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Posts Tagged ‘Jane Austen Sequels Book Reviews’

Why three Austen inspired tales released on the same day of course…

Tuesdays in the book publishing world means new releases, and today, September 28th does not disappoint. Three new Austen inspired novels officially hit the market. Yes, three! All the stars and planets must be alignment in the Jane Austen book universe for this to happen and I hope this influx of luck, good karma, or mojo is a sign from the gods. I am in process of reading all of them and my reviews will follow in the next two weeks. In the meantime, take a peek. Here are the publisher’s descriptions.

Jane and the Madness of Lord Byron: Being a Jane Austen Mystery, by Stephanie Barron

The restorative power of the ocean brings Jane Austen and her beloved brother Henry, to Brighton after Henry’s wife is lost to a long illness. But the crowded, glittering resort is far from peaceful, especially when the lifeless body of a beautiful young society miss is discovered in the bedchamber of none other than George Gordon—otherwise known as Lord Byron. As a poet and a seducer of women, Byron has carved out a shocking reputation for himself—but no one would ever accuse him of being capable of murder. Now it falls to Jane to pursue this puzzling investigation and discover just how “mad, bad, and dangerous to know” Byron truly is. And she must do so without falling victim to the charming versifier’s legendary charisma, lest she, too, become a cautionary example for the ages.

Jane and the Damned: A Novel, by Janet Mullany

Jane Austen – Novelist . . . gentlewoman . . . Damned, Fanged, and Dangerous to know.

Aspiring writer Jane Austen knows that respectable young ladies like herself are supposed to shun the Damned—the beautiful, fashionable, exquisitely seductive vampires who are all the rage in Georgian England in 1797. So when an innocent (she believes) flirtation results in her being turned—by an absolute cad of a bloodsucker—she acquiesces to her family’s wishes and departs for Bath to take the waters, the only known cure.

But what she encounters there is completely unexpected: perilous jealousies and further betrayals, a new friendship and a possible love. Yet all that must be put aside when the warring French invade unsuspecting Bath—and the streets run red with good English blood. Suddenly only the staunchly British Damned can defend the nation they love . . . with Jane Austen leading the charge at the battle’s forefront.

Bespelling Jane Austen: Almost Persuaded\Northanger Castle\Blood and Prejudice\Little to Hex Her, by Mary Balogh, Colleen Gleason, Susan Krinard, and Janet Mullany

What if Austen had believed in reincarnation and vampires? Join four bestselling romance authors as they channel the wit and wisdom of Jane Austen.

Almost Persuaded

In this Regency tale of Robert and Jane, New York Times bestselling author Mary Balogh brings together former lovers who have seen beyond the veil of forgetfulness to their past mistakes, and are determined to be together in this life, and forever.

Northanger Castle

Caroline’s obsession with Gothic novels winds up being good training for a lifetime of destroying the undead with her newfound beau, in this Regency by Colleen Gleason.

Blood and Prejudice

Set in the business world of contemporary New York City, Liz Bennett joins Mr. Darcy in his hunt for a vampire cure in New York Times bestselling author Susan Krinard’s version of the classic story.

Little to Hex Her

Present-day Washington, D.C., is full of curious creatures in Janet Mullany’s story, wherein Emma is a witch with a wizard boyfriend and a paranormal dating service to run.

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Huzzah! Stephanie’s Written Word is offering Everything Austen Challenge II, a Jane Austen reading challenge again this year. Starting on July 1, 2010 the event will run for six months ending on December 31, 2010. Just select and read/view/craft six Jane Austen related books/movies/craft projects. It’s that easy. Check out all the details and post your results as you progress on her blogs Mr. Linky tool.

I had a great time completing this last year and encourage all of you to join in the fun. It’s a great excuse to validate your need to feed your Jane Austen addiction. As usual, I am raising the ante and bumping up my commitment number up to twelve and challenging anyone who wants to join me! Here are my choices.

√ 1.) Pride and Prejudice, by Jane Austen

√ 2.) Murder at Mansfield Park, by Lynn Shepherd

√ 3.) Emma and the Vampires, by Wayne Josephson

√ 4.) Jane and the Damned, by Janet Mullany

√ 5.) Jane and the Madness of Lord Byron, by Stephanie Barron

√ 6.) Bespelling Jane Austen, by Mary Balogh, Colleen Gleason, Susan Krinard & Janet Mullany

√ 7.) Mr. Darcy’s Little Sister, by C. Allyn Pierson

√ 8.) Murder on the Bride’s Side, by Tracy Kiely

√ 9.) Pemberley Ranch, by Jack Caldwell

√ 10.) Pride and Prejudice: An Annotated Edition, by Jane Austen, edited by Patricia Meyer Spacks

11.) A Perfect Bride for Mr. Darcy, by Mary Lydon Simonsen

√ 12.) Dancing with Mr. Darcy, selected and introduced by Sarah Waters

Let the games begin!

Cheers, Laurel Ann

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Hot off the presses is an announcement today in Publishers Weekly of a new Jane Austen short story anthology to be published by Random House in 2011. The collection will include approximately twenty stories inspired by Jane Austen, literature’s witty muse of the modern novel and astute observer of human nature and the heart.

Readers familiar with Austen inspired paraliterature will recognize many popular authors among the list of those contributing and a few surprises from best selling authors who greatly admire Austen’s works. Contributing to the line-up are best selling authors Karen Joy Fowler (Jane Austen Book Club), Stephanie Barron (A Jane Austen Mystery Series), Adriana Trigiani (Brava, Valentine), Lauren Willig (The Pink Carnation Series) and the husband and wife writing team of Frank Delaney (Venetia Kelly’s Traveling Show) and Diane Meier (The Season of Second Chances). Approximately twenty Austenesque authors and others from related genres have already committed to the project including:

Pamela Aidan (Fitzwilliam Darcy, Gentleman Trilogy)

Elizabeth Aston (Mr. Darcy’s Daughters, & Writing Jane Austen)

Stephanie Barron (A Jane Austen Mystery Series, & The White Garden)

Carrie Bebris (Mr. & Mrs. Darcy Mysteries Series)

Diana Birchall (Mrs. Darcy’s Dilemma, & Mrs. Elton in America)

Frank Delaney (Shannon, Tipperary, & Venetia Kelly’s Traveling Show)

Monica Fairview (The Darcy Cousins, & The Other Mr. Darcy)

Karen Joy Fowler (Jane Austen Book Club, & Wits End)

Amanda Grange (Mr. Darcy, Vampyre, & Mr. Darcy’s Diary)

Syrie James (The Lost Memoirs of Jane Austen, & The Secret Diaries of Charlotte Bronte)

Diane Meier (The Season of Second Chances)

Janet Mullany (Bespelling Jane Austen, & Rules of Gentility)

Jane Odiwe (Lydia Bennet’s Story, & Willoughby’s Return)

Beth Pattillo (Jane Austen Ruined My Life, & Mr. Darcy Broke My Heart)

Alexandra Potter (Me & Mr. Darcy, & The Two Lives of Miss Charlotte Merryweather: A Novel)

Jane Rubino and Caitlen Rubino Bradway (Lady Vernon & Her Daughter)

Myretta Robens (Pemberley.com , Just Say Yes, & Once Upon a Sofa)

Maya Slater (The Private Diary of Mr. Darcy)

Margaret C. Sullivan (AustenBlog.com, & The Jane Austen Handbook)

Adriana Trigiani (Brava Valentine, Very Valentine, & Lucia, Lucia)

Laurie Viera Rigler (Confessions of a Jane Austen Addict, & Rude Awakenings of a Jane Austen Addict)

Lauren Willig (The Pink Carnation Series)

In addition, a short story contest hosted by the venerable The Republic of Pemberley website will be held to fill one slot in the anthology for a new voice in Austenesque fiction. Further details on submission and manuscript deadlines will be posted here and at Pemberley.com.

And if you were wondering how I know so much about the project, I have been secretly working on it for months and will be the editor. I’m the luckiest Janeite in the world!

Cheers, Laurel Ann

© 2007-2010 Laurel Ann Nattress, Austenprose

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In The Other Mr. Darcy, last year’s debut Austenesque novel by Monica Fairview we were introduced to Fitzwilliam Darcy’s American cousin Robert Darcy. Now the story continues with The Darcy Cousins, a Pride and Prejudice sequel to a sequel, when his two younger siblings Clarissa and Frederick Darcy arrive from Boston and join their brother and the Darcy family at Rosings Park, the palatial estate of Mr. Darcy’s officious aunt Lady Catherine de Bourgh. Being young, brash Americans, Clarissa and Frederick immediately ruffle Lady Catherine’s unyielding standards of social stricture. Dutiful and naïve Georgiana Darcy is shocked and intrigued by her cousin Clarissa’s adventuresome and unguarded behavior. Her shy and retreating nature has always acquiesced to proper decorum and her family’s wishes. So has her sickly cousin Anne de Bourgh, who at age 29 remains unmarried and firmly under the thumb of her tyrannical mother. Clarissa is convinced that Anne has been imprisoned by Lady Catherine at Rosings like a tragic heroine in a Gothic novel. Together, Clarissa and Georgiana clandestinely meet Anne hoping to learn her mysterious back story, offer their friendship and encourage her to improve her situation.

Clarissa’s lively spirits also makes her very popular with the young men of the neighborhood, especially to rakish charmer Percy Channing. Clarissa welcomes his attentions while wide-eyed Georgiana watches a seasoned coquette in action. She is also attracted to Channing and in turn annoyed by his sensible and matter-of-fact cousin Henry Gatley who sees right through Clarissa and Channing’s affected airs. “But the perversity of the human spirit is such that when a young lady longs for a specific partner, every other partner counts for nothing.” When Georgiana overhears Channing privately proclaim to his cousin that she is an insipid bore, she is determined not to be the dull as ditchwater little rich girl and entreats her cousin Clarissa’s help to school her in fashion and the art of feminine allurements. And then the unthinkable happens! Their cousin Anne simply vanishes without a trace. Has she been abducted or is this a run-away-marriage to Scotland? Speculation and emotions escalate until Lady Catherine unjustly places all the blame on Clarissa and Georgiana’s influence upon her daughter. As Mr. Darcy defends his sister and young cousin the battle lines are drawn and a family riff erupts. Will the Shades of Rosings be thus polluted? Can Georgiana have her London Season under the shadow of her cousin’s unexplained disappearance and the family scandal? How can she earn her families trust after her disastrous affair with George Wickham? Will her newly acquired feminine wiles lure Percy Channing away from her cousin Clarissa? And why is that pesky Mr. Gatley always at the ready to remind her that she’s a swan trying to be a peacock?

In this coming-of-age story Monica Fairview presents an engaging historical romance through the eyes of innocent Georgiana Darcy who idealistically thinks the grass is always greener in her cousin Clarissa’s court. Hard wrought lessons on human nature and love must be learned before she can find her own happiness. We are never in much doubt that she will succeed, or whom she will bestow her favor upon, but that matters not. Fairview has such an effortless way of unfolding the narrative that we are swept along with Jane Austen’s beloved characters and her own new additions seamlessly. The story is infused with the flavor of Austen’s world but entirely her own unique creation. It is hard not to compare her skill at irony to Austen’s when her Lady Catherine is annoyed at Napoleon, not for his impending threat to invade England, but for the inconvenience he has caused by too few men at her dinner table, or to the ribald humor of Georgette Heyer when Georgiana is stood up by Mr. Channing who invited her for a drive in his high phaeton through Hyde Park and is then quickly replaced by the waiting Mr. Gatley. When they encounter Mr. Channing driving another young lady, just as Mr. Gatley predicted, Georgiana is exasperated by Channing’s “sublime forgetfulness” and Mr. Gatley’s smug sagacity. Ha! Readers will recognize a bit of Mr. Knightley in Mr. Gatley and a combination of Austen’s slippery villain’s in Mr. Channing. Fairview understands Georgiana’s personality perfectly adding a few surprise twists to Austen’s shy, trusting young lady that give her added depth and interest. Infused with humor, wit and a bit of social commentary Fairview has proven again why she was my top choice of Austenesque debut authors of 2009. She is well on her way to becoming a nonpareil in Austen paraliterature and I recommend The Darcy Cousins to those who dearly love a satisfying love story and a hearty laugh.

5 out of 5 Regency Stars

The Darcy Cousins, by Monica Fairview
Sourcebooks, Inc. (2010)
Trade paperback (432) pages
ISBN: 978-1402237003

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Jane Austen’s last unfinished novel Sanditon ended after 22,000 words and midway into what may have been chapter twelve. Her draft manuscript was a bright beginning introducing us to the seaside town in development as a health resort and a list of over 20 characters. For anyone who has turned to the last page and reached her last lines “Mr. Hollis. poor Mr. Hollis! It was impossible not to feel him hardly used: to obliged to stand back in his own house and see the best place by the fire constantly occupied by Sir Henry Denham.” and not felt a pang of regret that you have read the last of her creative ouput, you are advised to read no further. For those who did, it is sad to reflect that no more would we be delighted by Jane’s Austen’s witty pen. 

I readily admit after finishing the fragment that I was hooked into the story and characters and craved further development and a dénouement. The next best thing to Jane Austen’s actual words are a continuation by another author’s pen. Sanditon, even though it is not as well known as one of her six major novels, has its far share of completions and retellings to choose from. It has the august distinction of being the first sequel or continuation attempted after Jane Austen’s death by her niece, Anna Lefroy. Unfortunately, she did not finish her novel either, but there are others who have. Here is a partial list of novels that are currently available in print with publisher’s descriptions. 

Sanditon: Jane Austen’s Unfinished Masterpiece Completed, by Jane Austen and Juliette Shapiro 

Had Jane Austen lived to complete Sanditon, it would undoubtedly be as famous and treasured as her other novels. But unfinished at her death, the masterpiece has remained mysterious and overlooked. Now, author Juliette Shapiro has completed Sanditon in a vivid style recognizable to any Austen fan. Here is the story of Charlotte Heywood, who has recently arrived in the town of Sanditon to enjoy the benefits of the ocean air. At first, Charlotte finds amusement enough standing at her ample Venetian window looking over its placid seafront and salubrious ocean, wind-blown linens and sparkling sea. But there is much more to this promising little coastal resort. Before long, Charlotte discovers that scandals abound. To the delight of her eccentric host Mr. Parker, she becomes captivated by the romance of the seaside lifestyle. But is the town of Sanditon truly the haven that Mr. Parker likes to think it is, and will Charlotte Parker find happiness here? 

