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Sense and Sensibility Bicentenary Edition, by Jane Austen (Penguin Deluxe Classics 2011)For two hundred and one years readers have had the pleasure of reading Jane Austen’s first published novel, Sense and Sensibility. For the bicentenary celebration last year, Penguin Classics issued this new edition with an introduction by Cathleen Schine (The Three Weissmanns of Westport) and cover illustration by Audrey Niffenegger (yes the author of The Time Travelers Wife is also an artist).

The cover shows us a tempest in a teacup. While I love the design, I’m not sure that it exactly mirrors the action in Sense and Sensibility. The phrase tempest in a teacup, or teapot, has a slightly derogatory implication, like making a mountain out of a molehill. I personally think that Austen’s drama is not puffed up and only her heroine Marianne Dashwood is exaggerated (on purpose) to show her overly romantic personality. But, that’s just me.

Elinor could not be surprised at their attachment. She only wished that it were less openly shewn; and once or twice did venture to suggest the propriety of some self-command to Marianne. But Marianne abhorred all concealment where no real disgrace could attend unreserve; and to aim at the restraint of sentiments which were not in themselves illaudable appeared to her not merely an unnecessary effort, but a disgraceful subjection of reason to common-place and mistaken notions. – Sense and Sensibility, Ch 11

For those who have not had the pleasure yet of reading Austen’s tale of two divergent sisters and their financial and romantic challenges, what are you waiting for? If you need further inducement or would like a refresher on the plot, characters and style, you can read my reviews of the print book, Naxos audio recording and four movie adaptations from 1971, 1981, 1995 and 2008 Episode One, Episode Two.

Make haste and purchase this lovely Penguin Classics Bicentenary Edition of Sense and Sensibility directly at the Penguin website.

Many happy reading/listening/viewing hours await all those who seek the Dashwood story.

Cheers,

Laurel Ann

© 2012 Laurel Ann Nattress, Austenprose

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© Austenprose. Thank you again to all the participants and commenters in the Elizabeth Gaskell Bicentennial Blog Tour on September 29th. The drawing for the unabridged Naxos Audiobooks recording of North and South has closed, and I am happy to announce the lucky winner is…

Annette who posted a comment on September 29th on Stiletto Storytime’s review of Sylvia’s Lovers.

Congratulations Annette. To claim your prize, please email me at austenprose at frontier dot com October 15th, 2010 with your full name, address and choice of format. Shipment is to US and Canadian addresses or international download.

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I had not read The Convenient Marriage before this new Naxos Audiobooks recording happily landed on my doorstep.  I will confess all up front. I did the unthinkable. I read the complete plot synopsis on Wikipedia before I delved into the first chapter. *horrors*  Don’t even think about following my example.  It will spoil the most enjoyable aspect of this novel – surprise!

The Convenient Marriage is one of Georgette Heyer’s more popular Georgian-era rom-com’s, and for good reason.  It has all the requisite winning elements: a wealthy and eligible hero, a young naïve heroine, greedy relatives, a scheming mistress and a revengeful rake.  Add in a duel, a sword fight, highway robbery, abduction, switched identities and scandalous behavior, and you are in for comedic high jinxes and uproarious plot twists.  As I laughed out loud at the preposterous plot machinations in the synopsis, I thought to myself, “How does Heyer do it? How can she take us on such an outrageously wild ride and make it believable?” I was soon to find out.

Handsome and elegant Marcus Drelincourt, Earl of Rule, is comfortable in his bachelorhood. At thirty-five his sister Lady Louisa Quain urges him to marry, suggesting the beautiful Elizabeth Winwood. She is from an aristocratic family of good pedigree but little fortune. With two unmarried younger sisters, prim Charlotte and impulsive Horatia, and their self-indulgent elder brother Pelham (about as much help to his family as a rainstorm at a picnic), she must marry well. Lady Winwood is thrilled when the Earl agrees to marry Elizabeth and save the family from destitution. Seventeen-year old Horatia is not. Presenting herself at the Earl’s doorstep she boldly offers herself to him in exchange for her elder sister who is in love with Lieutenant Edward Heron. Horry proposes a marriage of convenience to Lord Rule with the promise that she will not interfere with him after they are married. She does not bring much to the bargain. Not only is she poor, she does not possess her sister’s beauty, and  she stutters. Intrigued by this young, brave girl, he is tempted and soon sees the logic, agreeing to her proposal.

The new Countess of Rule wastes no time in becoming the sensation of the bon ton dressing to the nines, attending parties, the opera, gambling huge sums and getting into all sorts of scrapes while her husband continues to pay attentions to his mistress Lady Caroline Massey. With patience and fortitude, Lord Rule councils his stubborn young bride against excess and the dangerous liaisons of Baron Robert Lethbridge, a known rake with a history with the Drelincourt family.

