? I struggled with some of the logic of the confrontations – and there are so many!!!

Downton Abbey Season 3 Episode 2: Alfred and Anna

My first grievance is with the story line of poor Anna and Bates. Every scene with them at the prison feels like a ground hog day rewind. Here they are again seated at a table, facing each other in a dimly lit room. The outcome of the conversation is the same: Bates is pessimistic. Anna is optimistic. Will she find the evidence to clear him of the crime of killing his wife? Enough already. Either let her find it, or kill Bates off, because this is boring me to death.

Secondly, I am not convinced with the Matthew and Mary conflict. If he is so guilt ridden over causing the death of his fiancée Lavinia that he will not accept the fortune that her father has left him, how could he marry the woman that caused the rift in the first place? One would think that he let that go to marry Mary, but I guess not. What results is a bicker-fest between newlyweds that is just no fun. It makes Matthew look like a wimpy sod and Mary a shrew. I was relieved to see him move beyond it because Mary learns that Daisy did indeed post the letter Lavinia wrote on her deathbed *cough, cough* allowing Matthew to accept the money to save Downton.

Thirdly, O’Brien and Thomas are now adversaries? After the evil dynamic duo of Downton schemed and plotted and contrived for two seasons, now they are enemies because of O’Brien wants her nephew Alfred the footman to be a valet? I’m not buying it.

Fourthly, we travel with the Crawley family for a picnic at an estate in the north that they own and are moving to after they are forced out of Downton. They are all grumbling (expect Lady Grantham the American) at the need to retrench to a less grand style of life. I was expecting a hovel on the moors, but what we are shown is a gorgeous English country house with extensive grounds. WHAT? Then, Lady Violet asks where SHE will live, because goodness know she cannot live with them, and Lord Grantham states that they also own most of the town! *falls off sofa* This is what aristocrats feel is poverty? Big mistake Mr. Fellowes. All of the empathy you had established for the ruling class just went up in a giant plume of purple smoke. I was surprised that the Irish republican son-in-law Branson did not go off on a tirade. What was the point of the scene? You just squashed the fairytale. Let’s hope we just forget it, or better yet, it was a dream sequence.

Lastly, poor Edith. We could go on forever about #TeamEdith, but shan’t. Someone needs to remove the pins from that Edith voodoo doll that Mary has hidden in her lingerie drawer. Seriously! Does being the least pretty daughter really condemn one to a life of misery and ridicule? How shallow. Will they ever let her find a little happiness?

Okay, now that I have vented my spleen, I am still glued to the screen and anxiously awaiting episode 3 next Sunday, January 20th. What did you all think of episode 2?

Downton Abbey Twitter Party

Join me as I co-moderate the live Downton Abbey Twitter parties every Sunday through February 17, 2013 at 9:00pm eastern and again during the Pacific coast time slot. Just use hashtag #DowntonPBS and add @pbs, @masterpiecepbs, @austenprose, @televisionary, @tomandlorenzo and @vulture to your favorite Twitter aggregator such as Tweetdeck, Tweetgrid, etc. It’s great fun, and totally free.

Join us for episode 3 of season 3 of Downton Abbey next Sunday, January 20, 2013 at 9:00pm ET & PT (check your local listings).

Further reading:

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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The Chronicles of Downton Abbey, by Jessica Fellowes (2012)Did you catch the season premiere of Downton Abbey last Sunday night on Masterpiece Classic PBS? It was a great kick-off to a promising third season of this incredibly popular period drama. Written by Academy Award winning screenwriter Julian Fellowes, it has truly embraced the sensibilities of viewers world-wide with its splendid English grand manor house setting, cast of endearing and contemptible characters, cultural insights, drama, and romance. I can think of no other period drama, excepting the A&E/BBC Pride and Prejudice in 1995, that has had such an impact on the viewing public. As Andrew Davies adaptation of P&P turned a new generation of Jane Austen fans into Janeites, so has Julian Fellowes created Downtonites.

In 2011 we were treated to the sumptuously appointed, full-color coffee table book The World of Downton Abbey by Jessica Fellowes, the niece of the series creator. Given carte blanche by her uncle, Fellowes gave us the inside story of the award-winning series with tons of film stills and vintage images. To bring us into that in-between the wars era, she has written a new volume with Matthew Sturgis entitled The Chronicles of Downton Abbey. It is the perfect companion to the first volume and will be indispensable to Downtonites.

This new edition has been published again by St. Martins Press and is just as impressive in size and quality as the first. Julian Fellowes offers a prologue; there are quotes by the characters; reams of text; a bibliography for further reading; and oodles of images. Interestingly, the chapters are broken down by characters – and in an irony befitting Jane Austen herself, the upstairs and the downstairs inhabitants of this stately manor have not been segregated to their class, but integrated throughout the book! Egalitarianism one assumes. This is very forward thinking. Were characters Tom Branson or Martha Levinson the editors? It would appear so. Placing the upstairs aristocrats of Downton next to the serving class is a very republican notion indeed! No…Violet, the Dowager Countess of Grantham would not approve of this breach of decorum, but I do. Traditions die hard at Downton, but obviously not at St. Martins Press!

Regardless of my first impression of the layout, the book is stunning. I will spend hours poring over it. You will too. Here is a brief description from that bastion of social revolution, St. Martins Press:

“Americans can’t get enough of ‘Downton Abbey,” said The Boston Globe. As Season 3 of the award-winning TV series opens, it is 1920 and Downton Abbey is waking up to a world changed forever by World War I. New characters arrive and new intrigues thrive as the old social order is challenged by new expectations.

In this new era, different family members abound (including Cora’s American mother, played by Shirley MacLaine) and changed dynamics need to be resolved: Which branch of the family tree will Lord Grantham’s first grandchild belong to? What will become of the servants, both old and new?

The Chronicles of Downton Abbey, carefully pieced together at the heart and hearth of the ancestral home of the Crawleys, takes us deeper into the story of every important member of the Downton estate. This lavish, entirely new book focuses on each character individually, examining their motivations, their actions, and the inspirations behind them. An evocative combination of story, history, and behind-the-scenes drama, it will bring fans even closer to the secret, beating heart of the house.

Author Bios:

Jessica Fellowes is the New York Times and Globe and Mail bestselling author of The World of Downton Abbey. Formerly the Deputy Editor of Country Life, she has also been a columnist for the London Paper. Jessica also writes for the Daily Telegraph, Telegraph Weekend, The Lady and Sunday Times Style, and lives with her family in London.

Matthew Sturgis is a writer and critic who has written for Harpers & Queen, The Sunday Telegraph, and The Independent on Sunday. He is the author of Passionate Attitudes: the English Decadence of the 1890s and the highly-praised Aubrey Beardsley. He lives in London.

Julian Fellowes is the creator, writer, and executor producer of Downton Abbey, which won six Emmy Awards and the Golden Globe for best mini-series. Previously, he won the Academy Award for best original screenplay for Gosford Park, and wrote the bestselling novels Snobs and Past Imperfect. A member of the House of Lords, he lives with his wife and son in London and Dorset, England

A GRAND GIVEAWAY

Enter a chance to win one of three copies available of The Chronicles of Downton Abbey: A New Era by leaving a comment revealing your favorite republican character of the series and why, by 11:59 PT, Wednesday, January, 16, 2013. Winners to be announced on Thursday, January 17, 2013. Shipment to US addresses. Good luck to all.

The Chronicles of Downton Abbey: A New Era, by Jessica Fellowes & Matthew Sturgis, forward by Julian Fellowes
St. Martin Press (2012)
Hardcover (320) pages
ISBN: 978-1250027627

Cover images courtesy of St. Martins Press © Carnival Film & Television Limited 2012 for MASTERPIECE

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Downton Abbey Season 3 Episode 1: Mary and Mathew Crawley wedding (2012)

The premiere of Season 3 of Downton Abbey airs on PBS tonight at 9:00pm (check your local listings).

Like so many of its ardent fans, I have enjoyed every (almost) moment of the last two seasons of Downton Abbey. They say that the third season of a hit television series is the most challenging to write and produce. After being hooked in the first season by the very British characters, the glamor, ambiance and prestige of an English grand manor house during the Edwardian-era; enthralled with some of the resolutions, new characters and harrowing plot developments during WWI in the second; can they really keep the momentum rolling during season 3? That was the big question in my mind when I viewed the first episode of the phenomenally popular series. Will it be as fresh and engrossing as the last two seasons? We shall see…

If you want a sneak peek of the entire season check out my preview, then sit back with your cup or tea (or port) and get ready for your bonnet to be blown off.

Many of the original all-star British cast is returning including: Hugh Bonneville as Lord Grantham, Maggie Smith as the redoubtable Dowager Countess of Grantham, and Dan Stevens as the handsome, but reluctant heir apparent Matthew Crawley. There are also a few new faces to liven up the party, namely, the esteemed American actress Shirley MacLaine as Martha Levinson, Countess Grantham’s freewheeling American mother. Just the thought of the two formidable grandmothers, Violet, the Dowager Countess, and Martha Levinson, in the same room together engaging in fiery repartee (and you know with those two strong personalities that it’s going to  be a fireworks show) that the first episode has a very promising premise. Having seen the entire season in advance, I can tell you that they are not the only eyebrow rising, laugh-out-loud scenes in the new season—there are plenty—and some real shockers too. Here is a brief description of episode 1 (includes some spoilers).

Downton Abbey Season 3 Episode 1: Lord Grantham and Mr. Carson

Recap of Episode 1 (spoilers)

In the spring of 1920 the wake of WWI is deeply felt at Downton Abbey as change is in the air for England and the Crawley family and their servants. Long standing traditions die hard, and many members, upstairs and downstairs, are determined to resume their pre-war style of life. As guests arrive for the wedding of Matthew Crawley (Dan Stevens) and Lady Mary Crawley (Michele Dockery), they bring with them a touch of the outside world to this isolationist enclave of English society. Lady Cora Crawley, Countess of Grantham’s (Elizabeth McGovern) American mother Martha Levinson (Shirley MacLaine) descends on her English in-laws with all the delicacy of a bull in a china shop; her brash American manners and customs are in direct opposition to the other grandmother of the household, Lady Violet Crawley, the Dowager Countess of Grantham (Maggie Smith). Other family members traveling from afar are a pregnant Lady Sybil nee Crawley (Jessica Brown-Findlay) and her new husband, Tom Branson (Allen Leech), the former family chauffeur whose marriage to the daughter of an Earl has caused quite a stir in the county.

