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The Cookbook Collector, by Allegra Goodman – A Review

Posted in Book Reviews, Jane Austen Contemporary Inspired Book Reviews, tagged , , , , , , , on 9 September 2010 | 14 Comments »

As a Janeite, it is impossible ignore the siren call when an author announces to the book buying world that her new novel The Cookbook Collector is “a Sense and Sensibility for the digital age.” Whoa! My first reaction was “this is literary suicide.” Why would anyone want to equate themselves to a beacon of world literature such as JANE AUSTEN?

It is impossible to know her personal motivations, but after a bit of online research, I can’t entirely blame Allegra Goodman for starting this avalanche. She seems to be the darling of the literary world ready to be embraced as “a modern day Jane Austen.” Booklist, Library Journal, Publishers Weekly and Kirkus all gave her starred reviews, and even those highbrow literary bluestockings The Washington Post and the New York Times beamed. Swept up in the momentum of online praise I succumbed to the unthinkable. I imagined, no, dare I say I hoped, “as I had scarcely ever allowed myself to hope before” that my favorite author could be reincarnated in the modern day world and I could continue to read new works infused with Austen’s style, deft observations and biting wit.

I will attempt to disarm reproof right up front. I read a lot of “popular” fiction written by women. Yep, that stuff that is sadly overlooked by the good folks at The New York Times. This book is technically classified as literature which is really out of my depth as a book reviewer, so I will review it through the prism of a Janeite. Set in northern California between 1999-2002 Goodman has mirrored elements in Austen’s novel Sense and Sensibility including two sisters, Emily and Jessamine Bach, polar opposites in temperament and interests struggling with love, money and fulfillment in different ways.

Twenty-eight year old Emily is the sensible, pragmatic older sister who graduated from M.I.T. and is the co-founder and CEO of Veritech, a start-up computer data-storage company in the Silicon Valley on the brink of going public (obviously the Elinor Dashwood character). Jess is a twenty-three year old idealistic Berkeley graduate student in philosophy committed to saving the environment and rushing heart first into life and romance (yep, Marianne Dashwood). She works part-time at an antiquarian bookstore named Yorick’s owned by George Freidman (Colonel Brandon without the flannel waistcoat), a first generation Microsoft millionaire who retired early and now passionately collects, filling his life with beautiful objects instead of people. Pushing forty, George is handsome, haughty and cynical, “hard to please, and difficult to surprise.” He and Jess do not see eye-to-eye on much of anything and their conversations turn to sparing matches over books, her tree-hugging philosophies and looser boyfriends (Leon, the Willoughby character). She cherishes books for what they can teach you. He values books because others want them and they are his. “[H]ow sad, he thought, that desire found new objects but did not abate, that when it came to longing there was no end.“

Emily has her own set of values and desires. She loves her high-tech job, money and power, and is continually postponing her wedding date to accommodate their consuming needs. She is in a bi-coastal relationship with Jonathan Tilghman fellow dot-com genius who is also in the start-up phase of his computer company in Cambridge, MA. She works long hours, dreams of marriage and children while her ambitions push her need to succeed over love. Emily has looked after her little sister Jess since their mother’s death from breast cancer thirteen years ago. Concerned over her finances Emily presses Jess to purchase her company’s family and friends stock offering for $1,800 telling her she must find the cash herself. Hesitant to tap her father for the funds, Jess connects with a local Bialystock rabbi she meets through a neighbor and secures a loan. He is altruistic, not expecting repayment claiming he is investing in her future and not to make money. On the first day of trading her sister becomes a multi-millionaire, but any of you who remember the roller-coaster stock market of the new millennium know where this story is going.

The narrative moseys along through chapters of dot-com start-up details veering off on tangents with characters we don’t really need to know and do not care about until about half way through when George happens upon the rare book dealers Holy Grail. A large and incredible unique collection of old cookbooks stashed in the kitchen cupboards of a deceased Berkeley professor of Lichenology whose heir promised him never to sell, but is hard up for cash. Jess assists in wooing the quirky owner with a bit of intuition and psychology which pleases George, who has a new collection to add to his collection, but what he really wants to possess is Jess!

Full of dot-com detail and an interesting juxtaposition of analytical verses intuitive personalities, my expectations for The Cookbook Collector were so high that half way through the book I needed to take stock and reassess. Like Austen, Goodman’s characters are genuine, quirky and endearingly flawed but she spent too many pages wavering away from the ones I wanted to know more about: Jessamine, Emily and the two men in their lives that I questioned where she was going and why this was important far too often. The most intriguing character hands down was Jessamine, and like Austen’s Marianne Dashwood she is whimsical, openhearted and trusting. You know that she is heading for a fall, but love her all the more for it. How Jess the tree-huger and George the dishy curmudgeon will eventually come together, and we do know from the start that they will, is as satisfying as a seven course meal at Auberge du Soleil.

The Cookbook Collector is a romantic comedy with some social reproof stirred in for spice. It is rewarding if you have the patience for a bit of sideways adventure in the shallow high-tech dot-com world of ambitious risk-takers with mega-millionaire dreams. Goodman’s prose can be lyrical, alluring and very seductive. Interwoven are great moments of tantalizing descriptions of food and wine. I will never think about eating a peach again without remembering Jess and George. There are some unexpected twists and far-fetched coincidences that added surprise and whimsy, but crowning Ms Goodman the next Jane Austen? “[E]very impulse of feeling should be guided by reason; and, in my opinion, exertion should always be in proportion to what is required.”

3 out of 5 Stars

The Cookbook Collector, by Allegra Goodman
Random House (2010)
Hardcover (394) pages
ISBN: 978-0385340854

© 2007 – 2010 Laurel Ann Nattress, Austenprose

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The Season of Second Chances for The Season of Second Chances, by Diane Meier – A Review & Rant

Posted in Book Reviews, Randomly Not Jane Austen Book Reviews, tagged , , , , , , on 14 August 2010 | 10 Comments »

I recently finished The Season of Second Chances, by Diane Meier and liked it so much that I didn’t want to write about it!

I do that sometimes after experiencing a great movie, opera, musical or book. When something touches me profoundly, I want it all to myself. Talking or writing about it somehow takes the shine off my new found treasure. And then there is that Bridget Jones insecurity tapping me on the shoulder telling me that my review could never give it due justice, or I would gush about it so much that people will think I am nuts. Well, more nuts.

So, I have been holding it in savoring my selfish indulgence until this week when I read Ms. Meier’s poignant commentary on publishing, media and buyers perceptions of literature vs. chick-lit in the Huffington Post. I was miffed. Not only had her charming book received positive reviews from all sectors, it also garnered some not so complementary criticisms from those who wanted to classify it as chick-lit because its forty-something female protagonist renovates her home, and the cover has flowers on it. Flowers? Flowers now disqualify books from being literature and earmark them as chick-lit? Conversely, one reader review on Amazon hated it because it wasn’t chick-lit! Go Figure! Like her sharp, funny and insightful book Diane had the perfect come-back to this dilemma.

Okay, I wanted to respond, I’m sorry that you’re disappointed, but it’s like trying to blame a hot dog for not being ice cream.

Exactly!

What I didn’t see was that the chick-lit argument had landed squarely on my doorstep.

Was “The Season of Second Chances” Chick Lit or not? That, in itself, became the general theme of most reviews, professional and consumer.

“Five stars because it is NOT Chick Lit.”

“Zero stars because it is NOT Chick Lit.”

What? Who asked for this as a mark of critical analysis?

I will let you make your own decision, but first, you must read the book to understand the debate. Here’s a teaser and some thoughts…

Forty-eight year old English literature professor Joy Harkness has been avoiding relationships all her life. After fifteen years in the cold, competitive confines of Columbia University she accepts an exciting new position at Amherst College in Massachusetts. Eager to leave the spurious glamour of the New York lifestyle behind, she packs up her small cluttered apartment and purchases a once majestic Victorian house sorely in need of a major renovation. (not quite as disastrous as Mr. Blandings Builds His Dream House, but close). Everyone insists that she contact local home restoration magician Teddy Hennessy. The man who shows up does not look very promising and their first few meetings are discouraging, but Joy soon discovers that this thirty-five year old laid back mama’s boy is a genius with plumbing, carpentry, vintage detailing and paint chips.

Joy’s anonymous lifestyle from New York soon changes as she makes connections in the community of supportive female co-workers on campus and a romance with an eligible professor. But it is simple, unassuming Teddy who makes the biggest impact on her life, transforming her house and her heart. In turn, she thinks that he needs a make-over and encourages him to return to college for his degree so he can teach (like her). However, his sad past and his domineering mommy-dearest have a strong hold on him that Joy may not be able to fix with her academic acumen.

Meier has crafted a story resplendent with memorable characters ready to make you laugh out loud and nod your head in recognition of the foibles and follies in us all. Joy is a literature professor who has formed her thinking, and her life around critical analysis of classics books. She treats people the same way. As we follow the narrative she throws in all sorts of literary and cultural references as antecedents peppering the plot with descriptors at the most important moments: “His eyes narrowing like a small-town spinster at the suggestion of living in sin.”, “She was a strange bird, almost attractive in a hard and urban way that “seemed to have flown too close to the scalpel.“”,  or my personal favorite, “Like a stripper, I knew my routine, how much to reveal and when to cover up again.” I read this book during my lunch breaks at work and laughed so hard that my co-workers (fellow booksellers) looked at me in amazement quizzing me on what I was reading. I was happy to let them in on the secret. “The Season of Second Chances was a witty coming of age at any age story filled with astute observations and characters so real and outrageously funny that Jane Austen would smile.” There is more… but I promised I would not gush.

I loved the ending, but I can’t tell you about it. Nope. Won’t go there. I feel a personal affinity to Joy Harkness, being a single woman of a certain age who is having her own season of second chances. I wrote to Ms. Meier and told her so. She kindly replied that she wrote the book just for me! *purr*

Back to the literature vs. chick-lit kerfuffle. If Jane Austen is credited as being the grandmother of chick-lit and she is considered one of the finest writers EVAH – those good folks in book award land should take heed. The Season of Second Chances deserves its own second chance. Let’s call it literature. No chick-lit. Even better, chick-ature. Any thing you call it, it’s a darn good book.

5 out of 5 Stars

The Season of Second Chances, by Diane Meier
Henry Holt & Company, Inc. (2010)
Hardcover (304) pages
ISBN: 978-0805090819

© 2007 – 2010 Laurel Ann Nattress, Austenprose

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Austen at Large: The Flaws & Perfections of Miss Eliza Bennet

Posted in Jane Austen Adaptations, Jane Austen's Pride & Prejudice, Jane Austen's Works, Pride & Prejudice Movies, tagged , , , , , on 28 February 2009 | 7 Comments »

Elizabeth Garvie as Elizabeth Bennet, Pride and Prejudice (1979)

As many people who read this blog each week may know, Elizabeth Bennet is my favorite heroine. She is witty, caring, intelligent, honest, and bold. All characteristics which though I myself may not possess, I respect them in characters, as well as in people. In Elizabeth Bennet I do not see an idealized woman, yet I find her perfect. She has flaws, real ones, which I think makes her such a power and realistic character. Elizabeth Bennet would be the type of girl that I think many people would want to be their best friend. (Though we would not want the same fate as Charlotte) Elizabeth’s true beauty comes though in her dialogue and through her witty conversations with Charlotte, her father and Mr. Darcy and her ability to laugh at herself, a trait Mr. Darcy has not picked up yet. Elizabeth remembers “that he had yet to learn to be laughed at, and it was rather too early to begin” (Chapter 58). I feel like Eliza Bennet is one of those rare great characters who everyone can feel some connect to and who everyone likes. I dont think I have ever meet anyone who dislikes Elizabeth (though I would love to meet someone to argue it). I have seen her described as too critical and such, but I do not see that as a fault. I think it makes her more realistic and therefor more satisfactory that she has faults like being a little to judgmental. It only makes me love her more for them.

Jennifer Ehle as Elizabeth Bennet, Pride and Prejudice (1995)

In thinking about Elizabeth Bennet this week I was trying to think of characteristics and instances in the book where we see these being personified. Her cynicism is one of my favorite aspects of her personality. She says things that I wish I either had the guts to say or the wit to think up. Perhaps my favorite quote of Elizabeth is,

“The more I see of the world, the more am I dissatisfied with it; and every day confirms my belief of the inconsistency of all human characters, and of the little dependence that can be placed on the appearance of either merit or sense” (Chapter 24).

I don’t know about everyone else, but I think this statement works as well in the 21st-century as it did in her own. In fact this might be one of my favorite Jane Austen sayings because I quote it so much.

Grear Garson as Elizabeth Bennet, Pride and Prejudice (1940)

Elizabeth’s strength of character is another reason why I respect her. She stands up to Darcy and defends her sister Jane and Wickham. Yet she still can admit when she has been wrong. When Mr. Darcy proposes and Elizabeth’s rejects him the first time, she doesn’t just say no, (in today’s world she might say “HELL NO“) but she stands up to him about wrongs he has done. It takes and great strength of character and confidence to confront such a power man as Mr. Darcy. She later also stand up for herself against Lady Catherine. Both times Elizabeth is encountering someone more powerful than herself, yet as Elizabeth puts it, “My courage always rises with every attempt to intimidate me” (Chapter 31).

Though Elizabeth has the courage to stand up for herself, she also has the strength to know when she has been wrong, though it might take her a little while to figure it out. The fact that Eliza can disclose her faults makes her a real woman to the reader. Eliza admits,

“but vanity, not love, has been my folly. — Pleased with the preference of one, and offended by the neglect of the other, on the very beginning of our acquaintance, I have courted prepossession and ignorance, and driven reason away, where either were concerned. Till this moment, I never knew myself” (Chapter 31).

This is perhaps one of my favorite moments in the book because I feel like we really get to see into Eliza. She has the realization of her misjudgment and accepts it acknowledging her faults along the way. I see this moment as one of the most powerful for Elizabeth as a character and in Jane Austen with writing this. The intuition is astounding in this passage because Jane Austen seems to have the innate ability to look into Elizabeth’s soul and understand its workings even concerning things like her vanity.

Aishwarya Rai as Lalita Bakshi, Bride and Prejudice (2004)

Though Elizabeth has the courage to stand up for herself, she also has the strength to know when she has been wrong, though it might take her a little while to figure it out. The fact that Eliza can disclose her faults makes her a real woman to the reader. Eliza admits,

“but vanity, not love, has been my folly. — Pleased with the preference of one, and offended by the neglect of the other, on the very beginning of our acquaintance, I have courted prepossession and ignorance, and driven reason away, where either were concerned. Till this moment, never knew myself” (Chapter 31).

This is perhaps one of my favorite moments in the book because I feel like we really get to see into Eliza. She has the realization of her misjudgment and accepts it acknowledging her faults along the way. I see this moment as one of the most powerful for Elizabeth as a character and in Jane Austen with writing this. The intuition is astounding in this passage because Jane Austen seems to have the innate ability to look into Elizabeth’s soul and understand its workings even concerning things like her vanity.