Ulysses Press, Berkeley, CA (2009)
Trade Paperback (236) pages
ISBN: 978-1569756218 

The Brothers, by Jane Austen and Another Lady (Helen Baker) 

Miss Austen wrote ten chapters of a novel she called The Brothers before illness stilled her pen for ever. Now, her entire draft has been incorporated into the complete story. It is hoped that the resulting romance may satisfy her myriad admirers who have long regretted that such vivid characters were left in suspense. 

Lulu.com (2009)
Trade paperback (272) pages
ASIN: B002AD1WJS 

Cure for All Diseases (Dalziel and Pascoe Series #23), by Reginald Hill 

Some say that Andy Dalziel wasn’t ready for God, others that God wasn’t ready for Dalziel. Either way, despite his recent proximity to a terrorist blast in Death Comes for the Fat Man, the Superintendent remains firmly of this world. And, while Death may be the cure for all diseases, Dalziel is happy to settle for a few weeks’ care under a tender nurse. 

Convalescing in Sandytown, a quiet seaside resort devoted to healing, Dalziel befriends Charlotte Heywood, a fellow newcomer and psychologist, who is researching the benefits of alternative therapy. With much in common, the two soon find themselves in partnership when trouble comes to town. 

Sandytown’s principal landowners have grandiose plans for the resort–none of which they can agree on. One of them has to go, and when one of them does, in spectacularly gruesome fashion, DCI Peter Pascoe is called in to investigate–with Dalziel and Charlotte providing unwelcome support. But Pascoe finds dark forces at work in a place where medicine and holistic remedies are no match for the oldest cure of all. Aka The Price of Butchers Meat (UK edition) 

Harper Collins, New York (2008)
Trade paperback (400) pages
ISBN: 978-0007252688 

Jane Austen’s Charlotte: Her Fragment of a Last Novel, Completed, by Julia Barrett

Julia Barrett, author of  the Austen continuations The Third Sister and Presumption, has emerged with a literary treasure, holding true to the characters and theme designed by Ms. Austen. Set in the developing seaside town of Sandition, it portrays a young woman from the countryside who is exposed to the sophistication and cynicism of resort life. Her name is Charlotte. With disarming charm and wit, she observes for us the array of quirky characters who reside in the booming resort-to-be. 

Freshly removed from her familiar, provincial environment and exposed to England at the cusp of the nineteenth century, Charlotte encounters the wondrous Parker family, a genteel clan of dreamers and idlers. Others include the feuding Denham siblings; the ailing, yet unconscionably busy Parker sisters; and the wryly observant Emmeline Turner, a lady of literary distinction, who is astonished to fin herself solicited there by those who regard her as a representative of the “better circle of society.” 

The innocent but keen-witted Charlotte quickly finds herself rather deeply involved in this uproarious little town. She can’t help but get swept up in the antics of the Parkers and Denham’s, even while she is vexed and perplexed by the droll young Sidney Parker. But even the best efforts of this charming young lady may not be enough to save the budding resort town. 

Originally named The Brothers by Austen and dubbed Sanditon by her family, this “new” novel promises to bring to life another Austen heroine worthy of keeping company with the likes of Elizabeth, Emma, and Anne. 

M. Evans & Co, New York (2000)
Trade paperback (300) pages
ISBN: 978-0871319715 

Sanditon: Jane Austen’s Last Novel Completed, by Jane Austen and Another Lady (Marie Dobbs aka Anne Telscombe)

Sanditon – an eleven-chapter fragment left at Jane Austen’s death completed with seamless artistry by an Austen aficionado and novelist – is a delightful addition to Austen’s beloved books about England’s upper-crust world and the deception, snobbery, and unexpected romances that animate it. 

When Charlotte Heywood accepts an invitation to visit the newly fashionable seaside resort of Sanditon, she is introduced to a full range of polite society, from the reigning local dowager Lady Denham to her impoverished ward Clara, and from the handsome, feckless Sidney Parker to the amusing, if hypochondrical, sisters. 

A heroine whose clearly-sighted common sense in often at war with romance, Charlotte cannot help observing around her both folly and passion in many guises. But can the levelheaded Charlotte herself resist the attractions of the heart? 

Scribner, New York (Simon & Schuster) (1998)
Trade paperback (320) pages
ISBN: 978-0684843421 

Not to add undue influence over which continuation you read, but I shall be reading and reviewing Sanditon, by Jane Austen and Another Lady next week. I hope others who participated in this week’s group read of Sanditon will join me. If you do not have a copy on hand you can read the transcribed text at the University of Virginia Library website. 

By the Seaside with Sanditon: Day 7 Giveaway 

Enter a chance to win one copy of Sanditon: Jane Austen’s Last Novel Completed , by Jane Austen and Another Lady (1998) by leaving a comment stating what intrigues you about Sanditon, or who your favorite character is by midnight PDT Friday, March 26th, 2010. Winners to be announced on Saturday, March 27th. Shipment to continental US addresses only.  

Upcoming event posts 

Day 8 – March 22 Event Wrap-up
Finis

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A bit late to the fray, but the Jane Austen Challenge by Haley at The Life (and Lies) of an Inanimate Object Blog is still open and I’m up for the challenge. Visit Haley’s blog for the rules and reading levels.

Time Frame:

Challenge runs January 1st 2010 – December 31st 2010.

My Challenge:

6 + books by Jane Austen and 5 + Austenesque books which places me in the  fanatic category. Well – that is certainly NO surprise!

√ Emma, by Jane Austen
Northanger Abbey, by Jane Austen
Persuasion, by Jane Austen
Sanditon, by Jane Austen
Pride and Prejudice, by Jane Austen
Love and Freindship, by Jane Austen
Dancing with Mr. Darcy, selected and introduced by Sarah Waters
The Darcy Cousins, by Monica Fairview
Dawn of the Dreadfuls, by Steve Hockensmith
Writing Jane Austen, by Elizabeth Aston
The Intrigue at Highbury, by Carrie Bebris

Sign-up’s are still open, so drop by Haley’s great book blog and join in the fun.

*Austen Challenge graphic by old.fashioned

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The response to this giveaway was quite amazing. 110 of you obviously can’t wait to read Mr. Darcy Broke My Heart and Jane Austen Ruined My Life. What a compliment to author Beth Pattillo. Here are the winners drawn at random: 

Winners of one copy of Mr. Darcy Broke My Heart, by Beth Pattillo: 

Dizzy Girl, Melanie, Bella, Katie H., Bloggin BB, SeaStar 

Winners of the two book set of Mr. Darcy Broke My Heart and Jane Austen Ruined my Life: 

Shelly & Lori (Psychotic State) 

Congratulations to all of the winners. To claim your prize, please e-mail me at austenprose at verizon dot net by midnight PST on February 14th, 2010. Shipment is to US and Canadian addresses only. 

Happy reading!

*The I Love Mr. Darcy Tote Bag is by Create Your Own I Heart Shirts at CafePress.

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Last day of the Everything Austen Challenge and I am finished with not a day to spare!

Many thanks to Stephanie at Stephanie’s Written Word Blog for organizing and managing the Everything Austen Challenge and letting me spin-off my mini-challenge, Everything Austen Challenge X Two.

Here are my reviews of the books and movies I selected. I changed some of my selections from my original list, but that is a ladies perogative.

Love, Lies and Lizzie, by Rosie Rushton

Mr. Darcy Vampyre, by Amanda Grange

Prada and Prejudice, by Mandy Hubbard

Rude Awakenings of a Jane Austen Addict, by Laurie Viera Rigler

Darcy and Anne, by Judith Brocklehurst

The Other Mr. Darcy, by Monica Fairview

According to Jane, by Marilyn Brandt

A Match for Mary Bennet, by Eucharista Ward

A Truth Universally Acknowledged, by Susannah Carson

Willoughby’s Return, by Jane Odiwe

Jane Bites Back, by Michael Thomas Ford

Sense and Sensibility (1971) movie

Phew! It was fun and I am ready for the next Austen reading challenge for 2010.

Many thanks to all who participated in my leg of the extended challenge. The winner of a copy of one of the books or movies that I read or watched will be drawn from all the participants who finished the Everything Austen Challenge X Two on January 1st, 2010.

Congratulations to all who met the challenge and completed it.

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The Other Mr. Darcy, by Monica Fairview (2009)A new Pride and Prejudice spinoff, The Other Mr. Darcy was released this month to positive fanfare. Focusing on Caroline Bingley, a secondary character in Jane Austen’s origial novel, I truly enjoyed her transformation and romance. You can read my review to get all the details of the plot and my impressions. 

Please welcome author Monica Fairview who stops by on her Grand Blog Tour. Thanks for joining us today Monica to chat about your new book The Other Mr. Darcy, a new Austenesque novel. 

While many Austen sequel writers have focused on Elizabeth Bennet and Fitzwilliam Darcy the main characters in Austen’s original novel, you have chosen to spotlight the minor but very memorable Caroline Bingley. Known for her snooty behavior and snide remarks, she is not exactly likable heroine material for a novel. What inspired you to select one of Austen’s most famous Mean Girls for your heroine?

Not all Mean Girls are Mean all the way through. I felt Jane Austen herself wanted to tell us that. Chapter 45 of Pride and Prejudice starts: “Convinced as Elizabeth now was that Miss Bingley’s dislike of her had originated in jealousy, she could not help feeling how very unwelcome her appearance at Pemberley must be to her.” I read that as an insight into Caroline’s behavior, and a recognition on Elizabeth’s part that Caroline was just trying to keep Mr. Darcy to herself. Jealousy is a very strong emotion, and it tends to bring out the mean streak in everyone. After all, wouldn’t you fight to keep Darcy if you thought you had a chance? 

I read this sentence as Jane Austen providing us with Caroline’s motivation, and took it from there. If Caroline is in love with Mr. Darcy, of course she’s going to try and represent Elizabeth in the worst possible light to him. Hence her snide remarks. 

When I originally read the advance publicity on The Other Mr. Darcy before it was released in the UK last summer, I was intrigued with the creative title. To many readers, Mr. Darcy is the ultimate romantic icon. Who could this other Mr. Darcy be? Like most young ladies, (or not so nearly young), my imagination is very rapid; it jumped from a twin separated at birth, to a multiple personality disorder, to an imposter in a moment! Your Mr. Darcy is of course none of those possibilities, but turns out to be his American cousin. What was your inspiration for Robert Darcy and how is he similar and differ to his English cousin Fitzwilliam Darcy? 

The title was the first thing I thought of, before I even started writing. Originally, I wanted to shadow Mr. Darcy, to create a character that was the other side of him in a way. What came out was Robert Darcy. That’s why if you go through the novel, you’ll find a lot of shadows associated with him. But as he developed, he turned out to be very sunny, and he seemed to prefer open spaces and sunshine. He went his own way. 

Robert is different from Fitzwilliam Darcy because he likes talking about things, he insists on being open and putting his cards on the table. His manners are easygoing and he likes to laugh. To all appearances, he has nothing in common with his cousin Fitzwilliam. But as the novel progresses, they become more similar. There’s a point in the plot where Robert is the one who is earnest and reserved, while Fitzwilliam is – well, I don’t want to give away anything in the plot, but let’s say they’re more similar than one would have thought. 

Let’s delve deeper into the personality of that jealous, manipulative and scheming Caroline Bingley! In Pride and Prejudice she uses all her charms and allurements to entice Mr. Darcy into marriage. When he selects Elizabeth Bennet, of inferior birth and no consequence, her dream of being Mrs. Darcy is thwarted. In The Other Mr. Darcy your Caroline is still devastated by Fitzwilliam and Elizabeth’s marriage hiding her emotions behind propriety. Since you put yourself in her shoes so-to-speak to write the character, can you share with us your thoughts on Caroline’s personality, what you liked and disliked about her, and what you hoped to achieve in telling her own story? 

Caroline used every trick she knew to get Mr. Darcy’s attention. But wouldn’t you? He was a good catch in every possible way. Because we’re on Eliza’s side, we only see Eliza’s perspective. We’ve got to remember that Eliza despises both Mr. Darcy and Caroline when she’s describing the way Caroline toadies to him. Later, she learns more about Mr. Darcy, so she comes to appreciate him. But we don’t get to know Caroline, so that initial impression remains. I felt there was a story there, particularly since Caroline is from a lower social class, and I wanted to know how she really felt about that. 

The other issue that puzzles me about Mr. Darcy’s relationship with Caroline is that he chooses to spend time with her. He’s perfectly happy staying with them in Netherfield, and spends days if not weeks in the company of Caroline. Then, as if it isn’t enough, he later invites her to Pemberley to stay with him there. And of course, he dances with her at that first ball. There must be something good about her, if he’s willing to spend so much time with her. It’s not as if the Bingleys are the only friends he has (one hopes!). 

In The Other Mr. Darcy you’ll find there’s a lot that’s good about her, once she realizes it’s useless to try and keep up the social pretences. It takes quite a few blows to recognize that, but once she does, and the real Caroline emerges, we can see why Fitzwilliam Darcy liked to spend time with her. 

I don’t want to say more about Caroline, because the novel’s partly about her process of self discovery, so I don’t want to spoil the experience for the reader. But I do want to remind people that Caroline, who is younger than Charles Bingley, couldn’t have been more than twenty one. She’s young and inexperienced, One of her redeeming features is that she’s willing to learn from her mistakes. I think of her, in some ways, as resembling Emma, who also arrogantly blunders along and has to learn along the way, except that Emma perhaps is more confident, as she never had to prove herself to anybody. 

Your first novel An Improper Suitor was also a historical romance set in the  Georgian/Regency times. Your historical references and knowledge of the era are quite impressive. In The Other Mr. Darcy, Caroline travels from Netherfield Park in Hertfordshire by carriage to Pemberley in Derbyshire. Your descriptions of the towns and countryside along the route were remarkable. How do you research your novels? Did you actually reconstruct the rout in the early 1800’s to inspire your writing? 

