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Celebrating Pride and Prejudice, by Susannah Fullerton (2013)40 of you left comments qualifying you for a chance to win one of three copies available of Celebrating Pride and Prejudice: 200 Years of Jane Austen’s Masterpiece, by Susannah Fullerton. The winners drawn at random are:

  • Kelli H. who left a comment on January 08, 2013
  • Melissa W. who left a comment on December 26, 2012
  • Courtney who left a comment on December 30, 2012

Congratulations ladies! To claim your prize, please contact me with your full name and address by January 16, 2013.  Shipment is to US addresses only please.

Many thanks to Susannah Fullerton and Voyageur Press for the giveaway copies. Check back in February for my review of this new book during The Pride and Prejudice Bicentenary Challenge 2013. Happy reading to the winners!

© 2013 Laurel Ann Nattress, Austenprose

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Sense and Sensibility, by Jane Austen, read by Juliet Stevenson (Naxos Audiobooks) 2005Even though it has been two hundred years since the world was first introduced to sisters Marianne and Elinor Dashwood’s financial, social and romantic trials, their story remains for me, as fresh and vibrant as any contemporary story you might read of, experience yourself, or hear tell tale of today. I give full credit, of course, to Jane Austen. Her understanding of human nature and how to craft emotions and characters into an engaging story remains unparalleled. Add to that a delightful twelve hour and forty-three minute reading by the accomplished British actress Juliet Stevenson’s polished interpretation of memorable personalities and you are primed for unsurpassed entertainment. Here is a brief description from the publisher:

When Mrs. Dashwood is forced by an avaricious daughter-in-law to leave the family home in Sussex, she takes her three daughters to live in a modest cottage in Devon. For Elinor, the eldest daughter, the move means a painful separation from the man she loves, but her sister Marianne finds in Devon the romance and excitement which she longs for. The contrasting fortunes and temperaments of the two girls as they struggle to cope in their different ways with the cruel events which fate has in store for them are portrayed by Jane Austen with her usual irony, humor and profound sensibility.

It is amazing to think that Sense and Sensibility was Jane Austen’s first published novel. As a debut author she showed incredible understanding of characterization and plot development. Many of the personalities contained in this novel remain the most memorable for me of her entire canon. The affability of Sir John Middleton, the persistent meddling of Mrs. Jennings, the droll indifference of Mr. Palmer and the malleable weakness of Mr. John Dashwood are played against the narrow greed of the unscrupulous Fanny Dashwood and her officious, spiteful mother Mrs. Ferrars. These secondary characters really make our heroes and villains shine, and withstanding the two heroines Elinor and Marianne, it is amusing to see how Austen plays with our emotions in guessing who the heroes will be and how the morality will play out.

Sense and Sensibility does have a few plot wholes and loose coincidences that readers will be raising eyebrows over, but it remains a novel wholly entrenched in the passionate joys of youthful love and emotional loss, cruel social snobbery and biting social reproof as relevant today as it was in 1811.

5 out of 5 Regency Stars

This is my ninth selection in the Sense and Sensibility Bicentenary Challenge 2011, my year-long homage to Jane Austen’s first published novel, Sense and Sensibility. You can follow the event as I post reviews on the fourth Wednesday of every month and read all of the other participants contributions posted in the challenge review pages here.

A Grand Giveaway

Enter a chance to win one unabridged CD or digital download of Sense and Sensibility (Naxos Audiobooks) by leaving a comment by midnight PT, Wednesday, October 5, 2011 stating which character you love to hate in Sense and Sensibility or what motivates you to read Jane Austen’s classic for the first time. Winner to be announced on Thursday, October 6, 2011. CD shipment to US or Canadian addresses only. Digital download internationally. Good luck!

Sense and Sensibility, by Jane Austen and read by Juliet Stevenson
Naxos Audiobooks (2005)
Unabridged audio CD’s, 12 hours, 43 minutes
ISBN: 978-9626343616

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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The Annotated Sense and Sensibility, by Jane Austenm edited by David M. Shapard (2011)37 of you left comments qualifying you for a chance to win a copy of The Annotated Sense and Sensibility, by Jane Austen, edited by David Shapard. The winner drawn at random is Jocelyn who left a comment on May 28th.

Congratulations Jocelyn! To claim your prize, please contact me with your full name and address by June 21st, 2011. Shipment is to US and Canadian addresses only.

Thanks to all who left comments in the giveaway, and for all those participating in The Sense and Sensibility Bicentenary Challenge. This year we are reading Jane Austen’s first published novel Sense and Sensibility and books inspired by it as well as viewing many of the movies adaptation this year in honor of its 200th anniversary.

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Persuasion: An Annotated Edition, by Jane Austen, edited by, Robert Morrison (2011)Where are my aromatic vinegars? Harvard University Press really knows how to make this Janeite book lover swoon.

Next November we will be treated to another sumptuous annotated edition of one of Jane Austen’s classic novels. Last year they gave us Pride and Prejudice: An Annotated Edition, edited by Patricia Meyer Spacks, and now Persuasion, edited by scholar Robert Morrison will be available to drool over.  Here is the publisher’s info:

Published posthumously with Northanger Abbey in 1817, Persuasion crowns Jane Austen’s remarkable career. It is her most passionate and introspective love story. This richly illustrated and annotated edition brings her last completed novel to life with previously unmatched vitality. In the same format that so rewarded readers of Pride and Prejudice: An Annotated Edition, it offers running commentary on the novel (conveniently placed alongside Austen’s text) to explain difficult words, allusions, and contexts, while bringing together critical observations and scholarship for an enhanced reading experience. The abundance of color illustrations allows the reader to see the characters, locations, clothing, and carriages of the novel, as well as the larger political and historical events that shape its action.

In his Introduction, distinguished scholar Robert Morrison examines the broken engagement between Anne Elliot and Frederick Wentworth, and the ways in which they wander from one another even as their enduring feelings draw them steadily back together. His notes constitute the most sustained critical commentary ever brought to bear on the novel and explicate its central conflicts as well as its relationship to Austen’s other works, and to those of her major contemporaries, including Lord Byron, Walter Scott, and Maria Edgeworth.

Specialists, Janeites, and first-time readers alike will treasure this annotated and beautifully illustrated edition, which does justice to the elegance and depth of Jane Austen’s time-bound and timeless story of loneliness, missed opportunities, and abiding love.

About the Author

Robert Morrison is Queen’s National Scholar at Queen’s University, Kingston, Ontario.

It already has the blessing of two prominent scholars:

  • Robert Morrison’s new annotated edition of Persuasion is terrific: thorough, scrupulous, and thoughtful. It is a worthy addition to the wonderful Harvard series of annotated volumes, likely to be long read and much enjoyed by Austen enthusiasts. — Patricia Meyer Spacks
  • Readers who know Pride and Prejudice and Emma very well, can on encountering or re-encountering Austen’s final novel find it disconcerting and disorienting. Fortunately, they are now well served by the thorough and thoughtful annotation in Persuasion: An Annotated Edition. — Deidre Lynch, University of Toronto

What an incredibly beautiful cover. I can’t wait to tear into this.

Persuasion: An Annotated Edition, edited by Robert Morrison
Harvard University Press (2011)
Hardcover (360) pages
ISBN: 978-0674049741

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Portrait of Jane Austen, by Rocco Fazzari from The Herald (2008)Gentle Readers: Here is a guest post with some Friday fun to get the weekend rolling early. Alyssa Palazzo is a young college student with a passion/obsession for our dear Jane. I thought her essay charming and very funny. Enjoy!

My friends think I have a problem.

I follow Jane Austen on Twitter.  I watch her house on Google Earth and note her every movement in my journal.  I have friend requested her 307 times on Facebook.  Last night, I checked to see what time she was leaving for the Connecticut Repertory Theater’s rendition of Pride and Prejudice.  Then I followed her there.  I keep my cupboard stocked with her favorite cereal brand in the hopes that one day her car will break down in front of my house and she will want breakfast.

Just kidding.  Jane Austen’s dead.  BUT, if she were alive, I would have absolutely no problem hiding under her bed and tracking her every movement.  After all, I’ve read the books, seen the movies, watched the plays, and enrolled myself in the Jane Austen class offered at UConn.  In order to defend my sanity I have composed a list of the top ten reasons I should stalk Jane Austen (or at least like the books.)

  1. Mr. Darcy, Mr. Knightley, and Edmund Bertram are the sexiest male protagonists of all time.  Enough said.
  2. Happy endings.  Every young lady ends up with exactly the right gentleman despite undergoing several trials and mix-ups.
  3. The heroines aren’t weak creatures who need to be saved.  Elizabeth Bennet treks through three miles of mud to visit her sick sister.  There is no fainting, swooning, or rescuing to be found – although it might be worth it to be saved by the sexiest male protagonist of all time.
  4. The characters suffer the consequences of their actions.  For example, when Charlotte Lucas marries for convenience, she has to spend the rest of her life rotting in the back room of her house while avoiding her idiotic and obsequious husband.  Harsh, but true.
  5. The luxurious settings.  Forget London.  Who wouldn’t want to live in Longbourn or Highbury amidst the ample fields and long country roads?  Especially when you live right down the lane from the sexiest male protagonist of all time.
  6. Best opening line ever:  “It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.”  Haha.  Get it?
  7. Austen does a fantastic job of mocking society.  The clergymen are foolish, the “accomplished” young ladies are dimwitted, and the main characters can be spoilt and headstrong.  This makes for a great book.
  8. It’s not all about romance.  The books incorporate human shortcomings, character flaws, and moral dilemmas, forcing the readers to think about human nature.
  9. Austen was one of the few female writers of her time, and better yet, she never married.  Way to stick it to the man.
  10. Have I mentioned the sexiest male protagonists of all time?!  I’m a Darcy girl myself, but trust me, there’s a man for every female reader in Austen’s novels.

Now that I’ve defended my sanity I’m off to read Mansfield Park.  Trust me, it never gets old.

Editor’s note: Isn’t it refreshing Janeites, that young people all over the world are reading Austen and getting it? This eloquent and observant analysis just made my day!

Author Bio:

Alyssa Palazzo is a 4th semester English major and Women’s Studies minor at the University of Connecticut.  Her latest work “Leaving the E-Herd for Face-to-Face Dating” was featured in the Hartford Courant.  When she is not stalking Jane Austen, she is working and blogging at UConn’s Long River Review.  You can follow her adventures at www.longriverreview.com

2007 – 2011 Alyssa Palazzo, Austenprose

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Moorland Cottage Group Read 2011 at Gaskell BlogThe amiable and talented Katherine of the Gaskell Blog is leading a group read of Mrs. Gaskell’s novella  Moorland Cottage. It starts today and runs through February 15, 2011. You can check out the full group read schedule.

Published in 1850, Moorland Cottage is a delightful story of a widow, her two children and her neighbors the Buxton’s. It was the inspiration for screenwriter Heidi Thomas’ plot line and characters featured in the mini-series Return to Cranford.

Katherine has posted the welcome and introduction to the event including this list to get you started. Please join us.

This is my first selection for the Gaskell Reading Challenge and will also fulfill one of my selections for the Classics Challenge by Stiletto Storytime.

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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© Austenprose. Thank you again to all the participants and commenters in the Elizabeth Gaskell Bicentennial Blog Tour on September 29th. The drawing for the unabridged Naxos Audiobooks recording of North and South has closed, and I am happy to announce the lucky winner is…

Annette who posted a comment on September 29th on Stiletto Storytime’s review of Sylvia’s Lovers.

Congratulations Annette. To claim your prize, please email me at austenprose at frontier dot com October 15th, 2010 with your full name, address and choice of format. Shipment is to US and Canadian addresses or international download.

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Just when I thought I had more editions of Pride and Prejudice than I should ever own up to, I will freely admit to just one more. After all, what Janeite could resist this tempting package? An unabridged first edition text; Annotations by an Austen scholar; Color illustrations; Over-sized coffee table format; Extensive introduction; And, supplemental material – all pulled together in a beautifully designed interior and stunning cover. *swoon* Where are my aromatic vinegars?