Keira Knightley as Elizabeth Bennet, Pride & Prejudice (2005)

With Eliza Bennet I see a character that though not perfect by any means she is some form of an ideal. But perhaps this “ideal woman” has shifted through time from the Jane Bennet, “angel in the house” type woman to the Eliza Bennet. Eliza is feisty, clever, smart and honest yet she is also critical, cynical and judgmental at times. These “bad” qualities, I will not count as such. I don’t think they are necessarily an evil I think they are her insight. But perhaps this is yet again my prejudice for Eliza Bennet coming through. I just find her to be so extraordinary. I told one of my friends last year that she was “such an Elizabeth Bennet“, then to only say “and you dont know what a big complement that is coming from me“. She remarked “oh yes I do” : ). I just loved that she picked up on how much I admire Elizabeth and that she understood the comment for what it meant, that I saw her acknowledging both strengths and weaknesses of herself and still being able to laugh at herself. Eliza might not be everyone’s ideal heroine or woman but I agree with what Jane Austen wrote about her when she said, “I must confess that I think her as delightful a character as ever appeared in print, and how I shall be able to tolerate those who do not like her at least, I do not know“.

Until next week,

Virginia Claire

Virginia Claire, our Austen at Large roving reporter is a college student studying English literature and history who just returned from her time studying abroad in Bath England and working as an intern at the Jane Austen Centre. She is the Regional Coordinator of JASNA North Carolina and a lifelong Janeite. She will be sharing her thoughts on all things Austen this semester and remembering her travels in Austenland.

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Austen at Large: Some of my own prejudices when it come to Pride and Prejudice

Posted in Jane Austen Adaptations, Jane Austen's Pride & Prejudice, Jane Austen's Works, Pride & Prejudice Movies, tagged , , , , , , , , , on 21 February 2009 | 20 Comments »

Matthew Macfayden, Pride and Prejudice 2005

This week, as I began to reread Pride and Prejudice with my Jane Austen class, I have discovered some prejudices that I have. In reading a book that I know and love so well, I have almost found it hard to understand some people’s opinions of it. I will say that most girls in my class are very thoughtful and make wonderful remarks but there are some that I completely disagree with. I don’t know if it is because of my own prejudices against these views or what, but at times I feel that people are letting the adaptations influence their readings of the novel. Though I try to be a very thoughtful reader, and believe that students individually take away different things from a text, I find it difficult to understand where some of these girls are coming from. Sometimes I think that adaptations have limited or influenced their point of view, and yet when I think about it perhaps another adaptation has influenced or limited me as well. Yet I do try to look at the text for the text, and not how it is adapted in a movie.

I will give an example of this situation: We were reading aloud Darcy’s 1st proposal and Elizabeth’s refusal when one of the girls said “I think that Elizabeth really wanted to say yes somewhere deep down inside of her.” I could not let this observation go by without commenting on it because I did not see that in the text. If anyone wants to make an argument for it I would be more than willing to listen to it, but all this student could back it up with was that she just had a feeling that Elizabeth really wanted to say yes. When I read the text I see Elizabeth being completely driven by her dislike, irritation and misunderstanding of Darcy. She has just been pouring over her beloved sister Jane’s letters examining how much pain Jane is in because of Darcy. She notices that,

They contained no actual complaint, nor was there any revival of past occurrences, or any communication of present suffering. But in all, and in almost every line of each, there was a want of that cheerfulness which had been used to characterize her style, and which, proceeding from the serenity of a mind at ease with itself, and kindly disposed towards every one, had been scarcely ever clouded. (Chapter 34)

I think that for Elizabeth the knowledge of Mr. Darcy’s evolvement with the separation of Jane and Mr. Bingley would have driven away any feelings that she ever had (and which I think she NEVER had) for him.

Keira Knightley, Pride and Prejudice 2005

What I see in comments like this in class is the problem of Austen adaptations. I am not blaming any movie particularly, but rather the viewer. Every adaption brings something to the table that is interesting, and it is good to see many different points of view and such. What I have a HUGE problem with is when the adaptations start to taint the books; when readers start seeing the book as the movie and trying to make them fit together. No adaptation is ever going to be completely faithful to a book, (though the Fay Weldon 1980 Pride and Prejudice is pretty close), yet it is the job of the viewer to know the difference, and see through the movie. I think my friend was allowing the 2005 movie to influence her reading of the novel. I see that movie as trying to portray that Lizzy and Darcy are meant for each other from the first time they meet and that in the proposal scene, though Lizzy is very mad, there is some part of her that is still attracted to and interested in Darcy. As if they were soul mates and their souls were drawn together and yet their minds were keeping them apart.

I think this is making too much of the romance of the novel and ignoring Elizabeth’s real thoughts and feelings on the matter. The novel says,

In spite of her deeply-rooted dislike, she could not be insensible to the compliment of such a man’s affection, and though her intentions did not vary for an instant, she was at first sorry for the pain he was to receive; till, roused to resentment by his subsequent language, she lost all compassion in anger (Chapter 34).

I think this shows Elizabeth’s feeling on the matter perfectly. “Her intentions did not vary for a second“. It is hard for me to see the argument of Lizzy really wanted to say “yes” to Mr. Darcy in this scene. I just don’t buy it. I don’t buy it as an argument in the text and I certainly don’t buy it in the adaptation when they almost kiss at the end of the scene.

Matthew Macfayden, Pride and Prejudice 2005

I would be interested to know anyone else’s opinion on the subject because I think the use and power of adaptations is very interesting especially with Austen. A movie will never out do the book for me, I just wish that we would become better readers so that the novel will be speaking rather than an adaptation of it. Perhaps these are just my prejudices against those who perhaps like the movies better than the books, but as a lover of Austen’s novels it is hard for me to see how anything could surpass them.

Till next week!

Virginia Claire

Virginia Claire, our Austen at Large roving reporter is a college student studying English literature and history who just returned from her time studying abroad in Bath England and working as an intern at the Jane Austen Centre. She is the Regional Coordinator of JASNA North Carolina and a lifelong Janeite. She will be sharing her thoughts on all things Austen this semester and remembering her travels in Austenland.

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Persuasion: “I am so ill I can hardly speak.”

Posted in Jane Austen's Persuasion, Jane Austen's Works, tagged , , , , , , , , on 18 December 2008 | 10 Comments »

Illustration by Niroot Puttapipat, Persuasion, The Folio Society (2007)

“So, you are come at last! I began to think I should never see you. I am so ill I can hardly speak. I have not seen a creature the whole morning!”  

“I am sorry to find you unwell,” replied Anne. “You sent me such a good account of yourself on Thursday!”  

“Yes, I made the best of it; I always do: but I was very far from well at the time; and I do not think I ever was so ill in my life as I have been all this morning: very unfit to be left alone, I am sure. Suppose I were to be seized of a sudden in some dreadful way, and not able to ring the bell! So Lady Russell would not get out. I do not think she has been in this house three times this summer.”  

Anne said what was proper, and enquired after her husband. “Oh! Charles is out shooting. I have not seen him since seven o’clock. He would go, though I told him how ill I was. He said he should not stay out long; but he has never come back, and now it is almost one. I assure you, I have not seen a soul this whole long morning.”  

“You have had your little boys with you?”  

“Yes, as long as I could bear their noise; but they are so unmanageable that they do me more harm than good. Little Charles does not mind a word I say, and Walter is growing quite as bad.”  

“Well, you will soon be better now,” replied Anne cheerfully. “You know I always cure you when I come. Anne Elliot & Mary Musgrove, Persuasion, Chapter 5 

I would like Anne Elliot to come to my house today and cure me of this retched flu bug that has taken over my life for the last five days. I can’t seem to shake it, and am beginning to feel like Mary Musgrove spread out on her divan bemoaning her ailments to her kind and loving sister Anne. 

Jane Austen treats illness and death in her novels almost like another character. She seems to plant a sick one or death in each of her novels causing reaction in the community: Mr. John Dashwood Senior dies in Sense and Sensibility causing the whole plot to begin, Mrs. Bennet and her nerves in Pride and Prejudice, Lady Bertram and her mysterious languor in Mansfield Park, Mr. Woodhouse the valetudinarian who fusses over drafts and gruel in Emma, Mrs. Tilney whose mysterious illness and death in Northanger Abbey ignites heroine Catherine Morland’s Gothic imagination, and so many sickies and deaths in Persuasion, (Mary Musgrove, Mrs. Smith, Captain Harville, Captain James Benwick, Louisa Musgrove, Fanny Harville, and Mrs. Elizabeth Elliot) that you can not turn a page and not be reminded of it. 

There is a book devoted to interpreting Jane Austen’s view on health that I have not read, but could shed some light for interested readers entitled Jane Austen and the Body: ‘The Picture of Health’, by John Wiltshire which Austen scholar Juliet McMaster recommended as “…a fine book, informed and sensitive, and it throws a spotlight on an aspect of Austen’s work all too rarely noticed.” in the literary journal Eighteenth-Century Fiction. With that clout behind it, it is well worth a peek. 

Image of Anne Elliot and Mary Musgrove by illustrator Niroot Puttapipat, Persuasion, The Folio Society, London, (2007)     

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Jane Austen and the Seven Deadly Sins: Pride and Vanity

Posted in Jane Austen Inspired, Jane Austen's Emma, Jane Austen's Mansfield Park, Jane Austen's Northanger Abbey, Jane Austen's Persuasion, Jane Austen's Pride & Prejudice, Jane Austen's Sense and Sensibility, Jane Austen's Works, tagged , , , , , on 10 December 2008 | 4 Comments »

Illustration by CE Brock, Persuasion (1894)Vanity was the beginning and the end of Sir Walter Elliot’s character; vanity of person and of situation. He had been remarkably handsome in his youth; and, at fifty-four, was still a very fine man. Few women could think more of their personal appearance than he did; nor could the valet of any new made lord be more delighted with the place he held in society. The Narrator on Sir Walter Elliot, Persuasion, Chapter 1 

As a clergyman’s daughter Jane Austen would have been well aware of the significance of the seven deadly sins, those cardinal vices identified by the Catholic church in the 6th- century and later adopted by other Christian religions as the most offensive and serious of sins against god and humanity.  Listed as luxuria (extravagance, later lust), gula (gluttony), avaritia (greed), acedia (sloth), ira (wrath), invidia (envy), and superbia (pride), they were all egregious offenses that would qualify the sinner to at least one foot in hell unless they confessed and were penitent. This collection, though not identified in the Bible, was in the eyes of the church the foundation of moral corruption and considered mortal sins, a most serious offense threatening eternal damnation. Pretty serious stuff.   

Throughout Jane Austen’s novels, her characters exhibit a wide range of qualities from integrity to dissipation and vice making them very realistic, and not unlike people of our own acquaintance or popular renown. One could say that the struggle against the seven deadly sins is the driving force in her plots and one of the main reasons why people connect with them so readily. Her most popular characters Mr. Darcy and Elizabeth Bennet from Pride and Prejudice are prime examples of two of the deadly sins, the offence of pride and wrath. Though Austen does not condemn them for it (as the church might), their vices are the whole axis of the story.  

Today we shall look at the sin of pride, also known as vanity which was one of Jane Austen’s most popular choices of the seven deadly sins in her novels. Vanity appears 85 times and pride 111 times. Here are a few choice quotations: 

Vanity working on a weak head, produces every sort of mischief. Emma 

With insufferable vanity had she believed herself in the secret of every body’s feelings; with unpardonable arrogance proposed to arrange every body’s destiny. Emma 

Their vanity was in such good order that they seemed to be quite free from it, and gave themselves no airs; while the praises attending such behaviour, secured and brought round by their aunt, served to strengthen them in believing they had no faults. Mansfield Park 

Henry Crawford, ruined by early independence and bad domestic example, indulged in the freaks of a cold-blooded vanity a little too long. Mansfield Park 

Catherine listened with astonishment; she knew not how to reconcile two such very different accounts of the same thing; for she had not been brought up to understand the propensities of a rattle, nor to know to how many idle assertions and impudent falsehoods the excess of vanity will lead. Northanger Abbey 

From pride, ignorance, or fashion, our foes are almost as many as our readers. Northanger Abbey 

In vanity, therefore, she gained but little; her chief profit was in wonder. Northanger Abbey 

It was a struggle between propriety and vanity; but vanity got the better, and then Elizabeth was happy again. Persuasion 

“That is very true,” replied Elizabeth, “and I could easily forgive his pride, if he had not mortified mine.” Pride and Prejudice 

Vanity and pride are different things, though the words are often used synonimously. Pride and Prejudice 

“Pride relates more to our opinion of ourselves, vanity to what we would have others think of us.” Pride and Prejudice 

“Yes, vanity is a weakness indeed.” Pride and Prejudice 

If his own vanity, however, did not mislead him, he was the cause, his pride and caprice were the cause. Pride and Prejudice 

The world had made him extravagant and vain — extravagance and vanity had made him cold-hearted and selfish. Sense and Sensibility 

Vanity while seeking its own guilty triumph at the expense of another, had involved him in a real attachment, which extravagance, or at least its offspring, necessity, had required to be sacrificed. Sense and Sensibility 

Of all of Austen’s characters guilty of vanity, Sir Walter Elliot in Persuasion is definitely the leading offender. Austen leaves us in no doubt of his priorities in life toward his appearance and how it impacted his family. Mrs. Allen in Northanger Abbey arrives at a distant second being excessively fond of her clothing and constantly commenting on the inferiority of others choice of fabrics and garments. Who would dare dispute that Mr. Darcy in Pride and Prejudice has the most pride since an entire novel stems from it. Mrs. Fanny Dashwood in Sense and Sensibility in my mind is second in offence of pride after Mr. Darcy. She is so arrogant and prideful that she basically evicts her mother-in-law Mrs. Dashwood out of her home after the death of her father-in-law and talks her own husband out of giving them a decent living –  all for her vanity. There are others who come to mind: Miss Elizabeth Elliot in Persuasion who is definitely her father’s daughter, Mrs. Elton in Emma who is arrogance and puffery personified, Miss Mary Crawford in Mansfield Park who thinks herself above the truth, and that tactfully bereft General Tilney in Northanger Abbey who ejects poor Catherine Morland out of his house when he learns that she is not as flush as he thought. The list goes on and on with different degrees of offence, but in the end, we can rest assured that Austen does not treat these offenders lightly, passing her judgment according to propriety and her Christian principles.

Which characters do you find prideful and vain, and do you think that Austen portrayed them correctly?

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Go Gothic with Northanger Abbey Wrap Up: Giveaway Winners Announced!