It took me a long time to work out the details of the journey north. I consulted strip maps of the time (literally, maps that are strips. They cover one particular section of the route in detail), I researched each of the places they passed through, and I used only real historic inns of the time. It was a lot of fun, but it took ages. I’m planning to take the route myself one of those days, just to see the actual places. A bit after the fact! 

I’ve visited the places I mention in my next novel, though, so I know exactly what the places look like. It doesn’t make me very popular with my family, I can tell you, because I spend hours taking pictures of every nook and cranny, while they stand around being bored to tears! 

Jane Austen has obviously influenced your writing. You have also mentioned your admiration for author Georgette Heyer when you wrote about her novel The Grand Sophy last summer on Jane Austen Today. What other writers have inspired, influenced, or cajoled you into becoming a writer? Who are you reading right now? 

Speaking of Georgette Heyer, now that’s one writer who’s absolutely amazing with historical detail, because she’d know the routes and the distances between towns and villages at the blink of an eye. Her books are an encyclopedia of information. I remember once painstakingly doing research about some of the famous boxers of the time, and then I picked up one of her books, and in one scene she gave us more information than all the research I’d done!    

I can’t say which writers influenced me most. There are so many. Virginia Woolf was important to me because through her I discovered stream of consciousness writing, and I fell under her spell for a while, until I discovered she was really too melancholy. I’ve loved Oscar Wilde, too, since I was a teen, and I would give anything to be as witty as he is (I haven’t seen Dorian Gray, yet, though I wouldn’t say wit is the strong point in that piece). Another writer I love is Toni Morrison. Perhaps at the back of my mind when I wrote The Other Mr. Darcy I had Jean Rhys’ Wild Sargasso Sea, which gives voice to the madwoman in the attic in Jane Eyre. I’ve read so many types of books, from science fiction to fantasy to postmodern, I can’t begin to say who influenced me. But I’m grateful to them all. 

The only sad thing about writing is that you don’t have as much time to read. 

I read many Jane Austen inspired books over a course of a year, but only a few authors really surprise and delight me as much as you did with The Other Mr. Darcy. Do you have another Austen inspired novel in the queue, or will you take a new direction? 

Thank you for saying that, Laurel Ann. I’ll treasure those words. My next novel, The Darcy Cousins, is coming out in the spring, which is lovely really, because it starts in the springtime. The Darcy Cousins deals with Robert’s sister Clarissa. Meanwhile I’m working on a third book related to Pride and Prejudice, but I can’t reveal more than that. 

Thank you for joining us today Monica. I am looking forward to reading The Darcy Cousins when it is released in the UK (Robert Hale) in March 2010 and in the US (Sourcebooks) in April 2010. 

Author Monica FairviewAbout the Author

As a literature professor, Monica Fairview enjoyed teaching students to love reading. But after years of postponing the urge, she finally realized what she really wanted was to write books herself. She lived in Illinois, Los Angeles, Seattle, Texas, Colorado, Oregon and Boston as a student and professor, and now lives in London. To find out more, please visit her webite Monica Fairview or her blog Monica Fairview, Author.

Giveaway Contest: Win one of two copies of The Other Mr. Darcy by leaving a comment or question for Monica, or by stating what your favorite Caroline Bingley quote is from Pride and Prejudice.  Contest runs from October 7th – 14th and closes on midnight ET. Contest open to US and Candian residents only. Winners announced on October 15th. Good luck!

And .. yet there is more! Here are even more chances for you to win one of five copies of The Other Mr. Darcy, plus a grand prize winner gets chocolates too. Visit Monica’s blog during the month of October and answer a daily question about Pride and Prejudice to enter the drawing. Then, follow Monica on her Grand Tour of the book blogosphere to enter additional giveaway contests. Here is her blog tour schedule.

Good luck to all!

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Lady Vernon and Her Daughter: A Novel of Jane Austen's Lady Susan, by Jane Rubino and Caitlen Rubino-Bradway (2009)Austenprose is very honored to have the privilege of announcing the exclusive premier of the Lady Vernon and her Daughter: A Novel of Jane Austen’s Lady Susan book trailer. This new retelling of Jane Austen’s novella Lady Susan was co-written by mother and daughter team Jane Rubino and Caitlen Rubino-Bradway and is due out October 6th, 2009. You can read a complete preview of Lady Vernon and her Daughter here at Austenprose.

Stay tuned for more great information on this exciting new release as Jane and Caitlen will be guest bloggers on September 7th during ‘Soirée with Lady Susan’ event here at Austenprose September 1st through the 14th. If you would like to join in the fun, check out the invitation and the group reading schedule.

 

I am so looking forward to reading this new Jane Austen inspired book. You can pre-order your copy of Lady Vernon and her Daughter online for October delivery.

Cheers,

Laurel Ann

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Mansfield Park (Barnes & Noble Classics), by Jane AustenJane Austen’s novel Mansfield Park will be next up for a literary mash-up. 

Bookseller.com reports that Beautiful Books, a London based publisher announced today that they have purchased Murder at Mansfield Park, a whodunit by Lynn Shepherd. 

Based on Jane Austen’s classic novel Mansfield Park, the murder mystery re-imagines Austen’s classic story re-casting gentle and principled heroine Fanny Price as “ambitious, scheming and relentlessly focused”, while anti-heroine Mary Crawford “suffers great indignities from her mean neighbour”

And now, a bit of self hype by the publisher. 

Simon Petherick, managing director of Beautiful Books, described the book as “fantastic” and “tremendous fun”. He added: “The really good thing about it is that linguistically, it’s very accurate, and she picks up on all the key themes that appeared in the original . . . But whereas Fanny is quite a pain in the arse in Austen’s version, Lynn’s Fanny is an outrageous gold-digger.” 

From what we can gather, this is an original manuscript and not a true mash-up inserting new bits into Jane Austen’s original text like we saw in Pride and Prejudice and Zombies. Calling Fanny Price a pain in the arse is a bit crude, but honestly, we are just relieved that there are no monster or alien invasions in it.

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The Grand Sophy, by Georgette Heyer (2009)The Jane Austen book sleuth is happy to inform Janeites that many Austen inspired books are heading our way in July, so keep your eyes open for these new titles.  

Fiction (prequels, sequels, retellings, variations, or Regency inspired) 

The Grand Sophy by Georgette Heyer 

July is The Grand Sophy month at Jane Austen Today in celebration of this very special Georgette Heyer Regency era novel. Its publisher Sourcebooks has made a serious commitment to reissue many of her beloved novels and we could not be happier. Like Jane Austen, Heyer’s style is often emulated but rarely matched. There is no subsitute for the original. The Grand Sophy is one of her most popular stories. Heroine Sophy Stanton-Lacy has the self assurance of Austen’s character Emma Woodhouse and the spirit of Eliza Bennet - a dynamic combo - leading to trouble and hilarity. (Publisher’s description) Sophy sets everything right for her desperate family in one of Georgette Heyer’s most popular Regency romances. When Lady Ombersley agrees to take in her young niece, no one expects Sophy, who sweeps in and immediately takes the ton by storm. Sophy discovers that her aunt’s family is in desperate need of her talent for setting everything right: Ceclia is in love with a poet, Charles has tyrannical tendencies that are being aggravated by his grim fiancee, her uncle is of no use at all, and the younger children are in desperate need of some fun and freedom. By the time she’s done, Sophy has commandeered Charles’s horses, his household, and finally, his heart. Sourcebooks, ISBN: 978-1402218941 

Colonel Brandon's Diary, by Amanda Grange (2009)Colonel Brandon’s Diary, by Amanda Grange 

In her fifth novel in the Austen Hero’s Series, Amanda Grange has actually succeeded in improving upon Austen’s character Colonel Brandon; – at least for me! He is not one of my favorite characters in Sense and Sensibility, though he certainly has his fangirls. I appreciated learning more about his back story – his days in India and his failed romance with his first love Eliza Williams. As always, Grange is one of the most gifted writers in the Austen subgenre, giving us a touching inside story that is hard to put down. (Publisher’s description) At the age of eighteen, James Brandon’s world is shattered when the girl he loves, Eliza, is forced to marry his brother. In despair, he joins the army and leaves England for the East Indies for the next several years. Upon his return, he finds Eliza in a debtor’s prison. He rescues her from her terrible situation, but she is dying of consumption and he can do nothing but watch and wait. Heartbroken at her death, he takes some consolation in her illegitimate daughter, who he raises as his ward. But at the age of fifteen, his ward goes missing. Devastated by the thought of what could have happened to her, he is surprised to find himself falling in love with Marianne Dashwood. But Marianne is falling in love with the charismatic Willoughby. Berkley Trade, ISBN: ISBN: 978-0425227794 

Ransome's Honor, by Kaye Dacus (2009)Ransome’s Honor (The Ransome Trilogy ),  by Kaye Dacus 

I love supporting emerging authors, and am happy to feature this new release with Austen undertones. Just think of the themes of lost opportunity and renewed romance from Jane Austen’s novel Persuasion, and throw in a dashing Naval hero like Horatio Hornblower, and you’ll understand Dacus’ inspiration for her first book in the trilogy. I am such a sucker for a man in a blue uniform. (Publisher’s description) The war with France has ended, and Captain William Ransome, known for never letting women aboard his ship, has returned to Portsmouth, England. Julia Witherington, considered an old-maid at 29, discovers that she must marry immediately to receive a large dowry. Julia knows that the only man she doesn’t want to marry is William Ransome. And the only man her father will approve of is…William Ransome. When the couple strikes a financial deal to feign marriage for one year, the adventure begins. These stubborn people face humorous and hard situations that reveal what else they have in common—a growing affection for one another. This intriguing tale of faith and loyalty is a wonderful new offering for readers of all genres. Harvest House Publishers, ISBN: 978-0736927536 

Nonfiction 

Jane Austen and Marriage, by Hazel Jones (2009)Jane Austen and Marriage, by Hazel Jones 

A well connected Marriage. What every Regency Miss dreamed of, and every parent schemed for. An advantageous alliance could elevate social position, increase wealth and expand property; all critical elements in Regency society. Jane Austen was keenly aware of the importance of marriage through family, friends and her own life. Her novels are driven by it. Author Hazel Jones presents this important topic with aplomb and energy. (Publisher’s description) With original research, this book offers a new insight into Jane Austen’s life and writing. The question of marriage lies at the centre of Jane Austen’s novels. The issues bound up in the pursuit of love, happiness, money and status were those of her day and informed the plots and morals of her work. In this fascinating book, Hazel Jones explores the ways in which these themes manifest themselves in Jane Austen’s life and fiction, against the backdrop of contemporary conduct manuals, letters, diaries, journals and newspapers. Drawing on original research, this entertaining and detailed study provides a charming and profound insight into the world of Jane Austen. Continuum International Publishing Group, ISBN: 978-1847252180 

Jane Austen's Sewing Box, by Jennifer Forest (2009)Jane Austen’s Sewing Box: Craft Projects and Stories from Jane Austen’s Novels, by Jennifer Forest 

All well-bred Regency ladies aspired to be highly accomplished. What is that you ask? Well, they painted tables, covered screens, and netted purses as Austen’s character Charles Bingley matter-of-factly describes in Pride and Prejudice (among other talents), all to allure and secure husband. Women of this era were great at handiwork – sewing, drawing and trimming bonnets. Author Jennifer Forest has researched Regency crafts compiling this lovely volume of projects to turn you into the accomplished woman that even Mr. Darcy might admire. (Publisher’s description) Jane Austen’s Sewing Box opens a window into the lives of Regency women during a beautiful period in arts, crafts and design. Jennifer Forest examines Jane Austen’s novels and letters to reveal a world where women are gripped by crazes for painting on glass and netting purses, economise by trimming an old bonnet, or eagerly turn to their sewing to avoid an uncomfortable conversation. Based on Jane Austen’s novels and with illustrated step-by-step instructions for eighteen craft projects, this beautifully presented book will delight Jane Austen fans, lovers of history and literature and craft enthusiasts alike. Murdoch Books, ISBN: 978-1741963748 

Austen’s Contemporaries & Regency era 

Camilla (Oxford World's Classics), by Fanny Burney (2009)Camilla (Oxford World’s Classics), by, Fanny Burney 

“I was thinking of that other stupid book, written by that woman they make such a fuss about, she who married the French emigrant.” “I suppose you mean Camilla?” “Yes, that’s the book; such unnatural stuff! An old man playing at see–saw, I took up the first volume once and looked it over, but I soon found it would not do; indeed I guessed what sort of stuff it must be before I saw it: as soon as I heard she had married an emigrant, I was sure I should never be able to get through it.” John Thorpe and Catherine Morland, Northanger Abbey 

Only one of Jane Austen’s horridly uncouth characters like John Thorpe would have the audacity to call Camilla a stupid book. Austen uses one of the most famous novels of her time as an example to defend novel writing. ‘”It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best–chosen language.’ No doubt that she valued its merits highly. (Publisher’s description) First published in 1796, Camilla deals with the matrimonial concerns of a group of young people – Camilla Tyrold and her sisters, the daughters of a country parson, and their cousin Indiana Lynmere – and, in particular, with the love affair between Camilla herself and her eligible suitor, Edgar Mandlebert. The path of true love, however, is strewn with intrigue, contretemps and misunderstanding. An enormously popular eighteenth-century novel, Camilla is touched at many points by the advancing spirit of romanticism. As in Evelina, Fanny Burney weaves into her novel strands of light and dark, comic episodes and gothic shudders, and creates a pattern of social and moral dilemmas which emphasize and illuminate the gap between generations. Oxford University Press, USA, ISBN: 978-0199555741 

Vanity Fair (Oxford World's Classics), by W. M. Thacheray (2009)Vanity Fair: A Novel without a Hero (Oxford World’s Classics), by W. M. Thackeray (Author), John Sutherland (Editor) 