This new annotated edition appeals to modern readers on many levels beyond being a pretty package of a beloved classic. Austen is renowned for her witty dialogue and finely drawn characters, but not for her elaborate physical descriptions or historical context. When Pride and Prejudice was originally published in 1813, this brevity was accessible to her contemporary readers who assumed the inferences, but after close to two hundred years words have changed their meaning, insinuations and subtle asides have become fuzzy, and cultural differences from Regency to twenty-first century are worlds apart. Anyone can read Pride and Prejudice and follow the narrative, but it is so much more enjoyable if you can read it on an expanded level understanding it in social, cultural and historical context. Editor Patricia Meyer Spacks has not only added extensive notes on plot, characters, events, history, culture and critical analysis from a vast array of Austen and literary scholars, but added her own personal insights and observations from years of reading Austen and her experience as a college professor. From shoe roses to Fordyces Sermons to military floggings to the 19th-century meaning of condescension, readers will be informed and enlightened on every aspect related to the novel, the author and her times. In a nut shell, she has vetted great resources, gathered nuggets of knowledge and placed them at our feet.

As with all of Austen’s characters, this new annotated edition of Pride and Prejudice has its own charms, “frailties, foibles and follies.” Weighing in at over three pounds, and encompassing 464 pages of unabridged text and fine print margin notes, this book easily reigns as the most all-inclusive and well-researched editions of Jane Austen’s masterpiece that I have ever encountered. Considering that the elaborate annotation classifies it as a reference work in addition to a full text, it is quite puzzling that it lacks an index. In addition, the illustrations are expertly selected but sadly lost some of their refinement in the printing process, coming across dark and murky in places. However, I was pleased to see a list of further reading and illustration credits listed in the back of the book to encourage readers to “add something more substantial, in the improvement of [their] minds by extensive reading.

Beautiful, sumptuous and satisfying, Pride and Prejudice: An Annotated Edition is a monumental achievement that should be on the top of your holiday wish list and considered one of few editions available to be esteemed truly accomplished.

5 of of 5 Regency Stars

Pride and Prejudice: An Annotated Edition, by Jane Austen, edited by Patricia Meyer Spacks
Belknap Press of Harvard University Press (2010)
Hardcover (464) pages
ISBN: 978-0674049161

© 2007 – 2010 Laurel Ann Nattress, Austenprose

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Gentle readers: Last week I reviewed Lynn Shepherd’s new Austen inspired mystery Murder at Mansfield Park. Not only is she an accomplished novelist, she is a distinguished Samuel Richardson scholar with a new book Clarissa’s Painter: Portraiture, Illustration, and Representation in the Novels of Samuel Richardson, published by the venerable Oxford University Press. Richardson was Jane Austen’s favorite novelist and I could not pass up the opportunity for Lynn to chat about his impact on her writing and the English novel. This is her generous contribution. Enjoy!

What influence did Samuel Richardson have on novels like Mansfield Park?

Jane Austen’s biographers often have to resort to guesswork and speculation about many aspects of her life, but there’s one thing we do know, and that’s who her favourite author was. According to her nephew, James-Edward Austen-Leigh, her knowledge of Samuel Richardson “was such as no one is likely again to acquire . . . Every circumstance narrated in Sir Charles Grandison, all that was said or done in the cedar parlour, was familiar to her; and the wedding days of [characters like] Lady L. and Lady G. were as well remembered as if they had been living friends.”

Richardson is a literary hero of mine, too, and I always think it’s sad that so few people read him nowadays. Not only because Clarissa, in particular, is one of the great masterpieces of European literature, but because it’s only by reading Richardson that you really understand the tradition Austen was writing in, and where she got some of the inspiration for her books.

So who was Samuel Richardson?

Academics and critics have been arguing for years about who wrote the first English novel. Some argue for Defoe and Robinson Crusoe, others for Fielding, but I’ve always been a firm supporter of Pamela, which Richardson published in 1740.

Pamela is a novel-in-letters, written by a young serving-maid to her parents, in which she describes her master’s attempts to seduce her. But as the subtitle (‘Virtue Rewarded’) suggests, all’s well that ends with a wedding. It sounds pretty standard stuff now, but at the time it was a publishing sensation.  There were 5 editions by the end of 1741, with an estimated 20,000 copies sold. It was also the first book to have what we would now call a ‘promotional campaign’. As a printer himself, Richardson employed all the tricks of the book-trade, including newspaper leaders and celebrity endorsement, and may even have encouraged the publication of a pamphlet that denounced the novel as pornographic, which certainly had a predictably healthy effect on sales!

But if it was Pamela that was ground-breaking, Richardson’s next novel, Clarissa, is the one that really established a new kind of prose fiction in English. This, like all Richardson’s books, is an epistolary novel, and it’s worth remembering that when Austen first put pen to paper seriously herself, she chose exactly this form – first in Lady Susan, and then in Elinor & Marianne, the first version of Sense & Sensibility. Clarissa is the story of a young woman who’s tricked away from her family by the libertine, Robert Lovelace, and eventually raped. The story evolves through two parallel correspondences – Clarissa’s with her friend Anna, and Lovelace’s with his confidant Belford. The depth and subtlety of the psychological characterisation is extraordinary, and you can see immediately why Henry Austen says his sister was such an admirer of “Richardson’s power of creating, and preserving, the consistency of his characters.” However, Clarissa is undeniably a very long read, so if you’d like a taster first, I recommend the BBC adaptation starring Sean Bean. It’s quite old now, but really worth taking a look at.

Sir Charles Grandison

The interesting point about that last quote, though, is that it’s actually about Sir Charles Grandison, Richardson’s last, longest, and least interesting book. All the same it was undeniably Austen’s favourite, and the one that had the most direct influence on her literary technique. As the critic Marilyn Butler has said, “Sir Charles Grandison contributed more than any other single book to the tradition of social comedy… which Jane Austen inherited.” Again and again, you can see Austen using characters and episodes from Richardson, and re-working them for her own purposes. If you’re interested there’s an excellent book on this whole subject by Jocelyn Harris called Jane Austen’s Art of Memory.

The parallels between Grandison and Mansfield Park, in particular, are especially interesting. Both books deal with similar themes, like marriage, education, and the relationships between parents and children, but there are also some striking similarities between many of the characters, notably the respective heroes and heroines – Fanny Price and Harriet Byron, and Edmund Bertram and Sir Charles. For example, both Fanny and Harriet are either literally or effectively orphans, who are adopted by a much richer family: as a result they both acquire two ‘sisters’ and a ‘brother’ they rapidly fall for, even though the man himself is in love with someone else entirely.

There’s no question that Austen loved Sir Charles Grandison, but that doesn’t mean she wasn’t prepared to send it up gently. Isabella Tilney famously calls it an ‘amazing horrid book’, and sometime in the 1790s Jane and her niece Anna worked together to turn Richardson’s million-word novel into a ten-minute comic play for the family to perform. Though that’s rather easier than it sounds, because so little actually happens in Grandison: Sir Walter Scott recalled an old lady telling him she always chose to have that book read to her, because “should I drop asleep in course of the reading, I am sure, when I awake, I shall have lost none of the story, but shall find the party, where I left them, conversing in the cedar-parlour.”

One reason I mention this is because it’s something I always say to people who say you should never tinker with a literary classic like Austen, whether by writing sequels or pastiches, or creating new versions based on her works, like my own Murder at Mansfield Park. It’s useful to remind ourselves that Jane Austen did exactly the same thing, using Richardson both as the source text for a youthful skit, and – more seriously – as an important inspiration for her mature novels.  On that basis I think she’d be flattered that nearly 200 years after her death, so many of us still turn to her books to find inspiration for new work of our own.

Fast facts about the ‘Father of the Novel’

  • Born near Derby in 1689, Richardson was married twice and had six sons and six daughters, of whom only four girls survived.  His education was limited, but he became an extremely successful printer in London, not putting pen to paper on his own account until he was 50.
  • At the age of 13, Richardson was making money writing love-letters for young women he knew, an experience he claimed gave him his knowledge of the female heart.
  • When the villagers of Slough read of Pamela’s wedding in the newspaper they ran the church bell in celebration.
  • You can actually read Clarissa in ‘real time’, starting on January 10th, and finishing on December 18th.

They said…

“This Richardson is a strange fellow. I heartily despise him, and eagerly read him, nay, sob over his works in a most scandalous manner.” Lady Mary Wortley Montagu

“If you were to read Richardson for the story, your impatience would be so much fretted that you would hang yourself. But you must read him for the sentiment, and consider the story as only giving occasion to the sentiment”.  Samuel Johnson

He said…

“I thought [if Pamela were] written in an easy and natural manner… [it] might possibly introduce a new species of writing, that might possibly turn young people into a course of reading different from the pomp and parade of romance-writing”

Want to find out more?

There are good basic introductions to Richardson and his novels here:

The site below is also really interesting. Richardson didn’t just publish the first English novel, but the first illustrated novel too. He took advantage of Pamela’s runaway success by issuing a lavish ’collector’s edition’ two years later (though there were pirate illustrated versions before that). Richardson went to great expense to commission his own illustrations from two of the leading book engravers of the time. It’s fascinating to see him using these images as a way of ensuring that readers only saw ‘his’ version of Pamela the demure and virtuous heroine, and not – like many of his contemporaries, including Henry Fielding – “a pert little minx, whom any man of common sense or address might have had on his own terms in a week”!

Lynn Shepherd studied English at Oxford, and later went on to do a doctorate on Samuel Richardson, which has now been published by Oxford University Press. She’s also a passionate Jane Austen fan, and has just published Murder at Mansfield Park. You can visit her website and follow her on Twitter as GhostingAusten.

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Gentle Readers: in celebration of the ‘Pride and Prejudice without Zombies’ event over the next month, I have asked several of my fellow Jane Austen bloggers to share their knowledge and interest in Austen’s most popular novel. Today, please welcome guest blogger Jane Odiwe from Jane Austen Sequels blog and author of Lydia Bennet’s Story and Willoughby’s Return who shares with us her extensive knowledge of Austen’s memorable characterizations of her hero and heroine, Mr. Darcy and Elizabeth Bennet. Watch for Jane’s new Pride and Prejudice sequel Mr. Darcy’s Secret* to be released in February 2011 by Sourcebooks.

Thank you Laurel Ann for asking me to guest blog today!

Elizabeth Bennet and Fitzwilliam Darcy are perhaps Jane Austen’s most beloved characters. Pride and Prejudice was written more than two hundred years ago, yet these characters remain as fresh and irresistibly fascinating to us as they were for the first generations that read their tale, and remain the standard by which all other characters in a love story are judged.

So, why do we love them so much? Jane Austen tells their story through Elizabeth’s eyes so it’s easy to identify with this heroine who is lively, witty, and loveable as much for her faults as for her charms. We identify with her because we feel she is like us. She is capable of making mistakes, but having realised her errors, she changes and grows as a result. We see her character develop as the story enfolds.

The first time we really meet Elizabeth it is at the Meryton Assembly where the proud Mr Darcy is also in attendance with his affable friend Mr Bingley. There is a lack of gentlemen at the ball, and Lizzy has to sit out for two dances. Mr Darcy is seen to be behaving in a particularly disagreeable manner. He only dances with Mr Bingley’s sisters and ignores everyone else in the room. Everyone has heard that he is a rich landowner, but his wealth and power coupled with his anti-social manners only serve to make him appear arrogant. He doesn’t seem to care that his words may be overheard or that his speech is insulting. In fact, he is almost goading Elizabeth whom he has heard described as a pretty girl. He actually makes sure that Lizzy is looking at him before he speaks. It’s almost as if he wants her to hear, and make her aware that he can attract, and have any woman in the room.

“She is tolerable; but not handsome enough to tempt me; and I am in no humour at present to give consequence to young ladies who are slighted by other men.”

It’s a real put down, and as an unsurprising consequence, she dislikes him instantly!

Continue reading at Jane Austen Sequels

Further reading

Upcoming event posts

Day 22   July 24   Swag winners announced

*Mr. Darcy’s Secret, by Jane Odiwe: After capturing the heart of one of the richest man in England, Elizabeth Darcy believes her happiness is complete until mysterious affairs involving Mr Darcy’s past, and concerns over his sister Georgiana’s own troubled path to happiness present Elizabeth with fresh challenges to test her integrity, honour, and sweet nature as she fights her old fears and feelings of pride and prejudice. However, nothing can daunt our sparkling and witty heroine or dim her sense of fun as Elizabeth and the powerful, compelling figure of Mr Darcy take centre stage in this romantic tale set against the dramatic backdrops of Regency Derbyshire and the Lakes amongst the characters we love so well. (beautiful watercolor illustration of Darcy and Lizzy above is by ©Jane Odiwe as well!)