Posted in Go Gothic with Northanger Abbey, Jane Austen's Northanger Abbey, Jane Austen's Works, tagged , , , , , , , on 31 October 2008 | 10 Comments »

“But now you love a hyacinth. So much the better. You have gained a new source of enjoyment, and it is well to have as many holds upon happiness as possible. Besides, a taste for flowers is always desirable in your sex, as a means of getting you out of doors, and tempting you to more frequent exercise than you would otherwise take. And though the love of a hyacinth may be rather domestic, who can tell, the sentiment once raised, but you may in time come to love a rose?” Henry Tilney, Chapter 22 

Ahh… Henry Tilney is so wise. It is well to have as many holds upon happiness as possible. As Catherine learned to love a hyacinth, I hope that readers have learned to love Northanger Abbey and gained a new source of enjoyment through the group read. For me, it was pure fun and a joy to write about. Jane Austen’s other major novels may get all the limelight, but I think it quite appropriate that it resides in a lower place like the spooky dungeons in the Gothic novels that it parodies. 

This is my second novel event here at Austenprose, and this time out I had some help from my friends with great guest blogs who added their expertise and humor to entertain us. A big thank you to all the guest bloggers. 

Amanda Grange: Henry Tilney’s Story

Diana Birchall: as Isabella Thorpe on Northanger movies

Margaret (Mags) Sullivan of AustenBlog: Henry Tilney the ultimate hero

Kali Pappas of Emma Adaptations & Strangegirl Designs: Fashion in the Northanger movies

James Jenkins of Valancourt Books: the ’horrid novels’ of Northanger Abbey

Trina Robbins & Anne Timmons: Gothic Classics: Graphic Classics Volume 14 

An extra loud shout out to Ms Place (Vic) of Jane Austen’s World: for writing four blogs on Catherine Morland’s experience in Bath. Great job and thanks Vic. 

PRIZE WINNERS

And now for the fun stuff! Here are all the winners of the 16 prizes. Congratulations to all, and many thanks to all who participated. 

Day 01 – Oct 1             Northanger Abbey – OWC – Heather                      

Day 02 – Oct 2            Northanger Abbey – Penguin Classics – Ren

Day 04 – Oct 7            Northanger Abbey – Barnes & Noble Classics – Lucia

Day 06 – Oct 9            Northanger Abbey – Norton Critical Edition – Felicia  

Day 08 – Oct 14          Jane Austen in Bath – Courtney  

Day 10 – Oct 16          Jane Austen’s Guide to Good Manners – Emily

Day 11 – Oct 19         Northanger Abbey Audio Unabridged – Janeen

Day 11 – Oct 19         Northanger Abbey Audio Abridged – Sylvia M.        

Day 12 – Oct 20         The Mysterious Warning – Valancourt Books – JaneFan  

Day 13 – Oct 21         Northanger Abbey Stage play – Carrie Oak Rise Cottage  

Day 15 – Oct 23         Jane Austen Entertains – Music CD – Joanna  

Day 16 – Oct 26         The Mysteries of Udolpho – OWC – Leah  

Day 17 – Oct 27         Gothic Classics: Graphic Classics Volume 14 - Becky

Day 18 – Oct 28         Northanger Abbey – Broadview - Crazy_Spinster

Day 19 - Oct 29         The Mysteries of Udolpho – Penguin Classics – M

Day 20 – Oct 30         Jane Austen: Seven Novels – Barnes & Noble - Susan 

Winners – Your prompt reply is appreciated. You have one week to claim your prize! Please e-mail me, (austenprose at verizon dot net) before Saturday, November 8th, 2008. If I do not receive a response by a winner by that date, I will draw another name and continue until all of the prizes have a home to mail them to. Thanks again to everyone for your great contributions. Congrats to the winners, and enjoy! 

Go Gothic with Northanger Abbey is officially concluded!

 

 

If you don’t read Northanger Abbey, Henry will know!

 

THE END 

 

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Northanger Abbey Chapters 1-3: Summary, Musings & Discussion: Day 2 Giveaway

Posted in Go Gothic with Northanger Abbey, Jane Austen's Northanger Abbey, tagged , , , , , , on 2 October 2008 | 17 Comments »

No one who had ever seen Catherine Morland in her infancy would have supposed her born to be a heroine. Her situation in life, the character of her father and mother, her own person and disposition, were all equally against her. The Narrator, Chapter 1 

Quick Synopsis

Catherine Morland the unlikely heroine lives a pretty average life with no mitigating factors to promote it. Her father is a financially secure clergyman, her mother well tempered and still alive after the birth of ten children. She is not a remarkable student and prefers cricket to dolls. At fifteen she improved greatly, much to her parent’s approval. Between fifteen and seventeen she reads books to influence a heroine in the making. Regrettably, there are no interesting suitors in the neighborhood. Friends of the family Mr. and Mrs. Allen invite Catherine to Bath. “If adventures will not befall a young lady in her own village, she must seek them abroad.” They arrive at Bath and proceed to shop for frocks and finery, visit the pump-room and prepare for a ball at the Upper Rooms where they know no one and have an uneventful evening. A second attempt proves more successful at the Lower Rooms when Catherine is introduced by the Master of Ceremonies to Mr. Tilney. They dance, have tea and he chides her about journal writing. The ball concludes and Catherine is inclined to continue the acquaintance.

Musings

While reading the first few paragraphs of chapter one, I am struck by the narrator’s use of language while introducing the main character Catherine Morland. Much of what we are told of her personality is described in an opposite analogy; no one would suspect her of being heroine, her father is not poor, rich or lock up his daughters, her mother did not die at her birth, the family has little right to be called pretty, she had neither a bad heart nor a bad temper, was seldom stubborn, scarcely ever quarrelsome, she is an unremarkable student and on and on. This style is psychologically unsettling, and I think that is Jane Austen’s goal. I feel like this a wind up for the big pitch that Austen will deliver in the future. Much to Catherine’s disappointment, everything is as it seems. Her life is average and unexceptional and that will not do for a young lady who thinks her life should be more eventful.

But when a young lady is to be a heroine, the perverseness of forty surrounding families cannot prevent her. Something must and will happen to throw a hero in her way…if adventures will not befall a young lady in her own village, she must seek them abroad. The Narrator, Chapter 1

And so Catherine’s adventure begins as she travels uneventfully to Bath with Mr. and Mrs. Allen secretly hoping for the excitement of being robbed or an over-turn to feed her active imagination. She could not be in more capable hands as Mrs. Allen, “one of that numerous class of females, whose society can raise no other emotion than surprise at there being any men in the world who could like them well enough to marry them.”, (Ouch. Austen really knows how to categorize people without delay), it appears is admirably suited to chaperone a young lady into society because she really has her priorities straight. She loves to shop!

Dress was her passion. She had a most harmless delight in being fine; and our heroine’s entree into life could not take place till after three or four days had been spent in learning what was mostly worn, and her chaperone was provided with a dress of the newest fashion. The Narrator, Chapter 2

Oh darn. New clothes and a make-over! Finally the new frocks and finery are finished and Catherine is dressed and ready for her entrance into society hoping to pass uncensored at the Upper Rooms. They arrive. The rooms are packed and the crush intense. By unwearied diligence they work their way through the crowd and the ball is a fine sight. Catherine longs to dance, but she and Mrs. Allen are not acquainted with anyone in the room. Amazingly, not much can be done about it because in Regency times, one did not just walk up to someone and ask them to dance before they had been properly introduced. So Catherine’s first official outing into society is a bust, and all that can be said on the matter is that they wished they had known someone – anyone! A bit of a disappointment for a heroine in the making, but her luck would soon change as they make a second attempt.

They made their appearance in the Lower Rooms; and here fortune was more favourable to our heroine. The master of the ceremonies introduced to her a very gentlemanlike young man as a partner; his name was Tilney. He seemed to be about four or five and twenty, was rather tall, had a pleasing countenance, a very intelligent and lively eye, and, if not quite handsome, was very near it. His address was good, and Catherine felt herself in high luck. The Narrator, Chapter 3

Yum. Henry Tilney has entered the building and Catherine’s adventure is about to begin. They dance and have tea and he inquires about her experience in Bath, taking it as far as teasing her about writing it all down in her journal.

“Now I must give one smirk, and then we may be rational again.” Catherine turned away her head, not knowing whether she might venture to laugh. “I see what you think of me,” said he gravely – “I shall make but a poor figure in your journal tomorrow.” 

“My journal!” 

“Yes, I know exactly what you will say: Friday, went to the Lower Rooms; wore my sprigged muslin robe with blue trimmings – plain black shoes – appeared to much advantage; but was strangely harassed by a queer, half-witted man, who would make me dance with him, and distressed me by his nonsense.” Henry Tilney and Catherine Morland, Chapter 3

This introduction to Henry Tilney is quite an eye popper. Confident and assured he is immediately quite the charmer, and in Regency times this may have been viewed as a bit too forward. Of course young and inexperienced Catherine does not quite know the difference, so he may play with her a bit more boldly than a seasoned Miss who might put him in his place. She is flattered by his attention and the ball concludes. Catherine is inclined to continue the acquaintance and thinks of him as she gets ready for bed. The narrator warns the reader that if a young lady was to dream about Mr. Tilney that it is improper, since a gentleman should dream about a lady first. Ha!

Further reading

  • Read the online text of Northanger Abbey complements of Molland’s
  • Read the Group reading schedule

Go Gothic with Northanger Abbey: DAY 2 Giveaway

 

Penguin Classics Northanger Abbey (2003)

By Jane Austen, introduction and notes by Marilyn Butler

Leave a comment by October 30th to qualify for the free drawing on October 31st for one copy of the Penguin Classics Northanger Abbey (Shipping to US residents only)

Upcoming event posts
Day 03 – Oct 6             Guest Blog Amanda Grange
Day 04 – Oct 7             Group Read NA Chapters 4-7
Day 05 – Oct 8             NA movies – Diana Birchall
Day 06 – Oct 9             Group Read NA Chapters 8-10

© 2008 Laurel Ann Nattress, Austenprose

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Mansfield Park Chapters 41-48: Summation, Musings & Discussion; Day 14 Give-away!

Posted in Jane Austen's Mansfield Park, Mansfield Park Madness, tagged , , , , , , , on 28 August 2008 | 13 Comments »

THE NOVEL

Good sense, like hers, will always act when really called upon; and she found that she had been able to name him to her mother, and recall her remembrance of the name, as that of “William’s friend,” though she could not previously have believed herself capable of uttering a syllable at such a moment. The consciousness of his being known there only as William’s friend was some support. Having introduced him, however, and being all reseated, the terrors that occurred of what this visit might lead to were overpowering, and she fancied herself on the point of fainting away. The Narrator, Chapter 41 

Quick Synopsis 

Henry visits Fanny in Portsmouth and attempts to show her that he has mended his selfish ways, showing concern for his tenants and her health. He asks her for business advice and she responds, “We have all a better guide in ourselves, if we would attend to it, than any other person can be”. A chatty letter from Mary Crawford confirms that she only values money and connections. Fanny borrows books from the circulating library so she and Susan can study together. Edmund writes to only talk about Mary, and mentions that he saw Maria and Henry together at a party in town.  Tom is seriously ill. Three months pass and Fanny longs to be home.  Mary writes quizzing Fanny about the extent of Tom’s illness. If he dies, their will be a better man to inherit Mansfield. Mary writes again, warning Fanny of a rumor about Henry. What does it mean? The newspaper reveals that Henry and Maria have run off together. Scandal! Edmund writes to reveal that Julia and Mr. Yates have eloped. She and Susan are summoned immediately to Mansfield. Everyone there is in a sour mood. Aunt Norris blames Fanny for Henry’s actions. No sign of the couple. Tom improves and will live. Edmund has a falling out with Mary and is done with her. Henry will not marry Maria, so in support of her favorite niece, Mrs. Norris leaves Mansfield to live with her. Edmund realizes he is in love with Fanny and they marry to live in Mansfield parsonage. Sir Thomas finally has the daughter he longed for. The end! 

Musings 

I am continually struck by what good sense Fanny has in the face of pressure and adversity. She often acts as everyone ought, the moral compass of principled decorum. Her visit to Portsmouth is quite an eye opener for the reader and the heroine. Jane Austen does not write about poverty often, but she certainly has the knack for it. I am in no doubt of the shabby condition of the household, the coarseness of her father with his ‘oaths’ and drinking, the unruly ragamuffin siblings, and the indifference of her mother to it all. Sir Thomas may have sent her there to see what a small income means, but I laughed out loud at our dear Fanny’s expense when I read this passage! 

After being nursed up at Mansfield, it was too late in the day to be hardened at Portsmouth; and though Sir Thomas, had he known all, might have thought his niece in the most promising way of being starved, both mind and body, into a much juster value for Mr. Crawford’s good company and good fortune, he would probably have feared to push his experiment farther, lest she might die under the cure. The Narrator, Chapter 42 

Too true! To torment her further, Henry Crawford arrives and is so civil and genteel, reminding her of her cousins and the more refined life that she has come to appreciate at Mansfield Park. When he begins to tell her of his concern for his tenants, I am a bit suspicious. Austen really starts to lay on the sympathy for Henry to confuse her, and us. Will he truly be reformed by his love of Fanny? He alone seems to be aware of how abominably her cousins treat her at Mansfield, even more so from a distance, as they have forgotten her in Portsmouth and do not write. He sees the change in her health and knows that she must walk and take the air to maintain it. It all starts to add up in Fanny’s mind.

And, if in little things, must it not be so in great? So anxious for her health and comfort, so very feeling as he now expressed himself, and really seemed, might not it be fairly supposed that he would not much longer persevere in a suit so distressing to her? The Narrator, Chapter 42

The story quickly turns to be all about Mary Crawford and her continued hope to mold Edmund into the rich and prominent man she craves. Through a series of letters Fanny is kept informed of the dealings of her cousins. It is her lifeline, and she anxiously awaits word as the news in each letter brings new anxieties and concerns. Foremost on her mind is Edmund and Mary’s relationship. Will he propose?  But he is silent and only Mary, who Fanny would rather not correspond with at all writes boasting of her society friend’s approval of him. Mary only values material things; a house in town, parties and praise from society and Fanny is disgusted by it. Mary is being influenced by her environment and friends!

Yet there was no saying what Miss Crawford might not ask. The prospect for her cousin grew worse and worse. The woman who could speak of him, and speak only of his appearance! What an unworthy attachment! To be deriving support from the commendations of Mrs. Fraser! She who had known him intimately half a year! Fanny was ashamed of her. The Narrator, Chapter 43

The long letter that Fanny has been anticipating finally arrives from Edmund. He does see Mary’s faults and her fixation on the values that he has questioned from the very first. She is even more corrupted by her friends and the changes he sees in her from the influence of Mrs. Fraser a cold-hearted, vain woman who married for convenience has altered Mary for the worse. He sees the differences between what she wants (money) and what he can offer more acutely. Still conflicted he shares an important observation with Fanny.

“I cannot give her up, Fanny. She is the only woman in the world whom I could ever think of as a wife. If I did not believe that she had some regard for me, of course I should not say this, but I do believe it. I am convinced that she is not without a decided preference.” Edmund Bertram, Chapter 44

Fanny, with her gentle and patient manner exclaims to herself that he should “Fix, commit, condemn yourself “. Bravo! She has had enough vacillation, and wants relief from the prolonged agony of not knowing. When Lady Bertram writes to alert Fanny that Tom is gravely ill, I though that they might send for her, but no. She must continue in her exile with her family, away from all whom she really cares about. Fanny is further appalled when Mary writes to quiz her for information on the extent of Tom’s illness. Material girl that Mary is, Edmund now becomes an even better catch should he become the heir to a Baronet if his brother dies.