Love is in the air and Lady Edith Crawley ardently (and doggedly) pursues neighbor Sir Anthony Strallan (Robert Bathurst), causing grave concern by her father Lord Grantham and his mother Lady Violet. Money becomes a critic issue for the family when a surprise reversal of fortunes requires creative solutions causing conflict between Mary and her mother Cora and her fiancé Matthew. The fate of Downton’s future lies entirely in his hands when he learns that Reggie Swire, the father of his deceased fiancé, has made him his heir to a large fortune. His reluctance to accept money from the woman who died because he broke her heart, causes a riff between him and Lady Mary shortly before the wedding. When Mary sees Mathew’s implacable honor will not save Downton from ruin, she and her grandmother Violet scheme to put pressure on the other rich grandmother,  Martha Levinson, to supply the funds to save the estate from bankruptcy.

Downton Abbey Season 3 Episode 1: Martha Levinson arrives

Downtstairs, Carson the butler (Jim Carter) and housekeeper Mrs. Hughes (Phyllis Logan) try to keep the grand manor house running to pre-war standards with a reduced staff. A new kitchen maid, housemaid and footman are needed and Lady Cora’s lady’s maid O’Brien’s (Siobhan Finneran) suggest her nephew Alfred Nugent (Matt Milneis) who is hired against the opposition of her former partner-in-crime Thomas (Rob James-Collier). This causes a riff between the two evil-ones of the downstairs staff. Kitchen maid Daisy, whose promised promotion to assistant cook has not materialized, goes on strike while her boss Mrs. Patmore (Lesley Nicol), deals with a more serious medical issue with housekeeper Mrs. Hughes. Lady’s maid Anna visits her husband John Bates in prison determined to find the evidence to free him from an unjust murder conviction.

Favorite Moments:

An aristocrat without servants is as much use to the county as a glass hammer.” – Lady Violet, Dowager Countess of Grantham

I look forward to Violet’s bon mot’s more than anything — more witty wisdom from Downton Abbey whisperer…

Mary, dearest Mary. You tell me all of your wedding plans and I’ll see what I can do to improve them.” – Martha Levinson

Grand-mama arrives from the colonies with all her lovely comments and tacky clothes. Will Downton ever be the same?

How can I possibly allow myself to profit from her death? Dine in splendor because I took away a woman’s will to live?” – Matthew Crawley

Don’t you see what this means? Don’t you see what a difference this make? It mean that you’re not on our side Matthew!” – Lady Mary

Oh my. This is serious. Not even married yet and they are at odds with each other!

Downton Abbey Season 3 Episode 1: Daisy in the kitchen

I see what you’re doing you know.” – Daisy

What is that then?” – Mrs. Patmore

Not responding to my protests.” – Daisy

LOL, go Daisy! Demand what they promised. #CrankyDaisy

This is Thomas’ doing. Don’t you fret. I’ll make him sorry.” – O’Brien

The evil-one is out for revenge Thomas. Watch your back. #EvilOBrien

How can you not like him because of his age when almost every young man we grew up with is dead? Do you want me to spend my life alone?” – Lady Edith

My heart goes out to Edith. Of course she is correct. So many eligible men died in the war that there are few left as possible beaux. Personally, I wanted grand-mama Levinson to swoop her up and take her back to Newport. She would have been a big hit in America, and the irony of the Crawley’s now needing the social assistance of the Levinson’s would have been a brilliant touch. Oh well.

Downton Abbey Season 3 Episode 1: Violet and Martha

Both of our husband’s tied the money up tight before they were taken.” – Martha Levinson

Didn’t they, and how it has changed so many lives.

Have you done something jolly with your hair?” – Sir Anthony Strallen

We all need to do something jolly with our hair in Edith’s honor, don’t we? :-)

So Edith and Anthony are an item again. This has me worried.

One day I will die and so will he and you and every one of us under this roof. You must put these things in proportion Mrs. Patmore, and I think I can do that now.” – Mrs. Hughes

Is this an omen of what is to come this season? It ends on such a dark note that one can only wonder what trouble is ahead.

My Review:

Writer Julian Fellowes has set up the new season superbly—lots of conflict, drama and romance/heartbreak in the queue. On first impression, there seems to be a less melodramatic air this season which I rather like. But it is early days, and I will only allude to the fact that there are plenty of twists and surprises in store.

It was a stoke of brilliance to bring on Shirley MacLaine as Martha Levinson, who added the perfect counterpoint of the uncouth American brassiness to Maggie Smith’s elegantly staid and traditional English Lady Violet. MacLaine’s stark make-up and flashy clothes were just so over-the-top, almost theatrical. When she took over during the failed dinner party and turned it into a cold buffet/picnic, and then broke out in song after, I howled with laughter at the reaction by her English relatives and the guests. When the stalwart Butler Mr. Carson agreed (amazingly) that in the nontraditional party was a success with the locals and family, I knew that change was indeed in store for us this season.

Downton Abbey Season 3 Episode 1: Anna and Bates talk in prison

In stark contras to this charmed life of privilege is the miserable existence that the incarcerated Bates must endure while locked up in York prison.  Anna is working hard to discover evidence of his innocence. And, what of the financial crisis?  Will life as the Crawley family has known it for hundreds of years end soon?

Downton Abbey Twitter Party

Join me as I co-moderate the live Downton Abbey Twitter parties throughout the seven week series every Sunday through February 17, 2013 at 9:00pm Eastern and again during the Pacific coast time slot. Just use hashtag # DowntonPBS and add @pbs, @masterpiecepbs, @austenprose, @televisionary, @tomandlorenzo and @vulture to your favorite Twitter aggregator such as Tweetdeck, Tweetgrid, etc. It’s great fun and totally free.

Join us for episode 2 of season 3 of Downton Abbey next Sunday, January 13, 2013 at 9:00pm ET on Masterpiece Classic PBS (check your local listings).

Further reading:

Images courtesy © Carnival Film & Television Limited 2012 for MASTERPIECE

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Image from Upstairs Downstairs Season 2: cast pictured © 2011 MASTERPIECE

Get ready period drama fans – Season 2 of the new Upstairs Downstairs starts next Sunday, October 7 at 9pm on Masterpiece Classic PBS.

Last year we saw the triumphant return after thirty-four years of the award winning and much beloved series Upstairs Downstairs to Masterpiece Classic. The original series (1974-77) focused on the Bellamy family upstairs and their household staff downstairs: all living at 165 Eaton Place, a posh townhouse in London. Last year Season 1 began in 1936, six years after the close of the original series. We were treated to only three episodes: The Fledgling; The Ladybird; and The Cuckoo. Original co-creators of the series Jean Marsh and Dame Eileen Atkins were heavily involved in the new sequel. Marsh returned as housekeeper Rose Buck and Dame Eileen Atkins as the Dowager Lady Holland was one of the stellar new characters. You can read my preview of Season 1 to catch up on the new cast and the reaction when it aired in the UK 2010.

Image from Upstairs Downstairs Season 2:  Keeley Hawes and Edward Stoppard Lord & Lady Holland© 2011 MASTERPIECE

Keeley Hawes and Edward Stoppard as Lord & Lady Holland

Season 2 is much more ambitious with six new episodes, so we will have a lot of great period drama to dish about over the next few weeks. Most of Season 1’s cast is returning, but one key player has died and the other recovering from a stroke in hospital. However, there are some new characters that I found quite intriguing.

Upstairs:

Image from Upstairs Downstairs Season 2: Alex Kingston as Dr. Blanche Mottershead © 2011 MASTERPIECE

Alex Kingston as Dr. Blanche Mottershead

Downstairs:

Image from Upstairs Downstairs (2012) Season 2: Laura Haddock as Beryl Ballard © 2011 MASTERPIECE

Laura Haddock as Beryl Ballard

Image from Upstairs Downstairs Season 2: Ami Metcalf as Eunice McCabe © 2011 MASTERPIECE

Ami Metcalf as Eunice McCabe

Image from Upstairs Downstairs Season 2: Sarah Lancashire as Mrs Whisset © 2011 MASTERPIECE

Sarah Lancashire as Mrs Whisset

Here is a description of the new season with an episode guide from my friends at Masterpiece Classic PBS. Be sure to mark your calendars or set your DVR’s for Sundays, October 7 – November 11, 2012 at 9pm ET on PBS. Check your local listings for exact times. Enjoy!

In 1938, war is about to topple a way of life. But not quite yet.

The intrigues of life, love, and international politics come to a boil at 165 Eaton Place in a thrilling panorama of English society on the eve of World War II. Keeley Hawes (Wives and Daughters), Ed Stoppard (Brideshead Revisited), and Claire Foy (Little Dorrit) return in Season 2 of the Emmy®-nominated continuation of the 1970s classic. Guest stars include Alex Kingston (ER) and Emilia Fox (Rebecca and Pride and Prejudice 1995). Upstairs Downstairs Season 2 is a BBC/MASTERPIECE Co-Production, written by Heidi Thomas. The directors are Mark Jobst (parts one and two), Brendan Maher (parts four and five), and Anthony Byrne (parts three and six).

Image from Upstairs Downstairs Season 2: Adrian Scarborough as Mr. Warwick Pritchard © 2011 MASTERPIECE

Episode 1: A Far Away Country about Which We Know Nothing (October 7, 2012)

Pritchard takes the rap for Johnny in a shocking incident, which leads to a revelation that casts the butler into disgrace. On a diplomatic mission to Germany, Hallam meets Persie, who has a Nazi lover.

Image from Upstairs Downstairs Season 2: The Kennedy's come to dinner © 2011 MASTERPIECE

Episode 2: The Love that Pays the Price (October 14, 2012)

Ambassador Kennedy and his dashing son Jack come to dinner at Eaton Place. But Agnes is more entranced by another guest: millionaire Caspar Landry. Before the evening is over, Mrs. Thackeray resigns.

Image from Upstairs Downstairs Season 2: Emilia Fox & Alex Kingston © 2011 MASTERPIECE

Episode 3: A Perfect Specimen of Womanhood (October 21, 2012)

Hallam’s Aunt Blanche appears in a lesbian novel by a former lover, sparking a scandal that threatens the good name of Eaton Place. Meanwhile, Agnes’s demands on the servants bring a social worker to set her straight.

Image from Upstairs Downstairs Season 2: Nico Mirallegro as Johnny Proude © 2011 MASTERPIECE

Episode 4: All the Things You Are (October 28, 2012)

All of London sees Agnes’s shapely legs when she models stockings for Landry’s company—offending Hallam. Intent on impressing Beryl, Harry enters the servants’ boxing competition as Johnny’s manager.

Image from Upstairs Downstairs Season 2: Claire Foy as Lady Persie Towyn © 2011 MASTERPIECE

Episode 5: The Last Waltz (November 4, 2012)

With war looming, romance is in the air—illicit and otherwise. Hallam, Agnes, Landry, and Persie each pursue their heart’s desire in different ways. Harry and Beryl get engaged. And even Pritchard finds a soulmate.