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“But, Lizzy, you look as if you did not enjoy it. You are not going to be missish, I hope, and pretend to be affronted at an idle report. For what do we live, but to make sport for our neighbours, and laugh at them in our turn?” Mr. Bennet, Chapter 57

Quick synopsis

Elizabeth reflects upon the meaning of Lady Catherine’s visit. A letter arrives from Mr. Collins strongly warning Elizabeth not to enter into an unsanctioned engagement with Lady Catherine’s nephew. Mr. Bennet thinks it highly amusing and absurd that Mr. Darcy is interested in his daughter. Darcy returns and renews his affections. Elizabeth accepts his present assurances with gratitude and pleasure. Darcy admits his pride and Elizabeth humbled him into changing. She tells Jane who is incredulous and thinks she is joking. She tells her father and he is incredulous. The couple confess all to each other. Lizzy teases that he liked her because she was impertinent. Lady Catherine’s actions had removed any of his doubts and gave him hope. Elizabeth writes and informs Mrs. Gardiner. Happy is the day that Mrs. Bennet got rid of two of her daughters.

Musings

It was a rational scheme, to be sure! but from what the report of their engagement could originate, Elizabeth was at a loss to imagine; till she recollected that his being the intimate friend of Bingley, and her being the sister of Jane, was enough, at a time when the expectation of one wedding made everybody eager for another, to supply the idea. That Narrator, Chapter 57

Lady Catherine departs in a cloud of anger after her battle of words with Elizabeth leaving the victor wondering how she had been informed of Mr. Darcy being on the brink of proposing. Being very inquisitive, Elizabeth runs through all the options and decides it is her sister Jane leaking info to her fiancé Mr. Bingley. I think Austen is being so true to human nature through her heroine. After a big blow up, most women need to deconstruct to understand feelings and rationalize  facts. Whom among us has not done the exact thing with their girlfriends? Elizabeth, being the “conceited independent” discusses it with herself like a sleuth sorting out the facts and suspects. When Mr. Collins’ letter arrives warning Mr. Bennet against his daughter entering into an engagement with Lady Catherine’s nephew, the Lucas’ are fingered. Elizabeth will not know the truth until the man himself informs her, and of course Austen supplies a nice ironic twist to it that which I will mention a bit later. Mr. Bennet’s reaction to Mr. Collins’ is classic. He finds only the amusement in it and cannot fathom any truth to the rumor. “Had they fixed on any other man, it would have been nothing; but his perfect indifference, and your pointed dislike, make it so delightfully absurd!” His reaction is just. Elizabeth has not shown or shared with her family her preference for him, only her previous dislike. Elizabeth’s reply softens his resistance to her entering into a match without love. She does love him and that is enough for her father to give his consent.

“You are too generous to trifle with me. If your feelings are still what they were last April, tell me so at once. My affections and wishes are unchanged; but one word from you will silence me on this subject for ever.” Mr. Darcy, Chapter 58

Upon his return to Hertfordshire, Darcy soon informs her of his feelings with one of Austen’s most memorable lines (for me). At this moment, both of their lives hang in the balance. We are on pins and needles even though we know the outcome. He has put himself at her mercy. Her decision will decide their fate. He has applied himself in an open and nonthreatening way. All of his pride and arrogance has subsided. What a different man this is before her. Her reaction in the face of an important life decision is quite different than the first time around and in alignment with his tone and openness.

Elizabeth, feeling all the more than common awkwardness and anxiety of his situation, now forced herself to speak; and immediately, though not very fluently, gave him to understand that her sentiments had undergone so material a change since the period to which he alluded, as to make her receive with gratitude and pleasure his present assurances. The happiness which this reply produced was such as he had probably never felt before, and he expressed himself on the occasion as sensibly and as warmly as a man violently in love can be supposed to do. The Narrator, Chapter 58

As with most life altering events, one is numb and unable to speak. “They walked on, without knowing in what direction.” Ha!

Done. Huzzah! Love prevails and we only have the lover’s tête à tête to tie things up neatly. They both make important confessions; Darcy more so. Elizabeth wants him to forget the past, especially the circumstances that prompted him to write the “Be not alarmed, madam” letter.

“But think no more of the letter. The feelings of the person who wrote and the person who received it are now so widely different from what they were then, that every unpleasant circumstance attending it, ought to be forgotten. You must learn some of my philosophy. Think only of the past as its remembrance gives you pleasure.” Elizabeth Bennet, Chapter 58

As if Darcy confessing his love and previous faults was not enough, Austen really pushes the contrition and absolution thing farther than we could ever expect from any man. This next line may be the reason why Mr. Darcy is the romantic icon of the ages.

“Such I was, from eight to eight-and-twenty; and such I might still have been but for you, dearest, loveliest Elizabeth! What do I not owe you! You taught me a lesson, hard indeed at first, but most advantageous. By you I was properly humbled. I came to you without a doubt of my reception. You shewed me how insufficient were all my pretensions to please a woman worthy of being pleased.” Mr. Darcy, Chapter 58

Swoon. This, I believe, is so appealing to women because what man ‘DO’ we know who would confess his love, bare his soul, and tell you that you have made him a better man? I haven’t met one yet. Do they exist? It seems too much to expect of any one person. Men don’t think that way, at least in my experience. You know – the Venus and Mars thing. I believe that Mr. Darcy is so appealing because he does admit his faults and change for the sake of the love of a woman. He may have been Austen’s fantasy, but she sent him out into the world and he is now everyone’s ideal.

“You are joking, Lizzy. This cannot be! — engaged to Mr. Darcy! — No, no, you shall not deceive me. I know it to be impossible.” Jane Bennet, Chapter 59

Elizabeth shares her news with Jane, her dearest friend who knows her best in the world, and she thinks she is joking with her. “And do you really love him quite well enough? Oh, Lizzy! do anything rather than marry without affection.” (Shades of Jane Austen advising her niece Fanny Austen Knight on her own love and romance in the future.) And in proper Austen style of following a character revelation, she supplies us with a joke.

“It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley.” Elizabeth Bennet, Chapter 59

Much has been discussed about this line. Was Elizabeth mercenary or so moved by seeing how un-prideful and un-ostentatious Pemberley was that she fell in love with its owner? This is a toss-up for me. I am inclined to say both, leaning on the later. When she arrived at Pemberley her feeling for him had softened since their last tumultuous first proposal scene and his subsequent letter. Seeing his home and listening to his servants praise him changes her even more. When he arrived and his civility matched his surroundings, she was amazed. So yes, she was swayed by seeing his beautiful grounds at Pemberley, but not entirely for financial reasons. Now she must convince her sister who she has shared almost all of her secrets with that she does love him.

And, then the same incredulous reaction from her father!

“Lizzy,” said he, “what are you doing? Are you out of your senses, to be accepting this man? Have not you always hated him?” Mr. Bennet

“I do, I do like him,” she replied, with tears in her eyes; “I love him. Indeed he has no improper pride. He is perfectly amiable. You do not know what he really is; then pray do not pain me by speaking of him in such terms.” Elizabeth Bennet, Chapter 59

He offers his consent, with this poignant caveat. “My child, let me not have the grief of seeing you unable to respect your partner in life. You know not what you are about.” One wonders at this line the full extent of the back story of why Mr. and Mrs. Bennet married. We are never told, but if Lydia’s personality and impulsiveness are similar to her mother’s, one can project the outcome.

Ok, so chapter 60 does seem like overkill to me, but I still read it and weep. Best line for me.

“I cannot fix on the hour, or the spot, or the look, or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I had begun.” Mr. Darcy, Chapter 60

And the mystery of how Lady Catherine was informed of her nephew’s serious interest and possible proposal to Elizabeth are revealed by a primary source, Mr. Darcy himself. The irony of it is that if Lady Catherine had not been officious and superior, they may not of had the means of re-uniting. So, her trip to visit Elizabeth and exact her promise not to marry her nephew had the exact opposite effect of her initial motive. Another Austen reproof checked off the list.

“Lady Catherine’s unjustifiable endeavours to separate us were the means of removing all my doubts.” Mr. Darcy, Chapter 60

Elizabeth writes to her aunt Gardiner to tell her the news of their engagement. She is such a tease she cannot just flatly state the facts. Ha!

“But now suppose as much as you (Mrs. Gardiner) chuse; give a loose to your fancy, indulge your imagination in every possible flight which the subject will afford, and unless you believe me actually married, you cannot greatly err. You must write again very soon, and praise him a great deal more than you did in your last.” Elizabeth Bennet, Chapter 60

And we come to the final denouement where Austen wraps up all the loose ribbons with bits of irony and amusement. The novel opened with Mrs. Bennet fretting over her five unmarried daughters and by the last chapter she has seen three of them married. The business of her life is almost complete.

Happy for all her maternal feelings was the day on which Mrs. Bennet got rid of her two most deserving daughters. The Narrator, Chapter 61

Austen adds a closing passage for most of the minor characters. Georgiana is happy with her new sister, Kitty’s situation and deportment improves with the influence of her two elder sisters social standings and connections, Lydia and Wickham out spend their income and his “affection for her soon sunk into indifference: her’s lasted a little longer; and in spite of her youth and her manners, she retained all the claims to reputation which her marriage had given her.” I have often wondered if Austen was slyly implying that Lydia would cuckold him. ;-)

Ah, and Miss Bingley. She cannot be forgotten and is given her reprove as well.

Miss Bingley was very deeply mortified by Darcy’s marriage; but as she thought it advisable to retain the right of visiting at Pemberley, she dropt all her resentment; was fonder than ever of Georgiana, almost as attentive to Darcy as heretofore, and paid off every arrear of civility to Elizabeth. The Narrator, Chapter 61

And ending on a happy note of gratitude and regard “towards the persons (Mr. and Mrs. Gardiner)who, by bringing her into Derbyshire, had been the means of uniting them” Elizabeth and Darcy ride off into the sunset. (in a barouche-landau of course)

Finis

‘Pride and Prejudice without Zombies’: Day 20  Giveaway

Enter a chance to win one copy of the Dover Classics  edition of Pride and Prejudice, by Jane Austen by leaving a comment stating if you think chapter 60 is overkill gushing or which your favorite quote is from the novel by midnight, Saturday, July 24th, 2010. Winner will be announced on Sunday, July 25th. Shipment to continental US addresses only. Good luck!

Upcoming event posts

Day 21   July 16   Mr. Darcy & Elizabeth Bennet
Day 22   July 24   Swag winners announced

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Gentle Readers: in celebration of the ‘Pride and Prejudice without Zombies’ event over the next month, I have asked several of my fellow Jane Austen bloggers to share their knowledge and interest in Austen’s most popular novel. Today, please welcome guest blogger Vic from Jane Austen’s World who shares with us her extensive knowledge of Regency culture and history in four posts during the event. Her fourth contribution is on music during Jane Austen’s era, how it influenced her life, and her writing.

“Yes, yes, we will have a pianoforte, as good a one as can be got for 30 guineas, and I will practice country dances, that we may have some amusement for our nephews and nieces, when we have the pleasure of their company.” – Jane Austen to Cassandra, 1808

Like many ladies of her era, Jane Austen was an accomplished musician. And so were her characters. In Pride and Prejudice, Mary Bennet, Elizabeth Bennet, the Bingley sisters and Georgiana Darcy could all play instruments with skill. Lady Catherine de Bourgh would have been a proficient, as would her daughter Anne, had she learned and practiced. Before the age of electricity and cable the world was largely silent musically speaking, save for the music played by family members, local musicians, or more famous musicians who were paid to play for the rich.

Musicians wandered the land, and London streets offered a pandemonium of sounds, much of it derived from musical instruments. The only music available in the home was that which amateur or professional performers could produce on the spot, so that the ability to play music well was crucial for all walks of life. From childhood on, young ladies were expected to play a musical instrument and study with music masters. Gentlemen sang as well and formed impromptu amateur groups that entertained in taverns and men’s clubs.

Continue reading at Jane Austen’s World

Further reading

Upcoming event posts

Day 20   July 14   Group Read: Chapters 57 – 61
Day 21   July 16   Mr. Darcy & Elizabeth Bennet
Day 22   July 24   Swag winners announced

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“How pleasant it is to spend an evening in this way! I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library.” Caroline Bingley, Pride and Prejudice, Chapter 11

There are hundreds of Pride and Prejudice editions currently in print. Which ones do I like, and why? Here is a list of my ten favorite award winners (if I was giving out awards).

