From the desk of Tracy Hickman:
Several recent histories have popularized Georgian England as “The Age of Scandal” with members of the beau monde starring in colorful “stories of gambling, adultery, high spending, and fast living” (30). Author, lecturer in 18th-century British history, and historical consultant Hannah Greig takes an alternate approach in The Beau Monde. By focusing on the fortunes of the beau monde as a whole, rather than concentrating on the biographies of a few individuals, such as the Duchess of Devonshire, she seeks to present the culture as “a new manifestation of social distinction and a new form of social leadership, one oriented to the changing conditions and contexts of the period.” (31)
After ousting James II from the throne with the support of the English nobility, William III began a series of wars that required him to summon parliament regularly to secure funds for his war chest. Beginning in 1689, the titled nobility came to London for the yearly meeting of parliament and the London season was born.
Illustration of The Beau Monde in St. James Park, by Louis Phillippe Boitard, c. 1749-50
“In particular, the establishment of, and emphasis on, the London season brought fundamental alterations to the routines and responsibilities inherent in elite life. The level of investment made by titled personnel in metropolitan life in the 1700s (in terms of time, money, property, and culture) was unprecedented. Although pleasure seeking was unquestionably a major attraction of metropolitan life, it was politics, and the elite’s unshakeable belief in their right to govern, that made the season’s siren call so compelling.” (233)
From the desk of Monica Perry:
What happens when the independent, outspoken Miss Elizabeth Bennet finds herself forced to wed the proud Mr. Darcy, a virtual stranger whom she can barely tolerate? With their history of heated interactions, can they co-exist peacefully, let alone find companionship or affection? Jenetta James’s Suddenly Mrs. Darcy is a Pride and Prejudice what-if story that deviates from Jane Austen’s canon at the point of the Netherfield ball. I love forced marriage scenarios and all their angsty goodness! With such differing personalities as Mr. Darcy and Elizabeth, I was eager to see how Ms. James would explore the dynamics of such a hasty union between my favorite literary couple.
When Elizabeth brings up in conversation Darcy’s infamous treatment of her friend Mr. Wickham, Darcy seeks to clear his name and takes her aside to a dimly lit salon to talk. Here they are seen by Mrs. Bennet, who immediately sounds the alarm that her daughter has been compromised. Despite Elizabeth’s protestations that nothing untoward has occurred, Mr. Bennet steps in, Mr. Darcy steps up and Elizabeth has no choice but to marry him and quickly. She can’t fathom why he would agree to marry her with nary a word of protest when it’s so obvious their dislike is mutual.
Here we have a “pre-Hunsford” Mr. Darcy who has not yet seen the need to modify his proud and disdainful behavior toward others. He acts unfeelingly with regard to Elizabeth’s family, and finds little need to explain himself to her. Because the story is told from only Elizabeth’s perspective, readers don’t have the luxury of knowing Darcy’s feelings, motivations, etc because he is not very forthcoming with her. It’s natural for readers to project onto Darcy what they think or hope his character is, but they really don’t know, and it is so frustrating! As they spend more time together at Pemberley, Elizabeth does achieve a sense of contentment, and her intimate times with her husband gradually deepen her affections. When contention does arise between them, she is angry but tends to push the issue to the back burner to be dealt with later, or not at all. Continue reading
From the desk of Lisa Galek:
Very little has been written about Jane Austen’s life before she started writing at the age of 12. That’s probably because so very little is known about that time. In Young Jane Austen, author Lisa Pliscou focuses on these early years to give us a better understanding of how one of the greatest novelists of all time got her start.
The author begins by letting us know that this particular biography will be a “speculative” one. Since so little is known about Jane Austen’s early years, Lisa Pliscou draws on a wide variety of Austen scholarship to give us a charming portrait of the artist as a young girl. She begins in 1775 with the birth of little Jane—nicknamed Jenny—and takes us up through 1787 when Jane first decides to put pen to paper for the amusement of her family.
Along the way, the author includes short scenes from Austen’s life, but presents them in a narrative format. We meet Jane at various moments in her journey—playing with siblings, spending time with her family, lounging in her father’s library, heading off to school with her sister, Cassandra. Each step of the way, the author reflects on what a young Jane Austen might have felt and thought in these moments.
Most Austen biographies I’ve read tend to gloss over Jane’s early years. They focus more on her evolution as a writer and her years as a successful author. The typical Austen biography also tends to be a little more dense and scholarly because it’s just trying to pack so much information into one little volume. But, Young Jane Austen avoids these pitfalls and, as a result, becomes a delightful and infinitely readable story. Continue reading
From the desk of Kimberly Denny-Ryder:
I’ve always been a sucker for dark and brooding men in romance novels (hello Mr. Darcy!) One trait that seems to go along well with these types of characters is that they are loners in their own right. Yes, they may have friends and family around them, but their internal isolation is the first thing that they must overcome before they take on a new romantic interest. I find this struggle quite interesting, and therefore was excited to read The Loner by Kate Moore, which stars a loner much in the same predicament.
Will Sloan is a loner with a tough upbringing, coming from nothing and making a name for himself. His mother was a waitress and his father was a rodeo cowboy, killed in a tragic accident in the ring. The former scholarship student is now a wealthy tech entrepreneur, with a net worth in the billion dollar plus range. By all conventional accounts he shouldn’t have any shortage of friends, yet he still finds himself adrift amongst the party atmosphere of L.A., while his so-called friends urge him to get out and find Mrs. Right. He decides to attend his high school reunion on a whim in order to get out of this funk, and that’s when it happens: he sees Annie again. Continue reading
From the desk of Katie Patchell:
While most of Jane Austen’s beloved novels are set in the countryside or resort towns, there is one that stands out from the rest because of its tantalizing glimpses of life at sea: Persuasion. In Jane Austen’s novel, readers discover her own admiration for the daring men in the British Navy with her addition of the remarkable Captain Wentworth into her cast of Regency heroes. Debut author Jennifer Moore follows Jane Austen’s lead by focusing on Navy life during the 1800s in her 2014 Regency romance, Becoming Lady Lockwood, a novel featuring a brave heroine, heroic captain, and the excitement and peril of life on the high seas.
At twenty, Amelia Beckett has happily accepted her sudden widowhood—after all, she’d never met Lord Lawrence Walter Drake, Earl of Lockwood, the man her father had forced her to marry. Amelia expects her life to continue as before; her father, now content, would continue living a debauched lifestyle in London, and she would run the family’s sugarcane plantation in Jamaica, finally free of chaperones and matchmakers. But Amelia’s plans are dashed when her father commands her to travel to London in order to fight for Lord Lawrence Drake’s fortune, and he sends the one man who will fight against her rights in court to pick her up: Captain William Drake, brother to Amelia’s deceased husband, and new Earl of Lockwood. Continue reading
From the desk of Lisa Galek:
There’s so much we don’t know about Jane Austen. Her sister, Cassandra, burned many of Jane’s letters when she died leaving many details of her life lost to time. Is it possible that the author of many of the world’s most memorable stories on love and marriage never married or had children of her own? In Aerendgast, Rachel Berman imagines a new history for our favorite author in a mystery adventure that’s one part Austen biography and one part The Da Vinci Code.
Violet Desmond doesn’t know much about her past. She was raised by her grandmother who never mentioned the truth about Violet’s parents or the tragic accident that left her an orphan. But, when Violet’s grandmother dies and leaves her a beautiful cameo necklace and a trunk filled with papers, Violet finally realizes she’s found the tools she needs to hunt down the truth… which also may have something to do with her favorite author, Jane Austen. Continue reading