Image from Upstairs Downstairs Season 2: Edward Stoppard as Sir Holland in Nazi Germany © 2011 MASTERPIECE

Episode 6: Somewhere Over the Rainbow (November 11, 2012)

A chance remark at the Foreign Office alerts Hallam that one of his associates is a German spy—with tragic consequences. As war is declared, life upstairs and downstairs is transformed at Eaton Place.

Excited period drama lovers? I am

Images courtesy © 2011 MASTERPIECE

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Image from Downton Abbey Season 2 Episode 6: Lady Mary and Matthew dancing © Carnival Film & Television Limited 2011 for MASTERPIECE

It’s been a week since the final episode of Downton Abbey aired on Masterpiece Classic leaving us delighted over Matthew and Mary’s alliance, and anxious for Mr. Bates’ fate. *sigh*

Are you feeling those Downton Abbey withdrawals as keenly as I am? If so, you can watch all seven episodes of season 2 again online in streaming video until March 7th, 2012 at the PBS Video web site. Up next on Masterpiece Classic, Sunday April 1st, 2012 is the new adaptation of Charles Dickens Great Expectations, staring Gillian Anderson and newcomer Douglas Booth. I have had a peek at it already and the art direction and costumes are stunning.

If you are ready to explore and or revisit some late Victorian, Edwardian and WWI era drama, here are a few of my favorite movies and mini-series to tide you over until season three of Downton Abbey next January:

Upstairs Downstairs the complete series (1971-1975)Upstairs Downtstairs (1971-1975)

Well…this series is a given, but I just had to sing its praises once again; it is 57 hours of pure bliss for any period drama lover. For those of you who have not yet had the pleasure: follow the wealthy, aristocratic Bellamy’s, who make up the upstairs family, and their loyal and lively servants downstairs. From 1903 to 1930 they share a fashionable London townhouse at 165 Eaton Place, surviving social change, scandals, and the horrors of the First World War. The most popular British drama series in TV history, Upstairs Downstairs won 7 Emmys®, a Golden Globe, and a Peabody. Seen on Masterpiece Theatre from 1971 to 1975 this is must see Edwardian and World War I drama at its finest. Downton Abbey tie-in? It is great view of the social classes in Britain as the lives of both upstairs and downstairs inhabitants of the household are closely observed.

The Buccaneers (1995)The Buccaneers (1995)

Based on Edith Wharton’s unfinished novel of the same name, set in the 1890’s this adaptation was written and completed by Maggie Wadey (Mansfield Park 2007) and stars Carla Gugino, Mira Sorvino and Greg Wise. Four young, beautiful, and totally American heiress’ travel to London for the Season in hopes of marrying titled husbands. The great men they meet and fall in love with are not always what they appear to be. Downton Abbey tie-in? Cora, the current Countess of Grantham, was herself a buccaneer. In 1888, at the age of twenty, she and her mother arrived in London. By the end of her first Season she was betrothed to Robert, Viscount Downton, an heir to a great estate.

Waterloo Bridge (1940)Waterloo Bridge (1940)

Winston Churchill’s favorite film, we are rather fond of it too. Staring Vivian Leigh at her most vibrant and beautiful, it is indeed a tear jerker. Get your lace hankies at the ready. On the eve of World War II, a British officer Roy Cronin revisits Waterloo Bridge in London and recalls the young man he was at the beginning of World War I and the young ballerina Myra who he met just before he left for the front. They fell in love. He proposed before he departed and they were blissfully happy for about an instant. Later, she thinks he is killed and turns to street walking in hard times, only to have him return oblivious to what she has been doing to earn her bread. He introduces her to his family at their country estate. It all goes terribly wrong, but makes for great melodrama. Downton Abbey tie-in? Myra gives Roy a good luck charm before he departs for the war, just like Lady Mary gives her lucky stuffed plush toy to Matthew.

Jennie: Lady Randolph Churchill (1974)Jennie: Lady Randolph Churchill (1974)

Here we go with another spirited, rich, and beautiful American crossing the pond and marrying an English peer. This time she hooks a big fish; Lord Randolph Churchill, third son of the 7th Duke of Marlborough and gets to live at Blenheim Palace. This award winning mini-series stars Lee Remick as the luminous and captivating Jennie Churchill, the mother of statesman Sir Winston Churchill, all-around socialite and political advisor extraordinaire. Filmed on location in family homes including Blenheim Palace, the series also stars Warren Clarke as Winston, and Jeremy Brett as Count Kinsky, Lady Jennie’s great love. Even though Jennie is considered a generation before the American buccaneers hit British soil, she certainly opened the path for Cora and other Americans. Downton Abbey tie-in? Men behaving badly; women being witty and strong in beautiful country manor houses and London.

Gosford Park (2001)Gosford Park (2001)

We might say that screenwriter Julian Fellowes got his feet wet with this Oscar winning screenplay of Gosford Park before he created Downton Abbey, but it is really a whole other kettle of fish. Set a little later in the 1930’s, it still an observant look at the British class system involving the upstairs and downstairs inhabitants and their guests during a weekend of pheasant shooting at a county manor house. This time it involves a murder, so you could say that it is Agatha Christy meets the Grantham’s if one was really stretching the comparison. Downton Abbey tie-in? Apart from the direct Fellowes connection, Dame Maggie Smith excels as the toffee-nosed Constance, Dowager Countess of Trentham. This role is only a warm up to Violet, Dowager Countess of Grantham, we suspect, whose biting wit is even more razor sharp and hilarious than her predecessor.

The Grand (1997-98)The Grand (1997-1998)

This mini-series never aired on Masterpiece Theatre, but it should have. Set in an opulent Manchester, England hotel at the end of WWI through the Roaring 1920′s, it is full of upstairs/downstairs dissipation and vice. This 15 hour drama has enough scandal, romance, and intrigue to keep even Downton’s evil lady’s maid O’Brien’s bangs curled for years. The story sags a bit in the middle, lacking the heart of characters in Downton, but three-time Emmy®-winner Susan Hampshire (The Pallisers & The Three Lives of Thomasina) is superb as the retired professional woman Esme Harkness, who really keeps this rocky ship from sinking. Downton Abbey tie-in? Of course the class comparisons to  the upstairs and downstairs are plainly evident, but money and romance is the heart of both dramas.

What are your favorite films from this era? I would love to discover a few new chestnuts.

Cheers,

Laurel Ann

Downton Abbey image courtesy of © Carnival Film & Television Limited 2011 for MASTERPIECE

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Image from Downton Abbey Season 2 Episode 3: Miss O'Brien and Thomas

For those watching the second season of Downton Abbey on Masterpiece Classic last night, the fields of France were not the only place where bombs were dropping! Episode three was an eye popper, full of confrontations, shocking surprises, unrequited love, and ingenious plot twists worthy of the best Agatha Christie crime novel.

Recap Episode Two (spoilers)

Downton is deep into aiding the WWI effort by converting its hallowed halls of the aristocracy into a convalescent hospital for wounded officers. Lady Grantham and Cousin Isobel Crawley are co-admins of this altruistic endeavor, and like two bulls locked at the horn, fought for power of its management, while daughters Ladies Mary, Edith and Sybil assist with caring for the recuperating soldiers. Mary, granny and Aunt Rosamund dig deeper into Matthew’s fiancé Lavinia’s background, while downstairs Mrs. Patmore pressures the scullery maid Daisy into accepting William’s affections before he leaves for the front, and Anna and Bates are re-united when Lady Mary discovers him working in a pub in a nearby village. Matthew returns to Downton from the trenches and brings his “candle in the wind” fragile fiancé Lavinia to Downton where she reveals her past association with Mary’s beau, Sir Richard Carlisle to her. Matthew departs for the front kissing his fiancé’s hand while Lady Mary watches with regret. If she had not taken aunt Rosamund’s advice and refused his first proposal, it could be her hand that he is honoring. Here is a brief synopsis from PBS.

It is 1918 and Mary’s new alliance has aroused Violet’s interest in matters of suitability and love. With Sybil in mind, the Dowager Countess declares, “war breaks down barriers and when peacetime re-erects them, it’s very easy to find oneself on the wrong side.” Indeed, among war’s greatest casualties at Downton are the prescribed roles and class boundaries. Thomas is exerting his authority over the servants with aplomb; Mrs. Patmore, Daisy and Mrs. Bird are cooking up a little something on the side; and Ethel has discovered an age-old way to support the war effort. But between Robert and Bates, faith and loyalty transcend class, offering hope when Robert needs it most. Because now, the war has threatened a far more serious casualty.

Favorite Moments:

Edith has it under control.” Lady Grantham

Wow. The Jan Brady of Downton Abbey is on the move. Lady Edith has always been the “pickle in the middle” – that awkward middle child who could never seem to get it together. Her relationship with her older sister was lethal, her parents just ignore her in comparison to all the attention Mary and Sybil receive, and her attempts at romance have been going after Lady Mary’s leftovers, or horrifically making the moves on a local married farmer. Ack! Poor Edith. Like her family we love/hate her, yet in this episode in every scene she is portrayed as competent, reliable and compassionate; even to her elder sister, and arch enemy, Lady Mary! For those on Team Edith, this is indeed a welcome turn of character.

And this is your beau?” Dowager Countess Violet

He lives in a tough world.” Lady Mary

And will you be joining him there?” Dowager Countess Violet

Whenever the Dowager Countess of Grantham and Lady Mary put their heads together for a tête-à-tête, we know that there will be a conflict of old Victorian mores and new modern Edwardian values. This always results in granny pelting out one-line zingers that pucker up her face and ours: hers in disapproval; ours in cringed laughter. Actress Maggie Smith who portrays DC Violet is a national treasure!

Of course it would be foolish of me to accuse you of being unprofessional since you have never had a profession in your life.” Mrs. Crawley

Emotions run high at Downton with the administration of the convalescent hospital at odds between Lady Grantham and Cousin Isobel. We are witness to an intense, terse, and emotionally charged smack down of these to adversaries thrown together under the egress of the war. One must say out loud, that we were very disappointed that it did not end in a cat fight in the fountain, but it was very enjoyable all the same. We advise Cousin Isobel not to let the grand front door hit her on her way out.

The truth is, I will stay at Downton until you want to run away with me.” Branson

The trying non-romance between Lady Sybil and the chauffeur Branson is feeling as doomed as Romeo and Juliet without any of the passion. He declares his love and asks her to run away with him. Shades of an elopement to Gretna Green, which we know from any Jane Austen novel, always ends in disaster. Oh Branson, you dreamboat in the making. Let’s get practical.  Do you want Sybil because you truly love her, or is the notion of stealing one of the daughters of aristocracy so exciting to your socialist sensibilities that it has blinded your judgment? How could this ever work? I am a tried and true romantic, but I throw up the red flag of caution to Lady Sybil here. He’s not for you deary.