Best “prettyish kind of wilderness” cover

Pride and Prejudice (White’s Fine Edition), cover design by Kazuko Nomoto. Let’s start with the vanity editions because we all know that “vanity is a weakness indeed. But pride — where there is a real superiority of mind, pride will be always under good regulation.” Thank you very much Mr. Darcy for giving me permission to buy yet another edition of Pride and Prejudice for my library solely based on pride in my library. This lovely new edition of P&P has a striking cover design by Kazuko Nomoto of Regency-era slippers, Hessian boots, frocks and breeches that wraps around to the back; Decorative end papers; Colored page tops; Marker ribbon; Elegant type face; An authorative text (without attribution) and Thick, acid-free paper. Elegant and stylish, the couples are facing each other and I assume dancing, but since we do not see above their waists, they could be kissing! Naaagh. It is truly an edition to “exhibit” on your coffee or bedside table and not one to just read; its hefty 1 pound 9 ouches alone being the main deterrent. White’s Books (2009), hardcover, unabridged text (376) pages, ISBN: 978-0955881862

Best not your “common garden variety” cover

Pride and Prejudice (Penguin Classics Deluxe Edition), cover design by Reuben Toledo. Even though the silhouettes might look like stick insect runway models strutting to the black and white ball at Netherfield, I recognize them as our favorite literary duo appropriately walking away from each other after Darcy steps on her dress! I just imagine that Darcy has just given Lizzy the “be not alarmed Madame letter” and it all works for me. Get hip Janeites. We can now all be Austen fashionistas and exhibit our superior designer taste on our bedside tables. Now, (pray forgive) if our husbands, boyfriends, significant others or friends were ever in doubt of our obsession, this will certainly seal the deal. In defense, you can remind them that this new edition with the haute couture cover contains Penguin Classics definitive text and a brief biography of Jane Austen that Paris Hilton won’t read, but she might deem useful as a door stop. Read my full review of this edition here. Penguin Group (2009), trade paperback, unabridged text (339) pages, ISBN: 978-0143105428

Best “classic commentary” by dead authors

Pride and Prejudice (The Modern Library Classics Edition), introduction by Anna Quindlen. Supplemental material: Commentary by noted authors; Notes on the text; Brief biography of the author and a reading group guide. This compact and lightweight edition’s highlights (besides the obvious text) are the essays by authors Margaret Oliphant, George Saintsbury, Mark Twain, A. C. Bradley, Walter A. Raleigh and Virginia Woolf. Great for a student or veteran who needs to stash an extra copy in their car boot or desk drawer at work just in case you get in a debate and need a quick reference to quote passages illustrating why Mr. Darcy is proud and not shy. Random House (2000), trade paperback, unabridged text (304) pages, ISBN: 978-0679783268

Best “copycat” edition

Pride and Prejudice (Dover Classics Edition), preface by George Saintsbury, illustrated by Hugh Thomson. This beautiful replica of the ‘peacock edition’ of Pride and Prejudice is the next best thing to the ‘real thing’ since original copies of this highly collectible 1894 edition now command a handsome sum. Hugh Thomson’s illustrations tempered for the Victorian-era book market are a bit saccharine for me, but still beautiful. The preface by leading historian and literary critic of the day George Saintsbury is amusing. Even in 1894 Jane Austen had her fanboys. “In the novels of the last hundred years there are vast numbers of young ladies with whom it might be a pleasure to fall in love, – but to live with and marry, I do not know that any of them can come into competition with Elizabeth Bennet.” Dover Publication (2005), unabridged hardcover, text (476) pages, ISBN: 978-0486440910

Best “Twilighted” marketing ploy

Pride and Prejudice (Harper Teen Edition), no introduction. Supplemental material: No forward, no notes or appendixes in sight, but cool (for teens) selection of P&P Extras: The Jane Austen – Twilight Zone, by Shirley Kinney and Wallace Kinney; Which Pride and Prejudice Girl are You? Quiz; 10 Things You Didn’t Know About Jane Austen; What if Elizabeth and Mr. Darcy Lived Now and Were on Facebook?; and a short biography of the author thrown in for good measure. I will side with Mr. Collins in his evaluation of young ladies book taste in that “I have often observed how little young ladies are interested by books of a serious stamp, though written solely for their benefit. It amazes me, I confess; for, certainly, there can be nothing so advantageous to them as instruction.” The lack of supplemental information that might have “explained” the hard bits to young or neophyte readers would in this case, have been an advantage. Otherwise, the cover is a nice rip-off of the Twilight black background and inanimate objects representing the Twilight characters and wholly unconnected to Miss Austen’s. Harper Teen, trade paperback, unabridged text (472) pages, ISBN: 978-0061964367

Best “anecdotes and asides” for young readers with a Christian slant

Pride and Prejudice (Insight Edition), foreword by Nancy Moser. Supplemental material: Questions for conversation and a short biography of the author. The editors attempt to disarm reproof right out of the gate by stating that no “Regency historian, Austen scholar or doctoral literary critic” was harmed in the making of this edition. Well not quite. But that is my pithy (or not) take. The tidbits and factoids listed in the margins are from Austen fans and admirers from the Bethany House staff (one presumes since no individuals are credited) and they “highlight, inform and entertain” by tagging passages or words with symbols for: Historical and cultural details and definitions from England in the early 1800’s; Facts and tidbits from Austen’s life that parallel or illuminate the novel; References to Pride and Prejudice in today’s culture, particularly in films; Tips for love and romance; Themes of faith drawn from Austen’s life and Pride and Prejudice; Comments and asides on the book’s characters and plot and parts of the novel that just make us smile. They are very user friendly and not scholarly pedantic or religiously didactic. So sorry Mary Bennet and Mr. Collins, but you must look elsewhere for the advantages of instruction along the Fordyce’s Sermon’s vein. Great for a new readers, or fans that just want to squee along. Bethany House Publishers, trade paperback, unabridged text (360) pages, ISBN: 978-0764203886

Best “midlin” supplemental material

Pride and Prejudice (Oxford World’s Classic), introduction by Fiona Stafford. The supplemental material includes: Notes on text; Select bibliography; Chronology of Jane Austen; Explanatory notes on text; Appendix A Rank and social status; Appendix B Dancing and Textural notes. One of my favorite compact working editions of P&P, the supplemental material is excellent (except for the eh introduction) and the definitive text and notes are very “instructive”. Great for students who want a bit more explanation with notes that are presented in the back of the book highlighting historical, cultural and personal references to Austen and her family throughout the text. Pleasure readers will appreciate the compact size and beautiful design. Read my full review of this edition here. Oxford University Press (2008), trade paperback, unabridged text (333) pages, ISBN: 978-0199535569

Best “kick ass” introduction

Pride and Prejudice (Penguin Classics Edition), introduction by Vivien Jones. Supplemental material includes: Brief author biography; Reinstated original Tony Tanner introduction; Chronology of Jane Austen; Further reading and General notes on the text. It is not often that when a new edition of a classic novel is re-issued that it also includes an introduction from a previous edition from thirty years ago. Tony Tanner’s 1972 introduction is considered one of the best ever written and so popular that it was also included as an appendix in this edition. This volume is very similar in size of supplemental material to the OUP edition mentioned above. In quality and purpose, they are neck and neck, with OUP having slightly more info and this edition the better introduction. Either one is an excellent choice for students and pleasure readers. Penguin Books (2005), trade paperback, unabridged text (435) pages, ISBN: 978-0141439518

Best “friendly” edition

The Annotated Pride and Prejudice (Anchor Books), introduction and annotation by David M. Shapard. Supplemental material includes: Note on the text of the novel; Chronology of the novel; Bibliography and Maps. The most extensively noted edition that I have read, it is packed full of every cultural, historical and aside on Jane Austen and her family’s that one could wish for. The book is easily navigated with the text on the left hand page and the annotation on the right. This makes for a hefty volume of 739 pages of pure text and facts culled from innumerable resources. I like having so much information at hand in one volume. First time readers, student and veterans love this edition. So do I. Random House (2007), trade paperback, unabridged text (739) pages, ISBN: 978-0307278104

Best “powerhouse” edition

Pride and Prejudice (Longman Cultural Edition), edited and introduced by Claudia L. Johnson and Susan J. Wolfson. In addition to a biography, chronology, maps and a bibliography, this densely supplemented edition with a full text has numerous essays and selected excerpts of Austen’s contemporaries. This is definitely a labor of love by two eminent Princeton professors who present Jane Austen’s famous novel in several provocative and illuminating contexts – cultural, critical and literary. Suitable for AP high school & college students and serious Austen enthusiasts.  It is an impressive Austen achievement and a solid chunk of Pride and Prejudiceism, but the average pleasure reader could read this till the cows come home and not understand it all. Pearson Education (2003) trade paperback, unabridged text (459) pages, ISBN: 978-0321105073

Happy reading,

Laurel Ann

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How Wickham and Lydia were to be supported in tolerable independence, she could not imagine. But how little of permanent happiness could belong to a couple who were only brought together because their passions were stronger than their virtue. The Narrator, Chapter 50

Quick Synopsis

Mrs. Bennet is ecstatic over Lydia and Wickham’s marriage, but Mr. Bennet will not admit them to Longbourn until Elizabeth and Jane convince him otherwise. Lydia lets slip that Mr. Darcy was at her wedding. Elizabeth writes to Mrs. Gardiner who in turn reveals Mr. Darcy’s involvement in securing the wedding. She realizes that he is exactly the man to suit her. After silly theatrics, Lydia and Wickham depart for Newcastle. Bingley and Darcy return to Netherfield and call on the Bennet’s. Bingley proposes to Jane. Lady Catherine arrives at Longbourn determined to make Elizabeth promise not to marry Mr. Darcy. Are the shades of Pemberley to be thus polluted? Elizabeth will not oblige her wishes.

Musings

Lydia and Wickham are married, but what a “patched up business” it is. Mrs. Bennet is ecstatic, Mr. Bennet is peeved, Elizabeth and Jane embarrassed and all of Meryton think they are an unfortunate family. Lydia and Wickham are allowed to visit at Longbourn only after Elizabeth and Jane convince their angry father that more harm would be done socially if he refuses to admit them. This was a wise move by team Bennet. The couple arrive and amazingly act like nothing is amiss. They truly have no scruples. While Elizabeth watches her younger sister and new brother-in-law’s unprincipled behavior, she continues to reflect upon her experience at Pemberley and comes to an important conclusion.

She began now to comprehend that he was exactly the man who, in disposition and talents, would most suit her. His understanding and temper, though unlike her own, would have answered all her wishes. It was an union that must have been to the advantage of both; by her ease and liveliness, his mind might have been softened, his manners improved; and from his judgment, information, and knowledge of the world, she must have received benefit of greater importance. The Narrator, Chapter 50

She has come full circle from hate and prejudice to love and respect. Now that she realizes he is the exact man to suit her, he is beyond her reach. She surmises that he would never want to be connected to her family with Mr. Wickham as a brother-in-law and Lydia as a sister-in-law.

Elizabeth was disgusted, and even Miss Bennet was shocked. Lydia was Lydia still — untamed, unabashed, wild, noisy, and fearless. She turned from sister to sister, demanding their congratulations; and when at length they all sat down, looked eagerly round the room, took notice of some little alteration in it, and observed, with a laugh, that it was a great while since she had been there. The Narrator, Chapter 51

Careless Lydia let’s slip that Mr. Darcy was at her wedding and Elizabeth is stunned by the connection, writing to her aunt Gardiner for all the details. Her aunt complies with a detailed account of Mr. Darcy’s involvement to locate the couple and convince them to marry. She also learns that he has paid for everything but insisted that Mr. Gardiner be given the credit for it. Mrs. Gardiner is convinced that he did it for Elizabeth’s sake, even though Darcy claimed that it was his fault for not making Wickham’s bad reputation known. Honorable man either way.

Prospects for Jane and Elizabeth look grim. Their chances to attract a suitable marriage after thoughtless and wild Lydia’s elopement have ruined the family’s reputation. They have little money for a dowry and few connections outside of Hertfordshire. When news reaches them that Mr. Bingley has returned to Netherfield Jane tries to be unaffected and unmoved. When he calls and brings his friend, Elizabeth does not know what to think.

Her astonishment at his coming — at his coming to Netherfield, to Longbourn, and voluntarily seeking her again, was almost equal to what she had known on first witnessing his altered behaviour in Derbyshire. Chapter 53

And when he is there, neither of them say much to each other nor actively engage in conversation. Our Elizabeth reserved? It must be love.