Determined to teach her husband a lesson for his interference, she defies his wishes attending a masked ball. Escorted by Lethbridge, he sees their friendship as the perfect opportunity to ruin her reputation and punish Drelincourt for thwarting his elopement with his sister Louisa years before. Horry tempts Lethbridge with cards, bending his resistance by scandalously agreeing to offer a lock of her hair if he wins. Unbeknownst to Horry, her husband has followed her to the ball, overhears their conversation and intercedes by stepping on her dress and ripping it. While she is away he disposes of Lethbridge and exchanges his costume with his own. Returning, Horry loses badly at cards and must give Lethbridge/Rule his winnings. Penitent, she concedes the bet which is met with a stolen kiss. Furious, Horry rushes away running into Lady Caroline Massey who recognizes her. Certain that her husband’s mistress will reveal to him that his wife was at the ball, she confesses all to him first. The Earl in turn reveals his charade. Discovering that he has fallen in love with his wife, how will he court and convince her that love is much better than a marriage of convenience?

Heyer’s characterizations just sparkle and shine. This May/Decemeber relationship presents great opportunity for difference in opinion and blunder. If Horry had not been an impulsive, stubborn seventeen-year old there would have been little conflict and no story. Lord Rule’s patience in dealing with his teenage bride commanded respect, endearing us to him by opening up the possibility of the love relationship that we hope for.  This delightful romp was made all the more enjoyable by this new audio recording by British stage and screen actor Richard Armitage. This is his third foray into Georgette Heyer for Naxos Audiobooks. His skill at unique characterization and resonant, velvetly voice transports the listener like Cinderella to the Ball. Unfortunately, once the story ends, so does the enchantment. My solution was to start it again. For me, a new audio recording combining fanciful storyteller Georgette Heyer and the sultry and seductive voice of Richard Armitage is like la petite mort. Hopefully they are not few and far between.

Listen to an excerpt at Naxos

The Convenient Marriage, by Georgette Heyer, read by Richard Armitage
Naxos Audiobooks (2010)
Abridged audio recording, 4 CDs, (5h 06m)
ISBN: 978-1843794417

On a whim, Laurel Ann Nattress created Austenprose, a blog celebrating the brilliance of Jane Austen’s writing and the many offshoots that she has inspired. As a bookseller at Barnes & Noble she delights in selling her favorite author’s works to the masses. In her spare time, she is currently deep into her editing duties for a Jane Austen short story anthology to be published in 2011 by Random House. An expatriate of southern California she lives in a country cottage near Seattle, where it rains a lot. You can follow Laurel Ann on Twitter as Austenprose.

Celebrating Georgette Heyer – Day 04 Giveaway

Enter a chance to win one copy of The Convenient Marriage, by Georgette Heyer, read by Richard Armitage (Naxos Audiobooks 2010) by leaving a comment stating which Georgette Heyer novel you think Richard Armitage should narrate next for Naxos by midnight Pacific time, Monday, September 6th, 2010. Winners will be announced on Tuesday, September 7th, 2010. CD shipment to continental US. Digital download internationally. Good luck!

Upcoming event posts

Day 05   Aug 08 – Review: Regency Buck
Day 05   Aug 08 – Review: The Talisman Ring
Day 06   Aug 09 – Review: An Infamous Army
Day 06   Aug 09 – Review: The Spanish Bride

Celebrating Georgette Heyer   •   August 1st – 31st, 2010

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The Jane Austen book sleuth is happy to inform Janeites that many Austen inspired books are heading our way in August, so keep your eyes open for these new titles.

Audio

The Convenient Marriage, by Georgette Heyer, read by Richard Armitage

In honor of historical romance novelist Georgette Heyer’s birthday this month, I am sure that Jane Austen will not mind if I place one of Heyer’s Regency romance novels first among the great selection of books available this month. If you hadn’t noticed, we are celebrating Heyer in a big way all month here on Austenprose, but this novel in particular of the 34 we will be discussing stands head and shoulders over the rest. Yes, the story is one of Heyer’s best with a strong hero and an endearingly flawed young heroine, but this audio edition really chases away any fit of the blue devils with its velvet voiced reader, Richard Armitage. This is his third foray into reading Heyer for Naxos Audiobooks, and I cannot think of one actor more qualified to make half of the population of the world swoon. (Publishers description) Horatia Winwood is the youngest and the least attractive of the three Winwood sisters. She also has a stammer. But when the enigmatic and eminently eligible Earl of Rule offers for her oldest sister’s hand – a match that makes financial and social sense, but would break her heart – it is Horatia who takes matters into her own impetuous hands. Can she save her family’s fortune? Or is she courting disaster? Witty, charming, elegant and always delightful, Georgette Heyer – the undisputed Queen of Regency Romance – brings the whole period to life with deft precision and glorious characters. Naxos AudioBooks (2010), Abridged Audio CD, ISBN: 978-1843794417. Listen to a preview.