Don’t speak ill of Mr. Lang.” O’Brien

You’re a funny one. Talk about sweet and sour.” Thomas

We know that we are in for some great skullduggery when O’Brien and Thomas put their heads together for a smoke break. But, one does not expect to hear kindness from the evil one. What’s up? Does O’Brien have a thing for Lord Grantham’s former valet Mr. Lang who is suffering from shell shock? Why is she defending him to Thomas? I smell a future romance for O’Brien, if that could EVER be possible. Naugh. What’s was I thinking?

It’s like living at a second rate hotel where the guests just keep arriving and no one seems to leave.” Dowager Countess, Violet

Stuck at Hotel California granny? More truth to your previous statement about being locked in a W. G. Wells novel. We sympathize, but worry that The Eagles might want credit on that line.

Watch yourself Mr. Bates. Thomas is in charge now and it won’t do to get on the wrong side of him.” O’Brien

Is there a right side?” Mr. Bates

Indeed. Best factual statement so far. Glad that someone finally said it.

My Review:

Many of the residents of this stately grand manor house are contemplating their place at Downton. It appears that everyone, but saintly housemaid Anna and former valet Mr. Bates, had their knickers in a knot: cat fight showdowns, begrudged departures, revelations about beaus, scheming, plotting, and skullduggery galore, loved ones missing in action, sex in the storeroom, and a shocking final reveal. Even granny, the Dowager Countess of Grantham, was in competition for some of the best zingers of the night. Phew. I am breathless by it all.

What was so enthralling about this episode was the amount of new information, new twists, and resolutions we were fed. I felt like I was at a carb loading party before a marathon. Just when one thinks that the plots is bursting at the seams with drama and pathos, screenwriter Julian Fellowes adds another layer.

What did you think of this episode? I thought it the best yet. I always love the second act of an opera. The plot builds and we are dying to know who will be killed, who will live, and who will be married. Well, we have another 4 episodes before the fat lady sings on this season, so please check back weekly for my recaps and reviews.

I had a blast again as co-moderator of the Downton Abbey Twitter Party hosted by PBS. You can tweet live with us again next week for episode four on Sunday, January 29th at 9:00pm ET and PT. Just use hashtag #DowntonPBS at Twitter or on your favorite Twitter aggregator like Tweetdeck or Tweetgrid.

Episode 4 of the second season airs next Sunday, January 29th at 9:00pm ET on Masterpiece Classic PBS. I will be live Tweeting the entire season, so please join us.

Images courtesy © Carnival Film & Television Limited 2011 for MASTERPIECE

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Secrets of the Manor House on PBS (2012)

Ever wonder what really went on behind the stately walls of a British manor house like Downton Abbey? If so, be sure to catch the premiere of Secrets of the Manor House being aired before the third episode of Downton Abbey Season Two on Sunday, January 22nd, 2012 on many PBS stations (check local listings).

Fans of historical drama and fiction will be enthralled by this new documentary which looks at two English country manor houses a century ago and today.

Secrets of the Manor House on PBS (2012)

Upstairs family

Here is the description of the production from the PBS website and a video preview:

Exactly 100 years ago, the world of the British manor house was at its height. It was a life of luxury and indolence for a wealthy few supported by the labor of hundreds of servants toiling ceaselessly “below stairs” to make the lives of their lords and ladies run as smoothly as possible. It is a world that has provided a majestic backdrop to a range of movies and popular costume dramas to this day, including PBS’ Downton Abbey.

But what was really going on behind these stately walls? Secrets of the Manor House looks beyond the fiction to the truth of what life was like in these ancient British houses. They were communities where two separate worlds existed side by side: the poor worked as domestic servants, while the nation’s wealthiest families enjoyed a lifestyle of luxury, and aristocrats ruled over their servants as they had done for a thousand years.

The program talks to present-day British lords and ladies and to the descendants of those who lived and worked in manor houses across the country. A series of expert historians explain the true picture of how life was lived within the walls of these stately homes that had changed very little for centuries. It explains the hierarchy of the British establishment: led by the king with a supporting cast of dukes, earls and barons, each keenly aware of his or her place. It visits modern manor houses, where aristocratic families sometimes still rule over scores of servants, in homes with 100 and more bedrooms, and where the lord still enjoys a luxurious life of hunting, shooting and fishing among the beauty of rural Britain. And it details the true hardship of life as a “downstairs” servant: maids would carry 45 gallons of hot water along hidden servants’ passageways to fill one aristocratic lady’s bath, and a housemaid’s day would start before dawn and last for 17 hours as she scrubbed floors, cleaned grates and carried coal — all for a wage of $15 a year.

But, precisely a century ago, a perfect storm of financial hardship and political and social change was threatening to engulf this traditional British way of life. Some impoverished British aristocrats married wealthy American heiresses to prop up and sustain their fading manor houses; the working classes were finding a voice and demanding both political power and better jobs; and the terrible disaster of World War I was looming in the wings. When war came, nothing in the life of the British manor house was ever the same again.

Secrets of the Manor House on PBS (2012)The Downstairs servants

Image courtesy of © PBS

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Image from Upstairs Downstairs Season 1: Eileen Atlins as Maude Lady Holland © 2010 MASTERPIECE  The new residents of 165 Eaton Place have a “day full of unimaginable things” in The Cuckoo, the third and concluding episode of the revival season on Masterpiece Classic PBS.

Last week’s episode two, The Ladybird, had strong political overtones as rebellious Lady Persie (Claire Foy) and the chauffeur Harry Spargo (Neil Jackson) joined the Blackshirts, a fascist group stirring up unrest among the laboring class who are hard hit by the depression. This week, the drama revolves around personal relationships and their effect on the nation and the household, revealing secrets, scandals and new beginnings. Here is the episode three synopsis from PBS.

A chance encounter with greatness goes to Mrs. Thackeray’s (Anne Reid) head, and in turn annoys Rose (Jean Marsh), who, fed up with her pretensions, unleashes an insult so great that it sparks a feud. Yet despite the embattled cook and housekeeper, the downstairs staff is united in their love and nurturing of the child Lotte (Alexia James), who appears to need more help than they can provide. With even more than her customary authority, Maud (Eileen Atkins) steps up to take charge, whisking the child away for treatment even as she guards a secret of her own.

Preoccupied with the abdication crisis, Hallam (Ed Stoppard) attempts to buy some time from the press by hosting a special dinner for the Duke of York (Blake Ritson), placing 165 Eaton Street in the center of the monarchy’s storm. Now preoccupied, Agnes (Keeley Hawes) has abdicated her responsibility of Persie (Claire Foy), who has snapped the long leash her sister provided, and begun engaging in behavior that threatens to taint them all. Only Lotte’s absence galvanizes Hallam to bring light into his home, purging it of dishonor and dark secrets that have been hidden for too long. But just as the king charts his fate, a momentous event will change the Holland family forever.

In this very tightly constructed and emotional charged third episode written by Heidi Thomas, many of the story subplots where concluded and new ones begin. It was indeed a “day full of unimaginable things” for the Holland family and the nation. What a refreshing surprise to witness the selfish Lady Persie being thrown over by the handsome chauffeur Harry Spargo. Bravo Harry. Lady Persie is developing into a repulsive character: ungrateful for her sister’s attentions, uninterested in bettering herself, and uncaring in her selfish actions and how they affect others. It only takes her about two seconds for her to exit Harry’s bed and transfer her shallow affections  to the German Ambassador, Herr Ribbentrop (Edward Baker-Duly) and invite him for a late night cocktail at the house of her brother-in-law Sir Hallam. Ribbentrop’s blaring Nazi pin on his lapel is so shocking. Everything he stands for is controversial, and that is exactly why Persie is attracted to him. I am uncertain of her motivations in wanting to shock and hurt her sister and her family, but sense an interesting family backstory that hopefully we will learn about in future episodes.

We knew that the devastating abdication of King Edward VIII in favor of the “help and support of the women that he loved” was looming over us and history, but it was very interesting to see the political maneuverings to control the bad press transpire in the dining room at 165 Eaton Place. Hallam’s relationship with the Duke of York (Blake Ritson), who in this version is strangely sans a speech impediment and very suave, places us right in the front line of the controversy of the American divorcee Mrs. Simpson and her romantic relationship with the current King of the British Empire, and its inevitable tragic outcome. Watching Maude, Lady Holland matter-of-factly bring the dinner conversation to the point of directly asking the influential editor of a newspaper who has Mrs. Simpson’s ear to encourage her to accept the Morganatic marriage as a suitable compromise is priceless. Lady Maude is my favorite character so far in this new production, which oddly is filled with women that are weak, selfish and unlikeable: i.e. Lady Agnes, Lady Persie, and shockingly Rose the housekeeper, who has evolved into someone that I do not recognize. Does age make people give up their spunk and values? I remember Rose as being outspoken and direct in the original series. This Rose (what little we see of her) seems resigned and ready for pasture.

I am glad to see the shift back to inter-personal relationships of the family and staff in this episode. Even though last week’s foray into the political sphere of fascism was true to events transpiring in London during the mid-1930’s, I found it overpowered the personal drama that I have enjoyed in the original series and hoped to experience in this new revival. In this episode we saw some characters reveal secrets, react to change, emotionally evolve and others make choices that will cause anguish for their families and the nation. In folklore, the cuckoo is symbolic of loss and misery.  One wonders if the cuckoo in this episode is the abdicated King, this new wife, or the spiteful Lady Persie?

Image courtesy of © 2010 MASTERPIECE

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Pride and Prejudice (1980) Masterpiece Theatre PBS PosterThis year marks the 40th anniversary of Masterpiece Theatre, now with a new name of Masterpiece Classic under the umbrella of Masterpiece: which includes the trifecta of presentations in the Classic, Mystery and Contemporary categories. This television show premiered in 1971 and is produced by WGBH in Boston. It airs on PBS in the US and is now the longest running prime-time drama series on the air. Over the years they have presented many British dramas, comedies and mysteries based on classic novels and new material.

Masterpiece has been very good to Jane Austen fans bringing us movies and miniseries of her novels starting with Fay Weldon’s 1980 adaptation of Pride and Prejudice staring David Rintoul and Elizabeth Garvie. Since then we have been treated to Northanger Abbey (1986 & 2007), Persuasion (1996 & 2007), Pride and Prejudice (1995), Sense and Sensibility (2008), Mansfield Park (2007), Emma (1996 & 2010) and Miss Austen Regrets (2008).

Masterpiece has a wonderful website listing the current season lineup and an extensive archive. You can follow them on Twitter as @MasterpiecePBS, on Facebook as MASTERPIECE | PBS (Masterpiece Theatre) and watch videos of their current production at PBS Video.

Be sure to watch the last episode of the continuation of Upstairs Downstairs this Sunday, April 24th at 9:00pm ET on PBS.  You can catch up by watching part one and part two online at PBS video until May 24, 2011. Enjoy!