She was in no humour for conversation with any one but himself; and to him she had hardly courage to speak. The Narrator, Chapter 53

Elizabeth tries to analyze his behavior. She is baffled that he would not seek her out and talk as openly as they had at Pemberley.

“If he fears me, why come hither? If he no longer cares for me, why silent? teasing, teasing, man! I will think no more about him.” Elizabeth Bennet, Chapter 54

She rationalizes, as only women can, that she is feeling something he is not. Why would he be interested in her again after she refused him so vehemently the first time? No man could be THAT forgiving and gracious.

“A man who has once been refused! How could I ever be foolish enough to expect a renewal of his love? Is there one among the sex who would not protest against such a weakness as a second proposal to the same woman? There is no indignity so abhorrent to their feelings!” Elizabeth Bennet. Chapter 54

And then he departs for London with no real re-connection between them. Bingley on the other hand remains, continues to court Jane and then proposes! This was a surprise. Jane had not thought he was partial again and she continued to act in her usual and unaffected manner, certainly not encouraging him as much as Charlotte Lucas would have approved of. Elizabeth is truly happy for her sister but of course finds the irony in it.

“And this,” said she, “is the end of all his friend’s anxious circumspection! of all his sister’s falsehood and contrivance! — the happiest, wisest, most reasonable end!” Elizabeth Bennet, Chapter 55

The family is even more ecstatic and in Mrs. Bennet’s eyes Jane and Bingley have superseded Lydia and Wickham as her favorite daughter and son-in-law.  Of course she thinks of the financial and social benefits. What carriages Jane will have. What pin money. Everything is appearances to Mrs. Bennet. She is off in a flash to tell her sister Mrs. Phillips the good news, who, then proceeds to pass it on to the Meryton grapevine.

The Bennets were speedily pronounced to be the luckiest family in the world, though only a few weeks before, when Lydia had first run away, they had been generally proved to be marked out for misfortune. The Narrator, Chapter 55

Ha! And now in Austen’s usual style she follows good news with bad when Lady Catherine de Bourgh pays an unexpected call on the Bennet family, specifically targeting Elizabeth.

“A report of a most alarming nature reached me two days ago. I was told that not only your sister was on the point of being most advantageously married, but that you, that Miss Elizabeth Bennet, would in all likelihood be soon afterwards united to my nephew — my own nephew — Mr. Darcy.” Lady Catherine de Bourgh, Chapter 56

What transpires is one of the most brilliantly written “battle of wits” in literature. Lady Catherine with all of her arrogance and officious interference is determined to make Elizabeth agree not to enter into an engagement with her nephew. Elizabeth won’t even acknowledge her right to ask such questions.

“I do not pretend to possess equal frankness with your ladyship. You may ask questions which I shall not choose to answer.” Elizabeth Bennet, Chapter 56

So much dignified impertinence, but totally appropriate. We silently root for our heroine. When Lady Catherine sees that she will not comply to her wishes, she stoops to conquer by attacking Elizabeth’s family.

“Not so hasty, if you please. I have by no means done. To all the objections I have already urged, I have still another to add. I am no stranger to the particulars of your youngest sister’s infamous elopement. I know it all: that the young man’s marrying her was a patched-up business, at the expence of your father and uncle. And is such a girl to be my nephew’s sister? Is her husband, is the son of his late father’s steward, to be his brother? Heaven and earth — of what are you thinking? Are the shades of Pemberley to be thus polluted?” Lady Catherine de Bourgh, Chapter 56

The shades of Pemberley to be thus polluted! Ha! One of my favorite lines in the novel. If anyone does not understand the reference, shades are used in this instance in the ancient visage meaning ancestors. Lady Catherine is implying that by Elizabeth marrying her nephew their ancient family line would be tainted by Elizabeth’s bad blood. Snob.

Elizabeth does take the field and the war handling herself with more dignity and aplomb than an aristocrat three times her age and experience. Bravo. This amazing intercourse between them does however, give her renewed hope. A rumor of Mr. Darcy’s intended proposal is encouraging. He is not one to discuss this with anyone lightly, so it could be true. But who could have betrayed her to the great Lady?

‘Pride and Prejudice without Zombies’: Day 17 Giveaway

Enter a chance to win one copy of the Penguin Classics Deluxe edition of Pride and Prejudice, by Jane Austen by leaving a comment stating how Lady Catherine lost the argument with Elizabeth or which your favorite quote is from the novel by midnight, Saturday, July 24th, 2010. Winner will be announced on Sunday, July 25th. Shipment to continental US addresses only. Good luck!

Further reading

Upcoming event posts

Day 18   July 11   Top Ten P&P editions in print
Day 19   July 12   Music at the Netherfield Ball
Day 20   July 14   Group Read: Chapters 57 – 61

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Dovedale in the Peak district of Derbyshire from Observations on the Mountains and Lakes of Cumberland and Westmoreland etc, by William Gilpin (1786)

Gentle Readers: in celebration of the ‘Pride and Prejudice without Zombies’ event over the next month, I have asked several of my fellow Jane Austen bloggers to share their knowledge and interest in Austen’s most popular novel. Today, please welcome guest blogger Julie from Austenonly who shares with us her extensive knowledge of Regency culture and history in two posts during the event. Her second contribution is on travel writer William Gilpin whose influence upon Jane Austen is seen in Pride and Prejudice. Discover how she was able to describe the Derbyshire countryside even though she had never traveled there and why the use of the “picturesque” is a hidden joke in the plot.

Having read Henry Austen’s biographical notice of his sister, published in the posthumously printed first edition of Northanger Abbey and Persuasion, I knew from an early age, that Jane Austen was

enamoured of Gilpin on the Picturesque at a very early age…

and so when aged 15 I found a copy of his Observations on the Mountains and Lakes of Cumberland in what was then one of my favourite haunts, a second-hand bookshop in Dr Johnson’s home city of Lichfield, I bought it  immediately…But now comes a confession…Prepare yourself for something very dreadful… I didn’t read it for another 20 years.

I thought it would be deadly boring.

How wrong I was.

I should have trusted Jane Austen’s taste and judgement, and realised exactly why she was enamoured of him…..but we are getting ahead of ourselves. Before we explore his books and the reasons why I think she adored him, we ought properly to learn a little about William Gilpin’s life.

William Gilpin was born on 4 June 1724 near Carlisle, in Cumberland. He was the son of Captain John Bernard Gilpin and a Matilda Langstaffe . Captain Gilpin was considered to be one of the best amateur painters of the time, and this artistic talent seems to have passed through to the next generation, for William was obsessed with the correct way to view both pictures and landscape, and his younger brother, Sawrey Gilpin was to become a famous animal painter and indeed later contributed some illustrations to Williams books.

Continue reading on Austenonly

Further Reading

Upcoming event posts

Day 17  July 10     Group Read: Chapters 50 – 56
Day 18  July 11     Top Ten P&P editions in print
Day 19  July 12     Music at the Netherfield Ball

Read Full Post »

Elizabeth was delighted. She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste. They were all of them warm in their admiration; and at that moment she felt that to be mistress of Pemberley might be something! The Narrator, Chapter 43

Quick Synopsis

Elizabeth and the Gardiner’s travel to Pemberley by carriage and are awed by its splendor. “of this place, I might have been mistress.” The housekeeper’s account of Mr. Darcy’s character counters Elizabeth previous conclusions. Mr. Darcy’s surprise arrival and attentive manner changes the course of their relationship. Elizabeth is grateful that he is not bitter over the past and her feelings toward him change. News from Longbourn of Lydia’s elopement shocks Elizabeth into tears and Darcy into retreat. Elizabeth and the Gardiner’s return home in pursuit of finding Lydia. Wickham’s bad debts and reputation are discovered by others. Mr. Collins writes to console the family but actually insults them. Mr. Bennet receives news from London that the couple will marry on very easy financial terms. He is suspicious, Mrs. Bennet ecstatic and the Bennet daughters relieved.

Musings

Elizabeth begins another journey of discovery when she and the Gardiner’s visit Pemberley, Mr. Darcy’s Derbyshire estate. Never had she seen a place where “nature had done more, or where natural beauty had been so little counteracted by an awkward taste.” They are awed by its splendor and Elizabeth reflects, “and of this place I might have been mistress.” I think this chapter is one of the rare instances in which Austen describes a residence and grounds in such detail. I believe it is a build up to what Elizabeth will experience when they apply to the housekeeper Mrs. Reynolds for a tour of Pemberley House. Not only is his home furnished according to his wealth, but its style is elegant, not gaudy or ostentatious like Rosings. This is a reflection of Darcy’s personality that Elizabeth had not realized before, coupled with the praise of his character by his faithful servant and Elizabeth is astonished and the Gardiner’s puzzled over her previous account of his proud and arrogant nature. As she gazes upon his portrait in the family gallery her feelings for him begin to change and respect and admiration take over her former prejudices. When they meet by surprise in the garden both of their reactions are classic as they blush and stammer for conversation. I love this scene. Here is Lizzy who is never at a loss for words or self-confidence frozen in silence. Ha! And Darcy the well-educated and eloquent man who she previously accused of having a taciturn nature only ready to speak if he can amaze the room, unable to do so. Their next scenes as they come together and walk through the grounds of Pemberley are one of Austen’s finest. There were so many passages to quote but I narrowed it down to one of my favorites.

No; hatred had vanished long ago, and she had almost as long been ashamed of ever feeling a dislike against him, that could be so called. The respect created by the conviction of his valuable qualities, though at first unwillingly admitted, had for some time ceased to be repugnant to her feelings; and it was now heightened into somewhat of a friendlier nature by the testimony so highly in his favour, and bringing forward his disposition in so amiable a light, which yesterday had produced. But above all, above respect and esteem, there was a motive within her of goodwill which could not be overlooked. It was gratitude — gratitude, not merely for having once loved her, but for loving her still well enough to forgive all the petulance and acrimony of her manner in rejecting him, and all the unjust accusations accompanying her rejection. The Narrator, Chapter 44

Elizabeth’s transformation from pride and prejudice is almost complete. Gratitude for kindness and understanding is a form of admiration and esteem and a solid basis for a relationship. It is almost the opposite of the conceited independence that Miss Bingley accused her of earlier in the novel. She is sincerely puzzled by his change in manner. His civility and marked attentions could only mean that he is still in love with her and wants to earn her favor.

[F]or to love, ardent love, it must be attributed; and as such, its impression on her was of a sort to be encouraged, as by no means unpleasing, though it could not be exactly defined. She respected, she esteemed, she was grateful to him, she felt a real interest in his welfare; and she only wanted to know how far she wished that welfare to depend upon herself, and how far it would be for the happiness of both that she should employ the power, which her fancy told her she still possessed, of bringing on the renewal of his addresses. The Narrator, Chapter 44

Austen often throws us from a poignant and moving scene of realization or enlightenment for her heroine right into the hornets’ nest of opposition. In this instance it is the re-introduction of acerbic and spiteful Caroline Bingley. She sees Darcy’s interest in Elizabeth as more than admiration of her fine eyes and decides to remind him of her family’s deficiencies with her cutting remark about the loss to her family by the removal of the militia from Meryton. Interestingly, her attempts to disparage Elizabeth in his eyes backfire, when the thought of the regiment also includes the association of Wickham hurting tender Georgiana who is still sensitive to the Ramsgate elopement debacle. Clueless that she has offended Darcy and Georgiana she continues to bad mouth Elizabeth after she departs by listing her physical defects like she is disqualifying a horse at auction.

“I must confess that I never could see any beauty in her. Her face is too thin; her complexion has no brilliancy; and her features are not at all handsome. Her nose wants character — there is nothing marked in its lines. Her teeth are tolerable, but not out of the common way; and as for her eyes, which have sometimes been called so fine, I never could perceive anything extraordinary in them. They have a sharp, shrewish look, which I do not like at all; and in her air altogether there is a self-sufficiency without fashion, which is intolerable.” Caroline Bingley, Chapter 45

It was gratifying to see Caroline fail at enticing neither Georgiana or Darcy to join in in her criticism and to hear him come to Elizabeth’s defense, “Yes,” replied Darcy, who could contain himself no longer, “but that  was only when I first knew her; for it is many months since I have considered her as one of the handsomest women of my acquaintance.” Ouch!

Things are going well for our lovers then the other shoe drops. Darcy arrives at her lodgings at Lambton to find a disturbing scene.