Weighing in at a hefty one and a half pounds and numbering 1008 pages, this literary classic is a shining jewel, and well worth the patience to read its winding plot and numerous pages. From the title, you know right off the bat that Thackeray has a wry sense of humor. Of course the novel has heroes! the main one Rawdon Crawley is a charming wastrel, and the second, William Dobbin, is a bit of a namby pamby, taking his time to show his colors. Adapted unsuccessfully into numerous movies since the 1930’s, I am still waiting for the ultimate Rawdon and Becky on screen, though Miriam Hopkins’ interpretation of Becky Sharp is quite slipery and snarky in the 1935 film of the same name. (Publisher’s description) Set during the Napoleonic wars, Vanity Fair (1847-8) famously satirizes worldly society. The novel revolves around the exploits of the impoverished but beautiful and devious Becky Sharp, and Amelia Sedley, pampered child of a rich City merchant. Despite the differences in their fortunes and characters, they find their lives entangled from childhood. As Becky’s maneuvering ingratiates her with high society, the financial ruin of Amelia’s father forces Amelia into poverty. Destiny, of course, has further adventures in store for both women, whose lives Thackeray (1811-63) uses as theatres for the whims and foibles of their contemporaries. — This edition of one of the greatest social satires of the English language reproduces the text of the Oxford Thackeray and includes all of Thackeray’s own illustrations. Oxford University Press, USA; Reissue edition, ISBN: 978-0199537624 

Austen Ephemera 

British Library Jane Austen Desk Diary 2010British Library Jane Austen Desk Diary 2010, edited by by Freydis Welland, James Edward Austen-Leigh (Illustrator), Jane Austen (Contributor) 

Keep your journaling going in style with this beautiful desk diary from the British Library filled with images of silhouettes created by Jane Austen’s nephew, James Edward Austen-Leigh and compiled by his descendant Freydis Welland. These images were also included in the recently published book, Life in the Country with Quotations by Jane Austen, which I reviewed last December. Lovely book, so no doubt this diary will not disappoint. (Publisher’s description) Jane Austen wrote of her nephew James Edward Austen-Leigh: “We were happy to see Edward, it was an unexpected pleasure, and he makes himself as agreeable as ever, sitting in such a quiet comfortable way making his delightful sketches.” Edward brought the fine art of silhouettes to perfection, creating evocative images of landscapes and the creatures that lived in them. This appealing diary lets readers organize their thoughts and express their own artistry with the inspiration of Austen and her artist nephew. Frances Lincoln; Desk edition, ISBN: 978-0711230071 

British Library Jane Austen Pocket Diary 2010British Library Jane Austen Pocket Diary 2010, Edited by Freydis Welland, James Edward Austen-Leigh (Illustrator), Jane Austen (Contributor) 

Another variation of the before mentioned desk diary, this version is of a compact pocket diary. For every writer in the making, you can pop this in your purse, briefcase or backpack and scribble your thoughts and inspirations as they hit you on the go. (Publisher’s description) Like the desk diary, this pocket diary is based on the popular book Life in the Country, a celebration of Regency England published by the British Library in 2008. This book has the added advantage of being portable, allowing would-be writers and artists to take it anywhere to record their thoughts, compile a to-do list, sketch their surroundings, or any of a number of other activities — all in the stimulating presence of the brilliant English writer and her talented nephew. Frances Lincoln, ISBN: 978-0711230088 

Jane Austen Jigsaw Puzzle, by Potter Style (2009)Jane Austen Puzzle: 500-Piece Puzzle, by Potter Style 

The good people at Potter Style, who have brought us other great Jane Austen inspired ephemera such as note cards, address books and journals, now enter into the Jane Austen entertainment/games arena with this 500 piece jigsaw puzzle in a boxed shaped like a book, ready to sit right next to your collection of Jane Austen novels and reference books in your library. The main image is from Hugh Thomson’s 1894 illustration of Pride and Prejudice and depicts a scene of Mr. Darcy’s first failed marriage proposal. Good choice designers! Also included are quotes from Austen’s novels, images of a Regency era estates and a cameo of the Bardess of Basingstoke herself, Jane Austen. This looks like great fun, but what next? Jane Austen Game Boy?  Potter Style; Puzzle edition, ISBN: 978-0307453839 

Until next month, happy reading! 

Laurel Ann

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A Novel, by Elizabeth Ashton (2009)The Jane Austen book sleuth is happy to inform Janeites that Austen inspired books are heading our way in February, so keep your eyes open for these new titles. 

Fiction (prequels, sequels, retellings, variations, or Regency inspired)  

Mr. Darcy’s Dream: A Novel. Elizabeth Aston continues with her sixth novel of the entertaining exploits of the Darcy family post Pride and Prejudice. (publishers description) This time out Mr. Darcy’s young niece Phoebe is shattered by an unhappy romance, and retreats to Pemberley and is joined by kind-hearted cousin Louisa Bingley, unmarried after three London seasons. Once the young ladies are situated in the house, several handsome strangers also arrive — all hopeful of winning the girls’ hearts. As preparations for the ball which Mr. and Mrs. Darcy are to give at Pemberley gain momentum, mischief and love triangles abound, making life as difficult as possible for anyone connected with the Darcy family. Touchstone. ISBN: 978-1416547266. Early review by Christina Boyd  at Amazon

Jane Austen Ruined My Life, by Beth Patillo (2009)Jane Austen Ruined My Life, by Beth Pattillo. Not a sequel, but a contemporary adventure comedy inspired by Jane Austen’s life. (publishers description) English professor Emma Grant is denied tenure in the wake of a personal scandal and left penniless by the ensuing divorce. Emma packs up what few worldly possessions she has left and heads to England on a quest to find the missing letters of Jane Austen. Locating the elusive letters, however, isn’t as straightforward as Emma hoped. The owner of the letters proves coy about her prize possessions, sending Emma on a series of Austen-related tasks that bring her closer and closer to the truth, but the sudden reappearance of Emma’s first love makes everything more complicated. Guideposts Books. ISBN: 978-0824947712. Early review by Vic (Ms. Place) at Jane Austen’s World

Pride and Prejudice Retold Through His Eyes, by Regina Jeffers (2009)Darcy’s Passions: Pride and Prejudice Retold Through His Eyes, by Regina Jeffers. A retelling of Pride and Prejudice from the perspective of the hero Fitzwilliam Darcy. If you’re thinking that this angle does not sound new, of course you are correct. A quick count at Amazon reveals five books based on the same premise (and I’m sure there are more). It’s intriguing that authors keep trying to top the last effort, so we shall see if she succeeded. (publishers description) Witty and amusing, this novel captures the original style, themes and sardonic humor of Jane Austen’s novel while turning the entire story on its head in a most engaging and entertaining fashion. Darcy’s Passions tells the story of Fitzwilliam Darcy and his obsession with the most impossible woman-Elizabeth Bennet. Ulysses Press. ISBN: 978-1569756997. Reviews of the self published edition from 2008 at Amazon.  

Love, Lies and Lizzie, by Rosie Rushton (2009)Love, Lies and Lizzie (Jane Austen in the 21st Century), by Rosie Rushton. In her fourth in the series of young adult Austen novels, author Rosie Rushton continues retelling Jane Austen’s stories as she takes the famous Pride and Prejudice and reimagines what might have happened if Lizzie Bennet and her sisters had been teenagers in the 21st century. If you enjoyed her previous Austen inspired novels Summer of Secrets, Secrets of Love, Secret Schemes, Daring Dreams, and The Dashwood Sisters Secrets of Love then you should check this one out too. (author quote)  “Find out what the devious George Wickham, the lush Darcy and the ghastly Drew Collins do to wreck the lives of the Bennet sisters – and let me know what you think about my new ending!” Piccadilly Press Ltd, ISBN: 978-1853409790  

The Convenient Marriage, by Georgette Heyer (2009)The Convenient Marriage, by Georgette Heyer. Not Jane Austen, but darn close. Even thirty five years after her death, no one has come close to matching Heyer’s unique and engaging style at the Regency era comedy/romance. Sourcebooks continues in their quest to republish this worthy author and introduce her to a whole new generation of readers. (publishers description) Horatia Winwood is a plain girl with a stutter. When she rescues her sister from an undesired marriage to the Earl of Rule by proposing to him herself, he is thoroughly impressed by her spirit and enjoys watching her take the ton by storm. When Rule’s archenemy, Sir Robert, tries to kiss Horatia, she spurns his advances, and in the ensuing scuffle loses an heirloom brooch. Horatia’s brother’s hare-brained scheme to recover the brooch fails, and then the Earl himself must step in, challenging Sir Robert in a swordfight that is Heyer at her most stirring. Sourcebooks, Casablanca. ISBN: 978-1402217722. Review by  Geranium Cat’s Bookshelf.

Nonfiction 

Bloom's Modern Critical Views (2009)Bloom’s Jane Austen: Bloom’s Modern Critical Views, by Harold Bloom. The Bloom’s literary volumes have turned into a major resource on author lives and critical reception. I own the sister volume to this second edition, Bloom’s Jane Austen: Bloom’s Classical Critical Views and can attest that they are wonderful resources on opinions of Jane Austen. (publishers description) Putting her in elite company, Harold Bloom suggests Jane Austen will survive with the likes of William Shakespeare and Charles Dickens. Critical essays offer insight into Sense and Sensibility, Pride and Prejudice, Mansfield Park, Emma, and Persuasion. A part of our Bloom’s Major Novelists series, this volume is designed to present biographical, critical, and bibliographical information on the playwright’s best-known works. This series is edited by Harold Bloom, Sterling Professor of the Humanities, Yale University; Henry W. and Albert A. Berg Professor of English, New York University Graduate School; preeminent literary critic of our time. Titles include detailed plot summaries of the novel, extracts from scholarly critical essays on the novels, a complete bibliography of the writer’s novels, and more. Chelsea House Publications; New edition. ISBN 978-1604133974 

Austen’s Oeuvre 

Northanger Abbey Tantor Unabridged Classics (2009)Northanger Abbey Tantor Unabridged Classics. This unabridged audio book is read by Donada Peters, one of AudioFile magazine’s Golden Voices who has won over a dozen AudioFile Earphones Awards. Also included is a PDF eBook containing the full text.  (publisher’s description) When Catherine is invited to Northanger Abbey, the grand though forbidding ancestral seat of her suitor, Henry Tilney, she finds herself embroiled in a real drama of misapprehension, mistreatment, and mortification, until common sense and humor—and a crucial clarification of Catherine’s financial status—puts all to right. Written in 1798 but not published until after Austen’s death in 1817, Northanger Abbey is characteristically clearheaded and strong, and infinitely subtle in its comedy. Tantor Unabridged Classics. ISBN:  978-1400110780 

Austen’s contemporaries  

Belinda (Oxford World's Classics), Maria Edgeworth (2009)Belinda (Oxford World’s Classics), by Maria Edgeworth. Even though Jane Austen and Maria Edgeworth were never formally introduced, Austen admired the author so much that she sent a presentation copy of Emma to her in advance of its publication. Edgeworth did not return the complement saying “there is no story in it.” Belinda was originally published in 1801 and is offered in this nicely introduced and supplemented re-issue by OWP. (publishers description) The lively comedy of this novel in which a young woman comes of age amid the distractions and temptations of London high society belies the challenges it poses to the conventions of courtship, the dependence of women, and the limitations of domesticity. Contending with the perils and the varied cast of characters of the marriage market, Belinda strides resolutely toward independence. Admired by her contemporary, Jane Austen, and later by Thackeray and Turgenev, Edgeworth tackles issues of gender and race in a manner at once comic and thought-provoking. The 1802 text used in this edition also confronts the difficult and fascinating issues of racism and mixed marriage, which Edgeworth toned down in later editions. Oxford University Press. ISBN: 978-0199554683

  • Catch up on previous months of  the Austen book sleuth in the archive. 

Until next month, happy reading! 

Laurel Ann

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Frederica Heyer by Georgette Heyer, Sourcebooks (2009)The Austen book sleuth is happy to inform Janeites that Austen inspired books are heading our way in January, so keep your eyes open for these new titles. 

Fiction (prequels, sequels, retellings, variations, or Regency inspired) 

Frederica, by Georgette Heyer. Accolades to Sourcebooks for taking up the banner and reissuing thirteen Georgette Heyer novels to date and more scheduled in the queue for 2009! My co-blogger Vic (Ms. Place) at Jane Austen Today has religiously read each one as they have been released and you can catch up on the reviews at her blog Jane Austen’s World. I have yet to venture into Heyer territory, so am pea green with envy. This month, we are presented with Frederica which was one of Heyer’s later romance novels originally published in 1965. (publisher’s description) In Frederica, Georgette Heyer explores the difficulties of a woman of the Regency era operating without the patronage and protection of a man. A country beauty and a very capable young woman, Frederica is burdened with the responsibilities of being head of her family, leaving her little time to think of herself and her own future. When she brings her brood to London to find a husband for her stunningly beautiful younger sister, she naturally expects the patronage of their guardian, the Marquis of Alverstoke, who is, however, too bored and cynical to be bothered. But when Frederica’s younger brother’s obsession with such scientific innovations as ironworks and balloon flight leads to a devastating accident, the Marquis can no longer ignore his charges. You can read about all of the Heyer titles in print at the Sourcebooks website. Sourcebooks Casablanca ISBN: 978-1402214769 

The Man Who Loved Jane Austen, by Sally Smith O'Rourke (2009)The Man Who Loved Jane Austen, by Sally Smith O’Rourke. In this reissue of her 2006 novel, O’Rourke sends her contemporary heroine Eliza Knight on an investigation to discover if the letters she found in an old vanity table addressed to ‘Dearest Jane’ from ‘F. Darcy’ are indeed the Regency era novelist and her most famous character Fitzwilliam Darcy. The trail leads her to a majestic, 200-year old estate in Virginia’s breathtaking Shenandoah Valley and into the arms of man who may hold the answer to this extraordinary mystery. Kensington ISBN:  978-0758210388 

Imitations of Jane Austen, by Jane Greensmith (2008)Intimations of Austen, by Jane Greensmith. (publisher’s description) A collection of nine short stories including back stories, sequels and what-ifs to Jane Austen’s beloved novels. Greensmith provides sympathetic insights into characters you love to hate. Her what-if stories are realistic, true to Austen’s characters, and delightful to sink your teeth into. And always, Greensmith, Romantic that she is, calls forth the power and beauty of the natural world to heal, bless, and nurture the wounded, the misunderstood, the lonely, and the confused on their journeys through life. Visit the author’s blog Reading, Writing, Working, Playing for her insights on fiction, writing and Jane Austen. I missed this one in my December announcement, but it is well worth a mention. Lulu.com, ISBN: 978-1435718890 