She (Fanny) was more inclined to hope than fear for her cousin (Tom), except when she thought of Miss Crawford; but Miss Crawford gave her the idea of being the child of good luck, and to her selfishness and vanity it would be good luck to have Edmund the only son. The Narrator, Chapter 45

The next few chapters of the novel swiftly move to the climax and conclusion packed with so much action and drama that the pages just fly by for me. Fanny will receive two letters that change the entire course of her family and her life. The first letter hastily written and brief, is from Mary warning Fanny of a rumor about Henry. She is puzzled. What does it mean? To learn the whole story by chance is a clever twist by Austen when Fanny’s father discovers the scandalous tidbit in the gossip section of the London newspaper. Henry and Maria have run away together, and the couple’s whereabouts are unknown. Astonishing!

“but so many fine ladies were going to the devil nowadays that way, that there was no answering for anybody.” Mr. Price, Chapter 46

That Austen should give the simple and unrefined Mr. Price the delivery of such an insightful line is hysterical and very effective. Fanny’s reaction is a telling sign of her good nature, always wanting to believe the best of everyone and everything. She does not want to acknowledge it, but pieces the facts together from Mary’s letter and changes her mind. The second letter from Edmund confirms her fears and adds to others in his news that Julia and Mr. Yates have scandalized the family further and eloped to Scotland. Sir Thomas has requested that she return home immediately, and Edmund will arrive tomorrow to fetch her and Susan. Incredible! She has been released from her exile, but has she been forgiven? Edmund and Fanny have a joyful reunion “My Fanny, my only sister; my only comfort now!”, and she sees that Edmund is in low spirits and very quiet. She is very glad to quickly be on their way home!

How her heart swelled with joy and gratitude as she passed the barriers of Portsmouth, and how Susan’s face wore its broadest smiles, may be easily conceived. The Narrator, Chapter 46

How will the rest of the family be when she arrives after a three month absence and under such distressing conditions? Sour and sullen. Amazingly, Mrs. Norris is in the worst state having taken her favorite niece Maria’s impropriety personally since she had recommended the match. She shifts the blame very quickly though, now censuring Fanny for the couple’s wild behavior. If she had accepted Henry’s proposal he would have not looked elsewhere for amusements. Edmund is quiet and distant for some time until he finally confides in Fanny, relaying his final conversation with Mary Crawford and her downfall in his eyes.

“but the manner in which she spoke of the crime itself, giving it every reproach but the right; considering its ill consequences only as they were to be braved or overborne by a defiance of decency and impudence in wrong; and last of all, and above all, recommending to us a compliance, a compromise, an acquiescence in the continuance of the sin, on the chance of a marriage which, thinking as I now thought of her brother, should rather be prevented than sought; all this together most grievously convinced me that I had never understood her before, and that, as far as related to mind, it had been the creature of my own imagination, not Miss Crawford, that I had been too apt to dwell on for many months past. That, perhaps, it was best for me; I had less to regret in sacrificing a friendship, feelings, hopes which must, at any rate, have been torn from me now. And yet, that I must and would confess that, could I have restored her to what she had appeared to me before, I would infinitely prefer any increase of the pain of parting, for the sake of carrying with me the right of tenderness and esteem.’ Edmund Bertram, chapter 47 

The final blow in his view against her character and good judgment will be in her seeing the fault not in the deed itself, but that they were not clever enough to hide it and continue clandestinely. Her desire for Henry and Maria to marry and for his family to overlook the ‘sin’ and accept them back is more than he can abide. He now sees that he has never understood her before, and been deluded into overlooking her true nature. Again, Austen allows us to see people’s foibles through adversity, when our true principles are tested. Mary’s final decline in Edmund’s esteem is a great example of this. He is now done with her forever. His fears that he shall never meet another woman so fine again soon change. 

Scarcely had he done regretting Mary Crawford, and observing to Fanny how impossible it was that he should ever meet with such another woman, before it began to strike him whether a very different kind of woman might not do just as well, or a great deal better: whether Fanny herself were not growing as dear, as important to him in all her smiles and all her ways, as Mary Crawford had ever been; and whether it might not be a possible, an hopeful undertaking to persuade her that her warm and sisterly regard for him would be foundation enough for wedded love. The Narrator, Chapter 48 

So this is the extent of the romance for Fanny and Edmund? I do admit to feeling a bit cheated, given only a few short passages on the last page, but in looking back on their relationship throughout the novel it had been foreshadowed long ago by Austen through their friendship and mutual regard for each other. Is she slyly telling us that men and women can not be friends. That their is always more in any man – woman realtionship? Sadly, there is no proposal and acceptance scene. Drat! However, just like Edmund I also came to think of their being a couple as a natural thing, and not a reaction to his rejection of Mary. Austen wraps up the novel in a neat package very quickly.

Let other pens dwell on guilt and misery. I quit such odious subjects as soon as I can, impatient to restore everybody, not greatly in fault themselves, to tolerable comfort, and to have done with all the rest. The Narrator, Chapter 48

Those who have erred and behaved badly get their just deserts, hurrah! Henry will not marry Maria and she leaves him to live with Mrs. Norris, who “it may be reasonably supposed that their tempers became their mutual punishment“, Julia and Mr. Yates are eventually accepted back into the fold (after Sir Thomas comes to understand the extent of his wealth), Dr. Grant is promoted to Westminster and moves to London, dies from a fit of apoplexy from eating three rich dinners in one week, Mary lives with her widowed sister in London unable to find again such a fine man among the dandies in London, and Henry regrets the loss of Fanny forever, and ever! Sir Thomas, the one person who had also acted badly throughout the novel changes – now sees the error of his ways through the neglect of his daughter’s education - and is happy that he has found the daughter that he had always wanted in Fanny. Edmund succeeds to the living of Mansfield, and they live happily ever after in the shadow of Mansfield Park. 

On that event they removed to Mansfield; and the Parsonage there, which, under each of its two former owners, Fanny had never been able to approach but with some painful sensation of restraint or alarm, soon grew as dear to her heart, and as thoroughly perfect in her eyes, as everything else within the view and patronage of Mansfield Park had long been. The Narrator, Chapter 48 

THE END 

Further reading 

Online text complements of Molland’s Circulating Library

Cast of characters

Chapter 41-48 summary

Chapter 41-48 quotes and quips 

Mansfield Park Madness: Day 14 Give-away 

Leave a comment to by August 30 qualify for the free drawing on August 31 for one copy of.

 

Mansfield Park: Broadview Literary Texts Series

Broadview Press (2001). Novel text and introduction and notes by June Sturrock. Trade paperback, 528 pages, ISBN 978-1551110981 

Upcoming posts

Day 15 – Aug 29          MP: Sequels, Spinoff’s and Retellings
Day 16 – Aug 30          MP: The Scoop! What People Are Saying
Day 17 – Aug 31          MP Madness Roundup & Conclusion

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Oxford World’s Classics: Mansfield Park – Our Diptych Review

Posted in Book Reviews, Jane Austen's Novels & Letters Book Reviews, tagged , , , , , , , on 26 August 2008 | 8 Comments »

“Me!” cried Fanny…”Indeed you must excuse me. I could not act any thing if you were to give me the world. No, indeed, I cannot act.” Fanny Price, Chapter 15 

Gentle readers, Please join us for the third in a series of six diptych reviews of the revised editions of Jane Austen’s six major novels and three minor works that were released this summer by Oxford World’s Classics. Austenprose editor Laurel Ann is honored to be joined by Austen scholar Prof. Ellen Moody, who will be adding her professional insights to complement my everyman’s view.

 

Mansfield Park, by Jane Austen

Oxford World’s Classics Rev. Edition (2008)

 

Laurel Ann’s review

In a popularity poll of Jane Austen’s six major novels, Mansfield Park may come close to the bottom, but what a distinction that is in comparison to the rest of classic literature! Even though many find fault with its hero and heroine, its love story (or more accurately the lack of one), its dark subtext of abuse, neglect and oppression, and its overly moralistic tone, it is still Jane Austen; with her beautiful language, witty social observations and intriguing plot lines. Given the overruling benefits, I can still place it in my top ten all-time favorite classic books. 

Considering the difficulty that some readers have understanding Mansfield Park, the added benefit of good supplemental material is an even more important consideration in purchasing the novel. Recently I evaluated several editions of the novel currently in print which you can view here. For readers seeking a medium level of supplemental material, one solid candidate is the new reissue of Oxford World’s Classics (2008) which offers a useful combination of topics to expand on the text, place it in context to when it was written, and an insightful introduction by Jane Stabler, a Senior Lecturer in English at the University of Dundee, Scotland and Lord Byron scholar. 

Understanding all the important nuances and inner-meanings in Mansfield Park can be akin to ‘visiting Pemberley’, the extensive estate of the wealthy Mr. Darcy in Jane Austen’s more famous novel Pride and Prejudice. One is intrigued by its renown but hard pressed to take it all in on short acquaintance. The greatest benefit of the Oxford World’s Classics edition to the reader who seeks clarification is Jan Stabler’s thirty page introduction which is thoughtfully broken down into six sub categories by theme; The Politics of Home, Actors and Audiences, The Drama of Conscience, Stagecraft and Psychology, Possession, Restoration and Rebellion, and Disorder and Dynamism. Written at a level accessible to the novice and veteran alike, I particularly appreciate this type of thematic format when I am seeking an answer or explanation on one subject and do not have the time to wade through the entire essay at that moment. Her concluding lines seemed to sum up my recent feelings on the novel. 

“The brisk restoration of order at Mansfield Park and healing of the breach between parent and child is underwritten by the same doubt that lingers around the last scene of Shakespeare’s King Lear: ‘Is this the promis’d end? (v. iii 262). Recreating the urge to defy parental authority while teaching us to sit still, and pitting unruly energy against patient submission to the rule of law, Mansfield Park is an enthralling performance of the competitive forces which governed early nineteenth-century politics, society and art.“ 

For me, Mansfield Park is about Jane Austen teaching this unruly child to sit still and enjoy the performance! With patience, I have come to cherish Fanny Price, the most virtuous and under-rated heroine in classic literature! Re-reading the novel and supplemental material was well worth the extra effort, expanding my appreciation of Austen’s skills as a story teller and the understanding of the social workings in rural Regency England. I am never disappointed in her delivery of great quips such as 

“But there certainly are not so many men of large fortune in the world as there are pretty women to deserve them.” The Narrator, Chapter 1 

Also included in this edition are four appendixes; the first two on Rank and Social Status and Dancing which are included in all six of the Oxford World’s Classics Jane Austen editions and have been previously reviewed, followed by; Lovers’ Vows (the theatrical that the young people attempt to produce in the novel), and Austen and the Navy which helps the reader understand Jane Austen’s connection to the Royal Navy through her brothers James and Francis and its influence on her writing. The extensive Explanatory Notes to the text help place the novel in context for the modern reader while offering helpful and insightful nuggets of Regency information. 

Mansfield Park may have the dubious distinction of being Jane Austen’s most challenging novel, but I have come to appreciate her characters and plot by better understanding of the subtext through supplemental material and further re-readings of the novel. It is now one of my favorite Austen novels. Readers who hesitate to read Mansfield Park because of the ‘bad rap’ that it has received over the years are reminded of heroine Fanny Price’s excellent observation to the unprincipled character Henry Crawford, “We have all a better guide in ourselves, if we would attend to it, than any other person can be“. The Oxford World’s Classics Mansfield Park is certainly a fine edition to help you discover your own better inner-guide to the novel!

Rating: 4 out of 5 Regency Stars 

Please join us for the next review of Emma in September

Read my previous reviews in the Oxford World’s Classics – Jane Austen Collection

Mansfield Park by Jane Austen
Oxford World’s Classics
Oxford University Press, Rev. Ed. (2008)
Trade paperback, 480 pages, ISBN-13: 9780199535538
James Kinsley, editor 

Supplemental Material
Jane Stabler: Introduction and Explanatory Notes
Vivien Jones: Select Bibliography, Chronology and Appendixes
Biography of Jane Austen
Note on the Text
Textural Notes

 

Prof. Ellen Moody’s review 

“The World as a “take-in”:  the latest Oxford _Mansfield Park_

 

Tom Townsend (Edward Clements, the Edmund character) regaling Audrey Rouget (Carolyn Farina, the Fanny Price character) with Trilling’s commentary; she is not thrilled. [1] (1990 _Metropolitan_, free adaptation of _MP_)

Many covers of _Mansfield Park_ feature a grand ancient house seen in
the distance (even though Austen tells us it was modern) 

As Laurel says, here we are for a third go at a series of diptych reviews. This time our topic is _Mansfield Park_, a book which has become controversial first as utterly dislikable — boring, distasteful, and worse yet, a grave moral comedy; and then as radical — subversive, a book intended to expose the viciousness and ruthless exploitation upon which the comfort of the powerful and rich depends, indeed the most profound and far reaching, the richest of Austen’s books, not a mere love story, which element in the book often nowadays scarcely gets a look-in by some critics.  This singling out of the book as particularly “difficult” and needing especially diligent defense begins in 1944 when the first of the 20th century texts about Austen written by non-academic ordinary women readers, popular novelists themselves, Sheila Kaye-Smith and G. B. Stern’s _Speaking of Jane Austen_ hit the until then overwhelmingly male-dominated mostly high-minded criticism-land of Jane Austen (Mark Twain’s resentful venom and Rudyard Kipling’s ironies are rarities).  You see, as Edmund Wilson then (in reaction) condescended to explain, it seems “there is something wrong with _Mansfield Park_ and [Kaye-Smith and Stern] have a great deal to say it.”  Edmund Wilson’s “Long Talk about Austen” informed the world, among others, the today still supremely prestigious Vladmir Nabokov, that Jane Austen must be included in courses of great authors; the story goes Nabokov bristled, at which Wilson huffed, so Nabokov swallowed hard and reluctantly put _Mansfield Park_ in his syllabus[2]. 

The iconic scene of all the _MP_ movies:  Fanny (Sylvestre Le Tousel) writing, this case her beloved brother William; in all three costumed dramas, but especially this first (1983 BBC) she is the (unusal female) narrator of much of the story through subjective retrospective scenes.  Here we see her in her “nest of comforts,” her attic (as yet unheated). 

Here (1999 Miramax) she will when grown up (Francis O’Connor) will write stories (sometimes for her beloved sister Susan, Sophia Myles), but the function is occasionally the same, if the mood, upbeat comedy and directed at someone near her, like Edmund (Jonny Lee Miller) despite the gothicized surroundings, has been altered. 