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Image from Inspector Lewis: Dead of Winter © 2010 MASTERPIECE

Inspector Lewis continues tonight on Masterpiece Mystery with another new episode of the popular detective series based in Oxford where the death toll since its predecessor Inspector Morse hit the airwaves in 1987 must place this small college town as the epicenter of “malice aforethought” in England. The Dead of Winter involves sad connections to the past, lost treasure and sordid family secrets — all prime motives for murder. This new (to the US) episode guest stars an array of former Austen movie adaptation actors that many Janeites will recognize and reveals some personal insight into the past of Inspector Lewis’ (Kevin Whatley) dishy young Sergeant James Hathaway (Laurence Fox). It is a complete turn-around in comedic tone to last week’s Counter Culture Blues take on Lewis in a psychedelic rock and roll haze. Here is the PBS synopsis:

An Oxford academic is dead on a tour bus and none of the other passengers even took notice. The curious case leads back to Crevecoeur Hall, a vast, history-rich Oxford estate, and as it happens, the setting for much of Detective Sergeant Hathaway’s (Laurence Fox) youth. Hathaway reconnects with his past — and Scarlett Mortmaigne, the daughter of the estate’s owner. But is he also consorting with a main suspect? It’s a case that threatens to expose the shortcomings and secrets of a wealthy family, cloud Hathaway’s judgment and ultimately put his relationship with Detective Inspector Lewis (Kevin Whately) in jeopardy. Nathaniel Parker (The Inspector Lynley Mysteries) guest stars.

This episode was centered around enigmatic Sergeant James Hathaway, Lewis’ smart, stoic and sarcastic young partner. Over the past three seasons we have seen his instincts sharpen, his skills honed and his confidence build from his professional relationship with his governor. In The Dead of Winter he takes the forefront in the investigation and I am pleased to see he is finally being given more than walking one step behind Lewis or looking over his shoulder while he interviews suspects. His character is by far the most interesting of the regulars in the series. We know very little about him other than he attended Cambridge, once trained as a priest and does not date. Occasionally a script will throw a female in his path, but if a hardened career crow and a transsexual psychopath are the kind of relationships he has encountered, no wonder he is celibate.

This time round Hathaway is given another opportunity to hang up his virtual clerical collar when he reconnects with Scarlett Mortmain (Camilla Arfwedson – Miss Marple: Murder is Easy), a beautiful aristocrat who he grew up with at Crevecoeur Hall (crëvecoeur is French for heartbreak), a grand country estate near Oxford that his father managed for the Mortmaigne family twenty years ago. When he arrives on the scene to investigate the possible murder of Professor Black, you can see his apprehension and project where this story will go. There is a painful history here, and if you pay attention, much will be revealed beneath the dialogue and his reactions.

There appears to be additional personal secrets being harbored by others too. The Marquise of Tygon, the elderly patriarch Augustus Mortmaigne’s (Richard Johnson – Mr. Wickham, Pride and Prejudice 1952) bank has just gone belly up and his daughter Scarlett is being used as quid pro quo to refill the family coffers by marrying a Lebanese millionaire Tarek Shimali (Richard Saade). The Marquise’s much younger wife Selina (Juliet Aubrey – Middlemarch) who he married when she was seventeen is having an affair with his nephew Philip Coleman (Nathaniel Parker – Vanity Fair) and his young son and heir Titus (Jonathan Bailey) is dallying with a servant Briony Grahame (Georgia Groome). Orchestrating this upstairs downstairs tango is the vacant stuttering butler Paul Hopkiss (Pip Carter) who also was a playmate of Scarlett and Hathaway in what he terms “happy days”.

When a bloody candlestick discovered by Hathaway in the Crevecoeur Hall family chapel is matched to Dr. Black, Lewis and Hathaway suspect the priest Father Jasper Hugh O’Conor (James Morland – Northanger Abbey 2007) when they unearth his tragic connection to the victim. Shortly after another death is linked to the case when the present estate manager Ralph Grahame (Jonty Stephens) is found dead by gunshot and a murder-suicide is suspected. After Lewis reveals his belief that the real motive to murder was a fifteenth century royal treasure on the estate, Hathaway thinks his boss has lost it.  He can’t understand why Lewis won’t accept that Grahame killed Dr. Black for running off with his wife. Lewis can’t accept why Hathaway seems to be protecting the Mortmaignes.

Even though I dearly love to laugh, when it comes to murder mysteries a serious tone with an occasional laugh is so much more satisfying. This new episode written by Russell Lewis supplied a finely crafted whodunit to fire up the gray matter, keep track of the body count and soak in that glorious Oxford backdrop. The guest cast was really outstanding. Nathaniel Parker is always a joy to watch and Guy Henry, who was an unforgettable Mr. Collins in Lost in Austen, added interest to a minor role as Professor Pelham. While Hathaway was getting smashed and lip worked by that chit Scarlett, Lewis had his own flirtation with Dr. Black’s fellow professor Frances Woodville (Stella Gonet – Mrs Musgrove in Persuasion 2007). She sparkled and he blushed. Too cute! We also got a glimpse of Lewis’ compassionate side when he befriended the murder victim’s cat and named it Monty. Ahh. I also thought it humorous that the writer  played with us in his choice of names and murder weapons. Was it Lady Scarlett in the chapel with a candlestick? I won’t tell.

Watch The Dead of Winter online at the Masterpiece PBS website until October 5th, 2010. Next week’s new episode Dark Matter, guest stars Colonel Fitzwilliam — Anthony Calf, and Sir John Middleton — Robert Hardy!

Scarlett: “I thought for a moment you’d chased after me to declare your undying love.”

Hathaway: “I’m not sure men do that nowadays, do they?”

Scarlett: “Perhaps they should.”

Oh Hathaway. Brush up on your Shakespeare will ya? He makes up for it later on when he recites some lines of poetry to Scarlett by A. E. Housman (1859–1936) from A Shropshire Lad (1896).

INTO my heart on air that kills

From yon far country blows:

What are those blue remembered hills,

What spires, what farms are those?

That is the land of lost content,

I see it shining plain,

The happy highways where I went

And cannot come again.

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Image from Inspector Lewis: The Point Of Vanishing © 2010 MASTERPIECE

The wait is almost over. An encore episode of Inspector Lewis Series II The Point of Vanishing airs this Sunday on Masterpiece Mystery, and then Series III begins on August 29th, 2010 with Counter Culture Blues.

Oxford police detectives D.I. Lewis (Kevin Whatley) and D.S. Hathaway (Laurence Fox) are called to a death by drowning of Steven Mullan (Danny Midwinter) in his own bathtub. Nearby is a postcard of a Renaissance painting The Hunt in the Forest addressed to Mullan’s roommate  Alex Hadley (Dougal Irvine) with “It was no dream” anonymous inscribed.

However, this does not appear to be an accident to Lewis. There are signs of a struggle and the victim’s face was marred with burns from the scalding water that he was immersed in. Mullan had recently been released from prison on drunk driving charges. Lewis recognizes the name and remembers the extended circumstances surrounding his imprisonment. After a life of drugs and crime, Mullen had turned to the bible in a big way, and in a drunken haze attempted to kill local celebrity atheist Tom Rattenbury (Julian Wadham) by crashing into his car. Instead, Rattenbury’s daughter Jessica (Ophelia Lovibond) was behind the wheel and severely injured. In rehabilitation, she is now in a wheelchair.

Suspecting retaliation, the Rattenbury’s are the first to be questioned and each appear to have an alibi at the time of the crime. Tom Rattenbury was working at home and then took a drive later in the evening. His wife Cecile (Jenny Seagrove) was home planning their daughter Jessica’s twenty-first birthday party, and son Daniel (Ben Aldridge) claims also to have been home, and then later reveals he secretly met his girlfriend fellow student Hope Ransome (Zoe Boyle) and proposed. The family seems genuinely shocked by the news of Mullan’s death, Cecile dramatically claiming that despite the evil intentions of Mullan, and its tragic outcome, it brought her family closer together.

After attending a religious debate at the Oxford Union between Tom Rattenbury and his longtime academic opponent Dr. Manfred Canter (Michael Simkins), Lewis learns they were also rivals in love for the affections of Cecile many years ago. He is also surprised to witnesses Daniel throw a glass of wine at Canter who is also Hope’s art history tutor. When Daniel storms off in a fit of rage with Hope in hot pursuit, Lewis suspects that there might be more than art history between her and her tutor.

The investigation takes a complete turnaround when pathologist Dr. Laura Hobson (Clare Holman) reveals that the victim Steven Mullan and his roommate Alex Hadley have much more in common than anyone imagined. With this new evidence Lewis and Hathaway delve into Hadley’s past life and discover an adulterous affair with Madeleine Cotton (Kellie Shirley), his boss’s wife. Could Marc Cotton (Tim Treloar) have killed Mullan by mistake?

Drawn again to the postcard of The Hunt in the Forest and the inscription “It was no dream”, Lewis and Hathaway visit the painting at the Ashmolean Museum and learn more about its allegorical meaning from museum curator Frances Wheeler (Susan Tracy). The painting is an early example of use of “punto di fuga” or the vanishing point in Renaissance art. The canvas depicts a scene of the hunt including people, horses, dogs and deer, disappearing into the vanishing point in the dark forest. The hunt is an allegory for the pursuit of courtly love – thus – a symbolic link to whoever sent Alex the postcard. She also reveals that the mysterious inscription is by poet Sir Thomas Wyatt, providing both additional clues and personal connections to the investigation. One additional murder and a suicide bring this case to a shocking conclusion, — the murderer only Lewis could have deduced.

Not one of my favorite Lewis episodes, The Point of Vanishing had me raising an eyebrow and rolling my eyes too frequently to take the script by Paul Rutman (Lark Rise to Candleford) seriously.  The screenplay was filled with so many subplots, art allusions, heartrending twists and lovers unrequited, rebuked and or dumped, I began to crave the simpler scripts from Inspector Morse days. This is one of my pet peeves with new television and movies. Producers feel that they must keep everything moving at break-neck speed or viewers will get bored (one assumes). Unfortunately, at this pace important moments flash by without being absorbed and the pregnant pause is totally neglected. I realize this may be an artistic decision by director Maurice Phillips, and I honor that. I just don’t agree with it.

The guest cast was a potpourri of fine British actors and unknowns, making for a nice mix. Veterans Julian Wadham as Tom Rattenbury and Michael Simkins as Manfred Canter, the two rivals for Cecile affections and manipulations, were well cast and believable. I wish I could say the same for Jenny Seagrove whose Cecile was trite and overplayed. (“Methinks the lady doth protest too much.”) Yes, she was domineering and oppressive to her family, but again, way over-the-top. In my mind hardened characters are better played subtly. It adds so much power and mystery. Just think of Anthony Hopkins in Silence of the Lambs and you’ll get my drift. The highlight for me was with young actress Ophelia Lovibond as daughter Jessica challenged by her handicap and her mother. It was debatable which was the greatest deterent to her personal development! Lovibond underplayed the role and it worked to my liking, in complete opposition to her mother Seagrove. My point exactly!