Nonfiction 

Jane Austen and Mozart (2009)Jane Austen and Mozart: Classical Equilibrium in Fiction and Music, by Robert K. Wallace. Originally published in 1983, this reissue by the same publisher aims to give a detailed comparative analysis of the intriguing similarities between Jane Austen’s (1775-1817) writing and Wolfgang Amadeus Mozart’s (1756-1791) music. This scholarly treatise will interest students and scholars who appreciate Austen’s classical vs. romantic style and Mozart’s restraint vs. freedom that defined both of their works. (note to publisher: pink covers do not equate chic lit sales) University of Georgia Press ISBN: 978-0820333915 

Cinematic Jane Austen (2009)Cinematic Jane Austen: Essays on the Filmic Sensibility of the Novels, by David Monaghan, Adriane Hudelet and John Wiltshire. Three professors contribute their academic insights on how Austen has been successfully transferred to the screen. (publisher’s description) The novels of Jane Austen are typified by their comedic power, often most powerfully demonstrated by the singular voice of their narrators. Yet what makes them arresting novels can also produce a less than satisfactory transformation to the world of cinema, where the voice of a narrator often becomes obtrusive. This work argues that despite the difficulties in adapting Austen’s writing for the screen, there have been many successes. Each author examines Austen’s texts for their inherent cinematic features, analyzing the use of these features in film versions of the novels. (note to publisher: pink covers do not equate chic lit sales) McFarland & Company ISBN: 978-0786435067 

A Companion to Jane Austen, editor Claudia L. Johnson (2009)A Companion to Jane Austen (Blackwell Companions to Literature and Culture), edited by Claudia L. Johnson & Clara Tuite. Professor Claudia L. Johnson of Princeton University may very well be Jane Austen’s finest advocate with her many scholarly works in print, lectures and academic presence worldwide. Her latest ambitious work includes editing and contributing to this volume that includes 42 essays by leading scholars serving as a reference and speculative development in Austen scholarship. Way over this Janeites head, but headed to an academic library bookshelf near you. Blackwell Publishers ISBN: 978-1405149099 

Austens Emma (2009)Austen’s Emma (Reader’s Guides), by Gregg A. Hecimovich. Clueless about Emma? This new student guide could be your best friend while reading the novel. (publisher’s description) This is a student-friendly guide featuring discussion points, questions, suggestions for further study and a comprehensive guide to further reading. Emma is one of Jane Austen’s most popular novels, in large part due to the impact of Emma Woodhouse, the ‘handsome, clever and rich’ heroine. This lively, informed and insightful guide to Emma explores the style, structure, themes, critical reputation and literary influence of Jane Austen’s classic novel and also discusses its film and TV versions. It includes points for discussion, suggestions for further study and an annotated guide to relevant reading. Continuum; Student’s Guide edition ISBN: 978-0826498489 

Austen’s Oeuvre 

Catharine and Other Writings, by Jane Austen (Oxford World's Classics) 2009Catharine and Other Writings (Oxford World’s Classics), by Jane Austen. A round of applause goes out to the good folks at Oxford University Press who have now re-issued all of Jane Austen’s novels and minor works with introductions written by prominent scholars and supplemental material to help students and Austen enthusiasts better understand her writing and her life in context to her times. This latest venture includes Austen’s boisterous and comical early works of short stories which readers will find quite different than her later novels. (publisher’s description) In addition to prose fiction and prayers, this collection also contains many of Jane Austen’s poems, written to amuse or console friends, and rarely reprinted. The texts have been compared with the manuscripts and edited to give a number of new readings. The notes recreate the texture of daily life in Jane Austen’s age, and demonstrate her knowledge of the fiction of her time. The introduction by Margaret Anne Doody sets the writings within the context of Jane Austen’s life and literary career. Oxford University Press ISBN: 978-0199538423 

Austen’s contemporaries 

Castle Otranto, Horace Warlpole (Oxford World's Classics) 2009The Castle of Otranto: A Gothic Story (Oxford World’s Classics), by, Horace Walpole. Consider the granddaddy of Gothic novels, Castle of Otranto sparked a genre that would become a sensation in the late 18th and early 19th centuries and influenced Jane Austen’s gentle parody Northanger Abbey. Published in 1764, it includes all of the stereotypical trappings of a Gothic story including castles, dungeons and supernatural events. An absolute must for Austen fans and enthusiasts of the Gothic, this reissue is based on the 1798 second edition which was reworked by Walpole and includes an introduction by E. J. Clery, a Research Fellow in English at Sheffield Hallam University and author of The Rise of Supernatural Fiction 1762-1800 (1995). Oxford University Press ISBN: 978-0199537211 

Samuel Taylor Coleridge - The Major Works (Oxford World's Classic) 2009Samuel Taylor Coleridge – The Major Works (Oxford World’s Classics), by Samuel Taylor Coleridge. (publisher’s description) Samuel Taylor Coleridge, (1772-1834) poet, critic, and radical thinker, exerted an enormous influence over contemporaries as varied as Wordsworth, Southey and Lamb. This collection represents the best of Coleridge’s poetry from every period of his life, particularly his prolific early years, which produced The Rime of the Ancient Mariner, Christabel, and Kubla Khan. The central section of the book is devoted to his most significant critical work, Biographia Literaria, and reproduces it in full. It provides a vital background for both the poetry section which precedes it and for the shorter prose works which follow. There is also a generous sample of his letters, notebooks, and marginalia, some recently discovered, which show a different, more spontaneous side to his fascinating and complex personality. Oxford University Press ISBN: 978-0199537914 

Until next month, happy reading to all, 

Laurel Ann

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The Independence of Miss Mary Bennet, by Colleen McCullough (2008)The Austen book sleuth is happy to inform Janeites that Austen inspired books are heading our way in December, so keep your eyes open for these new titles. 

The Independence of Miss Mary Bennet: A Novel, by Colleen McCullough. When best selling author of the Thorn Birds and The Masters of Rome Series Colleen McCullough saw the Pride and Prejudice miniseries on television recently she was intrigued by the Bennet’s middle daughter Mary and how Austen unsympathetically portrayed her. Inspired to give Mary a new chance, McCullough starts the story twenty years after the close of Pride and Prejudice with the death of Mrs. Bennet freeing Mary from her role as parental caretaker. Bookish, pious and socially awkward Mary gets a makeover, a social cause, and a romantic adventure. (let’s hope she doesn’t sing) From the advance press when the book was released in Australia in October, we may very well be in for a very bumpy ride. Hardcover, Simon & Schuster (December 30, 2008). ISBN: 978-1416596486 

The Little Book of Jane Austen, by Emily Wollaston. This petite volume offers an introductory biography to the author’s life, her works, the television and movie adaptations, celebrations, and the Jane Austen Society with photos of her homes, countryside and towns she visited, and generally all the highlights to entice the reader to read a book, watch a movie or visit her on the Internet. A great stocking stuffer for the holidays, or a gift to include with one of her novels. Green Umbrella Publishing. ISBN 978-1906229580 

The Later Manuscripts, (The Cambridge Edition of The Works of Jane Austen), edited by Janet Todd. Serious students of Austen will be happy to hear that this new volume brings together for the first time all of the literary manuscripts from Jane Austen’s adult years (with the exception of the canceled chapters from Persuasion) and includes the novella ‘Lady Susan’, the novel fragments of ‘The Watsons’ and ‘Sanditon’, poems and charades, and the comic ‘Plan of a Novel’ and various other novelties. I can not deny that it is remarkable to have everything in one place at last, but only deep pockets will be able to acquire this volume at $130.00. Unless I win the lottery, I hope to borrow it from inter-library loan. Cambridge University Press. ISBN: 978-0521843485

The Cambridge Edition of the Works of Jane Austen 9 volume HB set (The Cambridge Edition of the Works of Jane Austen), edited by Janet Todd. Wow, wow and double wow! My hat is off to Janet Todd and Cambridge University for completing nine volumes of scholarship devoted entirely to Jane Austen. This may very well be the mother lode of Austen information compiled by leading scholars available today. The nine volumes include an annotated edition each of the six major novels and Juvenilia, The Later Manuscripts mentioned above, and Jane Austen in Context. Even though Cambridge has reduced the price when you purchase this as a set, it is still a hefty chunk of change at $900.00. Cambridge University Press. ISBN 978-0521868402 

Do you remember this passage in Northanger Abbey defending novel reading? 

“And what are you reading, Miss – ?” “Oh! It is only a novel!” replies the young lady, while she lays down her book with affected indifference, or momentary shame. “It is only Cecilia, or Camilla, or Belinda”; or, in short, only some work in which the greatest powers of the mind are displayed, in which the most thorough knowledge of human nature, the happiest delineation of its varieties, the liveliest effusions of wit and humour, are conveyed to the world in the best-chosen language.” The Narrator, Chapter 5 

Here’s your chance to find out what Austen was defending with these two reprints of important late eighteenth-century novels that Jane Austen read and influenced her writing reissued by Oxford University Press. 

Cecilia, or Memoirs of an Heiress, by Frances Burney (2008)Cecilia, or Memoirs of an Heiress (Oxford World’s Classics), by Frances Burney. (publishers description) Cecilia is an heiress, but she can only keep her fortune if her husband will consent to take her surname. Fanny Burney’s unusual love story and deft social satire was much admired on its first publication in 1782 for its subtle interweaving of comedy, humanity, and social analysis. Controversial in its time, this eighteenth-century novel seems entirely fresh in relation to late twentieth-century concerns. Oxford University Press. ISBN: 978-0199552382 

Evelina, by Frances Burney (2008)Evelina (Oxford World’s Classics), by Frances Burney. (publishers description) Frances Burney’s first and most enduringly popular novel is a vivid, satirical, and seductive account of the pleasures and dangers of fashionable life in late eighteenth-century London. As she describes her heroine’s entry into society, womanhood and, inevitably, love, Burney exposes the vulnerability of female innocence in an image-conscious and often cruel world where social snobbery and sexual aggression are played out in the public arenas of pleasure-gardens, theatre visits, and balls. Oxford University Press. ISBN: 978-0199536931 

Until next month, happy reading to all,

Laurel Ann

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Rude Awakening of a Jane Austen Addict, by Laurie Viera Rigler (2009)GREAT NEWS FOR JANEITES EVERYWHERE!

While snooping about on Amazon.com tonight, I had a wonderful surprise when I discovered that the title of Laurie Viera Rigler’s sequel/parallel story to her popular Confessions of a Jane Austen Addict would be Rude Awakenings of a Jane Austen Addict. I immediately wrote to Laurie who is traveling in Tennessee and confimred my discovery sharing my excitement and enthusiasm for her new novel. Imagine my delight when I found the cover posted on her agent’s web site. Hurrah! Isn’t it beautiful? Here is the blurb from Laurie’s literary agent, Marly Rusoff & Associates, Inc.  

RUDE AWAKENINGS OF A JANE AUSTEN ADDICT by Laurie Viera Rigler
Publisher Dutton, June 2009. The eagerly anticipated sequel/parallel story to Confessions of a Jane Austen Addict

Laurie Viera Rigler’s debut novel, Confessions of a Jane Austen Addict, was a hit with fans and critics, and a BookSense and Los Angeles Times bestseller. Its open-to-interpretation ending left readers begging for more-and RUDE AWAKENINGS OF A JANE AUSTEN ADDICT delivers. While Confessions took twenty-first-century free spirit Courtney Stone into the social confines of Jane Austen’s era, Rude Awakenings tells the parallel story of Jane Mansfield, a gentleman’s daughter from Regency England who inexplicably awakens in Courtney’s overly wired and morally confused L.A. life.

For Jane, the modern world is not wholly disagreeable. Her apartment may be smaller than a dressing closet, but it is fitted up with lights that burn without candles, machines that wash bodies and clothes, and a glossy rectangle in which tiny people perform scenes from her favorite book, Pride and Prejudice. Granted, if she wants to travel she may have to drive a formidable metal carriage, but she may do so without a chaperone. And oh, what places she goes! Public assemblies that pulsate with pounding music. Unbound hair and unrestricted clothing. The freedom to say what she wants when she wants-even to men without a proper introduction.

Privacy, independence, even the power to earn her own money. But how is she to fathom her employer’s incomprehensible dictates about “syncing a BlackBerry” and “rolling a call”? How can she navigate a world in which entire publications are devoted to brides but flirting and kissing and even the sexual act itself raise no matrimonial expectations? Even more bewildering are the memories that are not her own. And the friend named Wes, who is as attractive and confusing to Jane as the man who broke her heart back home. It’s enough to make her wonder if she would be better off in her own time, where at least the rules are clear-that is, if returning is even an option.

You can also read a preview of the story line on Laurie’s web site. I am so excited for this book and can’t wait to read it. Check out Laurie’s first novel, Confessions of a Jane Austen Addict.

Congratulations Laurie and best wishes!

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Mr. Darcy's Daughter, by Rebecca Ann Collins (2008)The Austen book sleuth is happy to inform Janeites that Austen inspired books are heading our way in November, so keep your eyes open for these new titles. Next month’s edition of upcoming releases of Austen-esque books will include my selections of Jane Austen inspired holiday gift giving suggestions, so please check back on December 1st.