Hitherto I have confined myself to complementing Laurel’s reviews with contextualization in the form of brief surveys of recent editions of the novels, covers and illustrations, film adapations available, and secondary issues about the book as a book, for “Ours is a competitive business, sir:” the latest Oxford _Sense and Sensibility, the problem of which text to choose (1811 or 1813); for A novel many novel-readers feel called upon to read: on the latest Oxford _Pride & Prejudice_, some sense of a series of book and movie events which have led to the book’s having become since the second half of the 20th century a transcendent best-seller (beginning with her nephew’s 1870 memoir, and including the usefulness of the book’s archetypal strong romance for movies, careers in and outside classrooms, and the heritage industry).  

I will again offer some description of other recent editions, and talk about the problem of which text to chose (we again have two texts printed in Austen’s lifetime, 1814 and 1816), and end on the movies, one of which is in my judgement a masterpiece of filmic art, the 1983 BBC _Mansfield Park_, one of the best film adaptations of an Austen book, and there have been many[3]. The difference will be this time I will discuss the book’s content directly with the aim of doing as many have done before me (I’ll quote them) explaining why there seems to be such disquiet to the point we are told (by Kingsley Amis, be it noted a misogynist in his fiction) _Mansfield Park_ is not the real Jane Austen, is utterly uncharacteristic, a product of imposed self-denying “revulsion physical and particular,” this Marvin Mudrick’s response partly to her heroine who stands for a type whom all right-minded people avoid and whose pious hypocrisy (aggressive-passiveness if you prefer) they see through in life and fiction[4]. continue reading

 

Fanny at the moment when Tom (Christopher Villiers) has suddenly called upon her to take a part (from the other side of the room, where he is busy suiting his convenience) and then insists: as she becomes the center of a scene she is intensely distressed (Edmund, Nicholas Farrell, and Mary, Jackie Smith-Wood, sit behind her) as

fn1.  Audrey Rouget, _Metropolitan_, in Whit Stillman’s _Barcelona/Metropolitan_ (London & Boston: Faber, 1994):192-93.  She is discussing Lionel Trilling’s essay (see my discussion of this and other essays on _MP_ below). 

fn2.  See (and read if you haven’t as yet) the fascinating Sheila Kaye-Smith and G.B. Stern’s _Speaking of Jane Austen_ (New York: Harper, 1994), published n England as _Talking of Jane Austen_; Edmund Wilson, “A Long Talk About Jane Austen,” _Classics and Commercials: a literary chronicle of the forties_ (New York: Farrar, Strauss, and Cudahy, 1951):196-203; and the overpraised “Jane Austen: Mansfield Park,” in Vladmir Nabokov, _Lectures on Literature_, ed. Fredson Bowers (New York:  Harcourt Brace Jovanovich, 1980):9-60. Nabokov analyzes the design and themes of the incidents at Sotherton and the play-acting, but the description of Austen’s novles as “delicate patterns, with her collection of eggshells in cotton wool,” in comparison say to the rich wide world (“tawny port“) of Dickens reveals the masculinist disdain of Austen:  he writes: “Personally I dislike porcelian and the minor arts … Let us not forget there are people who have devoted to Jane all their lives, their ivy-clad lives …” and so on and so forth (p. 63). 

fn3. For me undoubted masterpieces of filmic art which seriously engage with Austen’s texts are the of the apparently faithful adaptations: 1972 BBC _Emma_, 1979 BBC _P&P_, the 1983 BBC _MP_, the 1995 BBC/WBGH _P&P_, 1995 Miramax _S&S_ and 1995 BBC _Persuasion_ (95 was a great year), _ and the commentaries the 2007 _Persuasion_ and 2008 _S&S_.  Of the free adaptations another _MP_ film stands high, Whit Stillmans’ independent 1990 _Metropolitan_, the Tamil 2000 _I have Found it_ (_S&S_), Victor Nunez’s independent 1993 _Ruby in Paradise_ (_NA_) and the 2006 Warner _Lake House_ (_Persuasion_) seem the best in the serious vein, the Amy Heckerling’s 1996 Paramount _Clueless_ (_Emma_ and 2001 Columbia Tristar _Bridget Jones Diary_ (_P&P_) in the comic.   I also find of real interets the 1987 BBC _NA_, 2007 BBC/WBGH _NA_ , and the much-maligned (lie the book), 2007 ITV _MP_ 

fn4. Kingsley Amis, “What Became of Jane Austen,” _Jane Austen: A Collection of Critical Essays_, ed. Ian Watt (NJ: Prentice-Hall, 1963):141-43; Marvin Mudrick, _Jane Austen: irony as defense and discovery_ (Berkeley: University of California Press, 1952); 155-80. 

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Mansfield Park Chapters 33-40: Summation, Musings & Discussion: Day 12 Give-away!

Posted in Jane Austen's Mansfield Park, Mansfield Park Madness, tagged , , , , , , , , , , , , on 26 August 2008 | 11 Comments »

THE NOVEL

He was in love, very much in love; and it was a love which, operating on an active, sanguine spirit, of more warmth than delicacy, made her affection appear of greater consequence because it was withheld, and determined him to have the glory, as well as the felicity, of forcing her to love him. The Narrator on Henry Crawford, Chapter 33 

Quick Synopsis 

Henry persists in his quest for Fanny’s hand. Sir Thomas solicits Edmunds help, who attempts to discern what Fanny’s doubts are. He insists it was Henry’s abrupt delivery. She tells him she can not love a man of such unprincipled character. Everyone at Mansfield and the parsonage know of Henry’s proposal and in their own way try to chisel away at Fanny’s resolve. William visits on leave. Sir Thomas sees an opportunity for Fanny to see the difference that a good income can bring, and sends her home to her impoverished family in Portsmouth. Anxious to be with people who love her, the household, her parents and her siblings are a shock, and the complete opposite of her tranquil, ordered, and quiet home at Mansfield Park. Sister Susan shows some interest in improving herself and gives Fanny some hope. Edmund is more in love with Mary than ever, visiting her in London. Fanny dreads the post, fearful of what news it will bring. 

Musings 

After Fanny’s rejection of Henry’s offer of marriage, I am amazed at what lengths everyone takes to change her indifference to him. No one honors her decision and proceed to create excuses why she declined. Sir Thomas encourages Henry to continue his pursuit, which he does relentlessly, even though she shows him no encouragement at all. Having always won a ladies heart, he is both invigorated by her rejection and certain he will succeed. (conceited lout) Sir Thomas increases the pressure by telling his wife Lady Bertram and her sister Mrs. Norris of Henry’s proposal. They have opposite reactions; Lady Bertram thinks it an honor to her family to attract such a wealthy and handsome suitor, and Mrs. Norris takes it as an insult to her niece Julia who they all wanted Henry to marry from the beginning. 

Angry she (Mrs. Norris) was: bitterly angry; but she was more angry with Fanny for having received such an offer than for refusing it. It was an injury and affront to Julia, who ought to have been Mr. Crawford’s choice; and, independently of that, she disliked Fanny, because she had neglected her; and she would have grudged such an elevation to one whom she had been always trying to depress. The Narrator, Chapter 33 

I has stunned and disappointed in Edmund’s part in the interrogations, working away at his friend Fanny on behalf of his father. His actions hurt her the most since he was her mentor and only friend at Mansfield Park up until Mary Crawford corrupted him. All of his conversation now is tainted by her influence. When Edmund insists that he knows the truth of the rejection based on her surprise alone, I am angry at his arrogance and appalled that he suggests she should now let Henry succeed, and show everyone that she is the “perfect model of a woman which I have always believed you born for” Outrageous attitude from any friend, let alone a minister of the church. Where have his principles gone? I admire Fanny’s tenacity. She knows her mind and her own temperament. She explains that she and Henry are too different in nature to be happy together and does not waver from her position. Edmund, more than anyone in her circle should honor her wish to marry for love alone since his heart is also strongly inclined to the same desire, even though he has struggled against the unsuitability of his attachment to Mary Crawford for almost the entire novel! 

On his (Edmund) side the inclination was stronger, on hers less equivocal. His objections, the scruples of his integrity, seemed all done away, nobody could tell how; and the doubts and hesitations of her ambition were equally got over-and equally without apparent reason. It could only be imputed to increasing attachment. His good and her bad feelings yielded to love, and such love must unite them. The Narrator, Chapter 37 

The final wedge in an attempt to break Fanny’s spirit is Sir Thomas’ banishment of her to Portsmouth. His private plan is to let her see the difference that a good income can mean to her comfort, and motivate her to accept Henry Crawford with all his gentility and wealth. At first she sees it as a refuge from the pressures at Mansfield, and a benefit to be with family who truly love her, but after being reunited she soon discovers the disparity of the two households. Her parents, her siblings and their impoverished lifestyle are a quite a shock to a young lady who has become accustomed to living in the home of a Baronet. The noise, squalor and the indifference of her parents to her cruelly remind her of the peace, tranquility and order at her home, Mansfield Park. William departs for sea, and with no friend left in the world to support her, she is truly alone. Fearful of the pending news from London of Edmund and Mary’s engagement she waits for the other shoe to drop. Even under these adverse circumstances, our heroine is still optimistic. 

Fanny soon became more disposed to admire the natural light of the mind which could so early distinguish justly, than to censure severely the faults of conduct to which it led. The Narrator, Chapter 40 

With so much romantic turmoil in these last eight chapters, I am more than a bit uneasy with the uncertainty. Austen is building to a climax and I am all anticipation. We shall see if everyone ends up with who they love, or don’t know they love, and who gets their comeuppance. I have never known her to cheat us out of a wedding or two at the end, or a bit of moralizing for those unruly characters who stirred up the plot. One can never be certain though until the curtain falls on this theatrical.   

Further reading 

Online text complements of Molland’s Circulating Library

Cast of characters

Chapter 33-40 summary

Chapter 33-40 quotes and quips 

Mansfield Park Madness: Day 12 Give-away 

Leave a comment to by August 30 qualify for the free drawing on August 31 for one copy of.

Mansfield Park: Oxford World’s Classics

Oxford University Press (2008). Revised edition. Novel text and introduction and notes by Jane Stabler. Trade paperback, 418 pages, ISBN 978-0199535538 

Upcoming posts
Day 13 – Aug 27          MP 2007 movie discussion
Day 14 – Aug 28          MP novel discussion chapter 41-48
Day 15 – Aug 29          MP: Sequels, Spinoff’s and Retellings
Day 16 – Aug 30          MP: The Scoop! What People Are Saying

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Mansfield Park Chapters 25-32: Summation, Musings & Discussion: Day 9 Give-away!

Posted in Jane Austen's Mansfield Park, Mansfield Park Madness, tagged , , , , , , , , , on 23 August 2008 | 12 Comments »

THE NOVEL

Fanny’s last feeling in the visit was disappointment: for the shawl which Edmund was quietly taking from the servant to bring and put round her shoulders was seized by Mr. Crawford’s quicker hand, and she was obliged to be indebted to his more prominent attention. The Narrator, Chapter 25 

Quick Synopsis 

Sir Thomas notices that Henry is paying particular attention to Fanny as they dine at the parsonage. Henry visits Thornton Lacey, Edmund’s pending parish, and would like to improve the parsonage and live there himself. This talk reminds Mary of Edmund’s looming ordination. Sir Thomas will host a ball in Fanny and William’s honor at Mansfield. Fanny receives two gifts of chains for her amber cross. Which one should she wear? Fanny realizes that Edmund is seriously in love with Mary. Mary tells Edmund that she does not dance with clergymen in a last attempt to dissuade him from his profession. Fanny thinks “in spite of everything, that a ball was indeed delightful.” William departs for London with Henry. Henry returns informing Fanny that William has been promoted to lieutenant by his hand through his uncle the Admiral. She is delighted, until he proposes marriage. She will not accept, even though Sir Thomas drills and badgers her for reasons, condemning her as “Self-willed, obstinate, selfish, and ungrateful”.  Fanny is wretched and miserable and made to speak to Henry one last time. 

Musings 

Everyone notices Fanny at last! She has matured into a beautiful young woman and is being invited to visit the parsonage and dine, much to the amazement of her aunt’s who can only wonder why anyone would want Fanny, and lecture her on her manners and deportment. On reflection, it is really Mrs. Norris’ repeated putdowns that established her lowly position in the Mansfield household. If Lady Bertram’s passive indifference had been only the reverse, Fanny’s life and outlook could have been so much different. By nature she was a shy child, but a positive environment could have drawn her out. Mary Crawford seems to be her complete opposite in temperament and attitudes. I was struck by this telling quote. 

“There, I will stake my last like a woman of spirit. No cold prudence for me. I am not born to sit still and do nothing. If I lose the game, it shall not be from not striving for it.” Mary Crawford, Chapter 25 

And she is playing her game to win Edmund’s heart and persuade him to change his profession like a master. It seems in every one of their meeting, she is working away at his resolve in pursuit of her goal. He is charmed by her spell, blind to her faults, and ready to forgive her by rationalizing her indecorous behavior by blaming her upbringing. One wonders what kind of minister he will make if he does not read personalities or see human failings so easily? The one question that he deliberates over and over is, does she love him enough to give up her essentials to happiness, – money and freedom. He doubts it, but continues in his delusion all-the-same. I can not think of two people so far apart on principles and life goals than Mary and Edmund. Today, they would definitely fail one of those compatibility tests that young couples take before they marry! My heart went out to Fanny though when she truly understands how much in love with Mary he is. 

He was gone as he spoke; and Fanny remained to tranquillise herself as she could. She was one of his two dearest- that must support her. But the other: the first! She had never heard him speak so openly before, and though it told her no more than what she had long perceived, it was a stab, for it told of his own convictions and views. They were decided. He would marry Miss Crawford. The Narrator, Chapter 27 

My greatest surprise is in Henry Crawford! Has the callous cad found principles and virtues from his nearness to Fanny? If so, she may deserve sainthood! Ha! He has undergone such a material change from rogue to gallant savior with his attentions, manner and proclamations of his honorable intensions to Fanny, that I am all amazement. 

“I care neither what they say nor what they feel. They will now see what sort of woman it is that can attach me, that can attach a man of sense. I wish the discovery may do them any good. And they will now see their cousin treated as she ought to be, and I wish they may be heartily ashamed of their own abominable neglect and unkindness. They will be angry,” Henry Crawford, Chapter 30 

His timing with his offer of marriage to Fanny is off though, and blew my slight softening to him. Helping Fanny’s brother William to obtain a promotion was a sly manipulation to win her gratitude which she graciously bestowed. Never-the-less, how little he truly knows the woman that he wants to marry, judging her against other women of his acquaintance such as Julia and Maria who would have succumbed to his ploy and accepted him without hesitation. Our Fanny Price has principles and can not be bought or badgered by her uncle into submission. Bravo Fanny! 

Further reading 

Online text complements of Molland’s Circulating Library
Cast of characters
Chapter 25-32 summary
Chapter 25-32 quotes and quips 

Mansfield Park Madness: Day 9 Give-away 

Leave a comment to by August 30 qualify for the free drawing on August 31 for one copy of.