And what was up with the secret romance between D.S. James Hathaway and his co-worker Fiona McKendrick (Catherine Walker – Northanger Abbey)? We see and hear so little about it that it does not play out well for the viewer. And the ending scene (which I will not reveal for fear of spoilers), why does he go back to her one last time? Why does Lewis think that is the best way to end it? Beat’s me? No wonder Hathaway wants to be celibate. All the women that the writers throw in his path are either cold, hard career crows or murderous transsexuals. I hear he gets a romance in Series III. Let’s hope he doesn’t get rolled over again. I’m not holding my breath. As Laura Hobson says to Robbie Lewis when she asks him his opinion of the relationship between their co-workers Hathaway and McKendrick, “It is the illegal trade in hunch and hearsay. It’s called gossip.”

For those of you who are curious about the line “It was no dream”, it is from the poem They Flee From Me That Sometime Did Me Seek written by Sir Thomas Wyatt (1503 – 1542), reputedly composed after an affair with Anne Boleyn, the infamous wife of King Henry VIII. We are also treated to Hathaway reading a bit of it during the episode.

THEY flee from me that sometime did me seek,

With naked foot stalking in my chamber.

I have seen them gentle tame and meek

That now are wild and do not remember

That sometime they put themselves in danger

To take bread at my hand; and now they range

Busily seeking with a continual change.

Thanked be fortune, it hath been otherwise

Twenty times better; but once in special,

In thin array after a pleasant guise,

When her loose gown did from her shoulders did fall,

And she me caught in her arms long and small;

And Therewithall sweetly did me kiss,

And softly said, “Dear heart, how like you this?”

It was no dream, I lay broad waking;

But all is turned thorough my gentleness

Into a strange fashion of forsaking;

And I have leave to go of her goodness

And she also to use newfangleness.

But since that I so kindly am served,

I would fain know what she hath deserved.

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Image from Inspector Lewis: Allegory of Love © 2010 MASTERPIECE

My favorite detective series Inspector Lewis begins again on Masterpiece Mystery this Sunday, August 8th with the encore presentation from Series II of Allegory of Love. Why do I love this series so much? Let me count the ways.

  1. It’s smart: Yes. I’m an intellectual snob.
  2. It’s wise: Laced with literary references, it makes me Google till I drop.
  3. It’s witty: The acerbic dialogue between DI Lewis & DS Hathaway is priceless.
  4. Its locations: I am a hopeless Anglophile, giddy over Oxford’s dreaming spires.
  5. Its fashion: I  positively dote on professors in bow ties and tweed run amok.
  6. Its guest stars: The challenge to place a face is as intriguing as the actual mystery.
  7. It’s sexy: It’s always about the sex, or lack of it in Hathaways’s case.
  8. Its quality: Great scripts, great directing and great stars. Can’t beat it.

Allegory of Love is a season II encore to get us in the mood for the season III premiere, Counter Culture Blues on August 29th. The story is tight and terse and tragic. In an interesting reversal, all of the major players in this mystery appear together in the first scene. We just don’t know how they will all fit in yet.

In the tradition of Oxford’s famous Inklings, fantasy writer Dorian Crane (Tom Mison – Lost in Austen) is launching his second book Boxlands, dedicated to his “muse and bride” Alice Wishart (Cara Horgan – Jane Eyre 2006). Attending the party is DI Robbie Lewis (Kevin Whatley) guest of his boss Chief Superintendent Jean Innocent (Rebecca Front) who is intent upon matchmaking widower Lewis with her college friend Ginny Harris (Anastasia Hille – Foyle’s War), who is also Dorian’s mother. This appears to be a happy ensemble until the news of the body of a Czech barmaid Marina Hartner (Katia Winter) is discovered by the river the next day. DS James Hathaway (Laurence Fox) and Dr. Laura Hobson (Clare Holman) are  first on the scene finding a brutal murder by what appears to be an antique Persian mirror. Beside the body is a note with “Uqbara” written in blood, a town in Iraq recognized by Hathaway.

Lewis and Hathaway shift through clues and soon discover the owner of the mirror is comparative religion Professor Hamid Jassim (Art Malik – Jewel in the Crown), who reported the mirror stolen from his college office the day of the book launch. He recognizes Uqbara as a town in his native Iraq, but claims no knowledge of Marina Hartner. Neither does his fellow Professor Norman Deering (James Fox – Sherlock Holmes 2009) until he is caught in the lie by Lewis and Hathaway when they find evidence to the contrary on Marina’s computer. He soon admits to bringing Marina to Oxford as his mistress even though he professes to be gay to the college community. He also reveals that she had since threw him over for another man.

As details of Marina’s past life and connections in Oxford come to light, the circle of suspects widens. Dorian’s book mentions a mirror of the same description used as the murder weapon, Alice’s disturbed younger brother Hayden Wishart (Olly Alexander – Bright Star) had been stalking Marina, and their recently widowed father Jem Wishart (Adrian Lukis – Pride and Prejudice 1995) had been having a secret affair with her. When Melanie Harding (Louise Dylan – Emma 2009), a student of Dorian’s who he is having an affair with enters his office and is struck on the head, and a death threat in writing similar to the Uqbara note is sent to Alice, a pattern forms that only Lewis sees. Was the wrong woman killed by the river? Who then, was the intended victim?

All of the literary illusion to the Inklings (C.S. Lewis and J.R.R. Tolkien) and Lewis Carroll were cleverly interwoven into a plot connected by jealousy, lust, and sex. Yes. It’s always either power, money or sex isn’t it? We would not have a murder mystery genre without them. The casting in this production also had interesting connections. Seeing father and son James and Laurence Fox working together again is always a delight. I believe this is the first time they have actually had scenes together. (It must have been daunting for Laurence who stands in a tall shadow.) Besides the plethora of Austen actors: Tom Mison, Louise Dylan, Lauren Fox and Adrian Lukis, Art Malik and James Fox had worked together in director David Lean’s classic, Passage to India, one of my favorite movies.

Even though this episode was packed to the brim with literary detail, the denouement fell flat. I adore this series, but they have not quite perfected that last important scene where the killer is revealed and why. It is so important to the success of the plot that you think they would really think these through a bit more intently. Did anyone catch Colin Dexter’s anonymous appearance a la Alfred Hitchcock? Colin is the creator of Inspector Morse which this series is a spin-off of, a consultant on Lewis and always slips into one scene in each episode. It’s kind of like where’s Waldo. I will not reveal it here, but throw you a clue. The book launch location. Now, we shall see who the real detectives are among us.

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Image from Poirot: Murder on the Orient Express: David Suchet as Hercule Poirot © 2010 MASTERPIECEMystery fans were treated to the opening of season X of Poirot on Masterpiece Mystery last Sunday with a new episode of Murder on the Orient Express, one of Agatha Christie’s most famous novels. Amazingly, this new production is only the second time it has been adapted for television and follows the famous and glitzy 1974 Hollywood movie directed by Sidney Lumet with an all-star cast including Albert Finney as Detective Hercule Poirot, Lauren Becall as the outrageously brash American Mrs. Hubbard and Ingrid Bergman in her Oscar winning role as Swedish missionary Greta Ohlsson. Having seen this version some 36 years ago (yikes), I watched it again in preparation for this new David Suchet production. With the passing years, it is even more of an opulent showpiece of bravada by the then fading Hollywood studio system than I remembered, packed with so many stars and stunning costumes that my eye could not settle upon the seriousness of the story nor my head erase the earworm that the musical score created. It was glamorous. It was exciting. It was a dog and pony show that Agatha Christie’s novel never was. It still made me smile in appreciation of the great acting and direction from an era that we may look back upon in wonder.

The bones of the plot are basically the same. Hercule Poirot boards a luxury passenger train the Orient Express traveling from Istanbul to London and on the second night out the train becomes snowbound in Yugoslavia. During the night a ruthless American businessman Samuel Ratchett (Toby Jones) is murdered. Not only has he has been stabbed repeatedly; he appears to have been drugged. Poirot’s friend and director of the train line Xavier Bouc (Serge Hazanavicius) asks him to investigate the murder, and with the assistance of Dr. Constantine (Samuel West) Poirot begins to collect clues in the victims room and interview all of the passengers on the train. The evidence leads him to the famous kidnapping and murder five years earlier of a young girl Daisy Armstrong by Lanfranco Cassetti who was tried for the crime but not convicted. Poirot soon discovers that Samuel Ratchett is personally connected to the criminal and so are each of the passengers in a sad and tragic way. But who among them killed Samuel Ratchett and why?

From the first scene Poirot purists will know that this is not your typical ITV/PBS production of an Agatha Christie novel. While interrogating a British army officer in Palestine, Poirot catches him in a lie and the officer pulls his revolver and commits suicide right in front of him. This alone is a shocking image, but Poirot’s unemotional reaction to his death was so chilling that there is no doubt that screenwriter Stewart Harcourt (Dracula) and director Philip Martin (Wallender) have taken an entirely different approach in their interpretation of the cozy mystery fare that we have become so accustomed to on Masterpiece Mystery. Next Poirot is in Istanbul and he witnesses another pointless death of a woman accused of adultery being stoned by a mob of her family and neighbors. Is this a foreshadowing of what is yet to come for us aboard the Orient Express? Both of these scenes are added embellishments to Christie’s original novel and definitely not in the 1974 candy coated film. There are many other changes that I will leave for the observant viewer to deduce.

Even though many liberties have been taken with Christie’s plot and characters this new slant on Poirot really worked. Yes, the Jane Austen purist in me who is tweaked when others dally with my Jane is not offended by this hybridized Poirot. I just imagined him in a parallel universe aboard the antithesis Orient Express and it all worked for me. The highlight was the casting. David Suchet is more introspective and melancholy than I have ever seen him in this role before and it suits him as well as his waxed mustache and prim manners. (anyone who is that persnickety about their appearance andfood is sure to have a dark side) Eileen Atkins as the elegant Princess Dragomiroff, a white Russian who has seen the revolution and knows deeply what murder means, and Barbara Hershey as the pushy American widow Caroline Hubbard whose defense against suspicion is her brassy attitude were both the key performances. Hugh Bonneville as Mr. Ratchett’s man Edward Masterman and David Morrissey as English colonel John Arbuthnot sadly did not get much air time, but made a lasting impression.

The ending scene outside the snowbound train when Poirot must decide what justice must be done will linger with you and make you want to watch the movie again to catch all the bits that passed you by. This new direction for an Agatha Christie’s classic story seems to be in line with the trend to take what our culture values and remake it in our own unique vision. One wonders out loud how these changes will be viewed in twenty or thirty years, similar to my experience of watching the 1974 movie. Each is entertaining, but have we done justice to Miss Christie?