Fiction (prequels, sequels, retellings, variations, or Regency inspired)

Emma and the Vampires, by Wayne Josephson

More vampires in our Austen coming our way. This time, its Austen’s handsome, clever, and rich Emma Woodhouse, with a comfortable home and happy disposition with very little to distress or vex her except her vampire neighbors. (Publishers description) In this hilarious retelling of Jane Austen’s Emma, screenwriter Wayne Josephson casts Mr. Knightley as one of the most handsome and noble of the gentlemen village vampires. Blithely unaware of their presence, Emma, who imagines she has a special gift for matchmaking, attempts to arrange the affairs of her social circle with delightfully disastrous results. But when her dear friend Harriet Smith declares her love for Mr. Knightley, Emma realizes she’s the one who wants to stay up all night with him. Fortunately, Mr. Knightley has been hiding a secret deep within his unbeating heart-his (literal) undying love for her… A brilliant mash-up of Jane Austen and the undead. Sourcebooks Landmark (2010), Trade paperback, ISBN: 978-1402241345. Read the first chapter.

To Conquer Mr. Darcy, Abigail Reynolds

Originally published as Impulse and Initiative by Sourcebooks in 2008, this Pride and Prejudice variation asks “what if” after Mr. Darcy’s first proposal to Elizabeth Bennet he didn’t give up, but pursued her from Kent back to Longbourn? I reviewed the original edition if you would like to peruse my humble opinion. (Publishers description) What if…Instead of disappearing from Elizabeth Bennet’s life after she refused his offer of marriage, Mr. Darcy had stayed and tried to change her mind? What if…Lizzy, as she gets to know Darcy, finds him undeniably attractive and her impulses win out over her sense of propriety? What if…Madly in love and mutually on fire, their passion anticipates their wedding? In To Conquer Mr. Darcy, instead of avoiding Elizabeth after his ill-fated marriage proposal, Mr. Darcy follows her back to Hertfordshire to prove to her he is a changed man and worthy of her love. And little by little, Elizabeth begins to find the man she thought she despised, irresistible… Sourcebooks Casablanca (2010), Mass market paperback, ISBN: 978-1402237300. Read the first chapter.

Murder on the Bride’s Side: A Mystery, by Tracy Kiely

Last year debut author Tracy Kiely blew my bonnet off with her clever Pride and Prejudice inspired whodunit, Murder at Longbourn. Now her clever, but endearingly insecure sleuth Elizabeth Parker is back with a new mystery to solve that is inspired from Austen’s Sense and Sensibility. (Publishers description) Drawing from the classic Sense and Sensibility, Tracy Kiely continues the adventures of Elizabeth Parker, the likable Austen-quoting sleuth, in this witty and charming series. Elizabeth Parker suspected that fulfilling her duties as maid-of-honor for her best friend, Bridget, was going to be murder. And no sooner is the last grain of rice thrown than she finds herself staring into the dead eyes of Bridget’s Aunt Roni, a woman whose death is almost as universally celebrated as Bridget’s nuptials. The horror only increases when Harry, Bridget’s cousin, becomes the chief suspect. The idea is ludicrous to the family, because Harry is one of the kindest, most compassionate people imaginable. To complicate matters, Elizabeth’s boyfriend, Peter, appears to be falling for an old flame, a gorgeous wedding planner. Determined to clear Harry of the crime, reign in Bridget’s impulsive brand of sleuthing, and figure out where Peter’s heart lies, Elizabeth sets her mind to work. Minotaur Books (2010), Hardcover, ISBN: 978-0312537579.  Read my preview and an excerpt here.

Austen’s Oeuvre

Emma (Blackstone Audio Classic), by Jane Austen, read by Nadia May

Since one can never have too many audio editions of Emma to break the monotony of the work commute,  pop this one into your car CD player and enjoy an unabridged recording of  Austen’s nonsensical girl. (Publishers description) Often considered Jane Austen’s finest work, Emma is the story of a charmingly self-deluded heroine whose injudicious matchmaking schemes often lead to substantial mortification. Emma, ”handsome, clever, and rich, with a comfortable home and happy disposition, seemed to unite some of the best blessings of existence; and had lived nearly twenty-one years in the world with very little to distress or vex her.” Her own great fortune has blinded Emma to the true feelings and motivations of others and leads her to some hilarious misjudgments. But it is through her mistakes that Emma finds humility, wisdom, and true love. Told with the shrewd wit and delicate irony which have made Jane Austen a master of the English novel, Emma is a comic masterpiece whose fanciful heroine has gained the affection of generations of readers. Blackstone Audio, Inc. (2010), Unabridged CD, ISBN: 978-1441755360

Nonfiction

The Jane Austen Pocket Bible: The Perfect Gift for a Literary Lover, by Holly Ivins