Mansfield Park: Barnes & Noble Classics

Barnes & Noble (2005). Revised edition. Novel text and introduction and notes by Amanda Claybaugh. Hardcover, 427 pages, ISBN 978-1593083564 

Upcoming posts
Day 10 – Aug 24          MP 1999 movie discussion
Day 11 – Aug 25          MP Oxford book review
Day 12 – Aug 26          MP novel discussion chapters 33-40
Day 13 – Aug 27          MP 2007 movie discussion

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Mansfield Park: Choice Quotes & Bon Mot’s: Day 8 Give-away!

Posted in Jane Austen Humor, Jane Austen's Mansfield Park, Mansfield Park Madness, tagged , , , , , , , on 22 August 2008 | 18 Comments »

The Novel

Jane Austen is renowned for her witty and sometimes cutting dialogue. Her novel Mansfield Park, though considered to contain a more darker subject matter, it still is full of them. Here are a select few that aim to amuse. Do not be surprised that the antagonist Mary Crawford gets all the best lines! 

“But there certainly are not so many men of large fortune in the world as there are pretty women to deserve them.” The Narrator, Chapter 1 

“Do not let us be frightened from a good deed by a trifle.” Mrs. Norris, Chapter 1 

“If this man had not twelve thousand a year, he would be a very stupid fellow.” Edmund Bertram on Mr. Rushworth, Chapter 4 

“Mansfield shall cure you.” Mrs. Grant, Chapter 5 

“Nothing ever fatigues me but doing what I do not like.” Mary Crawford, Chapter 7 

“Selfishness must always be forgiven, you know, because there is no hope of a cure.” Mary Crawford, Chapter 7 

“Everybody likes to go their own way–to choose their own time and manner of devotion.” Mary Crawford, Chapter 9 

“It will, I believe, be everywhere found, that as the clergy are, or are not what they ought to be, so are the rest of the nation.” Edmund Bertram, Chapter 9 

“Oh! Do not attack me with your watch. A watch is always too fast or too slow. I cannot be dictated to by a watch.” Mary Crawford, Chapter 9 

“To sit in the shade on a fine day, and look upon verdure, is the most perfect refreshment.” Fanny Price, Chapter 9 

It was a quick succession of busy nothings. The Narrator, Chapter 10 

“Where an opinion is general, it is usually correct.” Mary Crawford, Chapter 11 

“Those who have not more must be satisfied with what they have.” Mrs. Rushworth, Chapter 12 

“Family squabbling is the greatest evil of all, and we had better do anything than be altogether by the ears.” Edmund Bertram, Chapter 13 

“Let your conduct be the only harangue.” Edmund Bertram, Chapter 15 

“One cannot fix one’s eyes on the commonest natural production without finding food for a rambling fancy.” Fanny Price, Chapter 22 

“There seems something more speakingly incomprehensible in the powers, the failures, the inequalities of memory, than in any other of our intelligences.” Fanny Price, Chapter 22 

“Oh! you can do nothing but what you do already: be plagued very often, and never lose your temper.” Mary Crawford, Chapter 22 

“A large income is the best recipe for happiness I ever heard of.” Mary Crawford, Chapter 22 

“Nothing amuses me more than the easy manner with which everybody settles the abundance of those who have a great deal less than themselves.” Mary Crawford, Chapter 23 

“A woman can never be too fine while she is all in white.” Edmund Bertram, Chapter 23 

The enthusiasm of a woman’s love is even beyond the biographer’s. The Narrator, Chapter 27 

“I am worn out with civility,” said he. “I have been talking incessantly all night, and with nothing to say.” Edmund Bertram, Chapter 28 

“We have all a better guide in ourselves, if we would attend to it, than any other person can be.” Fanny Price, Chapter 42 

“Finish it at once. Let there be an end of this suspense. Fix, commit, condemn yourself.” Fanny Price, Chapter 44 

There is nothing like employment, active indispensable employment, for relieving sorrow. The Narrator, Chapter 46 

“Nobody minds having what is too good for them.” The Narrator, Chapter 48 

Let other pens dwell on guilt and misery. I quit such odious subjects as soon as I can. Narrator, Chapter 48 

Mansfield Park Madness: Day 8 Give-away

Leave a comment by August 30th. to qualify for the free drawing of two copies of 

The Jane Austen Miscellany

By Leslie Bolton, Sourcebooks, Inc. (2006). The ultimate guide of everything Jane Austen for those who just can’t get enough! Hardcover, 144 pages, ISBN 978-1402206856 

Upcoming posts
Day 9 – Aug 23            MP novel discussion chapters 25-32
Day 10 – Aug 24          MP 1999 movie discussion
Day 11 – Aug 25          MP Oxford book review
Day 12 – Aug 26          MP novel discussion chapters 33-40

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Mansfield Park Chapters 17-24: Summation, Musings & Discussion: Day 7 Give-away!

Posted in Jane Austen's Mansfield Park, Mansfield Park Madness, tagged , , , , , , on 21 August 2008 | 13 Comments »

The Novel

Her heart (Fanny) and her judgment were equally against Edmund’s decision: she could not acquit his unsteadiness, and his happiness under it made her wretched. The Narrator, Chapter 17 

Quick Synopsis 

Edmund reverses his opposition to act based on concerns for Mary Crawford. Fanny is shocked, Maria and Tom gloat. Henry’s flirtations with Maria become obvious to the others, and divides the two sisters. The actors squabble during rehearsals. Sir Thomas returns home from Antigua unannounced. The play is off and everyone’s spirits are low. The house is cleared of all evidence of the play including Mr. Yates. Henry leaves for Bath without declaring himself to Maria. She is miffed, but Julia gloats over her misery, relieved that he is gone. Since Henry did not propose and she must get away from her father’s tyranny, Maria marries Mr. Rushworth. Julia goes on honeymoon to Brighton with the newlyweds. In Maria and Julia’s absence, the focus shifts to Fanny for amusements for the Crawford’s. Mrs. Grants honors Fanny with an invitation to dine, much to Lady Bertram’s puzzlement. At dinner, Henry laments the loss of the play and Fanny condemns his “corrupted mind” intriguing Henry to look at Fanny in a whole new light. Mary laments Edmund’s pending ordination. Fanny’s brother William arrives at Mansfield. 

Musings 

As the plot develops, I am amazed at how layered it is becoming. The chapters of the theatrical being produced are almost like a mini-novella within the text. I understand that the play Lovers’ Vows which I have not read yet, adds greatly to the interpretation of the scenes as it mirrors much of the action. The romantic entanglements unfolding with the love triangle of Henry Crawford flirting with the two Bertram sisters is the main focus of these chapters, resulting in tension and suspense. Is this just entertainment for him or is he a serious suitor? Who does he prefer? Will Maria risk her reputation and dump the rich lout Mr. Rushworth for him? I am amused as both Mr. Rushworth and Henry Crawford take turns at discrediting each other behind their backs to the other members; Rushworth repeating his amazement at anyone liking such a short fellow, and Crawford deriding Rushworth’s ability to learn his four-and-twenty speeches! Too funny! Fanny, who is developing into the sage voice of reason and virtue, is appalled by it all. Jane Austen drops an insult by way of a complement to Henry Crawford with this telling clue as observed by Fanny. 

Mr. Crawford was considerably the best actor of all: he had more confidence than Edmund, more judgment than Tom, more talent and taste than Mr. Yates. She did not like him as a man, but she must admit him to be the best actor, and on this point there were not many who differed from her. The Narrator, Chapter 18 

When Sir Thomas’s early return from Antigua halts the play, it is interesting to see how all of the parties react; Edmund is horrified, Tom is annoyed, Maria and Julia miffed over the loss of Henry’s attentions, Mary non-pulsed, Henry bored again, and Fanny relieved that the perfect timing totally saved her from acting. Their naughty antics without proper parental supervision have ceased, and his children must face the music! Their lives are mundane and dull again at Mansfield under the tyranny of Sir Thomas. The over-all reaction is for those who can to scatter and flee; Mr. Yates departs, Henry leaves for Bath, Maria marries, and Julia goes with her to Brighton. Even though Jane Austen does not show us dialogue of Sir Thomas admonishing his children for their bad behavior, she cleverly shows us the gravity of a situation by other means through a characters reaction. 

He (Mr. Yates) had known many disagreeable fathers before, and often been struck with the inconveniences they occasioned, but never, in the whole course of his life, had he seen one of that class so unintelligibly moral, so infamously tyrannical as Sir Thomas. He was not a man to be endured but for his children’s sake, The Narrator, Chapter 20 

Now that Maria and Julia are gone, the spotlight turns to the only other young woman left at Mansfield, Fanny Price! This causes quite a bit of amazement from all quarters since Fanny, always in her cousin’s shadows has never been considered anything other than a glorified servant in the Mansfield household. So when Mary Crawford looks about for new amusements and sets her sights on poor innocent Fanny, the hairs on the back of neck go up. Mrs. Grant, concerned that Mary accustomed to the social pace of London is bored, encourages the friendship. When Fanny is invited to dine with the Grant’s at the parsonage, Lady Bertram is amazed that anyone would want Fanny as a guest. Lady Bertram’s reaction really clarifies the lowly position in the household that Fanny holds in her estimation. 

She (Fanny) had neither sympathy nor assistance from those who ought to have entered into her feelings and directed her taste; for Lady Bertram never thought of being useful to anybody, and Mrs. Norris, when she came on the morrow, in consequence of an early call and invitation from Sir Thomas, was in a very ill humour, and seemed intent only on lessening her niece’s pleasure, both present and future, as much as possible. The Narrator, Chapter 23 

Mrs. Norris’ reaction, as usual, is even stronger as she lectures her on staying within her sphere and that she must be the “lowest and the last” at the dinner! This is abominable behavior to a relative or anyone for that matter even in Regency times, but Fanny has no choice and must absorb it all. I am inclined to believe that it did have some effect on her spirits though, since while talking with Henry Crawford at dinner she speaks very boldly and out of character disagreeing with his views and condemning his “corrupted mind“!  Wow! That is the first time we have ever see Fanny speak out so strongly and I applauded her convictions. Henry is stirred by her spirit also, and decides that she is much improved in appearance and deposition and will be his next amusing romantic dalliance. 

“But I cannot be satisfied without Fanny Price, without making a small hole in Fanny Price’s heart.” Henry Crawford, Chapter 24 

Oh my! Jane Austen has added a new layer of romantic mischief to the plot. We shall see where it takes us and poor Fanny, who seems to be the Crawford’s new play-thing! With Fanny’s brother William’s arrival at Mansfield, we see how energetically Fanny reacts to family and people who truly love her. Henry is now even more determined to “be also loved by such a girl“, and extends his stay indefinitely. 

Further reading 

Online text complements of Molland’s Circulating Library
Cast of characters
Chapter 17-24 summary
Chapter 17-24 quotes and quips 

Mansfield Park Madness: Day 7 Give-away

Leave a comment by August 30th to qualify for the free drawing on August 31st.

Mansfield Park: Penguin Classics

Penguin Classics (2003). Revised edition. Novel text and re-instated introduction by Tony Tanner. Trade paperback, 480 pages, ISBN 978-0141439808 

Upcoming posts 
Day 8 – Aug 22            MP great quotes and quips
Day 9 – Aug 23            MP novel discussion chapters 25-32
Day 10 – Aug 24          MP 1999 movie discussion
Day 11 – Aug 25          MP Oxford book review

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Mansfield Park Chapters 9-16: Summation, Musings & Discussion: Day 5 Give-away!

Posted in Jane Austen's Mansfield Park, Mansfield Park Madness, tagged , , , , , , , , on 19 August 2008 | 22 Comments »

THE NOVEL

“You need not hurry when the object is only to prevent my saying a bon mot, for there is not the least wit in my nature. I am a very matter-of-fact, plain-spoken being, and may blunder on the borders of a repartee for half an hour together without striking it out.” Mary Crawford, Chapter 9 

Quick Synopsis

The party arrives at Mr. Rushworth’s estate of Sotherton Court to tour the grounds. Mary continues to deride Edmund on his choice of profession proclaiming that clergymen are nothing. Fanny is tired and deposited on a bench outside a locked garden gate where she observes the coming and going of different couples and individuals all in pursuit of one another. Back at Mansfield, Sir Thomas will return from Antigua in November which will set Maria’s wedding date. Mary continues to criticize the clergy not weakening Edmund’s infatuation of her. Tom returns from Antigua determined to stage a theatrical at Mansfield. Edmund is against it and will not act. Which play shall they do? It will be Lovers’ Vows. Bickering over the casting divides Julia and Maria. Fanny pressured and shamed into acting, strongly declines to participate in something that Sir Thomas would not approve. Edmund motivated by the possibility of someone outside of the family group being recruited to act opposite Mary caves, and will act after all. Fanny is surprised and shocked at his reversal. 

Musings 

Now that we have been introduced to the main cast of characters, the stage was been set to Jane Austen’s preference of “three or four families in a country village” with the Bertram clan, the Crawford siblings and the lone wolf Fanny Price holding the flag of decorum and virtue among so much vice, the real fun begins. The scenes at Sotherton Court offer an opportunity for Mary Crawford to express some very strong opinions against religion and the clergy. When she discovers that Edmund will take orders, she feigns contrition for speaking so strongly without knowledge, (for about a moment), and then picks up her protest again. 

“Do you think the church itself never chosen, then?” 

“Never is a black word. But yes, in the never of conversation, which means not very often, I do think it. For what is to be done in the church? Men love to distinguish themselves, and in either of the other lines distinction may be gained, but not in the church. A clergyman is nothing.” Edmund Bertram & Mary Crawford, Chapter 9 

Austen is really using Mary Crawford as a foil against social decorum and religious stricture. Her sideways, and sometimes direct attacks against the church and people who worship are strongly against tradition, even today, so they must have been quite provocative in 1814. So far, if you follow Fanny’s reactions to her, you can see the trail of clues that Austen is leaving. Edmund is becoming more ‘blinded by love’ as the story progresses. 

The locked gate scene at Sotherton parkland is one of my favorites of the first volume of the novel. After Fanny is deposited on a bench near a locked iron gate, she is witness to the coming and going of couples and individuals all seeking others, only to miss them and be disappointed. Austen is using all of her comedic genius to play off the flirtations and romances developing. Fanny is again shown as the solid point of reference as all the others interact foolishly. It will be interesting to look back on this scene at the conclusion of the novel and see if there is any foreshadowing afoot. 

When Tom Bertram returns from Antigua ahead of his father for the hunting season, I am immediately on alert. This is trouble. When he proposes that his siblings and the Crawford’s produce a theatrical for their personal amusement, the plot opens up to all sorts of possibilities of conflicts between decorum and egos. What transpires is almost a mini Shakespearean play within the novel, of characters acting in a play that mirrors their own behavior; – pitting siblings against each other, erupting an array of emotions resulting in jealousy, fear and anger. Their quarreling over selection of the play and the casting of the roles is tiresome, and seems to go on too long, but that is Austen’s point. She pushes her characters and the reader to the point of exhaustion.  