Mr. Darcy’s Daughter: The Pemberley Chronicles Book 5, by Rebecca Ann Collins. The Pemberley Chronicles continue as author Rebecca Ann Collins carries on the saga of the children of the Darcy’s and the Bingley’s as she focuses on the daughter of Fitzwilliam and Elizabeth Darcy, the charming, beautiful and intelligent Cassandra. It is now 1864 and Cassandra Darcy must step forward and assist her family in the running of Pemberley after her willful brother Julian fails in his responsibilities as heir. “Mr. Darcy’s Daughter is the remarkable story of a strong-minded woman in a man’s world, struggling to balance the competing demands of love and duty as a daughter, wife, mother, and sister.” Sourcebooks Landmark, ISBN: 978-1402212208 

The Lost Years of Jane Austen: A Novel, by Barbara Ker Wilson. Even though every reasonable attempt to discover information about the content of this book has been conducted, the Austen book sleuth is still stumped. So we shall call it the mystery Austen book of the month and make a wild guess that it is a reprint of Barbara Ker Wilson’s 1984 novel, Jane in Australia in which Jane travels to Australia in 1803 with her aunt and uncle the Leigh Perrot’s. Sorry if my hunch is off, but if publisher’s wont’ give a description on their web site or answer polite inquires, we are left to the mercy of a good surmise. Ulysses Press, ISBN: 978-1569756928 

Eliza’s Daughter: A Sequel to Jane Austen’s Sense and Sensibility, by Joan Aiken. Did anyone catch that steamy opening scene in the Andrew Davies adaptation of Sense and Sensibility last spring on Masterpiece? If so, you might guess the parentage of the heroine Eliza Williams, but since she could not, she has no notion of who her father is or how she is connectioned to the kindly man who is her guardian, Colonel Brandon. Intelligent, creative and free-spirited, Eliza makes her way to London and into some of the fine intellectual and artistic circles with poets William Wordsworth and Samuel Coleridge eventually traveling the world, all the while seeking to solve the mystery of her parentage. My only hope is that she takes cousin Margaret Dashwood along on the adventure! Sourcebooks Landmark, ISBN: 978-1402212888 

Issues of Class in Jane Austen’s Pride and Prejudice: (Social Issues in Literature), edited by Claudia L. Johnson. Jane Austen’s heroine Elizabeth Bennet was a middle class gentleman’s daughter and hero Fitzwilliam Darcy was from the upper-class landed gentry. Ever wonder why only the rumor of their engagement provoked Lady Catherine to say “Are the shades of Pemberley to be thus polluted?”, and what it all meant? This book will definitely fill in the blanks with its numerous essays from prominent Austen and 18th-century scholars such as John Lauber, Marilyn Butler, Juliet McMaster, Emily Auerbach and Claudia Johnson. Written for high school level students, I am quite certain that older Janeites will find these insightful essays worthy of further study also. Greenhaven Press, ISBN: 978-0737742589 

Bloom’s How to Write about Jane Austen, by Catherine J. Kordich. The title of this one says it all, but here is my flip rhetorical question of the day. Since Jane Austen’s writing style is revered and worshiped by thousands (if not millions) including this blog mistress, who the heck would not want to know why her writing is so brilliant and be able to write about it??? Who indeed? I must confess that I could benefit from this book and hope to have a copy in hand shortly. Designed to help students (and blog mistresses) develop their analytical writing skills and critical comprehension, I know a few Austen friends who will smile at the title and snap it up in a heartbeat. Chelsea House (Facts on File, Inc.), 978-0791097434 

Life in the Country:  with quotations by Jane Austen and silhouettes by her Nephew James Edward Austen-Leigh. Edited by Freydis Jane Welland and Eileen Sutherland, contributions by Maggie Lane and Joan Klingel Ray, afterword by Joan Austen-Leigh, designed by Robert R. Reid. Wow! The contributors to this book play out like the royal pedigree of Janedom! If you didn’t catch the connections, then I advise you to read the dust jacket flap. Suffice it to say, this is Jane Austen royalty rolling out the red carpet for our edification and enjoyment. The silhouettes are stunning, add to that well chosen Jane Austen quotes, a foreword from the editor, a family biography and an afterword by one of the creators of JASNA, and it does not get any better! Seek this one out and buy it. It is a gem. British Library, ISBN: 978-0712349857 

Until next month, happy reading to all! 

Laurel Ann

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Think of Northanger Abbey in a graphic novel format with all of its energy and Gothic allusions visually popping right off the page, and you will have a good notion of what author Trina Robbins and illustrator Anne Timmons have created in their frightfully enchanting version of Northanger Abbey included in Gothic Classics: Graphic Classics Volume Fourteen. Today both author and illustrator are joining us to chat about their inspiration and the design procession of transforming Jane Austen’s Gothic parody into a graphic novel. Enjoy!  

Writing Jane

by Trina Robbins 

Imagine you’re a Jane Austen fan (not hard to do!) and you write graphic novels — and a publisher asks you to adapt a Jane Austen novel into graphic novel form.  The result, of course, is hog heaven! 

I have actually adapted TWO Jane Austen books into graphic novel form.  The first, about five years ago, was for Scholastic, for their series of graphic novel adaptations for classrooms. I picked one of my two favorite Austen novels, Emma, to adapt into a twenty seven page graphic novel.  But because I was writing for elementary school kids, there were constraints.  Sex does not exist in elementary school rooms, so Harriet could not be a “natural daughter.”  Kids would have wondered what that meant, and any explanations would have produced letters from angry parents.  So I turned her into an orphan.  Emma and Harriet could not be waylaid by gypsies, either, because representing gypsies as criminals is racist, so they simply became a group of rough men who demanded the girl’s purses. 

Nonetheless, I got fan mail from elementary school kids, addressed to “Ms Jane Austen and Ms Trina Robbins,” saying how much they liked the book.  I answered all  the letters, telling the young readers that I was sorry to inform them that Jane Austen had died over two hundred years ago, but that if they liked the comic, perhaps someday they might read the book. 

Then Tom Pomplun, editor of Graphic Classics asked me to adapt Northanger Abbey, which just so happens to be my OTHER favorite Austen novel (Northanger Abbey and Emma are her two funniest!), to be illustrated by Anne Timmons, with whom I’ve worked on so many other comics (including our own series, GoGirl!) that I can call her my partner in crime.  And in forty pages with no constraints! 

Adapting any classic novel (I also adapted Bronte and Dickens for Scholastic) is like solving a delightful puzzle — what to keep, what to leave out. My first step is to buy the oldest, cheapest, most used softcover edition I can find.  I take a highlighter and a black felt-tip marker to it, highlighting the parts I want to keep, blacking out the parts that have to go. I can’t begin to describe how much it goes against the grain for me to mark up a book like that! 

Working with Anne Timmons is a pleasure!  When I describe something, she understands perfectly, and draws exactly what I had in mind.  Northanger Abbey is drawn in a cute and lighthearted style, because that’s the way I see the book.  Catherine is young, naive, and big-eyed.  And she is a hopeless romantic, so some scenes, such as when Catherine runs in tears from Henry, who has just dressed her down because of her suspicions about his father, or when she lies in bed weeping because the General has ordered her to leave in the morning, might have come from some romance comic. 

And Anne, bless her,  understands the fashions!  In the past, I have had dreadful experiences working with male artists (none of whom I chose) who never looked at the reams of fashion reference I always send with my scripts, obviously thinking that if you drew the female characters in long skirts, that was good enough.  And you know how important the right clothes are in a Jane Austen novel!  I’m sure we all agree that the worst Austen movie adaptation ever was that Greer Garson Pride and Prejudice, where for some bizarre reason, the producers decided to change the time period to the 1840s or 1850s. 

Currently, Anne and I are working on an adaptation of Little Women, for the same publisher.  I couldn’t be happier!

 

Catherine Morland & Isabella Thorpe read Gothic novels in the
Gothic Classics edition of Northanger Abbey (2007)

Illustrating Jane

By Anne Timmons 

I was just thrilled when Tom Pomplun, publisher of Graphic Classics, asked Trina and I to work on Northanger Abbey! Trina and I have illustrated other books for the Graphic Classics line including a story for their Jack London anthology

I was familiar with Jane Austen’s work but I had never drawn the Regency period before. I did quite a bit of research by Google-ing a lot of the costume websites. There’s a vast array of websites that contain such concise and detailed information. For example, I needed to look up what a carriage would look like in the early 1800′s. And certainly the costumes and interiors needed to be close to that time period. Lots of Northanger Abbey was set in Bath so there’s a lot of the Georgian style of architecture. 

After reading the original story, I received Trina’s adapted script. I laid out the entire story in small roughed out panels, also know as thumbnails. They gave me an idea of what the page would look like. Then I drew the story in pencil. I emailed the files to Trina and Tom to look over. After they gave me suggestions and advice, I inked over the pencils and scanned the finished art. Once the art was a digital file, I could email it to the publisher who did the lettering. 

One of my favorite scenes to draw was the walk at Beechen Cliff. There is a lot of excitement leading up to this moment. The fact that Catherine had to wait for more favorable weather so it would be easy on her clothes and shoes. To finally be able to walk on a dry spring day, (and not be confined indoors), would have been a wonderful experience. In my research, I discovered that the fabrics used in the gowns were often made of muslin – a very thin material. It may have been in layers but not exactly warm enough for cold weather! The Regency period was influenced by the styles of the Roman Empire. Lots of high waists and hair pulled up off the face and neck. Trina’s descriptions offer what the character may look like and I had a great time with the embellishments! 

I also had a lot of fun drawing the scene where Catherine scares herself as she tries to open the cabinet in her room. 

Trina and I are currently working on a graphic novel adaptation of Louisa May Alcott’s, Little Women which will be coming out in 2009. I will be, once again in a “Historical Costume Heaven!”       

Further Reading 

  • Read an interview of Trina Robbins at Jazma Online
  • Read a review of Gothic Classics at Publishers Weekly
  • Read a review of Gothic Classics at AustenBlog
  • Visit author Trina Robbins web site
  • Visit illustrator Anne Timmons web site
  • Purchase Gothic Classics: Graphic Classics Volume 14

 

Go Gothic with Northanger Abbey: DAY 17 Giveaway

Gothic Classics: Graphic Classics Volume Fourteen (2007) 

Which includes Northanger Abbey

Adapted by Trina Robbins and illustrated by Anne Timmons 

Leave a comment by October 30th to qualify for the free drawing on October 31st for one copy of Gothic Classics: Graphic Classics Volume Fourteen (2007) 

Upcoming event posts
Day 18 – Oct 28          Group Read NA Chapters 25-28
Day 19 – Oct 29          Gothically Inspired
Day 20 – Oct 30          Group Read NA Chapters 29-31
Day 21 – Oct 31          Go Gothic Wrap-up

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Austen-esque author Amanda Grange kicks off our guests bloggers during ‘Go Gothic with Northanger Abbey’ event as she joins us today to chat about a very important topic; possibly the most important topic to many – Henry Tilney – who is the protagonist of Jane Austen’s Northanger Abbey and the hero of her next novel Henry Tilney’s Diary. This highly anticipated novel will complete her Austen hero’s series that started with Mr. Darcy’s Diary in 2005, unless she changes her mind and gives Sense and Sensibility‘s co-hero Edward Ferrars his due. Hint ;) Hint ;)

Amanda Grange on Henry Tilney’s Diary

I’m very pleased to be invited to Austenprose during the Go Gothic with Northanger Abbey event because at the moment Northanger Abbey is much in my mind. I’m writing Henry Tilney’s Diary which is, of course, a retelling of Northanger Abbey from Henry’s point of view. Those people who have read my other diaries -  Mr Darcy’s Diary, Mr Knightley’s Diary, Captain Wentworth’s Diary, Edmund Bertram’s Diary, Colonel Brandon’s Diary – will know that I like to stick close to the original novels but present them from a new viewpoint, filling out the back stories and adding what I hope are new insights along the way. 

I knew before I started it that Henry Tilney’s Diary would be the most complex diary to write because Northanger Abbey is, arguably, Austen’s most complex novel. Not only does it have Austen’s hallmarks of social satire, keen observation, brilliant characterisation, etc, it also has her wittiest hero, and on top of that it parodies the Gothic novel. I knew I would have to try and capture all these element in the diary. 

Those who have been following my progress on Historical Romance UK will know that I decided to use some passages from The Mysteries of Udolpho in the diary because I wanted to give modern readers a taste of the kind of Gothic novels that were popular in Austen’s day. Some readers are already familiar with Udolpho, of course – including readers of Austenprose! – but others have never read it, and I didn’t want them to miss out on the unique flavour of the eighteenth and nineteenth century Gothics. 

Having decided to include some passages from Udolpho, I then had to come up with a way of working it into the diary. The solution to this problem came in Chapter 14 of Northanger Abbey

“The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid. I have read all Mrs. Radcliffe’s works, and most of them with great pleasure. The Mysteries of Udolpho, when I had once begun it, I could not lay down again; I remember finishing it in two days – my hair standing on end the whole time.” (said Henry)

“Yes,” added Miss Tilney, “and I remember that you undertook to read it aloud to me, and that when I was called away for only five minutes to answer a note, instead of waiting for me, you took the volume into the Hermitage Walk, and I was obliged to stay till you had finished it.”  

I knew at once that I would include this incident in the diary. It is such a revealing incident that I would probably have included it anyway, because it shows Henry at his most human and charming whilst also showing his good relationship with Eleanor. But it lends itself perfectly to my desire to include extracts from Udolpho

I decided that I would then make the incident work even harder for its place in the diary, because I would use it, not only to show Henry and Eleanor’s characters, their good relationship, and the prose of Mrs Radcliffe, I would also use it as a bonding experience with Eleanor’s suitor. 

Eleanor’s suitor is one of the elements of the backstory I am going to flesh out. He isn’t mentioned until the end of the book, but in fact she has known him for a long time. As she loves Gothic novels I thought it likely that he would love them as well. My picture of him was hazy at first and I had to think more carefully about the things I knew so that I could develop him as a real person. He had no money -  so where could Eleanor have met him? I decided she would meet him at the Abbey, because it’s such an integral part of the book. But what would he be doing there? 

There are a lot of ways I could have done it, but this is what happened when I started to write: 

Friday 

It was late. My father was holding forth in the drawing-room; Frederick’s friends were carousing in the billiard room; and so Eleanor and I took refuge in the library. We had just begun to talk when there was an embarrassed cough and Mr Thomas Stannyard stepped out from behind one of the bookcases. 

It was an awkward moment. He had evidently been in the library when we arrived and he had unwittingly overheard our conversation. But instead of laughing and blustering and making some ribald remark, as befitted one of Frederick’s friends, he blushed and fingered his collar and muttered his apologies, adding that he had come into the library to look for a book. 

This so astounded Eleanor and I that we looked at each other and then turned our eyes back towards him to discover that he was indeed holding a book. 

‘The antics in the billiard-room are not to your taste?’ hazarded my sister.

‘No, I am afraid not,’ he said apologetically.

‘What book have you found?’ I asked.

He looked embarrassed and muttered something under his breath.

The Mysteries of Udolpho!’ exclaimed Eleanor.

‘I have a partiality for Gothic novels,’ he admitted shamefacedly.