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Image from Miss Marple: The Mirror Crack'd: Joanna Lumley and Julia McKenzie © 2010 MASTERPIECESpinster sleuth Miss Marple returned to Masterpiece Mystery last Sunday with her sensible shoes and ingenious deductions in one of Agatha Christie’s venerable warhorses, The Mirror Crack’d from Side to Side. What true classic mystery aficionado has not seen one of the movie adaptations of this wonderful 1962 book of the same name? It has been trotted out no less than two times prior to this new production showcased by former Miss Marple’s: Angela Lansbury and Joan Hickson. Now Julia McKenzie gets her chance to slip into the Marple mantle and solve a double murder at a grand manor house  in her own village of St Mary Mead.

The locals are all aflutter when an American film actress Marina Gregg (Lindsay Duncan) takes up residence at Gossington Hall with her fifth husband, a dashing young English film director Jason Rudd (Nigel Harman) who has resurrected her waning career and the country estate formerly owned by Miss Marple’s friend Dolly Bantry (Joanna Lumley). A charity benefit hosted by the glamorous couple includes the press and all of the community but Miss Marple who must regretfully remain at home with a sprained ankle. During the party, the inquisitive Dolly Bantry observes local Marina Gregg fan Heather Badcock (Caroline Quinten) rambling on to her hostess about their meeting years earlier. Marina’s mysterious reaction to Heather’s recollection is to stare off into the distance in frozen shock? Dolly thinks it quite odd, but is later distracted by a more tragic event. Heather is dead and a poisoned daiquiri is suspected.

Dolly wastes no time in revealing all the details of the party to her friend later that afternoon. Miss Marple suspects murder and wonders if the cocktail was really meant for Marina but given to Heather by mistake? Dolly continues her report by equating Marina’s death-like daze to a Tennyson poem, “Out flew the web and floated wide – The mirror crack’d from side to side; “The curse is come upon me,” cried The Lady of Shalott.” As the investigation continues, Inspector Hewitt’s (Hugh Bonneville) suspect list lengthens as all the guests are interviewed. Is it Marina’s ex-husband the spiteful gossip columnist, her husband’s ex-girlfriend the jilted starlet or the suspicious young female photographer snapping shots of the guests at the party? It appears that many at the party have secret reasons to want Marina dead, including Marina herself.

It is easy to understand why The Mirror Crack’d from Side to Side has been adapted so many times by movie producers. It is an intriguing story dripping with Hollywood glamor and colorful characters.  In this instance, the campy screenplay by Kevin Elyot moves Chrisite’s characterizations and plot twists even further toward a farcical spoof of the mystery genre than written or previously filmed. Director Tom Shankland’s use of over-the-top melodrama through clips of Marina’s films and the Movietone-like newsreels poke fun at the era and set the tone for the entire film. Oddly, Miss Marple is sidelined with an injury early on so her friend Dolly becomes her eyes and ears. Watching actress Joanna Lumley as Dolly acting like a giddy school girl over the celebrity parade and snooping on her neighbors was the highlight for me. Lumley’s infectious energy and deadpan comedy is so well suited for this type of role reminding me that Julia McKenzie’s low key and flat Miss Marple has yet to grow on me. The next episode of Miss Marple is an encore presentation of A Pocket Full of Rye on June 6th.

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Image from Foyle's War: Killing Time: Michael Kitchen and Adam James © 2010 MASTERPIECPrejudice and bigotry permeate Killing Time, episode two of season VI of Foyle’s War on Masterpiece Mystery PBS. Detective Chief Superintendent Christopher Foyle (Michael Kitchen) is faced with the unpleasant reality of American vs. British solutions to racial tension in post war England. While attending a local civic meeting, segregation between the black GI’s stationed at a Bristol military base and the locals of Hasting is proposed by the commanding officer Major Wesker (Adam James) in reaction to recent altercations. In his usual cool and stoic manner he reminds them that segregation is not practiced in England, but is voted down by the committee. Meanwhile, Sam Stewart (Honeysuckle Weeks) is experiencing her own challenges with racial prejudice when Mandy Dean (Charlotte Riley) a young mother residing in the boarding house that she and Adam Wainwright (Max Brown) are running together causes other residents to depart because of her mixed race baby. When Mandy’s ex-boyfriend Tommy Duggan (Sam Spruell) a conscientious objector during the war returns home to find her disowned from her family and a mother of black GI Gabe Kelly’s (Obi Abili) baby, he throws her off and hits the bottle in despair. The local police are also investigating a spree of highway robberies under way on the local Bristol and Hastings roads. When Mandy’s dead body is found on the US military base, Major Wesker locks up the black boyfriend and conveniently overlooks the possibility of the white ex-boyfriend. Foyle is unconvinced of Gabe Kelly’s motives and suspicious of his confession. Are the local robberies and the murder connected, and why is the US Army using all its power to stymie his investigation?

I found this episode very disturbing, stirring up the ugly and painful issues of racial prejudice and greed, two of the worst and in this instance deadliest of human failings. I squirmed when Foyle reminded us that racial segregation was not practiced in England, however they did use it in their colonies in India, Africa and the West Indies so it is a wash; not that anyone should be keeping score. I particularly enjoyed the performance of Charlotte Riley as the young mother caught between two worlds. She gave a much more convincing portrayal as a distraught mother then her passive interpretation of Cathy Earnshaw in Wuthering Weights on Masterpiece Classic last year. That may be due to director David Richards’ succinct and un-melodramatic rendering of David Kane’s smart script. This is a serious subject that could have all gone south if they had not played it straight.

The friendship/romance between Sam and Adam is developing in an interesting way with a few roadblocks thrown in for good measure. He is obviously attracted to her, reticent to make the move or to shy to be open about his feelings. She on the other hand is bound by the strictures of the time to act like his employee until they have reached some kind of mutual understanding. If memory serves, isn’t the “who can make the move” thing reversed in Britain during this time, so maybe that is why he is holding back? US service men were warned of this so they would be prepared when they were stationed in England. The robbery story had a nice twist in the end. Honestly, I was suspicious of the murderer from the get-go. Weren’t you? In next week’s episode The Hide we meet Nazi’s. As Indiana Jones says in Raiders of the Lost Ark, “Nazi’s. I hate these guys.” DCS Foyle is too much of a gentleman to ever admit to hating anyone, but we can for him.

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The game is afoot as crime season begins again on Masterpiece Mystery on PBS this Sunday, May 2nd. The 2010 line-up offers the best in British mysteries presenting a great selection of super sleuths to feed any whodunit addict’s desire for murder and mayhem. Returning in new episodes will be Michael Kitchen in Foyle’s War, Julia McKenzie as Miss Marple, David Suchet as Hercule Poroit, Kevin Whatley as Inspector Lewis and Kenneth Branagh in Wallander. Joining these five master detectives will be the new series Sherlock, a modern day spin on Sir Arthur Conan Doyle’s popular Sherlock Holmes staring Benedict Cumberbatch as the enigmatic detective. Airing on Sundays at 9:00 pm the series will also feature actor Alan Cumming who returns as host adding more quirky commentary to set the mood. Here is a preview of the summer – fall season.

Image from Foyle's War: Anthony Howel, Michael Kitchen and Honeysuckle Weeks © 2010 MASTERPIECEFoyle’s War – May 2-16, 2010

Michael Kitchen returns as Chief Superintendent Christopher Foyle in series VI offering three new episodes of this popular crime drama. Set on South Coast of England in 1945, the Second World War has concluded and Foyle is keen to retire but compelled to remain in his job because of the steep rise in violent crime sweeping the country. Joining him are his former driver during the war Samantha “Sam” Stewart (Honeysuckle Weeks), and his old sergeant, Paul Milner (Anthony Howell), recently promoted to detective inspector in nearby Brighton. In episodes The Russian House, Killing Time and The Hide, Foyle investigates murders involving Russian POW’s, Black American G.I.’s and German Nazi’s. (All episodes 90 minutes)

My recap & reviews

Image from Miss Marple staring Julia McKenzie © 2010 MASTERPIECEMiss Marple – May 23-June 27, 2010

Julia McKenzie is back in her second season as Miss Marple, our favorite spinster sleuth of St. Mary Meade making the local constables and inspectors scratch their heads in amazement at her delft deductions. This season will see three new episodes adapting Agatha Christie’s classic novels: The Mirror Crack’d from Side to Side, The Secret of Chimneys and The Blue Geranium. Guest appearances highlighted by an all British cast include: Hugh Bonneville (Miss Austen Regrets), Joanna Lumley (Absolutely Fabulous) and Toby Stevens (Jane Eyre) adding polish to sleuthing perfection. (All episodes 90 minutes)

My recap & reviews

Image from Hercule Poirot staring David Suchet © 2010 MASTERPIECEHercule Poirot – July 11- August 1, 2010

The “little gray cells” are churning again as indomitably dapper Belgian detective Hercule Poirot is brought to the screen by David Suchet. It is amazing to think that Suchet has filled those spats and waxed that mustache for twenty-one years and sixty-five episodes. This season brings three new mystery dramas adapted from Agatha Christie novels as we witness Murder on the Orient Express, encounter matricide and nannicide in The Third Girl and experience an aristocrats Appointment with Death at an archaeological dig in the Middle East. Amusingly, the all British supporting cast is comprised of many key actors in the popular twisted bonnet parody Lost in Austen including Jemima Rooper, Tom Minson, Christina Cole and Tom Riley. Tim Curry who I shall always remember as Dr. Fran-N-Furter in the Rock Horror Picture Show adds humor and aplomb to the roister! (All episodes 90 minutes.)

My recap & reviews

Image from Inspector Lewis staring Kevin Whatley and Laurence Fox © 2010 MASTERPIECEInspector Lewis – August 8 –  September 26, 2010

Welcome back to the dreaming spires of Oxford for more murder among academia as Kevin Whately returns for five new episodes in the a third season as Inspector Lewis. Whatley is so charming as DI Robbie Lewis, but I readily admit that I can’t wait to see what his acerbic young partner DS James Hathaway (Laurence Fox) will snark about. Rumor has it that both Lewis and Hathaway find romance this season in between solving crime and throwing witty banter at each other of course.  The five new episodes include Counter Culture Blues, The Dead of Winter, Dark Matter, Your Sudden Death Question and Falling Darkness. Joining the cast is a fine line-up of British actors ready to be murdered for their profession including Joanna Lumley (Absolutely Fabulous), Robert Hardy (Sense and Sensibility), Nicholas Farrell (Mansfield Park and Persuasion), Anthony Calf (Pride and Prejudice) and Lucy Griffiths (Robin Hood) sans Sir Guy of Gisborne to harass her. (All episodes 90 minutes.)