“Family squabbling is the greatest evil of all, and we had better do anything than be altogether by the ears.” Edmund Bertram, Chapter 13 

Setting up the characters in an adversarial position reveals much of their true nature. As in life, when characters are placed under pressure, we see what they are really made of. Edmund, in his father’s absence first opposes the play based on decorum. Should ladies act? What will people think? Tom, being the ungovernable son that he is, sees no harm. He is all about instant gratification. His two sisters are all for it because they can play out their competition for Henry Crawford’s affection. Mary Crawford is pulled into the scheme showing no personal concern as a lady. She always does what she chooses and is an advocate for letting others do the same. As Lady Bertram doses on the sofa ambivalent to her children’s antics, Aunt Norris who is usually the kill-joy of all pleasure and expense surprisingly does not oppose her nephew either. Fanny sits by, quietly watching in shock until pressed into service to act. She declines, standing with Edmund against the plan, even after a shameful railing by her Aunt Norris that sends her into anxiety and self doubt. 

“What a piece of work here is about nothing: I am quite ashamed of you, Fanny, to make such a difficulty of obliging your cousins in a trifle of this sort-so kind as they are to you! Take the part with a good grace, and let us hear no more of the matter, I entreat.” Mrs. Norris, Chapter 15 

The biggest shock for me (and also Fanny) was Edmund’s reversal for weak reasons. After vehemently opposing the play, he acquiesces based on his concern for Mary Crawford! Oh how gallantly he goes out on his unprincipled limb to save her the discomfort of acting with a stranger outside the family circle. (I smell a besotted sod here) He rationalizes all this to the only person who is on his side, Fanny, who is shocked and puzzled, and then begins to doubt her own decision since her mentor Edmund has changed his colors. After deep reflection, I think she has the better handle on all the nonsense. 

Things should take their course; she cared not how it ended. Her cousins might attack, but could hardly tease her. She was beyond their reach; and if at last obliged to yield-no matter-it was all misery now. The Narrator, Chapter 16 

Further reading 

Online text complements of Molland’s Circulating Library
Cast of characters
Chapter 9-16 summary
Chapter 9-16 quotes and quips 

Mansfield Park Madness: Day 5 Give-away

Leave a comment by August 30th. to qualify for the free drawing on August 31st. 

Jane Austen Journal

By Potter Style. Paperback lined journal with the image of Regency lady and quote “We have a better guide in ourselves, if we would attend to it, than any other person can be” from Mansfield Park. 160 pages, ISBN 978-0307352392 

Upcoming posts
Day 6 – Aug 20            Metropolitan movie discussion
Day 7 – Aug 21            MP novel discussion chapters 17-24
Day 8 – Aug 22            MP great quotes and quips
Day 9 – Aug 23            MP novel discussion chapters 25-32

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Mansfield Park: Naxos AudioBooks (2007) Read by Juliet Stevenson: Day 4 Give-away!

Posted in Audio Book Reviews, Book Reviews, Jane Austen's Mansfield Park, Jane Austen's Novels & Letters Book Reviews, Jane Austen's Works, Mansfield Park Madness, tagged , , , , , , on 18 August 2008 | 21 Comments »

THE AUDIO

I adore audio books and always have one playing away in my car during my commute to work; — so when I went hunting to purchase a new unabridged audio edition on CD of Jane Austen’s novel Mansfield Park, I was quite surprised to learn that my choices were very few at exactly two; a Blackstone AudioBooks, Inc (2008) read by Johanna Ward and a Naxos AudioBooks (2007) read by Juliet Stevenson. My first choice was of course the Juliet Stevenson version, for what Janeite could ever forget her outrageous performance as Mrs. Elton in the 1996 movie adaptation of Emma?  My abject apologies to Johanna Ward, who I am sure must be a very fine reader since she has several audio books to her credit, but the thought of listening to Mansfield Park read by Mrs. Elton just intrigued me and gave me the giggles. If anyone could liven up Mansfield Park, reputed to be Jane Austen’s most complex and dark novel, she could! 

Being a reader for an audio book is not an easy task since so many different ‘performances’ are required to distinguish each of the characters for the listener. I have found through a course of trial and error that I enjoy audio books read by classically trained actors. Juliet Stevenson fills this qualification perfectly for me using every inch of her Royal Shakespearean Company training. Her understanding of Jane Austen’s use of language and her true British accent added greatly to my enjoyment of this fine production. 

Naxos AudioBooks has made quite a solid commitment to present quality productions of all of Jane Austen’s six major novels in unabridged and abridged formats. You can read about all of their recordings on their excellent web site and listen to a PodCast of an interview of Juliet Stevenson as she discusses her involvement in the audio recordings and her affinity to Jane Austen. Of note is the free download for this month of Milton’s L’Allegro read by Samantha Bond (Maria Bertram in Mansfield Park 1983 and Mrs. Weston in Emma 1996)

It has been said that Jane Austen often read her writings to her family as entertainments. Her beautiful use of language which just flows effortlessly is completely suited for the spoken word. When you add to perfection an accomplished actress with a keen sensitivity to Jane Austen’s particular style, the results truly are remarkable.

Rating: 4 out of 5 Regency Stars 

Mansfield Park Madness: Day 4 Give-away

Leave a comment by August 30th. to qualify for the free drawing on August 31st. for one abridged and one unabridged copy of

Mansfield Park: The Complete Classics Series Audio Book

Naxos AudioBooks (2007). A brilliant reading by the acclaimed British actress Juliet Stevenson. Unabridged 14 CD’s (17 hours), ISBN: 978-9626344675, abridged 3 CD’s  ISBN: 978-9626340677

FREE JANE AUSTEN AUDIO SAMPLER

Available to all participants of Mansfield Park Madness. Just leave a comment between August 15-30, 2008 and e-mail your physical address to Austenprose at Verizon dot net before September 1, 2008 and you will receive one copy of the following sampler by mail. US residents only.

Jane Austen Naxos AudioBooks Sampler, read by various artists

Naxos AudioBooks, Ltd. (2008). A lively sample reading of the Biography of Jane Austen by Elizabeth Jenkins, Pride and Prejudice, Sense and Sensibility, Mansfield Park, Emma, Northanger Abbey, Persuasion and an interview with actress Juliet Stevenson. 1 CD, 75 minuets. 

Upcoming posts
Day 5 – Aug 19            MP novel discussion chapters 9-16
Day 6 – Aug 20            Metropolitan movie discussion
Day 7 – Aug 21            MP novel discussion chapters 17-24
Day 8 – Aug 22            MP great quotes and quips

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Mansfield Park Chapters 1-8: Summation, Musings & Discussion: Day 2 Give-away

Posted in Jane Austen's Mansfield Park, Mansfield Park Madness, tagged , , , , , , , , , , , , , on 16 August 2008 | 17 Comments »

Illustration by H.M. Brock, Mansfield Park Ch 2 (1898)

THE NOVEL

“Do not let us be frightened from a good deed by a trifle. Give a girl an education, and introduce her properly into the world, and ten to one but she has the means of settling well, without farther expense to anybody.” Mrs. Norris, Chapter 1

Quick Synopsis

Ten year old poor relation Fanny Price arrives at Mansfield Park and meets her cousins the Bertrams. Spoiled sisters Maria and Julia think her ignorant and stupid. Sad and sacred, her only friend is cousin Edmund who helps her write a letter to brother William. Five years pass. Sir Thomas Bertram and eldest son Tom leave for Antigua. Maria and Julia husband hunt with Aunt Norris. Fanny left out. Maria engaged to Mr. Rushworth. Mary and Henry Crawford arrive and meet their neighbors. Maria and Julia keen on Henry. Mary keen on Tom. Fanny and Edmund think Mary indecorous. Mary’s harp arrives, bewitching Edmund who falls in love with Mary. All the young people travel to Mr. Rushworth’s estate of Sotherton.   

Musings 

Jane Austen sets the tone of the novel immediately with Mrs. Norris’ passive-aggressive surly voice. It is effectively comical and annoying at the same time. She seems to run the Bertram family while her sister lounges on the sofa with her dog pug. I loved this description of Lady Bertram. 

To the education of her daughters Lady Bertram paid not the smallest attention. She had not time for such cares. She was a woman who spent her days in sitting, nicely dressed, on a sofa, doing some long piece of needlework, of little use and no beauty, thinking more of her pug than her children, but very indulgent to the latter when it did not put herself to inconvenience, guided in everything important by Sir Thomas, and in smaller concerns by her sister. The Narrator, Chapter 4 

I think that Austen is introducing a theme here of negligent parenting with possibilities for great material. Lady Bertram’s two spoiled and snarky daughters Maria and Julia are certainly the evidence of it. Their brother Tom the eldest son seems to be also ungovernable by their father Sir Thomas, gambling and drinking with little regret. Only second son Edmund seems to have his head on straight, though I fear he has over compensated for his lax upbringing and taken the high road too firmly with his moralizing and starchy attitudes. With an outlook like this, one can only imagine his frustration in living in a household of such cretins and understand his desire to be a minister to save unruly souls. 

When we are introduced to newcomers to the neighborhood siblings Mary and Henry Crawford, I was amazed at how well their cutting remarks and superior attitude fit in with the Bertram clan. It is no wonder that the introductions go so well. I was amused that their sister Mrs. Grant immediately suggests possible mates for her single brother and sister. Shades of an Emma Woodhouse; – who may only be a gleam in Austen’s eye while writing this. Their discussion on marriage in chapters four and five is a great introduction to their personalities, and sets the stage for future romantic machinations. Here are two favorite quotes by Henry and Mary that really reveal what is coming. 

“I am of a cautious temper, and unwilling to risk my happiness in a hurry. Nobody can think more highly of the matrimonial state than myself I consider the blessing of a wife as most justly described in those discreet lines of the poet-’Heaven’s last best gift.’” Henry Crawford, Chapter 4 

Of course, he is being totally sarcastic and poking fun at marriage and women after his sister Mary derides his past performance with ladies to their sister Mrs. Grant. 

“In marriage…there is not one in a hundred of either sex who is not taken in when they marry. Look where I will, I see that it is so; and I feel that it must be so, when I consider that it is, of all transactions, the one in which people expect most from others, and are least honest themselves.” Mary Crawford, Chapter 5 

Mary Crawford is much more frank about it. Like Elizabeth Bennet she decidedly expresses her opinions, but unlike Jane Austen’s other strong female character from Pride and Prejudice she does so without much censure and is often moralistically off center. I like that dangerous laissez-faire, wildly over confident quality about her. She definitely gets the sharp witty dialogue that Austen is so famous for. It is like watching a train wreck and makes for a great story. 

But what of our heroine Fanny Price? At this point she has had little to say or do. Cleverly, I think that is Austen’s point. Being the poor relation and a charity case in a resplendent household is a tenuous position. We see her pitiful situation, how terribly she is treated by her cousins, and feel her pain. It is uncomfortable and we are angered by it. The over-eager reader may miss the subtly of her character and not understand why she is in the background so much. It is a bit perplexing but I am confident that Austen has her reasons that will unfold as the plot develops. 

Questions 

  1. Why is Mrs. Norris not given a first name? Is this a telescopic insight by Jane Austen by way of a slight?
  2. Fanny Price does not act like Jane Austen’s other heroines. Nor does Mary Crawford. Is Austen being ambiguous?
  3. Why do you think that Austen has set up such a caustic cast of characters? What are the benefits and downfalls to this approach? 

Further reading 

Online text complements of Molland’s Circulating Library
Cast of characters
Chapter 1-8 summary
Chapter 1-8 quotes and quips

Mansfield Park Madness: Day 2 Give-away

Leave a comment by August 30th. to qualify for the free drawing on August 31st. for one copy of

The Oxford Illustrated Jane Austen: Volume III: Mansfield Park

Oxford University Press, USA (1988). Third edition. This hardcover volume has been the preferred edition by many since its publication in 1923. It includes an unabridged novel text and extensive supplemental material. Nice compact, but could use a make-over!

Upcoming posts
Day 3 – Aug 17            MP 1983 movie discussion
Day 4 – Aug 18            MP Naxos (Juliet Stevenson) audio
Day 5 – Aug 19            MP novel discussion chapters 9-16
Day 6 – Aug 20            Metropolitan movie discussion

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Mansfield Park: Current Editions in Print Roundup & Review

Posted in Book Reviews, Jane Austen's Mansfield Park, Jane Austen's Novels & Letters Book Reviews, Jane Austen's Works, Mansfield Park Madness, tagged , , , , , , , , , , , , on 16 August 2008 | 5 Comments »

THE SCOOP

Literary classics that are out of copyright can be a gold mine for publishers. With no living authors to negotiate contracts or pester them about marketing and promotions, they are at their leisure to do as they please, and do so, as is apparent in some choices of cover artwork! The competition in the marketplace for classics is stiff and really heats up when a renowned author such as Jane Austen enters the arena. Even her lesser known works such as Northanger Abbey and Mansfield Park get equal treatment. Hurrah. We are all for equality in the book force.

There are at present over 50 editions of Mansfield Park available in printed book format on Amazon.com. Everyone has their preferred edition, but here are my selections of the best and brightest currently in print. I would love to hear about your favoured edition, so please share by leaving a comment between August 16 and the 30 to qualify for some of our free give-aways during Mansfield Park Madness.  