From the publishers description, this appears to be the be all, end all of Austen enlightenment. That is a lot of Austenology for this slim 192 page volume. (Publishers description) The perfect gift for a literary lover. Have you ever dreamt of Darcy? Wished for Wentworth? Or even envied the womanly wiles of Emma? Perhaps you want to know a bit more about the author who so accurately describes the ins and outs of courtship, and whose novels have never been out of print since they were first published nearly 200 years ago? If you’re nodding in excitement reading this then the Jane Austen Pocket Bible is one for you. This handy little book guides you through Austen’s beloved novels, explaining Regency manners, the class system, the importance of inheritance, and the delicate matter of landing a husband. Full of fascinating trivia about the world of Austen’s novels this book also contains details of Austen’s life, the writers who inspired her, the country estates which make up the settings for her romantic adventures, and details on the countless film and television adaptations which have been made. With facts on genteel dancing, a plan for an Austen dinner party and words of wisdom from the lady herself, it’s a must-have for every self-confessed Jane fan or those making their first foray into Austen’s carefully crafted world. Pocket Bibles (2010), Hardcover, ISBN: 978-1907087097

Austen’s Contemporaries & Beyond

Becoming Queen Victoria: The Tragic Death of Princess Charlotte and the Unexpected Rise of Britain’s Greatest Monarch, by Kate Williams

There are ton of Victoria biographies on the market, so why do we need another one? Kate Williams is why. If any of you missed her 2006 bio of Emma Hamilton, England’s Mistress, it is well worth a trip to the library or that gift card you have been hording from last Christmas. Her next venture into fascinating women from the nineteenth-century is with Queen V. Her slant is the Princess Charlotte tragedy and how it made the Royal family scamper to conceive the next heir to the throne. (Publishers description) In her lauded biography England’s Mistress: The Infamous Life of Emma Hamilton, Kate Williams painted a vivid and intimate portrait of Emma Hamilton, the lover of English national hero Lord Horatio Nelson. Now, with the same keen insight and gift for telling detail, Williams provides a gripping account of Queen Victoria’s rise to the throne and her early years in power—as well as the tragic, little-known story of the princess whose demise made it all possible. Writing with a combination of novelistic flair and historical precision, Williams reveals an energetic and vibrant woman in the prime of her life, while chronicling the byzantine machinations behind Victoria’s struggle to occupy the throne—scheming that continued even after the crown was placed on her head. Ballantine Books (2010), Hardcover, ISBN: 978-0345461957. Read the first chapter.

Georgette Heyer’s Regency World, by Jennifer Kloester

Not just your average compendium of Regency-era historical facts and figures, this volume uses Georgette Heyer’s novels as a springboard and ties in social, cultural and political customs and events, explaining it all for you, clearly and concisely. Read my review for full details and insights. (Publishers description) The definitive guide for all fans of Georgette Heyer, Jane Austen, and the glittering Regency period. Immerse yourself in the resplendent glow of Regency England and the world of Georgette Heyer…From the fascinating slang, the elegant fashions, the precise ways the bon ton ate, drank, danced, and flirted, to the shocking real life scandals of the day, Georgette Heyer’s Regency World takes you behind the scenes of Heyer’s captivating novels. As much fun to read as Heyer’s own novels, beautifully illustrated, and meticulously researched, Jennifer Kloester’s essential guide brings the world of the Regency to life for Heyer fans and Jane Austen fans alike. Sourcebooks (2010), Trade paperback, ISBN: 978-1402241369. Read the first chapter.

Shades of Milk and Honey, by Robinette Kowal

More fun with Jane. (sort of) This Regency-era novel has some similar Austenesque themes: two sisters with divergent personality seek love and happiness, but with Harry Potter magic throw in the mix. It looks intriguing. Let’s hope the prose is light, bright and sparkly. (Publishers description) The fantasy novel you’ve always wished Jane Austen had written. Shades of Milk and Honey is exactly what we could expect from Jane Austen if she had been a fantasy writer: Pride and Prejudice meets Jonathan Strange & Mr. Norrell. It is an intimate portrait of a woman, Jane, and her quest for love in a world where the manipulation of glamour is considered an essential skill for a lady of quality. Jane and her sister Melody vie for the attentions of eligible men, and while Jane’s skill with glamour is remarkable, it is her sister who is fair of face. When Jane realizes that one of Melody’s suitors is set on taking advantage of her sister for the sake of her dowry, she pushes her skills to the limit of what her body can withstand in order to set things right—and, in the process, accidentally wanders into a love story of her own. Tor Books, Hardcover, ISBN: 978-0765325563. Read the first chapter.

Until next month, happy reading!

Laurel Ann

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It appears that Miss Woodhouse is not such a “troublesome creature” after all! The response to the giveaway of the Naxos AudioBooks edition of Jane Austen’s Emma was fantastic. The lucky winner is in for 16 hours and 40 minutes of Juliet Stevenson reading one of Austen’s funniest novels. Here is the winner drawn at random:

Lynnae

Congratulations to Lynnae. To claim your prize, please e-mail me at austenprose at verizon dot net by midnight PST on February 26th, 2010. Shipment is to US and Canadian addresses only.

Romola Garai’s Emma Woodhouse is ahead in the Which Emma Woodhouse do you prefer poll. Don’t let your favorite actress’ portrayal go unappreciated. Vote today!