‘But this is capital,’ I said. ‘My sister and I like nothing better. Which ones have you read?’

Castle of Wolfenbach, Clermont, Mysterious Warnings, and Necromancer of the Black Forest,’ he said, then added, ‘I must not intrude any longer.’

‘It is no intrusion,’ I assured him.

‘Will you not join us?’ asked Eleanor.

‘If you are sure . . . ‘ he said.

‘We are. Are we not, Henry?’

‘Yes, indeed.’

He took a seat.

‘Forgive me for saying so, but you do not seem like one of my brother’s friends,’ said Eleanor.

‘I . . . uh . . . think it would be more accurate to say that . . . well, to put it frankly . . . that is to say . . . he owes me money.’ 

This is just a rough draft. It might easily change between now and publication, but this is how the characters are developing at the moment. This will then lead into some scenes where the three of them read a Gothic novel together. As there is no mention of Eleanor’s suitor when Henry talks about reading Udolpho in Chapter 14, I will probably have them read one of the other novels. I dare say they will be out walking but then have to hurry inside because of a thunderstorm. With the thunder rolling and the lightning flashing outside, they will read some of the more outrageous passages from one or other of the ‘horrid novels,’ replete with dungeons, chains and strange moaning. 

I might, too, have Henry come upon Catherine and Eleanor reading a horrid novel, so that I can include extracts from yet another ‘horrid novel’, but as I haven’t got to the later part of the diary, and I am at the moment writing the bits that occur before Northanger Abbey begins, that is a decision I won’t take until much later in the year. 

I hope fans of Northanger Abbey will enjoy Henry Tilney’s Diary! 
 
Best wishes,

Mandy

Thanks Amanda for giving us a sneak peek at your next novel Henry Tilney’s Diary which will hopefully be in book stores by late 2009. I am looking forward to the entrance of da man himself, Henry Tilney, and all the Gothic trappings replete with dungeons, chains and strange moaning!

Upcoming event posts
Day 04 – Oct 7             Group Read NA Chapters 4-7
Day 05 – Oct 8             Guest Blog – Diana Birchall
Day 06 – Oct 9             Group Read NA Chapters 8-10
Day 07 – Oct 13           Guest Blog Margaret C. Sullivan

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The third book in the Pemberley Chronicles series, Netherfield Park Revisted  by Rebecca Ann Collins has just been released by Soucebooks this month. In this continuation of Jane Austen’s Pride and Prejudice, the story starts in 1859, Queen Victoria has reigned for twenty-two years, England has undergone an industrial revolution and is one of the most powerful and influential nations to rule the sea and colonize the globe. Once again we are introduced to many of the characters central in the novel Pride and Prejudice, the Darcy’s and Bingley’s and their children. Handsome Jonathan Bingley, son of Charles and Jane Bingley, takes center stage, returning to Netherfield Park whose traditions and history runs strong in his family. In this ongoing historical saga, Ms. Collins continues to delve into themes that Jane Austen never approached in her secluded early 19th-century world of three or four families in a country village, but these expansions of plot and characters seem only natural as they parallel the progress of England’s social, economical and industrial growth. 

Ms. Rebecca Ann Collins joins us today to share her thought on her inspiration for Netherfield Park Revisited, her affinity to Jonathan Bingley and her favorite book in the ten novel series.  

When, on page one of Pride and Prejudice - Mrs Bennet announces, “My dear Mr Bennet, have you heard that Netherfield Park is let at last?”, we are in no doubt that the story has begun, for it is with her machinations to catch the amiable and eligible tenant – Mr Bingley for her loveliest daughter Jane, that Mrs Bennet is obsessed from that point on. 

It affects quite dramatically the lives of the Bennet family at Longbourn and especially those of Jane and her sister Elizabeth. In the end, after an agonising period of indecision on his part, Jane does marry her beloved Bingley and Elizabeth – after even more agony, compounded by both pride and prejudice – is claimed by his enigmatic friend Mr Darcy. At the end of the novel – we are assured that the two couples lived happily ever after; but of course they have moved – far from small town Hertfordshire society – Lizzie to Pemberley  and the Bingley’s to a “a neighbouring county”. 

Having followed their progress through the first years of their married lives in the dynamic world of 19th-century England,  and observed their children growing up, I was intrigued by the prospect of a return to Netherfield Park by another, younger Mr Bingley – Jonathan the handsome, likeable son of Jane and Charles. Of course, Jonathan is already married to young Amelia-Jane Collins – as a result of a somewhat hasty romance, which even if he hasn’t yet come to regret, appears likely to cause him some grief in the future – which is what opened up the possibility of a return to Netherfield Park for Jonathan and his family, with consequences for most if not all of them. 

Most authors have their favourite characters – Miss Austen’s was Elizabeth Bennet and mine is Cassy Darcy. But Jonathan Bingley always hung around me, prompting me to do more – like a good actor in a minor role, pleading for more lines, or something more exciting to do. So even before The Women of Pemberley was finished, I had started drafting Netherfield Park Revisited, to give Jonathan his run and his very own niche in the Pemberley story. 

Having decided that Amelia – Jane was going to be a problem – how then was Jonathan to be unshackled? The story developed its own momentum, almost from page one and as I do not wish to spoil it for future readers – I shall reveal no more of the plot except to say, it took a bit of careful working out. But, once the cast of characters is set, in an authentic environment, where the basic standards of behaviour (and misbehaviour) are well known and they are allowed to act only according to their own disposition, the stories evolve almost organically, without the need for manipulation or contrivance.

 Just occasionally, one needs to give the characters a little push, with an unexpected arrival or an accident – to get them moving in a new direction, but that is really all. A good story with a few interesting characters tells itself; which is what happened with Jonathan Bingley and Netherfield Park Revisited. It has turned into one of my favourite episodes in the series. 

RAC

September 28, 2008

Further reading

  • Read Austen-esque Author Rebecca Ann Collins Decidedly Discusses Sequels
  • Read Austen-esque Author Rebecca Ann Collins Continued Thoughts on Sequels
  • Review of Netherfield Park Revisited  by My Reading Spot
  • Reviews of Netherfield Park Revisted at Amazon.com

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Darcy tried to focus his attention on her kisses, tasting the passion that was clearly sweeping between them, but the rest of his body remained all too aware of how little stood between them, and as he finally pulled Elizabeth to him, the sensation of her softness molding itself to him stole away any remaining rational thought. Chapter 7 

In this retelling of Jane Austen’s novel Pride and Prejudice, author Abigail Reynolds re-imagines the famous plot and asks these burning questions. What if after Elizabeth Bennet’s refusal of Mr. Darcy’s first proposal at Hunsford, he does not disappear from her life, but arrives at her home at Longbourn determined to change her mind? What if Elizabeth seduced by his ardent attentions sets aside all propriety giving way to her base impulses? What if their mutual passion can not be abated, anticipating their wedding night? Ms. Reynolds then proceeds to creatively answer each of these questions with her spin on the retelling of Pride and Prejudice that might require some readers to suspend their disbelief and burning objections of altering one of the most cherished works in English literature, and just let go and let it happen.

The story opens with the arrival of Colonel Fitzwilliam at the Darcy townhouse in London. It is the summer of 1803 and two months have passed since he and his cousin Fitzwilliam Darcy had visited their aunt Lady Catherine de Bourgh at Rosings in Kent. He is immediately informed by concerned servants and Georgina Darcy that Mr. Darcy is not quite himself, sullen and short tempered to the point of alarm. Darcy shortly reveals to him the cause of his misery; – the rejection of his marriage proposal by the woman that he loves, Elizabeth Bennet, and the reasons why she so flatly refused him. Colonel Fitzwilliam is not surprised by his attraction to the lovely Miss Bennet, only that she would refuse such an advantageous offer and Darcy’s reasons for separating his friend Charles Bingley from Elizabeth’s sister Jane. Inspired by Colonel Fitzwilliam’s advice he convinces Charles Bingley to return to his estate at Netherfield Park to renew his attentions to Jane Bennet with the ulterior motive of seeing Elizabeth and winning her heart and hand.

Readers of Pride and Prejudice will remember that after Elizabeth refuses Mr. Darcy’s first proposal that she returns home to her family at Longbourn and Mr. Darcy disappears from her life only to be re-introduced by a chance meeting at his estate of Pemberley when she is touring Derbyshire on holiday with her aunt and uncle Gardiner. In this scenario, instead of leaving their meeting to chance, Mr. Darcy has become the aggressor, taking the initiative to reconnect with Elizabeth and pursue her affections by ingratiating himself to her family, her friends and herself, first by gentlemanly means with little results, then by the Wickham school of charm and seduction which eventually breaks Elizabeth’s resolve, giving way to her passionate desires.

Impulse & Initiative offers Pride and Prejudice fans the opportunity to explore yet another avenue of a story that we all just can not seem to get enough of as evidenced by the many prequels, sequels, retellings and pastiches available. It is creative and clever in theory, but do the ‘what if’ questions really need to be asked and answered? Possibly, but at times while reading Impulse & Initiative I felt like I was privy to a creative writing assignment where students were asked to take a story from classic literature and believably alter the plot and characters to the opposite intention of the original author. In this case, the results can at times be both believable and baffling, but unfortunately not at the same time leaving the reader in a bit of a quandary.

Abigail Reynolds has taken a huge risk in her choice of changing a classic story that is quite delightful to begin with, and whose hero and heroine Elizabeth Bennet and Mr. Darcy may be the most iconic romantic couple in popular culture short of Shakespeare’s Romeo and Juliet. She might have succeeded if she had allowed the characters integrity to continue from Austen’s original concept. Instead we are asked to suspend our disbelief beyond equal measure and accept well known characters acting in a manner that does not constitute their happiness or ours. Reynold’s Mr. Darcy has changed from the honorable Regency gentleman that many expect into George Wickham, a plotting seducer and the type of man that Austen’s Darcy despises, and Elizabeth Bennet into a caricature of her younger sister Lydia, willing to throw off propriety for the pleasures of passion.

I am reminded of one on my favorite quotes by Elizabeth Bennet from the original novel. “One may be continually abusive without saying anything just; but one cannot be always laughing at a man without now and then stumbling on something witty.” Ms. Reynolds is a talented writer who shows flashes of wit and charm in her style. She has creatively blended a classic love story with a saucy romance novel, and if knowing that Darcy and Elizabeth are quite passionate about their love for one another before the marriage does not set off any decorum alarms, then this one deserves a slot in the queue on your bedside table. If you wonder why the “what if” questions needed to be asked in the first place, then try stumbling upon something else more witty.

Rating: 3 out of 5 Regency Stars 

Impulse & Initiative: A Pride and Prejudice Variation, by Abigail Reynolds
Sourcebooks Landmark, Sourcebooks, Inc. Naperville, Illinois (2008)
Trade paperback, 395 pages
ISBN: 9781402213571

Further Reading:

  • Review of Impulse & Initiative by Becky’s Book Reviews
  • Review of Impulse & Initiative at Turn About the Room
  • Reviews of Impulse & Initiative at Amazon.com

© 2008 Laurel Ann Nattress, Austenprose

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Sourcebooks, Inc has just re-issued the classic Pride and Prejudice sequel Pemberley Shades, by D. A. Bonavia-Hunt. Originally published in 1949, this valued and quite rare book is the first Pride and Prejudice sequel to continue the story after the marriage of our favorite couple, Elizabeth Bennet and Fitzwilliam Darcy concluded in Jane Austen’s famous novel. The long road to reprinting Pemberley Shades has been a winding journey that I enjoyed researching. There are many people to thank for making this cherished sequel available again who I have attempted to credit. I offer my thanks and congratulations to everyone who had a hand in it. Well done. 

The Legend of the Lost Sequel 

Imagine walking into a bookstore and finding a novel by an unknown author that continued the story of a book written close to 200 years ago. Would you be tempted to purchase it? Now, what if that novel was based on the characters of Elizabeth Bennet and Mr. Darcy from Jane Austen’s classic novel Pride and Prejudice ? No problem you say, and readily present your cash and carry it home. In turn, imagine that it is 1949 and you are without the benefit of years of memories of Mr. Darcy plunging into the Pemberley pond or rising like a god through the mist of a field to haunt you. Up until this point, there is only one Jane Austen sequel written, and most likely you have not heard of it. Your effortless purchase in 2008 now becomes pure impulse based on the cultural clout of Jane Austen’s name. That was exactly what author Dorothy Bonavia-Hunt and publishers Allan Wingate in London and E.P. Dutton of New York were banking on, and after nearly sixty years after its first publication, Pemberley Shades is still commanding our attention and selling in bookstores thanks to some very devoted Janeites. 

It is quite amazing to think that new ground was being forged here by Bonavia-Hunt nearly one hundred and thirty six years after Pride and Prejudice was first published. She was writing for genre that would not be realized by publishers and the public for another forty-five years with the publication of Pemberley: Pride and Prejudice Continued  by Emma Tennant. Not much is known about her personal life beyond the basic vital statics documented by her birth and death, and a few census records in England. Born Dorothy Alice Bonavia-Hunt in London in 1880, she was the daughter of an Anglican clergyman and was raised in a literary and musical environment. Her father was Rev. Henry George Bonavia-Hunt, who founded the Trinity College of Music in 1872 in London, and her mother the authoress Madeline Bonavia-Hunt. She had three siblings and her younger brother Noel Aubrey followed in his father’s footsteps as an ordained minister and noted authority of secular organ music. Like Jane Austen, she remained a spinster and lived with family most of her life, writing Pemberley Shades while living with her brother Noel when he was Vicar of St. Leonard’s Stagsden, Bedfordshire.

 

St. Leonard’s church, Stagsden, Bedfordshire, England where Dorothy
Bonavia-Hunt’s  brother Noel was vicar from 1937-1956

Pemberley Shades was first published in 1949 in England by Allan Wingate, London & E.P. Dutton, New York, each publisher creating their own cover art and text design. Interestingly the English version which depicts a bucolic country scene with Regency attired figures dominating the composition seems much more appealing today than the US edition which primarily focuses on the architectural prominence of the facade of a country manor house and secondarily on the small walking figures in the foreground. I find the focus of the two book covers amusing. The English publisher in postwar Britain appealing to the return to gentrified living in war torn England, and the US publisher stimulating desire in post war US to have gentrified living with a grand house! The book did have a second printing the same year by E.P. Dutton, so obviously, Americans were craving English culture and stories written about English classic novels. The popularity of the 1940 MGM movie Pride and Prejudice staring Greer Garson and Laurence Olivier didn’t hurt its sales either! 