My recap & reviews

Images courtesy © 2010 MASTERPIECE

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Image from Small Island: Naomie Harris © 2010 MASTERPIECEThere is a lot of pride and prejudice in the story of Small Island, the new Masterpiece Classic two-part adaptation of Andrea Levy’s award winning 2004 novel. Not the Jane Austen kind of pride and prejudice, but the kind experienced by millions of people whose countries were colonized by Great Britain during the 18th and 19th centuries. This particular story involves Hortense and Gilbert, two Jamaicans who immigrate to England in 1948, but could apply to native East Indians, Africans or Asians whose young men and women proudly served their Mother Country during WWII only to experience the cold embrace of prejudice and poverty in their new home. This story plays upon the dark underbelly of postwar racial discrimination in England paralleling the intersecting lives of  one white and one black couple that is painful to experience but uplifting in its conclusion.

This griping story presents two women from modest beginnings born on opposite sides of the Atlantic, each with a strong desire to improve their lives but naïve expectations on how to achieve it. In 1939 Jamaica, Hortense Roberts (Naomie Harris) is a young black woman from a broken home who has been raised by her father’s cousin, a strict minister with a rebellious son Michael Roberts (Ashley Waters) who is a charmer and a rogue. Hortense is an idealistic dreamer who not only envisions Michael as her future husband and savior but wishes to immigrate with him to London where they will live the good life in a house with a garden, electricity in every room and a bell at the front door. Unfortunately, he only sees her as his little sister and channels his affections toward a young married white woman. After Michael’s affair is discovered and revealed by Hortense he is disowned by his family and enlists in the RAF. In London he becomes involved with an unhappily married white woman Queenie Bligh (Ruth Wilson) and is later reported missing in action.

Image from Small Island: David Oyelowo © 2010 MASTERPIECE

Heartbroken, Hortense pines for Michael but continues to study and obtains her teaching credentials while accumulating a small savings and developing fine airs. After the conclusion of the war she is determined to immigrate to England and seizes upon a plan to bribe ex-soldier Gilbert Joseph (David Oyelowo) into a marriage of convenience in exchange for his passage fare to England with the plan that he will obtain her dream house and later send for her. Meanwhile, Queenie’s stiff and inept husband (Benedict Cumberbatch) does not return to her and their run-down row house in London after the war but bad penny Michael does, resuming their grand passion for a weekend. Gilbert arrives in worn-torn London and reconnects with Queenie who he had met during the war. To make ends meet she continues to take in borders and rents a modest room to Gilbert. Hortense arrives with a packet of luggage and her distorted expectations of her fine new life in England to find him living in squalor and misgivings. Hortense soon discovers that England is not the land that she had idolized and Gilbert experiences an intense racial prejudice from an emotionally and economically drained nation who would prefer he and his wife return to Jamaica. When Queenie’s husband unexpectantly returns home to find the neighborhood scandalized by her inter-racial household and her hidden pregnancy, it will take the birth of her baby and her great sacrifice to heal his prejudice to the Joseph’s and indifference to his wife.

Image from Small Island: Ruth Wilson and Ashley Waters © 2010 MASTERPIECE

As I was writing this synopsis it struck me that whittling down the narrative to its bare bones makes it seem silly and soap operaish. Only with the added embellishment of dialogue, scenery and powerful performances from the two outstanding female co-leads Naomie Harris and Ruth Wilson supported by David Oyelowo’s energized interpretation of Gilbert and Benedict Cumberbatch’s unappealing yet sympathetic Bernard save it from becoming trite melodrama. There is no doubt that this is intense drama based on the controversial subject of racial prejudice, oppression and England’s treatment of her colonial children. Even offset with a touch of humor viewers will feel continually on edge and emotionally drained until the last uplifting moments. Director John Alexander (Sense and Sensibility 2008) blends the transitions from present day and flash backs seamlessly and draws out performances from his cast that will garner attention come award season. Despite its dark theme, Small Island does occasionally shine and glitter drawing attention to a period of British history that some would like to forget and others proudly claim as their heritage.  The second episodes airs next Sunday, April 25th on PBS.

Image from Small Island: Benedict Cumberbatch © 2010 MASTERPIECE

Sadly, this is the conclusion of the 2010 season of Masterpiece Classic which brought us two classic bonnet dramas with Return to Cranford and Jane Austen’s Emma, a remake of WWI-era vintage spy thriller in The 39 Steps, two episodes of the exploits of early nineteenth-century British soldier Richard Sharp and a remake of The Diary of Anne Frank. With Small Island, Masterpiece is hoping to reach a younger audience with its more contemporary theme and grittier fare. I can not say that I am thrilled with their decision to move away from adaptations of classic literature that they have become known for, but I admire their courage to push their audience in a new direction.

Images courtesy © 2010 MASTERPIECE

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Image of cast of My Boy Jack, Masterpiece Classic, (2007)  

“And-oh yes-there was a Miss Bates; just an old maid runnin’ about like a hen with ‘er ‘ead cut off, an’ her tongue loose at both ends. I’ve got an aunt like ‘er. Good as gold-but, you know.” Humberstall, Janeites, Rudyard Kipling, (1924) 

Did any gentle readers catch My Boy Jack on Masterpiece Classic last night? It did not disappoint. The intense and poignant story of author and British national icon Rudyard Kipling’s patriotic ambitions for his only son Jack (Daniel Radcliffe) during WWI was all the sweeter and tragic because it was based on actual events. You can read some excellent reviews at Jane Austen Today, SF Gate, and Write Place, Write Time.                    

Image of DVD covr of My Boy Jack (2007)          Image of the cover of My Boy Jack, (2007)

 We can all thank Mr. Kipling for his interest in Jane Austen, (or should we thank Miss Austen for being interesting in the first place?), ha! He and his wife deeply grieved the loss of their only son in the battle of Loos, France in 1915, and found solace in reading Austen together. Austen was recommended reading for shell-shocked veterans, and Kipling later penned a short story in 1924 entitled The Janeites, about a socially diverse group of WWI soldiers who read Austen in the trenches and banded together as a secret group of devotees. 

Image of the cover of Pride and Prejudice, by Jane Austen, George Allen, London, (1894)The term Janeite first appeared in the 1894 introduction to Pride and Prejudice written by British literary critic and historian George Saintsbury (1845 – 1933), who actually became the first Austen enthusiastic admired in print. (This is the famous ‘peacock’ edition published by George Allen, London, illustrations by Hugh Thomson). He spelled it differently as ‘Janite’, but used it as a ‘badge of honour’, adulating Austen and her characters; –  declaring Pride and Prejudice the “most perfect, the most characteristic, the most eminently quintessential of its author’s works“, then, proclaimed Elizabeth Bennet as his first choice of a wife! 

“In the novels of the last hundred years there are vast numbers of young ladies with whom it might be a pleasure to fall in love, – but to live with and marry, I do not know that any of them can come into competition with Elizabeth Bennet.” 

One can only imagine the raised eyebrows that this pronouncement produced in literary circles! Saintsbury was a demi-god, considered the finest literary critic and historian of his time, influencing thousands of readers including his friend Kipling, who in turn is generally credited for establishing ‘Janeites’ in popular culture. Two very powerful literary figures, who were part of the early Janeite publicity machine. 

(They may have raised her up, – but we ran with it. La!) 

There are several excellent essays compiled into one whole book devoted to the notion that further discussion is required before the un-initiated can understand what it is to be a Janeite. So if you would like to check out ‘how deep is your Austen love’, or develop it further, check out… 

Image of the cover of Janeites, (2000)Janeites : Austen’s disciples and devotees, edited by Deidre Lynch, Princeton University Press (2000) Publishers description: Over the last decade, as Jane Austen has moved center-stage in our culture, onto best-seller lists and into movie houses, another figure has slipped into the spotlight alongside her. This is the “Janeite,” the zealous reader and fan whose devotion to the novels has been frequently invoked and often derided by the critical establishment. Jane Austen has long been considered part of a great literary tradition, even legitimizing the academic study of novels. However, the Janeite phenomenon has not until now aroused the curiosity of scholars interested in the politics of culture. Rather than lament the fact that Austen today shares the headlines with her readers, the contributors to this collection inquire into why this is the case, ask what Janeites do, and explore the myriad appropriations of Austen–adaptations, reviews, rewritings, and appreciations–that have been produced since her lifetime. ISBN 9780691050065

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Image of Kate Beckinsale as Emma Woodhouse, Emma, (1996)NEWS

“Emma,” said Mr. Knightley presently, “I have a piece of news for you. You like news — and I heard an article in my way hither that I think will interest you.”

“News! Oh! yes, I always like news. What is it? Why do you smile so? Where did you hear it? Mr. Knightly & Emma Woodhouse, Emma, Chapter 21

Jane Austen’s character Emma Woodhouse loves a bit of news, so I am sure that she will be amused to know that others are talking about her around the Blog-o-spere.

They say that imitation is the sincerest form of flattery, so I am confident in saying that Miss Emma Woodhouse would find Austen-esque author Laurie Viera Rigler’s honest admission that she has, on occasion, offered unsolicited advice quite gratifying! In her recent musing on her Confessions of a Jane Austen Addict Blog, she professes to have been a bit Emma like, missapplyments and all. Her cure was in understanding Austen.

I have this theory that if you read her works enough times and really contemplate the life lessons therein, you can pretty much give up your psychotherapist.

(Hmm? Reminder to myself to cancel next appointment with therapist) You can read her entire humorous and entertaining commentary in the online article, Emma; or How Jane Austen Revealed My Inner Know-it-All, on her delightful blog.

Image of Mark Strong and Samantha Morton in Emma, (1996)

I dare say, that there are few people who know more about Austen’s novel Emma than web mistress and designer Kali Pappas. You can read her guest blogger contribution on the costuming in the upcoming Emma (1996) adaptation on my co-blog, Jane Austen Today entitled, Fashionable Emma Woodhouse: Costuming in Austen’s Emma Adapted. Visit Kali’s blog Emma Adaptations to discover even more about Miss Woodhouse and her Highbury friends.

Read the complete synopsis of the movie at Masterpiece Classic’s Emma webpage.

Image of Box Hill Picnic, Emma, (1996)

Learn all about Emma’s Box Hill picnic at Jane Austen’s World.

Jane Austen Quote of the Day, is featuring some of the best quotes from Emma.

The novel Emma is renown for it’s unique characterizations, so in anticipation of the airing of the 1996 movie of Emma on Sunday, March 23rd at 9:00 pm on PBS, I have focused this week entirely on some of my favorites; Cast Preview, Emma Woodhouse, Harriet Smith, and Mr. Elton. Discover what makes Austen’s characters so appealing, or unappealing as mayhap! I hope that you all enjoy the movie!

Image of group shot of the cast of Emma, (1996)

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