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Emma, Jane Austen’s fourth novel was published in 1815 and dedicated to the Prince Regent, later King George IV.  Austen privately abhorred the Regent for the treatment of his wife Princess Caroline and his dissipated lifestyle. In 1813 she wrote to her friend Martha Lloyd, “I suppose all the World is sitting in Judgement upon the Princess of Wales’s Letter. Poor woman, I shall support her as long as I can, because she is a Woman, & because I hate her Husband.” She did however recognize the value of his name and agreed to the dedication. Upon publication Emma also had its own share of critics. What impressed early readers was not that it lacked energy and style, but that its story was dull and uneventful. Even Austen’s famous publisher John Murray thought it lacked “incident and romance” and Maria Edgeworth, a contemporary author so greatly admired by Austen that she sent her one of the twelve presentation copies allotted by her publisher, could not read past the first volume and thought “there was no story in it.” Ironically, what these two prominent and well read individuals attributed as a weakness is actually Emma’s greatest strength.

If one looks beyond the surface, Emma is an intricate story focused on the astute characterization and social reproof which Austen is famous for. Emma Woodhouse is a complex character that on first acquaintance is rather a pill. Austen gave herself a great challenge in creating “a heroine whom no one but myself will like.”  In contrast with her other heroines, Miss Woodhouse does not have any social or financial concerns and thus no compelling need to marry. Therein lives the rub. We have no sympathy for her whatsoever. She’s rich, she’s spoiled and she’s stuck up. Who indeed could possibly like such a “troublesome creature”? During the course of the novel we witness her exerting her superior notions of who is suitable for whom as she match makes for her friends with disastrous results. It is no wonder that Maria Edgeworth gave up reading Emma after the first volume. At that point we have met most of the characters in Emma’s insular world and are coming to fully understand her ignorance and misguided perceptions in relation to them. She is truly exasperating. Austen tests our endurance fully as the novel progresses and her heroine continues to make mistakes. It is a testament to her skill as a writer and deft comedian that she holds our fascination with the “busy nothings” of every-day country life in Highbury, a small village filled with endearingly flawed characters. The transformation of the heroine from spoiled and insufferable into a contrite, mature and likeable young lady that you want to root for, is nothing less than remarkable. It is truly a shame that Edgeworth could not recognize the genius of Austen’s sly sashay of characterization into a world that could be your own neighborhood. We can only account that, “One half of the world cannot understand the pleasures of the other.” 

If you liked the new BBC/PBS miniseries Emma (2009), enjoy the original novel with all of Austen’s resplendent language in this expertly produced audio recording. Read by acclaimed British actress Juliet Stevenson, viewers of the 1996 movie adaptation of Emma will remember her superb portrayal of the vulgar a vacuous Mrs. Elton and know you are in for a treat. Adding equal measure of energy and humor to each of the characters, Stevenson’s perfect blending of a classic novel and a sensitive interpretation enhanced my enjoyment greatly. Pop this one into your CD player or iPod during your commute to work. I highly recommend it. “It is such a happiness when good people get together — and they always do.” Ch 21

5 out of 5 Regency Stars

Emma, by Jane Austen, read by Juliet Stevenson
Naxos AudioBooks (2007)
Unabridged (13) CD’s, 16h 40m
ISBN: 978-9626343944

GIVEAWAY CONTEST

Enter a chance to win one copy of a Naxos AudioBooks recording of Jane Austen’s novel Emma by leaving a comment by midnight PST February 16th, 2010 stating who is your favorite character in the novel or movie adaptation of Emma. Winners will be announced on February 17th, 2010. Shipping to continental US addresses only. Good luck!

UPDATE 02/17/10: The contest has concluded. The winner was announced. Follow this link to discover if it was YOU!

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To prime myself for Return to Cranford, the new Masterpiece Classic sequel to last year’s award-winning mini-series Cranford on PBS, I wanted to read Mrs. Gaskell’s original novel that it was adapted from. Since I am always short of reading time, I chose instead to listen to an audio recording, my favorite pastime during my commute to work. After a bit of research on Cranford audio book recordings, I settled on the Naxos edition. From my experience with their recording of Jane Austen’s novels I knew the quality would be superior. I was not disappointed.

A witty and poignant portrait of small town life in an early Victorian-era English village, Cranford was first published in 1851 as a serial in the magazine Household Words edited by Charles Dickens. Inspired by author Elizabeth Gaskell’s (1810-1865) early life in Knutsford in Cheshire where she was raised by an aunt after her mother’s death and father’s subsequent re-marriage, the novel revolves around the narrator Miss Mary Smith and the Amazons of the community: the authoritative Miss Deborah Jenkyns and her kindhearted but timid younger sister Matty, the always well informed Miss Miss Pole and the self-important aristocratic Mrs. Jamieson. This gentle satire of village life does not supply much of a plot – but amazingly it does not matter. Gaskell has the incredible talent of making everyday occurrences and life events totally engrossing. Miss Matty’s conservative friends, the middle-aged spinsters and widows of Cranford, do not want their quaint life and traditions altered one bit. They like Cranford just as it has always been, therefore when the industrial revolution that swept through England in the 1840’s encroaches upon their Shangri-La, they lament and bustle about attempting to do everything in there power to stop the evil railroad’s arrival. Gaskell is a deft tactician at dry humor, not unlike her predecessor Jane Austen, and the comedy in Cranford balanced with a bit of tragedy is its most endearing quality.