Books 

The Oxford Illustrated Jane Austen: Volume III: Mansfield Park

Oxford University Press, USA (1988). First published in 1923, this third edition of Oxford’s classic volume is still the definitive text and supplemental material recommended by JASNA and many veteran readers of Jane Austen novels. Editor Dr. R.W. Chapman’s emendations and revisions of the text based on a “full collation between all the published editions in the author’s lifetime” is currently under debate by scholars, but the nuances will fly past the pleasure reader. This volume contains an impressive presentation of support material including: Introductory Note, the complete play Lovers’ Vows which the characters in novel attempt to produce, Appendixes on the Chronology of Mansfield Park, Improvements, and Carriages and Travel, and Indexes to the Characters &C. The size is quite workable in spite of its extras. Probably the most used supplemental material on Mansfield Park in my personal library. Hardcover, 584 pages, ISBN 978-0192547033. 4 out of 5 Regency stars           

Mansfield Park: Penguin Classics

Penguin Classics (2003). Revised edition. The interesting slant on this edition is that the editor Kathryn Sutherland used the text of the first edition of Mansfield Park (1814), which literally reverses the emendations by Chapman in the Oxford editions, and has not attempted to make any changes; not even spelling corrections or the ones that Jane Austen made herself for the second edition! She kindly refers the reader to the extensive ‘Emendations to the Text’ section and lists the changes from the first edition of 1814 to the second edition of 1816. Pleasure readers might be puzzled by all this posturing by Austen scholars, (which is a bit deep into subtle nuances), but the rest of the supplemental material is quite extensive and helpful including; Introduction, Chronology, Further Reading, Note on Text; Appendixes: Re-instated introduction by Tony Tanner, Emendations to the Text, Textural Variants between the First and Second editions and Notes broken down by chapters. This a tight and clean editionwith its chapter notes and the re-instated introduction by Tony Tanner make it well worth the price. Trade paperback, 480 pages. $8.00, ISBN 978-0141439808. 3½ out of 5 Regency stars           

Mansfield Park: Barnes & Noble Classics

Barnes & Noble (2004). Revised edition. The best thing going for this edition is its typesetting size and price. I could not find any mention of what edition or level of emendations where used on the text, so the editors are not shooting for the scholarly types; just plan old folks who don’t give two figs about what the textural battles are about. This is a slight oversight, since they had plenty of available space on the front pages to just mention what text they used and why. Oh well. Mansfield Park is Jane Austen, largest novel in size motivating publishers to try to cut down on price by using smaller print which can be quite vexing even to young readers, so this edition’s larger typeface is a pleasant surprise. The supplemental material is medium depth and includes; From the Pages of Mansfield Park which include some choice quotes, Biography of Jane Austen, The World of Jane Austen and Mansfield Park which is basically a chronology, Introduction by Amanda Claybaugh, brief Endnotes, Inspired by Mansfield Park which includes short blurbs on the movies Metropolitan and Mansfield Park (1999), Comments and Questions, and Further Reading. I will say that most of the comparably priced MP’s do not include any supplemental material, so B&N’s clout and deep pockets give readers a slight bonus. Hardcover, 427 pages, $7.95, ISBN 978-1593083564; softcover, 427 pages, $5.95, ISBN: 978-1593081546. 2½ out of 5 Regency stars 

Mansfield Park: Oxford World’s Classics

Oxford University Press (2008). Revised edition. Oxford Press continues to impress me with their commitment to publish classics and revise them regularly. This new edition is much the same as its predecessor the 2003 edition, (which was truly a revision with new supplemental material), however, Oxford did spiff up the cover modernizing the design! This volume still shines in my estimation of what a great medium sized edition should be presenting an array of supplemental material that is easy to access, informative and inspiring including; Biography of Jane Austen, Introduction by Jane Stabler, Notes on the Text, Chronology; Four Appendixes: Lovers’ Vows (the play that the characters attempt to produce), Rank and Social Status, Dancing, Austen and the Navy; Textural Notes and Explanatory Notes. When it comes down to the wire, this edition is the best buy for the price at $7.95. Trade paperback, 418 pages, ISBN 978-0199535538. 3½ out of 5 Regency stars 

Mansfield Park: Broadview Literary Texts Series

Broadview Press (2001). This hefty volume may just be the most in depth presentation of supplemental material available with an affordable price tag. The eight appendixes pull together a variety of interesting and comprehensive essays to help the reader place the novel in historical and social context, the author’s world and perspective at the time of its writing, and beyond. Some of the topics covered in the appendixes are (and space permits me from listing them all, so if you really need to know, go here) The Theatricals in Mansfield Park, Religion, Ideals of Femininity, The Improvement of the Estate, The West Indian Connection, Women’s Education, Contemporary Reception of Mansfield Park and Jane Austen’s Letters and Mansfield Park. This edition also includes a full introduction by noted scholar June Sturrock of Simon Fraser University, Notes on the text, a Chronology, and the full novel text! I can imagine that this would be very useful to advanced high school students, college level, and true Janeites who really want to dig deep into understanding the novel, its impact on literature, and the social context that inspired it. Trade paperback, 528 pages, $14.95, ISBN 978-1551110981. 5 out of 5 Regency stars 

Mansfield Park: Norton Critical Edition

W.W. Norton & Co, Inc. (1998). Another authoritative presentation of in-depth supplemental material for scholars and serious students to digest, covering an incredibly impressive array of topics mentioned in, inspired by, or about the novel, all edited and introduced by Princeton University Professor, and Austen scholar Claudia L. Johnson. The major categories of the supplemental material include; a full Introduction, Map of England, Notes on the Text; Contexts including twelve essays ranging from poet William Cowper to landscape designer Humphry Repton; and Criticisms by Jan Fergus, Lionel Trilling, Alistair Duckworth, Nina Auerback, Joesph Litvack, Edward Said, Brian Southam, and Joseph Lew. I doubt that anyone could sit down and read this from cover to cover in one sitting, however, there is so much depth of subject and detail, that one could truly spend an entire lifetime using this edition as a resource. An incredible STEAL for the price. Trade paperback, 544 pages, $11.00, ISBN 978-0393967913. 5 out of 5 Regency stars 

Mansfield Park: The Cambridge Edition of the Works of Jane Austen

Cambridge University Press (2005). This mysterious edition (to me) may just be the Flying Dutchman and the Holy Grail of Jane Austen editions, for I have yet to see one in hand, nor does my local library carry it, or are any other libraries willing to let it out of there sights by inter-library loan! Conclusively, it must be a treasure, and since it costs a bloody fortune, it most certainly is locked away in a University library special reading room where only scholars with white gloves can handle it!! I wish I could enlighten you all on what it contains, but alas, after an exhaustive attempt to obtain a copy short of paying the hefty price tag, I came up empty. Oh well. There always needs to be an unattainable Austen book out there to keep us Janeites dreaming. Hardcover, 826 pages, $130.00, ISBN: 978-0521827652. ? out of 5 Regency stars 

Upcoming posts
Day 3 – Aug 17            MP 1983 movie discussion
Day 4 – Aug 18            MP Naxos (Juliet Stevenson) audio
Day 5 – Aug 19            MP novel discussion chapters 9-16
Day 6 – Aug 20            Metropolitan movie discussion

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Mansfield Park Madness Introduction: Day 1 Give-away

Posted in Jane Austen Inspired, Jane Austen's Mansfield Park, Mansfield Park Madness, tagged , , , , , , , , on 15 August 2008 | 20 Comments »

WELCOME

“Depend upon it, you see but half. You see the evil, but you do not see the consolation. There will be little rubs and disappointments everywhere, and we are all apt to expect too much; but then, if one scheme of happiness fails, human nature turns to another; if the first calculation is wrong, we make a second better: we find comfort somewhere.” Mrs. Grant, Mansfield Park Chapter 5  

Recently when a good friend who knows I blog about Jane Austen asked my opinion of Mansfield Park – I hesitated – dug deep – and honestly answered, not much! She was shocked. So was I!   

 Up until that point, much of what I knew about Jane Austen’s reputably most complex and mysterious novel I learned during a speed read for a college lit course, sideways chatter and postings on the MP board at The Republic of Pemberley and watching two movie adaptations; the 1999 Patricia Rozema adventure when it was released in the theaters, and the recent BBC 2007 adaptation presented by Masterpiece Classic this past January.  Embarrassingly, not much of a foundation for an Austen enthusiast, and after contrite reflection, I knew that I had not honestly given Mansfield Park a fair shake, and needed to. 

So gentle readers, here it is, all laid out at your feet (or more literally in pixels on your computer screens) over the next seventeen days, my personal journey into Mansfield Park Madness, along with 17 days of great free item give-aways. Enjoy! 

Cheers, Laurel Ann

Mansfield Park Madness: DAY 1 Give-away

Leave a comment by August 30th. to qualify for the free drawing on August 31st. for one copy of

Oxford World’s Classics Edition of Mansfield Park 

Oxford University Press (2008). The new revised edition includes a full unabridged text, an introduction by Jane Stabler and loads of great supplemental material. A nice compact medium sized edition with informative and helpful appendixes, notes, bio and chronology on the author. 

Mansfield Park Madness IconUpcoming posts
Day 2 - Aug 16:     MP novel discussion chapters 1-8
Day 3 – Aug 17:     MP 1983 movie review and discussion
Day 4 - Aug 18:     MP Naxos Audiobooks (Juliet Stevenson) 
Day 5 - Aug 19:     MP novel discussion chapters 9-16 

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Mansfield Park Madness: 17 Days of Great Give-aways!

Posted in Austenesque Books, Blog Events, Jane Austen Adaptations, Jane Austen's Mansfield Park, Jane Austen's Works, Mansfield Park Madness, Mansfield Park Movies, tagged , , , , , , , , on 15 August 2008 | 1 Comment »

The Free Stuff 

Austenprose is happy to announce the 17 great days of give-aways being offered during Mansfield Park Madness. To qualify for any and all of the following prizes, please leave a comment in the corresponding post(s) for the day that the prize is announced (a real comment not just a spam-ment) between August 15-30, 2008 and your name will be entered in the drawing for that prize. Multiple comments increase your chances to win. It is also possible to win multiple prizes. US residents only. Winners will be drawn and announced on August 31st, 2008. A big thank you goes out to the generous vendors who contributed the prizes to make Mansfield Park Madness fun, exciting and rewarding!  

Here is a list of the prizes to be offered and the dates they will be posted. 

Books

Mansfield Park, Oxford World's Classics (2008)

Mansfield Park: Oxford World’s Classics (Aug 15 & 25)

Oxford University Press (2008). Revised edition. Unabridged novel text. Introduction and notes by Jane Stabler with great supplemental material to enhance the text. Trade paperback, 418 pages, ISBN 978-0199535538

Oxford Illustrated Mansfield Park (1998)

The Oxford Illustrated Jane Austen: Volume III: Mansfield Park (Aug 16) 

Oxford University Press, USA (1988). Third edition. Unabridged novel text and extensive supplementary material. Hardcover, 584 pages, ISBN 978-0192547033 

Mansfield Park, Penguin (2003)

Mansfield Park: Penguin Classics (Aug 21)

Penguin Classics (2003). Revised edition. Unabridged novel text. Re-instated introduction by Tony Tanner. Trade paperback, 480 pages, ISBN 978-0141439808 

The Jane Austen Miscellany (2006)

The Jane Austen Miscellany (Aug 22) 

By Leslie Bolton, Sourcebooks, Inc. (2006). The ultimate guide of everything Jane Austen for those who just can’t get enough! Hardcover, 144 pages, ISBN 978-1402206856 

Mansfield Park, Barnes & Noble Classics (2005)

Mansfield Park: Barnes & Noble Classics (Aug 23)

Barnes & Noble (2005). Revised edition. Unabridged novel text. Introduction and notes by Amanda Claybaugh. Hardcover, 427 pages, ISBN 978-1593083564 

Mansfield Park, Broadview Press (2001)

Mansfield Park: Broadview Literary Texts Series (Aug 28)

Broadview Press (2001). Unabridged novel text. Introduction and notes by June Sturrock with extensive supplemental material including criticism to enhance the text. Trade paperback, 528 pages, ISBN 978-1551110981 

Mansfield Park, Norton Critical Edition (1998)

Mansfield Park: Norton Critical Edition (Aug 30)

W.W. Norton & Co, Inc. (1998). Unabridged novel text. Extensive supplemental material including critisms and historical information edited by Claudia L. Johnson. Trade paperback, 544 pages, ISBN 978-0393967913           

Sequels

Edmund Bertram's Diary (2008)

Edmund Bertram’s Diary, by Amanda Grange (Aug 29)

Berkely Trade (2008). A re-telling of the novel Mansfield Park from the perspective of hero Edmund Bertram in which no sermonizing or over moralizing is revealed! Trade paperback, 344 pages, ISBN 978-0425223796 

Mansfield Park Revisited (2008)

Mansfield Park Revisited: A Jane Austen Entertainment, by Joan Aiken (Aug 29)

Sourcebooks Landmark (2008). Reprint. Sequel to the novel Mansfield Park in which Fanny’s sister Susan’s story is told. Trade paperback, 208 pages, ISBN 978-1402212895 

The Matters at Mansfield (2008)

Matters at Mansfield: Or, The Crawford Affair, by Carrie Bebris (Aug 29)

Part of the Mr. and Mrs. Darcy Mysteries Series where the Pride and Prejudice’s characters go sleuthing in this decetive mystery spinoff. Hardcover, 288 page, ISBN 978-0765318473 

Central Park (2005)

Central Park: An Austen Series Book 3, by Debra White Smith (Aug 29)

The Dale Group, Rev. (2007). Contemporary re-telling of the novel Mansfield Park set in New York. Hardcover, 543 pages, ISBN  978-0786295678

Movies

Mansfield Park Movie (1983)

Mansfield Park 1983 (Aug 17)

BBC 6 part mini-series, adapted by Ken Taylor and directed by David Giles. 520 minutes. Staring Sylvestra Le Touzel as Fanny Price, Nicholas Farrle as Edmund Bertram and Anna Massey as Aunt Norris.  

Mansfield Park Movie (1999)

Mansfield Park 1999 (Aug 24)

Major motion picture written and directed by Patricia Rozema. 112 minutes. Staring Frances O’Connor as Fanny Price, Jonny Lee Miller as Edmund Bertram and Embeth Davidtz as Mary Crawford. 

Mansfield Park Movie (2007)

Mansfield Park 2007 (Aug 27)

ITV & WGBH production adapted by Maggie Wadley and directed by Ian MacDonald. 92 minutes. Staring Billie Piper as Fanny Price, Blake Ritson as Edmund Bertram and Hayley Atwell as Mary Crawford. 

Metropolitian Movie (1990)

Metropolitan 1990 (Aug 20)

Independent major motion picture written and directed by Whit Stillman. 98 minutes. Staring Carolyn Farina as Audrey Rouget, Taylor Nichols as Charlie Black and Chris Eigeman as Nick Smith. 

Ephemera

Jane Austen Journal (2007)

Jane Austen Journal, by Potter Style (Aug 19)

Paperback lined journal with the image of Regency lady and quote “We have a better guide in ourselves, if we would attend to it, than any other person can be.” 160 pages, ISBN 978-0307352392

Jane Austen Address Book (2007)

Jane Austen Address book, by Potter Style (Aug 26)

Paperback, with alphabetical tabs. Image of Regency lady and Jane Austen portrait on the front. 120 pages, ISBN: 978-0307352385 

Audio 

Mansfield Park Audio Book (2007)

Mansfield Park: The Complete Classics Series Audio Book (Aug 18)

Naxos AudioBooks (2007). A brilliant reading by the acclaimed British actress Juliet Stevenson. Unabridged 17 CD’s, ISBN: 978-9626344675, abridged 3 CD’s ISBN: 978-9626340677

    

FREE JANE AUSTEN AUDIO SAMPLER

Available to all participants of Mansfield Park Madness. Just leave a comment between August 15-30, 2008 and e-mail your physical address to Austenprose at Verizon dot net before September 1, 2008 and you will receive one copy of the following sampler by mail. US residents only.

Jane Austen Naxos AudioBooks Sampler, read by various artists 

Naxos AudioBooks, Ltd. (2008). A lively sample reading of the Biography of Jane Austen by Elizabeth Jenkins, Pride and Prejudice, Sense and Sensibility, Mansfield Park, Emma, Northanger Abbey, Persuasion and an interview with actress Juliet Stevenson.  1 CD, 75 minuets. 

Good luck to all, and enjoy your Austen items! 

Upcoming posts! 
Day 2 – Aug 16            MP novel discussion chapters 1-8
Day 3 – Aug 17            MP 1983 movie review and discussion
Day 4 – Aug 18            MP Naxos (Juliet Stevenson) audio
Day 5 – Aug 19            MP novel discussion chapters 9-16

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