She burst into tears as she alluded to it, and for a few minutes could not speak another word. Darcy, in wretched suspense, could only say something indistinctly of his concern, and observe her in compassionate silence. At length she spoke again. “I have just had a letter from Jane, with such dreadful news. It cannot be concealed from any one. My youngest sister has left all her friends — has eloped; — has thrown herself into the power of — of Mr. Wickham. They are gone off together from Brighton. You know him too well to doubt the rest. She has no money, no connexions, nothing that can tempt him to — she is lost for ever.” The Narrator, Chapter 46

All of Darcy’s former grievances of the deficiencies of Elizabeth’s family come true. Lydia’s elopement will taint their family’s reputation and severely lessen what slim chance the Bennet daughters had to attract suitable husbands. The shame and grief is so great for Elizabeth she is overcome with emotion. Darcy departs and Elizabeth feels that her chance with him is lost.

Be that as it may, she saw him (Mr. Darcy) go with regret; and in this early example of what Lydia’s infamy must produce, found additional anguish as she (Elizabeth) reflected on that wretched business. The Narrator, Chapter 46

She and the Gardiner’s return to Longbourn and Mr. Gardiner continues on to London where Mr. Bennet is in pursuit of the couple.  The household is in shock and Mrs. Bennet despondent, sequestered in her bedroom in a nervous fit of flutterings and spasms. Right. After all of this tragic news and wretched angst Austen gives us moral humor.

“Unhappy as the event must be for Lydia, we may draw from it this useful lesson: that loss of virtue in a female is irretrievable — that one false step involves her in endless ruin — that her reputation is no less brittle than it is beautiful — and that she cannot be too much guarded in her behaviour towards the undeserving of the other sex.” Mary Bennet, Chapter 47

And then of course Mr. Collins must put in his oar.

“They agree with me in apprehending that this false step in one daughter will be injurious to the fortunes of all the others; for who, as Lady Catherine herself condescendingly says, will connect themselves with such a family? And this consideration leads me moreover to reflect, with augmented satisfaction, on a certain event of last November; for had it been otherwise, I must have been involved in all your sorrow and disgrace. Let me advise you then, my dear sir, to console yourself as much as possible, to throw off your unworthy child from your affection for ever, and leave her to reap the fruits of her own heinous offence.” Mr. Collins, Chapter 48

Doom and gloom for the Bennet family until a letter arrives from Mr. Gardiner with the good news that the couple has been found and agrees to marry. Mr. Bennet is rather pensive about it while Lizzy and Jane think it is excellent news. Their father sees the truth between the lines. No one would want Lydia for such a small sum.

“Yes, yes, they must marry. There is nothing else to be done. But there are two things that I want very much to know: one is, how much money your uncle has laid down, to bring it about; and the other, how I am ever to pay him.” Mr. Bennet, Chapter 49

Further reading

‘Pride and Prejudice without Zombies’: Day 15 Giveaway

Enter a chance to win one copy of the Modern Library edition of Pride and Prejudice, by Jane Austen by leaving a comment stating why you think Mr. Darcy has had a change of heart and is so civil to Elizabeth when they meet again at Pemberley or which your favorite quote is from the novel by midnight, Saturday, July 24th, 2010. Winner will be announced on Sunday, July 25th. Shipment to continental US addresses only. Good luck!

Upcoming event posts

Day 16  July 09     William Gilpin and Jane Austen
Day 17  July 10     Group Read: Chapters 50 – 56
Day 18  July 11     Top Ten P&P editions in print

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The Jane Austen book sleuth is happy to inform Janeites that many Austen inspired books are heading our way in July, so keep your eyes open for these new titles.

Fiction (prequels, sequels, retellings, variations, or Regency inspired)

Murder at Mansfield Park, by Lynn Shepherd

Mansfield Park is considered (by some) to be the dark horse of Austen’s oeuvre and her heroine Fanny Price weak and insipid. I do not agree, but the majority of readers might find this new novel an improvement since the narrative is “renovated” (not unlike Sotherton) and Fanny gets bumped off. Shepherd mixes up Austen’s classic story by switching the protagonist and antagonist, morphing other characters and plot points and spotlighting the murder instead of the the moralistic undertones that Austen chose to soft shoe her narrative. Personally, secondary to Jane Austen, I enjoy a good murder mystery, so this reader is quite charmed at the possibility of having both together. (Publishers description) In this ingenious new twist on Mansfield Park, the famously meek Fanny Price–whom Jane Austen’s own mother called “insipid”–has been utterly transformed; she is now a rich heiress who is spoiled, condescending, and generally hated throughout the county. Mary Crawford, on the other hand, is now as good as Fanny is bad, and suffers great indignities at the hands of her vindictive neighbor. It’s only after Fanny is murdered on the grounds of Mansfield Park that Mary comes into her own, teaming-up with a thief-taker from London to solve the crime. Featuring genuine Austen characters–the same characters, and the same episodes, but each with a new twist – Murder at Mansfield Park is a brilliantly entertaining novel that offers Jane Austen fans an engaging new heroine and story to read again and again. St. Martin’s Griffin, Trade Paperback (384) pages, ISBN: 978-0312638344

Review of Murder at Mansfield Park in the Sterling Observer

Austen’s Oeuvre

Sense and Sensibility, by Jane Austen, illustrator Chris Hammond, introduction by Joseph Jacobs

Dover has done it again! They have taken a classic Victorian illustrated edition of a Jane Austen novel and reproduced the interior exactly offering the book lover the next best thing to the original. Their first volume in this series of hardback collector editions was Pride and Prejudice. For any of you who collect vintage Austen editions it is a reproduction of the popular and pricey 1894 ‘Peacock’ edition illustrated by Hugh Thomson. This edition of Sense and Sensibility illustrated by Chris Hammond is even more beautiful and my personal favorite Victorian edition of a Jane Austen novel. Enjoy! (Publishers description) A delightful comedy of manners, this novel concerns the romantic travails of two sisters, who struggle to balance passion and prudence. It abounds in the author’s customary wit and engaging characterizations. This handsome hardcover gift edition features a dust jacket and more than 60 charming drawings by a leading Victorian-era illustrator. Dover Publications, Hardcover (416) pages, ISBN: 978-0486477435.

Audiobooks

The Watsons/Sanditon (Naxos Complete Classics), by Jane Austen, read by Anna Bentinck

Now available outside of the audio collection Jane Austen: the Complete Novels, readers can listen to two of Austen’s unfinished works professionally produced and read by BBC Radio personality Anna Bentinck. They are gems, and you might be pleasantly surprised. (Publishers description) One abandoned, one unfinished, these short works show Austen equally at home with romance (a widowed clergyman with four daughters must needs be in search of a husband or two in The Watsons) and with social change (a new, commercial seaside resort in Sanditon). Typically touching, funny, charming and sharp. Naxos AudioBooks, 4 CDs, 4h 29m, ISBN: 978-9626342817

Read my review of The Watsons/Sanditon

Austen’s Contemporaries & Beyond

Helen, by Maria Edgeworth

Maria Edgeworth (1767-1849) was a major “best selling” novelist of her day, surpassing many of her male counterparts. Jane Austen admired her so much that she sent one of the 12 presentation copies of Emma that she received from her publisher even though they had never corresponded or met. Regretfully, Austen did not have the opportunity to read Helen since she died in 1817, but you can judge for yourself why she and her contemporaries valued Edgeworth and why she merits this re-issue of her 1834 novel. (Publishers description) The last and most psychologically powerful novel by Jane Austen’s leading rival, the newly orphaned Helen Stanley is urged to share the home of her childhood friend Lady Cecilia. This charming socialite, however, is withholding secrets and soon Helen is drawn into a web of ‘white lies’ and evasions that threaten not only her hopes for marriage but her very place in society. A fascinating panorama of Britain’s political and intellectual elite in the early 1800s and a gripping romantic drama, Helen was the inspiration for Elizabeth Gaskell’s Wives and Daughters. Sort of Books, Trade paperback (544) pages, ISBN: 9780956003898

Review of Helen in the Scotland Herald

Until next month, happy reading!

Laurel Ann

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With a strong prejudice against everything he might say, she began his account of what had happened at Netherfield. She read with an eagerness which hardly left her power of comprehension, and from impatience of knowing what the next sentence might bring, was incapable of attending to the sense of the one before her eyes. The Narrator, Chapter 36

Quick Synopsis

Elizabeth reads Darcy’s letter analyzing every point to discover the truth. She does not agree that her sister Jane was indifferent to Bingley, but after Darcy’s account of his dealings with Wickham admonishers herself for being so blinded by prejudice. Until this moment she never knew herself. She returns to Longbourn to hear that the regiment is leaving for Brighton where Lydia wished to go as guest of Col & Mrs. Forster. Elizabeth strongly warns her father against it. She is “the most determined flirt that ever made herself and her family ridiculous.” Mr. Bennet sees no harm, and Lydia is off to flirt with officers. Elizabeth departs with her aunt & uncle Gardiner for a tour of Derbyshire. They stay at Lambton where Mrs. Gardiner had previously lived. Pemberley is near by and she wished to see it again but Elizabeth is anxious not to see Darcy. She agrees to tour the estate only after learning the family is away, and to Pemberley they go.

Musings

Elizabeth’s reaction to the letter is a journey of discovery as she analyzes Mr. Darcy’s account against her own previous conclusions. At the beginning, she is prejudiced against him. She does not want to believe what he has shared about his assumptions about Jane’s indifference to Bingley or Mr. Wickham’s account of Darcy’s ill treatment of him. Like Elizabeth, I re-read Mr. Darcy’s letter and this chapter several times. There is so much to digest for her, and us, as we witness the process of her mind in weighing both sides of the story. Such strong reactions and disbelief on her part makes us resist – like her – that the information that Darcy has shared might be true. As she goes down every point there is a counterpoint in opposition that she presents. The tide in favor of her believing his explanations begins to turn when Mr. Darcy shares the story of his sister Georgiana’s romance and failed elopement with Mr. Wickham. The story does line up with events that she has learned the previous morning from Col Fitzwilliam.  She then recollects her encounters and conversations with Wickham and sees him in a new light.

She was now struck with the impropriety of such communications to a stranger, and wondered it had escaped her before. She saw the indelicacy of putting himself forward as he (Mr. Wickham) had done, and the inconsistency of his professions with his conduct. The Narrator. Chapter 36

And then she realizes her mistakes, and openly admits them to herself.

“How despicably have I acted!” she cried; “I, who have prided myself on my discernment! I, who have valued myself on my abilities! who have often disdained the generous candour of my sister, and gratified my vanity in useless or blameable distrust. How humiliating is this discovery! yet, how just a humiliation! Had I been in love, I could not have been more wretchedly blind. But vanity, not love, has been my folly. Pleased with the preference of one, and offended by the neglect of the other, on the very beginning of our acquaintance, I have courted prepossession and ignorance, and driven reason away, where either were concerned. Till this moment I never knew myself.” Elizabeth Bennet, Chapter 36

With that last statement, a heroine of the ages was born. Elizabeth might have been spirited, defiant and impertinent to a fault, but we have now witnessed her greatest asset, the ability to acknowledge her mistakes, admonish herself and see her life in a new light. This is the axis of the novel. The epiphany that Austen wanted us to experience and identify with. A universal truth that we should all know, but is one of the hardest lessons in life to learn. We are all fallible. What we do with our understanding of this is the measure of our life. If you take anything away with you from reading this novel, let it be this.

Wholly inattentive to her sister’s feelings, Lydia flew about the house in restless ecstacy, calling for every one’s congratulations, and laughing and talking with more violence than ever; whilst the luckless Kitty continued in the parlour repining at her fate in terms as unreasonable as her accent was peevish. The Narrator, Chapter 41

As if in complete opposition to Elizabeth having her break-through moment of growth and maturity, Austen changes the focus of the story to silly Lydia, her quest for officers and the Brighton scheme. And what a divergence we are presented with. Unguarded, imprudent and wildly exuberant, Lydia is so out of control that Elizabeth warns her father that at “she will at sixteen, be the most determined flirt that ever made herself and her family ridiculous.” No kidding! Unfortunately, he would prefer not to deal with her and sees the advantage of allowing her to go to Brighton and expose herself in public with as little cost or inconvenience to her family. Despicable parenting. Obviously, the “put blinders on and let them run wild philosophy” was born long before the “me” generation took all the credit for it. I think Lydia was their original poster girl! This passage certainly confirms it.