This unabridged audio book recording is aptly read by Claire Willie whose sensitive and lyrical interpretation of Gaskell’s narrative enhanced my enjoyment of the story by two fold. Her rendering of the different characters with change of timbre and intonation was charmingly effective. My favorite character was of course the kindhearted Miss Matty. Even though she is of a certain age she has a child-like naïveté refreshingly seeing her friends and her world in simple terms. In opposition to our present day lives of cell-phones, blackberries and information overload, a trip to Cranford was a welcome respite. I recommend it highly.

2010 marks the 200th anniversary of author Elizabeth Cleghorn Gaskell nee Stevenson’s birth on 29 September 1810 in Chelsea, which was then on the outskirts of London. In celebration of her bi-centenary, Naxos Audiobooks will be releasing three additional recordings of her novels: North and South in February again read by Claire Willis, Wives and Daughters in March read by Patience Tomlinson and Cousin Phillis in May read by Joe Marsh. Happily, I will be enjoying many hours of great Gaskell listening this year.

5 out of 5 Stars

Cranford, by Elizabeth Gaskell
Read by Claire Willie
Naxos Audiobooks, USA
Unabridged, 6 CDs, running time: 7h 02m
ISBN: 978–9626348505

Giveaway

Enter a chance to win a copy of the Naxos Audiobooks recording of Cranford by leaving a comment by 11:59 pm PT on Sunday, January 24th, 2010 stating which character in Return to Cranford on Masterpiece Classic was your favorite, or which other Victorian era author you have read and would like to see an audio book recording made of. Winner will be announced on Monday January 25th, 2010. Shipping to US and Canadian addresses only. Good luck!

UPDATE 01/25/10: The contest has concluded. The winner was announced. Follow this link to discover id it was YOU!

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Jane's Fame: How Jane Austen Conquered the World, by Claire Harman (2009)The Jane Austen book sleuth is happy to inform Janeites that many Austen inspired books are heading our way in April, so keep your eyes open for these new titles. 

Nonfiction 

Jane’s Fame: How Jane Austen Conquered the World, by Claire Harman 

This highly anticipated cultural biography of Jane Austen’s rise to fame and admiration by the masses has already raised an academic kerfuffle before it has even hit book stores. *ahem* It is on the top of my to be read pile, and I can not wait to dive in. Publisher’s description: This is a story of personal struggle, family intrigue, accident, advocacy and sometimes surprising neglect as well as a history of changing public tastes and critical practices. Starting with Austen’s own experience as a beginning author (and addressing her difficulties getting published and her determination to succeed), Harman unfolds the history of how her estate was handled by her brother, sister, nieces and nephews, and goes on to explore the eruption of public interest in Austen in the last two decades of the nineteenth century, the making of her into a classic English author in the twentieth century, the critical wars that erupted as a result and, lastly, her powerful influence on contemporary phenomena such as chick-lit, romantic comedy, the heritage industry and film. Part biography and part cultural history, this book does not just tell a fascinating story – it is essential reading for anyone interested in Austen’s life, works and remarkably potent fame. Here is my previous preview post about it. 

Canongate Books Ltd, Hardcover, ISBN: 978-1847672940 

Literature and Dance in Nineteenth-Century Britain: Jane Austen to the New Woman (Cambridge Studies in Nineteenth-Century Literature and Culture), by Cheryl A. Wilson (2009)Literature and Dance in Nineteenth-Century Britain: Jane Austen to the New Womanby Cheryl A. Wilson 

We all know that Henry Tilney considers “a country-dance as an emblem of marriage. Fidelity and complaisance are the principal duties of both; and those men who do not choose to dance or marry themselves, have no business with the partners or wives of their neighbours.” Enuff said. Jane Austen loved dancing herself and included many scenes in her novels with characters engaged in this important social communion. If one understands the dance and its significance in 18th and 19th century society, then you are in a fair way to understanding love. From the publishers website: Literary critics often pursue analyses of music or painting and literature as ‘sister arts’, yet this is the first full-length study of the treatment of social dance in literature. A vital part of social life and courtship with its own symbolism, dance in the nineteenth century was a natural point of interest for novelists writing about these topics; and indeed ballroom scenes could themselves be used to further courtship narratives or illustrate other significant encounters. Including analyses of works by Jane Austen, W. M. Thackeray, George Eliot, and Anthony Trollope, as well as extensive material from nineteenth-century dance manuals, Cheryl A. Wilson shows how dance provided a vehicle through which writers could convey social commentary and cultural critique on issues such as gender, social mobility, and nationalism. 