Two covers of Pemberley Shades. Left Allan Wingate, London
and right E.P. Dutton, New York (1949)

And so it was finally in print, sold and then faded away. For the next forty-four years there were no sequels written to Jane Austen’s novels. The BBC started its production of adaptations of Austen novels for television in the early 1970′s and interest began to slowly build again in her work. In 1977 Folcroft Library Editions (Folcroft, PA) re-printed Pemberley Shades duplicating the E.P. Dutton US edition. These editions were a private printing available for libraries to purchase, and as the years passed and libraries deaccessioned their collections, copies made their way into private hands. 

Colin Firth as Mr. Darcy & Jennifer Ehle as Elizabeth Bennet
 in the mini-series Pride and Prejudice (1995)

Twenty years later an event would acknowledge Jane Austen’s genius in a way that no one could have anticipated. The 1995 mini-series of Pride and Prejudice aired in the UK causing an immediate Austen explosion, which turned nuclear when it crossed the pond and aired in the US in 1996. Austen was now the darling of Hollywood making her boffo box office with the release of the Oscar nominated adaptation by Emma Thompson’s of Sense and Sensibility and Nick Dear’s interpretation of Persuasion. Renewed interest in Jane Austen now prompted a slew of authors ready to take on her characters with prequels, sequels, retellings, continuations and imaginings compounded by the advent of the personal computer and the Internet. This new informational highway had given rise to an appreciation of Austen with new websites such as The Republic of Pemberley devoted to her works, the movies, – and a new spin-off – the burgeoning genre of Jane Austen fan fiction found at sites like The Derbyshire Writers Guild

Enter Marsha Altman, author of the newly released Austen-esque novel The Darcys and the Bingleys, but at that time still a student at City College in New York. Enraptured by Joe Wright’s 2005 creative and earthy film interpretation of Pride and Prejudice, she begins writing fan fiction and publishing on-line. 

When I really started getting into Pride and Prejudice fan fiction, I decided to try and get my hands on almost every sequel out there, which included a lot that were out-of-print. There were two things that were just totally unavailable: Any of the Rebecca Ann Collins books, which were only published in Australia, and some legendary ancient sequel called Pemberley Shades that everyone who had seemed to love. Some used copies were floating on Amazon for $300 or so, which I thought was ridiculous. The most I’ve ever overpaid for a sequel is probably $40.   

Interestingly, the two authors that Ms. Altman had difficulty locating copies of their books, Dorothy Bonavia-Hunt and Rebecca Ann Collins are now available to everyone through the good folks at Sourcebooks. For the avid Jane Austen collector, there are first UK and American editions of Pemberley Shades available at Advance Book Exchange, but be prepared to pay dearly for them. After a failed attempt to locate a copy of Pemberley Shades through her own college library, Marsha did track down a copy. 

There was one other copy in New York City, at the New York Public Library reading room, which ironically is not a very good place to read for hours on end. You have to get about three different cards to get a book called up, and then you can’t take it out of the room. Clearly the only solution was to stand at the copy machine and photocopy the whole thing. The book nearly fell apart in my hands. I read it and loved it, and I wanted to make it available to everyone else. The problem was, if it was written between 1923 and 1950 (which it was), the author had 27 years after publication to renew the copyright and extend it, otherwise it had fallen into public domain and anyone could print it. I had absolutely no biographical information on the author. She was a woman and I eventually learned she was from England. I called E.P. Dutton, now a division of a larger publishing house, and they searched their records and couldn’t find anything about the book.  

Marsha then proceeded to investigate if the US copyright had been extended by the author or her heirs and came up empty deciding to self publish Pemberley Shades herself with her own publishing company Laughing Man Publications.  In 2007, the first books were produced carefully recreating as closely as she could the original format and design of the E.P. Dutton 1949 edition with a newly designed cover from the artwork tinted from the line drawings from the title page of the book. Thirty years after the Folcroft private printing in 1977, Pemberley Shades was now available again quickly selling out its first run, and is now in its second printing. 

In the end it was about circulation. I don’t think any literary work should disappear. The preservation of knowledge, however frivolous (and there are a lot more frivolous things than Jane Austen sequels), is a sacred part of the Jewish tradition in which I was raised. I’m very much looking forward to the upcoming age of information technology, which is already terrific on how much is available to us, either for free or for relatively small fees. It’s an incredible time to be alive. 

And the final act of this saga is with Deb Werksmen, executive editor of Sourcebooks who chose to reprint Pemberley Shades and include it in their fall release of Austen-esque books, allowing for an even wider distribution. Quite an honor for a novel first published 59 years ago, lost to obscurity, resurrected by an Austen enthusiast and written by an Englishwoman who died never knowing that her novel would one day be respected and cherished. 

Further reading 

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The Austen book sleuth is happy to inform Janeites that Austen inspired books are heading our way in September, so keep your eyes open for these new titles. 

First up is the third book in the Pemberley Chronicles series by Rebecca Ann Collins, entitled Netherfield Park Revisited. In this continuation of Jane Austen’s Pride and Prejudice, the story starts in 1859, Queen Victoria has reigned for twenty-two years, England has undergone an industrial revolution and is one of the most powerful and influential nations to rule the sea and colonize the globe. Once again we are introduced to many of the characters central in the novel Pride and Prejudice, the Darcy’s and Bingley’s and their children. Handsome Jonathan Bingley, son of Charles and Jane Bingley, takes center stage, returning to Netherfield Park whose traditions and history runs strong in his family. In this ongoing historical saga, Ms. Collins continues to delve into themes that Jane Austen never approached in her secluded early 19th-century world of three or four families in a country village, but these expansions of plot and characters seem only natural as they parallel the progress of England’s social, economical and industrial growth. Check out my previous posts on Book 1 & Book 2 of the Pemberley Chronicles, and hold on to your bonnets, cuz there are still seven more books in this series to go! 

Speaking of the Bingley’s, how often is the best friend of the hero in a novel given a promotion to co-star in the sequel? Scratches head! Not sure if there is an example except in Marsha Altman’s new book, The Darcys & the Bingleys: Pride and Prejudice Continues. Ms. Altman recently shared with me that she adored Charles Bingley when she originally read Pride and Prejudice in high school, thinking that he was the main character for quite some time until Darcy gave Elizabeth the Huntsford letter. Now Altman has her chance to give Bingley his due as the story continues with his friendship with Darcy and the two special sisters that they married, Jane and Elizabeth. You can read two recent contributions by Marsha Altman on Jane Austen Today and Jane Austen in Vermont blogs. She has a wonderful way of telling a story, and I know that you are really going to enjoy watching Caroline Bingley evolve, er well, try to evolve into a sympathetic character! 

Next up, and one I have been dying to get my mits on for ages is the re-print of Pemberley Shades: A Lightly Gothic Tale of Mr. and Mrs. Darcy, by Dorothy A. Bonavia-Hunt. Originally published in 1949, it is the second sequel to Pride and Prejudice ever written and has a surprising Gothic subtext that intrigued me from early descriptions of the book. Original editions of this novel command exorbitant prices from antique books dealers, so I am very happy that Sourcebooks has re-issued this novel for us non-millionaire types who can now experience a story that was the precursor to a genre. 

If you like sexy re-tellings of Austen novels with a twist, Impulse and Initiative: A Pride and Prejudice Variation by Abigail Reynolds might be your cup of tea. It asks the compelling question, “What if Mr. Darcy…instead of disappearing from Elizabeth Bennet’s life after she refuses his offer of marriage, follows her back to her home at Longbourn and endeavors to change her mind. What if…their passion anticipates their wedding? I’ll let that simmer for a while until I write my review, but Reynold’s is a prolific and incredibly popular Austen-esque writer whose Pemberley Variations series has a very loyal and devoted fan base, so it is well worth a try. 

Cassandra and Jane, A Jane Austen Novel, by Jill Pitkeathley has an intriguing premise. Why was it necessary for Cassandra Austen to burn her sisters letters after Jane Austen tragically died at age 41? Well, older sister Cassandra explains it all for us as she shares many of their stories and remembrances of their life together as beloved sisters and BFFL. As Cassandra reminisces, we see Jane Austen as only Cassandra would know, share in their romantic aspirations and disappointments, understand their frustrations on the financial dependence of their relations, and rejoice in her early success as a writer. Author Jill Pitkeathley skillfully interweaves fact and fiction into an interesting and believable story that Austen purists might balk at, but Janeites will adore. 

Happy reading to all.

Further reading

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 THE SEQUELS
 
Since Austen-esque author Amanda Grange first gave us Darcy’s Diary, the retelling of Pride and Prejudice from Mr. Darcy’s perspective in 2005, she has been dutifully working her way through all six of Jane Austen’s heroes with her books; Mr. Knightley’s Diary, Captain Wentworth’s Diary, Edmund Bertram’s Diary and the latest hardcover release, Colonel Brandon’s Diary. Each supply readers with an interesting male vantage on Jane Austen’s classic stories faithfully retold to mirror Jane Austen’s storyline, character personality and theme. It’s almost like reading Jane Austen’s novels from a parallel universe, but written in a more modern style. In this newly released paper back edition, Amanda Grange gives the hero of Mansfield Park, Edmund Bertram a sympathetic and honest treatment. If you are interested in seeing how a man thinks (as apposed to Jane Austen’s feminine view point) I would recommend giving this novel a try. Even though you may already know the storyline, revisiting one of Jane Austen’s most complex and intriguing novels is a always a treat. And if you (like me) believe in keeping the best for last, Ms. Grange is presently writing Henry Tilney’s Diary, which I am certain from my interest in Jane Austen’s delightfully charming character, will be well worth the wait! 
 

 Review highlights

 

“Once again, Amanda Grange has provided a highly entertaining retelling of a classic Jane Austen novel, as seen through the hero’s eyes. EDMUND BERTRAM’S DIARY is pure fun, with the story told in a diary format that makes the reader feel like she’s taking a peek into Edmund’s most innermost thoughts. . . I enjoyed every moment of it.” – Kay James , Romance Reader at Heart 

“Edmund Bertram’s Diary is a sympathetic portrait of a young man struggling with the difficult choices that life throws at us all.” – Austenblog 

“Grange captures the flavour and period extremely well, giving those of us who cannot get enough of this type of novel a story that is both cleverly told and enjoyable.” Red Roses for Authors Reviews 

“Amanda Grange has hit upon a winning formula and retells the familiar story with great verve.” – Historical Novels Review 

 

Further reading

  • Read an excerpt from Edmund Bertram’s Diary
  • Read an in-depth interview of Amanda Grange on AustenBlog

Mansfield Park Madness: Day 15 Give-away

 
Leave a comment by August 30th to qualify for a drawing on August 31st for one of three copies available of 
 

 
Edmund Bertam’s Diary, by Amanda Grange
 
Berkely Trade (2008). A re-telling of the novel Mansfield Park from the perspective of hero Edmund Bertram. Trade paperback, 344 pages, ISBN 978-0425223796 

Upcoming posts
Only two days left to qualify for the many great give-aways
Winners announced August 31st
Day 16 – Aug 30          MP: What People Are Saying
Day 17 – Aug 31          MP Madness Roundup & Conclusion

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THE SEQUELS

A recent review at the venerable on-line periodical Publisher’s Weekly of the re-issue of Mansfield Park Revisited by Joan Aiken gave me quite a good chuckle. It’s amazing how a small typo can change the whole direction of a book! It appears on first glance that this reviewer thinks that Jane Austen’s heroine from Mansfield Park is one in the same as Broadway legend Fanny Brice! 

Now, our dear Fanny Price has been called many things; insipid, weak and other unmentionables which have lead to a few heated Janeite debates on Austen-L and elsewhere online, but this is a first. We knew that Mansfield Park was full of theatricals and references to the stage, but if my memory serves, Fanny refused to act in play Lovers’ Vows in the novel, so if she has had a change of heart and I have missed Fanny’s singing, dancing and comedic talents on Broadway, it is quite an oversight! Oh what merriment this typo created! 

Mansfield Park Revisited

Joan Aiken. Sourcebooks, $14.95 paper (208p) ISBN 978-1-4022-1289-5 

Author and scholar Aiken (1924-2004), known for her Jane Austen continuations, has imagined a sequel to Mansfield Park that’ll satisfy some Austen fans while enraging others. Heroine Fanny Brice has married her cousin Edmund Bertram and decamped for the family’s Caribbean plantation, leaving her younger sister, Susan, behind to serve as Lady Bertram’s companion at Mansfield Park. Less timid than her sister, but dismissed just the same by her finer relatives, Susan soon encounters the Crawfords, Henry and Mary, a diverting but amoral brother-and-sister pair who had nearly undone the proud Bertram family. Aiken’s sympathetic vision of the Crawfords’ fate, after their seduction of Fanny and her cousins, may strike a false note for Austen purists, but Aiken ably reproduces the author’s traditional plot twists and social comedy, if not her fluid prose or biting satire. (Oct.) 

Mansfield Park Revisited is being reissued by Sourcebooks on October 1, 2008, and quite possibly Joan Aiken’s sequel to Mansfield Park does contain the character of Fanny Brice, the Broadway and Radio legend, who hoofs her way to the Bertram’s Caribbean plantation to sing and dance and entertain the locals. But I doubt it!  

Mansfield Park Madness: Day 15 Give-away

Leave a comment by August 30th to qualify for a drawing on August 31st for one copy of 

 

Mansfield Park Revisited: A Jane Austen Entertainment, by Joan Aiken

(On sale Octber 1, 2008) Sourcebooks Landmark (2008). Re-issue. Sequel to the novel Mansfield Park in which Fanny’s sister Susan’s story is revealed. Trade paperback, 208 pages, ISBN 978-1402212895 

Upcoming posts!
Only two days left to qualify for the many great give-aways!
Winners announced August 31st.
Day 16 – Aug 30          MP: What People Are Saying
Day 17 – Aug 31          MP Madness Conclusion

Read Full Post »

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