She saw herself the object of attention to tens and to scores of them at present unknown. She saw all the glories of the camp — its tents stretched forth in beauteous uniformity of lines, crowded with the young and the gay, and dazzling with scarlet; and, to complete the view, she saw herself seated beneath a tent, tenderly flirting with at least six officers at once. The Narrator, Chapter 41

La! So Lydia departs for Brighton with Col and Mrs. Forster. Out of sight, out of mind. Elizabeth deals with the gloom, misery and lamentations in her household of Kitty and Mrs. Bennet’s grief over the regiment moving to Brighton by looking forward to her trip to the Lakes with her aunt and uncle Gardiner. Their plans change and their travel is redirected to Derbyshire where Mrs. Gardiner formerly lived. She wished to see the beauties of Matlock, Chatsworth, Dovedale, or the Peak once again. Apprehensive about entering the same county as Mr. Darcy’s main residence, Elizabeth and the Gardiners depart on their journey north in pursuit of novelty and amusement. They bend their steps toward Lambton, Mrs. Gardiner’s former residence, and her aunt informs her that Pemberley is only five miles away. She has an inclination to see it again. Elizabeth does not. The possibility of meeting Mr. Darcy while viewing his home would be dreadful. Getting the low down on the Darcy family from the people in the know (the chambermaid) she is assured that the family is away and sees no harm in viewing a grand estate that she has heard so much about. With all of her alarms removed – “To Pemberley, therefore, they were to go.

Further reading

‘Pride and Prejudice without Zombies’: Day 13 Giveaway

Enter a chance to win one copy of Longman’s Cultural edition of Pride and Prejudice, by Jane Austen by leaving a comment stating what Elizabeth’s announcement “Till this moment I never knew myself.” means to you or which your favorite quote is from the novel by midnight, Saturday, July 24th, 2010. Winner will be announced on Sunday, July 25th. Shipment to continental US addresses only. Good luck!

Upcoming event posts

Day 14  July 05     Food at the Netherfield Ball
Day 15  July 07     Group Read: Chapters 43 – 49
Day 16  July 09     William Gilpin and Jane Austen

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Gentle Readers: in celebration of the ‘Pride and Prejudice without Zombies’ event over the next month, I have asked several of my fellow Jane Austen bloggers to share their knowledge and interest in Austen’s most popular novel. Today, please welcome guest blogger Mags from AustenBlog who shares with us her extensive knowledge of Regency history. Today she explores who drives what in P&P and why. Elizabeth may object to traveling fifty miles from Kent to Hertfordshire, but what is fifty miles of good road if you have a fine carriage? (or Henry Tilney to drive you)

An author—especially a talented and clever one like Jane Austen—subtly imparts information about her characters with details such as their occupation, their mode of conversation, and even something seemingly so minor as their carriage. In Pride and Prejudice, the alert reader can pick up information not only about the characters but about the plot itself from the type of carriage used by a character in a particular situation.

In Jane Austen’s day, a carriage was definitely a luxury item. They were expensive to purchase, naturally, and there were ongoing expenses in repair, storage, coachmen to care for and operate them, and the ongoing expenses of maintaining or renting horses to pull them; so it was a matter of interest to the impertinently nosy whether a person kept a carriage, and what kind. It was almost a method of broadcasting one’s wealth to the world.

“I do not believe a word of it, my dear. If he had been so very agreeable, he would have talked to Mrs. Long. But I can guess how it was; every body says that he is ate up with pride, and I dare say he had heard somehow that Mrs. Long does not keep a carriage, and had come to the ball in a hack chaise.”

Not that he isn’t capable of snobbery, but one suspects Mr. Darcy doesn’t particularly care about Mrs. Long and her carriage or lack thereof, and had plenty of other reasons not to talk to that lady at the Meryton assembly. Mrs. Bennet is here perhaps passing off her own personal snobbery onto Darcy.

Continue reading at AustenBlog

Further reading

Upcoming events posts

Day 13  July 03     Group Read: Chapters 36 – 42
Day 14  July 05     Music at the Netherfield Ball
Day 15  July 07     Group Read: Chapters 43 – 49

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Without thinking highly either of men or of matrimony, marriage had always been her object; it was the only honourable provision for well-educated young women of small fortune, and however uncertain of giving happiness, must be their pleasantest preservative from want. The Narrator, Chapter 22

Quick Synopsis

Charlotte’s attention to Mr. Collins redirects his affections to her and he proposes. Elizabeth thinks it impossible, but Charlotte claims she is not romantic and only requires a comfortable home. Mrs. Bennet does not believe it either and thinks the Lucas’ are schemers and everyone has treated her barbarously. Mr. Collins returns to Kent. Caroline Bingley writes from London to Jane putting an end to any doubt of her brother Charles’ return to Netherfield in the near future, if ever. Elizabeth is certain that the Bingley sisters and Darcy have contrived to part Jane from him. Mrs. Gardiner and her family arrive for Christmas. She warns Elizabeth not to fall in love with Wickham. He has no money and it would be imprudent. Mr. Collins and Charlotte marry, departing for Hunsford. Jane returns with the Gardiners to London. Weeks pass and no sign of Caroline Bingley or her brother there. She gives up hope agrees she has been duped. Elizabeth will visit Charlotte, traveling to London to visit Jane and the Gardiners on the way. Wickham’s attentions are now away from her and on an heiress Miss King. The Gardiners invite Elizabeth to tour the Lakes with them next spring. Elizabeth arrives at Hunsford to find Mr. Collins as pompous as ever and Charlotte tolerant.

Musings

The very mention of anything concerning the match threw her into an agony of ill-humour, and wherever she went she was sure of hearing it talked of. The sight of Miss Lucas was odious to her. As her successor in that house, she regarded her with jealous abhorrence. The Narrator, Chapter 23

So the Lucas’ are schemers after the Bennet fortune. This is Mrs. Bennet’s reaction to the news of Charlotte’s marriage to Mr. Collins. Both she and her daughter Elizabeth are incredulous when they are told the news. Mr. Collins has within three days asked two women to marry him. Charlotte saw her chance after Elizabeth refused him and even though Elizabeth thinks she has not chosen well, Charlotte thinks quite the contrary. “I am not romantic, you know; I never was. I ask only a comfortable home; and considering Mr. Collins’s character, connexions, and situation in life, I am convinced that my chance of happiness with him is as fair as most people can boast on entering the marriage state.” Does this point of view appear mercenary? Yes, and no. Her fiancé is a silly, pompous fool, but she will have her own home and not be a burden to her family. Even in today’s modern world it seems quite practical to me, though I would not choose it personally. Lizzy wants only to marry for love so she thinks Charlotte’s settling for Mr. Collins is impossible.  Both ladies personal choices are a gamble. But in life and love, a sure bet is never a certain thing.

“There are few people whom I really love, and still fewer of whom I think well. The more I see of the world, the more am I dissatisfied with it.” Elizabeth Bennet, Chapter 24

Romantic disappointment is in the air. So, Jane has been jilted by Bingley, Mr. Collins refused by Elizabeth, Charlotte settles for a loveless life with Mr. Collins and Elizabeth must give up Wickham because he has no money and it would be an imprudent match. No wonder Elizabeth is getting cynical and is dissatisfied with the world. Her conversations with her aunt Gardiner see her sharing thoughts openly on romance and the reality of finances in courtship. Money seems to be fueling the plot. Darcy’s fortune makes him proud and disagreeable to all. Bingley’s fortune makes him agreeable but Jane Bennet the young woman he is interested in lack of fortune makes her unworthy in his family and friends eyes. Charlotte has no money and must accept an odious, pompous man who will inherit the Bennet estate. Wickham is badmouthing Darcy because he feels cheated out of his fortune. Elizabeth is attracted to Wickham but the match would be imprudent because he has no money, nor does she. Wickham must instead chase after a young woman who until she became an heiress, was of no interest to him. What a muddle.

“Pray, my dear aunt, what is the difference in matrimonial affairs between the mercenary and the prudent motive? Where does discretion end, and avarice begin?” Elizabeth Bennet, Chapter 27

This question is answered when Elizabeth visits her newly married friend Charlotte at her home with Mr. Collins in Hunsford. It appears from the outside that Charlotte has what she craved; she is the mistress of her own home. Her discretion in marrying Mr. Collins with all of his flaws and foibles was questionable to Elizabeth, but it has given Charlotte the financial security and satisfaction that will not burden her family. Some may view this as avarice, but she thought it quite prudent. It will take Elizabeth a bit longer to see the practicality of it for her friend, even though she may never apply the philosophy to herself.

“what delight! what felicity! You give me fresh life and vigour. Adieu to disappointment and spleen. What are men to rocks and mountains?” Elizabeth Bennet, Chapter 27

Amen. Let’s all go to the Lakes instead!

Further reading

‘Pride and Prejudice without Zombies’: Day 9 Giveaway

Enter a chance to win one copy of the Norton Critical Edition of Pride and Prejudice, by Jane Austen by leaving a comment stating if you think Charlotte Lucas was mercenary in her choice of Mr. Collins as a husband or which your favorite quote is from the novel by midnight, Saturday, July 24th, 2010. Winner will be announced on Sunday, July 25th. Shipment to continental US addresses only. Good luck!

Upcoming event posts

Day 10  June 28     Dancing at the Netherfield Ball
Day 11  June 30     Group Read: Chapters 29 – 35
Day 12  July 02      Carriages in P&P

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One is humbled to review a book considered a classic of world literature. What could I possibly say about Pride and Prejudice that has not been scrutinized by scholars, exalted by enthusiasts or bemoaned by students who have been forced to read it and just don’t get what all the fuss is about? Plenty, and that is one of its enduring charms. It is so many things to different people. I have read it every year for *ahem* more years than I wish to admit, and still laugh out loud at Austen’s dry wit, wily social commentary and satisfying love story. It often tops international polls as the “the most loved” or “favorite book” of all time, numerous stage and screen adaptations continue to remind us of its incredible draw to the modern audience and its hero and heroine Mr. Darcy and Elizabeth Bennet may be the most famous romantic couple short of Romeo and Juliet. High praise indeed for a novel written almost two hundred years ago by a country clergyman’s daughter, home schooled by her father and unexalted in her lifetime.

Set in the early nineteenth-century country village of Longbourn in Hertfordshire, the story revolves around the Bennet family and their five unmarried daughters. They are the first family of consequence in the village, unfortunately the Longbourn estate is entailed by default to a male heir, their cousin Mr. William Collins. This is distressful to Mrs. Bennet who knows that she must find husbands for her daughters or they shall all be destitute if her husband should die. Mr. Bennet is not as concerned and spends his time in his library away from his wife’s idle chatter and social maneuvering. The second eldest daughter Elizabeth is spirited and confident, wanting only to marry for love. She teases her eldest sister Jane that she must catch a wealthy husband with her beauty and good nature to support them. The three younger sisters Mary, Catherine and Lydia hinder their sister’s chances for a good match by inappropriate and unguarded behavior.

When Mr. Bingley, a single man of large fortune, moves into the neighborhood with his fashionable sisters he attends the local Assembly Ball and is immediately taken with beautiful Jane Bennet. His friend Mr. Darcy is even richer with a great estate in Derbyshire, but he is proud and arrogant giving offense to all including Elizabeth by refusing to dance with her. She overhears him tell Bingley that she was only tolerable and not handsome enough to tempt him. This amuses and annoys her enough to repeat it to her friends and family. The whole community declares him the most disagreeable man, eaten up with pride. And thus the famous love story begins. How Mr. Darcy’s pride will be humbled and Elizabeth’s prejudices dissolved is one of the greatest stories of all time. Austen’s astute characterizations and plot machinations never cease to amaze. Society has changed in two hundred years, but human nature, foibles and all, remains constant, much to our amusement and delight.

Naxos Audiobooks presents us with a professionally produced and finely crafted jewel in this audio recording of Pride and Prejudice. Narrated by British actress Emilia Fox, viewers of the 1995 miniseries starring Colin Firth and Jennifer Ehle will remember her fine performance as shy Georgiana Darcy and be pleasantly surprised by her vocal range and emotional depth in characterization. I particularly appreciated her interpretation of Mrs. Bennet’s frazzled anxiety and Lady Catherine de Bourgh imperious resolve. Listeners will enjoy all thirteen hours of this unabridged recording honoring one of the greatest novels ever written and want to seek out the other six Austen novels that they have also recorded in audio format.