Cambridge University Press, Hardcover, ISBN: 978-0521519090 

Jane Austen: An Unrequited Love, by Dr. Andrew Norman (2009)Jane Austen: An Unrequited Love, by Dr. Andrew Norman 

Well, this shall certainly raise a few eyebrows! Dr. Andrew Norman has conducted a bit of Austen romance sleuthing. Touted as “The first book to reveal the identity of the mystery lover Jane Austen met in Devon in 1802,” we have read an excerpt that did not reveal who it is, but it looked promising, at least in the light of a good mystery. From the publishers website: Jane Austen is regarded as one of the greatest novelists in the English literary canon, and recent film and television adaptations of her works have brought them to a new audience almost two hundred years after her untimely death. Yet much remains unknown about her life, and there is considerable interest in the romantic history of the creator of Elizabeth Bennett and Mr. Darcy. Andrew Norman here presents a new account of her life, breaking new ground by proposing that she and her sister, Cassandra, fell out over a young clergyman, who he identities for the first time. He also suggests that, along with the Addison’s Disease that killed her, Jane Austen suffered from TB. Written by a consummate biographer, Jane Austen: an Unrequited Love is a must-read for all lovers of the author and her works. 

Hardcover, The History Press, ISBN: 978-0752448749 

Jane Austen’s Narrative Techniques: A Stylistic and Pragmatic Analysis, by Massimiliano Morini 

It is a truth universally acknowledge that Jane Austen can put a sentence together like no other, so if you are curious how she does it so eloquently, you might enjoy this scholarly treatise that delves into the linguistic and narrative techniques of her style. For serious scholars, we are quite certain that linguistics Prof Henry Higgins Churchyard, creator of the Jane Austen Information Page will be enthralled. From the publishers website: Examining a wide range of Austen texts, from her unpublished works through masterpieces like Mansfield Park and Emma, Morini discusses familiar Austen themes, using linguistic means to shed fresh light on the question of point of view in Austen and on Austen’s much-admired brilliance in creating lively and plausible dialogue. Accessibly written and informed by the latest work in linguistic and literary studies, Jane Austen’s Narrative Techniques offers Austen specialists a new avenue for understanding her narrative techniques and serves as a case study for scholars and students of pragmatics and applied linguistics. 

Ashgate Publishing, Hardcover, ISBN: 978-0754666073 

Fiction (prequels, sequels, retellings, variations, or Regency inspired) 

Pride and Prejudice and Zombies, by Jane Austen & Seth Grahame-Smith (2009)Pride and Prejudice and Zombies, by Jane Austen & Seth Grahame-Smith 

The Internet frenzy that the announcement of this novel created may have been a huge surprise to us all, including its author and publisher, but it has caught the imagination of the public, who must be hungry for this kind of fare. Get ready to experience Pride and Prejudice as you have never read it before, resplendent with bone crunching zombie mayhem and ninja warriors. Oh dear. We all know that Elizabeth Bennet does not mind a bit of mud on her petticoat, but blood and brain matter might be a bit too much for propriety to bear.  Read my previous preview post here. Publisher’s description: Pride and Prejudice and Zombies features the original text of Jane Austen’s beloved novel with all-new scenes of bone-crunching zombie action. As our story opens a mysterious plague has fallen upon the quiet English village of Meryton and the dead are returning to life! Feisty heroine Elizabeth Bennet is determined to wipe out the zombie menace but she’s soon distracted by the arrival of the haughty and arrogant Mr. Darcy. What ensues is a delightful comedy of manners with plenty of civilized sparring between the two young lovers and even more violent sparring on the blood-soaked battlefield as Elizabeth wages war against hordes of flesh-eating undead. Complete with 20 illustrations, this insanely funny expanded edition will introduce Jane Austen’s classic novel to new legions of fans. 

Quirk Books, Trade paperback, ISBN: 978-1594743344 

Pemberley Manor: Darcy and Elizabeth, for better or for worse, by Kathryn L. Nelson (2009)Pemberley Manor: Darcy and Elizabeth, for better or for worse, by Kathryn L. Nelson 

In this new continuation of Pride and Prejudice after the nuptials, we are given an intimate view of Darcy and Lizzy as newlyweds at Pemberley, and a haunting discovery of skeletons in the closet. Read my review here. Publisher’s description: How does “happily ever after” really work? As marriage brings an end to a romantic tale, it begins a new story: how does “happily ever after” really work? While Jane Bennet and Charles Bingley might be expected to get on famously, Mr. and Mrs. Darcy will surely need to work on their communication skills. What forces in Darcy’s past would give such a good man so difficult a public demeanor? The author posits an imaginative family background for Darcy from which he would have inherited his sense of social superiority and duty to the family name. When Darcy reverts to type, will Elizabeth’s stubborn optimism win the day after the honeymoon is over? While they say that opposites attract, how long can Lizzy and Darcy’s fundamentally different personalities get along without friction? Can they learn to understand each other? Can their love prevail over the inevitable clashes? 