5 out of 5 Regency Stars

Pride and Prejudice, by Jane Austen, read by Emilia Fox
Naxos Audiobooks USA, (2005)
Unabridged, 11 CD’s (13 h 02 m)
ISBN: 978-9626343562

‘Pride and Prejudice without Zombies’ Day 5 Giveaway

Enter a chance to win one copy of an audio book recording of Pride and Prejudice, by Jane Austen, read by Emilia Fox (Naxos Audiobooks) by leaving your favorite quote from the novel by midnight, Saturday, July 24th, 2010. Winner will be announced on Sunday, July 25th. Shipment to continental US addresses only, or digital download internationally. Good luck!

Upcoming Event Posts

Day 6  June 21     Fashion at the Netherfield Ball
Day 7  June 23     Group Read: Chapters 15-21
Day 8  June 25     Tourism in Jane Austen’s Era

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First edition of Pride and Prejudice

Gentle Readers: in celebration of ‘Pride and Prejudice without Zombies’ I have asked several of my fellow Jane Austen bloggers to share their knowledge and interest in Austen’s most popular novel. Today, please welcome guest blogger Katherine from November’s Autumn as she shares with us the long and winding publishing history of Jane Austen’s “darling child”, Pride and Prejudice.

It’s difficult to believe that the work synonymous with Jane Austen struggled being published. Originally titled First Impressions Jane completed the first draft when she was only twenty-one years old. Often read aloud at home it became a family favorite. Her father, the Rev. George Austen, sent a copy to Thomas Cadell of London’s Cadell & Davies publishing on November 1, 1797 introducing it as:

“A Manuscript Novel, comprised in three Vols. about the length of Miss Burney’s Evelina”

It was rejected by a return of unopened post. It’s curious to ponder what would have happened had it been published at this point. No doubt Austen’s genius still shone through. Maybe early success as a writer would have given us more than the precious six novels. Alas, Pride and Prejudice wouldn’t be published until eleven years later. It went through extensive revision, changing from a series of letters, perhaps from Elizabeth to Jane, into the famous novel we’re acquainted with.

Continue reading at November’s Autumn

Further reading

Upcoming Event Posts

Day 4 – June 19 Group Read: Chapters 8-14
Day 5 – June 20 P&P (Naxos Audio) Review
Day 6 – June 21 Fashions at the Netherfield Ball

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Silly me. Forgot to mention the good stuff. During the ‘Pride and Prejudice without Zombies’ event you can enter multiple chances to win swag. Lots of swag. Giveaways. Free stuff.

Laurel Ann has culled her Austen bookshelves and called in all her favors to assemble this list. Here goes.

First and foremost, the incredibly generous and totally awesome folks at Naxos Audiobooks have contributed one copy of Jane Austen: The Complete Novels. Yes, that’s right. Together for the first time, the complete and unabridged audio recordings of Jane Austen’s novels handsomely presented in a boxed set. Counting 69 CDs and running over 83 hours, this is the Holy Grail of Austen audio book recording as only Naxos could present with superb readings by Juliet Stevenson, Emilia Fox, and Anna Bentinck. Included are Austen’s six major novels, the novella Lady Susan and her unfinished novels Sanditon and The Watsons. This is definitely the essential collector’s item. Retail value $250.00!

Also included during the event will be…

Editions of Pride and Prejudice by: Penguin Classics, Barnes and Noble’s Classics, Harper Collins Classics, Naxos Audiobooks, Insight Edition, Norton Critical Edition,  Oxford’s Worlds Classics, Longmans Cultural Edition, Anchor Annotated, Modern Library Edition, Penguin Classics Deluxe, White’s Fine Edition, Dover’s replica of the 1893 Peacock edition, and the retelling Fitzwilliam Darcy, Gentleman Trilogy.

Shipment to continental US only. Digital download internationally on the audiobooks. To qualify for any or all of the giveaways, just leave a comment on any of the posts during the event June 15 through July 24. It’s that easy. Have fun. Good luck to all.

Further reading

Upcoming Event Posts

Day 3 – June 18 P&P Publishing History
Day 4 – June 19 Group Read: Chapters 8-14
Day 5 – June 20 P&P (Naxos Audio) Review

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Huzzah! Stephanie’s Written Word is offering Everything Austen Challenge II, a Jane Austen reading challenge again this year. Starting on July 1, 2010 the event will run for six months ending on December 31, 2010. Just select and read/view/craft six Jane Austen related books/movies/craft projects. It’s that easy. Check out all the details and post your results as you progress on her blogs Mr. Linky tool.

I had a great time completing this last year and encourage all of you to join in the fun. It’s a great excuse to validate your need to feed your Jane Austen addiction. As usual, I am raising the ante and bumping up my commitment number up to twelve and challenging anyone who wants to join me! Here are my choices.

√ 1.) Pride and Prejudice, by Jane Austen

√ 2.) Murder at Mansfield Park, by Lynn Shepherd

√ 3.) Emma and the Vampires, by Wayne Josephson

√ 4.) Jane and the Damned, by Janet Mullany

√ 5.) Jane and the Madness of Lord Byron, by Stephanie Barron

√ 6.) Bespelling Jane Austen, by Mary Balogh, Colleen Gleason, Susan Krinard & Janet Mullany

√ 7.) Mr. Darcy’s Little Sister, by C. Allyn Pierson

√ 8.) Murder on the Bride’s Side, by Tracy Kiely

√ 9.) Pemberley Ranch, by Jack Caldwell

√ 10.) Pride and Prejudice: An Annotated Edition, by Jane Austen, edited by Patricia Meyer Spacks

11.) A Perfect Bride for Mr. Darcy, by Mary Lydon Simonsen

√ 12.) Dancing with Mr. Darcy, selected and introduced by Sarah Waters

Let the games begin!

Cheers, Laurel Ann

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It is a truth universally acknowledged that a single man in possession of a good fortune, must be in want of a wife. The Narrator, Chapter 1

Quick Synopsis

Charles Bingley, a single man of good fortune lets the estate of Netherfield Park, bringing his two fashionable sisters and rich friend Mr. Darcy into the social sphere of the Bennet family of Longbourn, local gentry who have five daughters to marry off with little dowry. Bingley is immediately attracted to eldest sister Jane, but Mr. Darcy finds no beauty in anyone and snubs second daughter Elizabeth by refusing to dance with her. His proud airs and arrogant manners give offense to all. The ladies of Longbourn visit the supercilious Bingley sisters at Netherfield. Elizabeth and Darcy cross paths. He is intrigued by her spirit and fine eyes. She thinks him disagreeable and proud. Mrs. Bennet brags about Jane and Bingley’s romance, convinced they will marry. Charlotte Lucas is not so certain. Jane is invited to Netherfield arriving on horseback in the rain, catching a cold. Elizabeth visits her having walked 3 miles in the mud. The Bingley sisters are appalled by her appearance, but ask her to stay to tend to her sister.

Musings

For as many times as I have seen the often over-quoted first line of Pride and Prejudice it still makes me laugh. Its verbal irony just sets the tone of the novel and makes me value Austen’s skill as a storyteller all the more. Mr. Bingley and Mr. Darcy, two wealthy and eligible bachelors, do not enter the neighborhood in want of a wife. Quite the contrary. That they should be the rightful property of one of the local daughters is the truth universally acknowledged. It is the ladies of the community who are in need of a husband. A good match was what was expected of a young lady, and Mrs. Bennet with her five daughters, little dowry and an entailed estate is determined that it will happen. The fact that two such eligible gentlemen land unannounced in a neighborhood with few other local prospects is a gold mine to her, and every other mother in the county. No wonder she is in frenzy and determined to beat the other local families to his door. Mr. Bennet is nonplused. He would rather stay in his library than do his duty to his family, keeping them in suspense with the news that he has already introduced himself to his new neighbor. When Mr. Bingley and his party do appear at the Meryton Assembly, only one of the two gentlemen makes the cut. Bingley is amiable and agreeable, dancing and socializing. A true good catch. But his friend Mr. Darcy, though handsome, and richer, gives immediate offense to all with his arrogance and pride.

His character was decided. He was the proudest, most disagreeable man in the world, and every body hoped that he would never come there again. The Narrator, Chapter 3

When he snubs our heroine Elizabeth Bennet by calling her only tolerable and not handsome enough to tempt him to dance, we know that this black mark will not be easy to erase. I have always been puzzled that the community would be so quick to condemn him just based on his haughty demeanor. Money and social standing can be a strong equalizer of any shortfall. It is easy to forgive a rich man his offenses because, he has all the power. Wise Charlotte Lucas sees this and tells her friend Lizzy so, though in a round-about-way.

“His pride,” said Miss Lucas, “does not offend me so much as pride often does, because there is an excuse for it. One cannot wonder that so very fine a young man, with family, fortune, everything in his favour, should think highly of himself. If I may so express it, he has a right to be proud.”

“That is very true,” replied Elizabeth, “and I could easily forgive his pride, if he had not mortified mine.” Charlotte Lucas and Elizabeth Bennet, Chapter 5

That Mrs. Bennet is so quick to disqualify Darcy as a prospect for one of her daughters is amusing. Both Bingley and Darcy are rich and socially connected, yet she is vehemently opposed to Darcy because of his arrogant manners. In the Regency world, that is not prudent. Austen is showing us that Mrs. Bennet is not a clever woman, or she would be scheming to win his favor for one of her girls. Charlotte Lucas on the other hand reveals to Elizabeth how the world really works. Elizabeth who has declared she will only marry for love is quick to disqualify Darcy for her own personal reasons. He has wounded her pride by calling her only tolerable. She instantly agrees with her mother on her assessment of him. “I believe, ma’am, I may safely promise you never to dance with him.” Austen is showing us Elizabeth’s rash judgment in siding with her mother. We know from Mrs. Bennet’s previous conversations that she is not the best judge of character or the sharpest knife in the drawer. Elizabeth is clever. For her to succumb to her mother’s level is a red flag.

Mr. Darcy had at first scarcely allowed her to be pretty; he had looked at her without admiration at the ball; and when they next met, he looked at her only to criticise. But no sooner had he made it clear to himself and his friends that she had hardly a good feature in her face, than he began to find it was rendered uncommonly intelligent by the beautiful expression of her dark eyes. The Narrator, Chapter 6

Hmm? Darcy is changing his tact? Why? What intrigues him about Elizabeth enough to admit his interest in a young lady of no wealth and little consequence to his friends? That opens himself up for attack. Elizabeth notices him watching her and is puzzled. Her reaction is to harden her line of defense. “He has a very satirical eye, and if I do not begin by being impertinent myself, I shall soon grow afraid of him.” Then in an act of total defiance she refuses to dance with him when he finally asks her, walking away in triumph. Nice psychological interchange here. Unknowingly, Elizabeth has just given him the strongest reasons to want her. Her indifference and rejection. It’s as old as the ages and works every time. Men cannot stand to lose. They love the chase. We know how much this has affected him when of all people, he admits to Caroline Bingley that he admires her fine eyes. Bold strategy to derail Caroline’s interest in him, or the impulse of smitten man? Caroline’s reaction is classic female counteract. Deride your opponent. “I am all astonishment. How long has she been such a favourite? — and pray, when am I to wish you joy?”  Ouch.

“I admire the activity of your benevolence,” observed Mary, “but every impulse of feeling should be guided by reason; and, in my opinion, exertion should always be in proportion to what is required.” Mary Bennet, Chapter 7

Just a brief word on Mary Bennet. A minor character, she only has eight passages of lines in the novel. This is one of her best. On the few occasions that she does speak, they are gems of ironic subjection. A giant punctuation point of out-of-sync advice that never fails to roll my eyes. Hear, hear for the clueless, the inept, and the oblivious! Thanks for the laughs Mary.

Further reading

‘Pride and Prejudice without Zombies’: Day 2 Giveaway

Enter a chance to win one copy of Barnes & Noble Classics edition Pride and Prejudice, by Jane Austen by leaving a comment stating what intrigues you about Mr. Darcy’s change of heart toward Elizabeth, or which is your favorite quote from the novel by midnight, Saturday, July 24th, 2010. Winner will be announced on Sunday, July 25th. Shipment to continental US addresses only. Good luck!

Upcoming Event Posts

Day 3 – June 18 P&P Publishing History
Day 4 – June 19 Group Read: Chapters 8-14
Day 5 – June 20 P&P (Naxos Audio) Review

Read Full Post »

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