Sourcebooks Landmark, Trade paperback, ISBN: 978-1402218521 

The Nonesuch, by Georgette Heyer (2009)The Nonesuch, by Georgette Heyer 

Sourcebooks continues on their quest to re-issue all of Georgette Heyer’s beloved novels with one of her better known Regency era romances. This engaging story presents finding love at any age as we are introduced to the mature Sir Waldo Hawkridge, whose reputation as a ‘Nonesuch’ precedes him. When an inheritance includes a property in Yorkshire, he travels there and meets Tiffany Wield, a spoiled and selfish heiress and her far more appealing older companion, Ancilla Trent. Along for the ride in this Regency era comedy of manners is Sir Waldo’s young cousin, Lord Lindeth, who is a bit of neighborhood Casanova, falling in and out of love on a whim. When Miss Wield’s bad behavior culminates in a flight to London, Miss Trent entreats Sir Waldo’s help to retrieve her wayward charge before her reputation is ruined. He in turn must convince her that it is not above her station as a governess to fall in love with him. 

Sourcebooks, Casablanca, Trade paperback, ISBN: 978-1402217708   

Cotillion (Popular Classics) Naxos Audio Book, By Georgette Heyer (2009)Cotillion (Popular Classics) Naxos Audio Book, by Georgette Heyer, read by Claire Willie 

I am so encouraged that Naxos Audiobooks is venturing into Heyerland with their first audio recording of one of Georgette Heyer’s most beloved novels Cotillion, considered one of the greatest Regency romances of all time. Up until this new recording, Heyer audios could only be obtained through sources in England, at astronomical prices. This abridged audio is read by Clare Willie and contains four CD’s. Hopefully, if it sells well, they will in future bring us additional unabridged versions. Publisher’s description: Young Kitty Charing stands to inherit a vast fortune from her irascible great-uncle Matthew–provided she marries one of her cousins. Kitty is not wholly adverse to the plan, if the right nephew proposes. Unfortunately, Kitty has set her heart on Jack Westruther, a confirmed rake, who seems to have no inclination to marry her anytime soon. In an effort to make Jack jealous, and to see a little more of the world than her isolated life on her great-uncle’s estate has afforded her, Kitty devises a plan. She convinces yet another of her cousins, the honorable Freddy Standen, to pretend to be engaged to her. Her plan would bring her to London on a visit to Freddy’s family and (hopefully) render the elusive Mr. Westruther madly jealous. Thus begins Cotillion, arguably the funniest, most charming of Georgette Heyer’s many delightful Regency romances. 

Naxos Audiobooks, Abridged audio CD’s, ISBN: 978-9626348970 

Austen’s Oeuvre 

Pride and Prejudice (Naxos Young Adult Classics), by Jane Austen, read by Jenny Agutter (2009)Pride and Prejudice (Naxos Young Adult Classics), by Jane Austen, read by Jenny Agutter 

This abridged audio recording of Pride and Prejudice read by English actress Jenny Agutter also includes impressive selection of extras as a great introduction to young students. Publisher’s description: “Pride and Prejudice” is a key title for the new Naxos AudioBooks series “Young Adult Classics”. An abridged recording with music makes this Regency novel much more accessible to the 21st century young adult keen to get to grips with the classics. “Pride and Prejudice” is a leading title for “Young Adult Classics”, being one of the pillars of English Literature, and Jenny Agutter’s friendly reading bridges the gap between the films and the book. This edition includes a bonus CD-ROM which contains the abridged and unabridged texts, and Top Teacher’s Notes by high profile English teacher Francis Gilbert. 

Naxos Audiobooks, Audio CD’s, ISBN: 978-9626349571 

Austen’s Contemporaries  

Samuel Johnson: The Major Works (Oxford World's Classics) (2009)Samuel Johnson: The Major Works (Oxford World’s Classics) 

Some scholars believe that Samuel Johnson, above all other writers, had the greatest influence on Jane Austen’s writing. Her family declared in later biographies that Johnson was her “favourite author in prose.” This extensive collection of his works tops out at a whopping 880 pages, so if you are inspired to know who influenced Austen the most, I would say it is a must read. Publisher’s description: Samuel Johnson’s literary reputation rests on such a varied output that he defies easy description: poet, critic, lexicographer, travel writer, essayist, editor, and, thanks to his good friend Boswell, the subject of one of the most famous English biographies. This volume celebrates Johnson’s astonishing talent by selecting widely across the full range of his work. It includes “London” and “The Vanity of Human Wishes” among other poems, and many of his essays for the Rambler and Idler. The prefaces to his edition of Shakespeare and his famous Dictionary, together with samples from the texts, are given, as well as selections from A Journey to the Western Islands of Scotland, the Lives of the Poets, and Rasselas in its entirety. There is also a substantial representation of lesser-known prose, and of his poetry, letters, and journals. 

Oxford University Press, Trade paperback, ISBN: 978-0199538331 

Mary and The Wrongs of Woman (Oxford Worlds Classics), by Mary Wollstonecraft (2009)Mary and The Wrongs of Woman (Oxford Worlds Classics) , by Mary Wollstonecraft 

Even though Jane Austen and Mary Wollstonecraft were contemporaries, we have no evidence (that I am aware of) from her letters or family memoirs that she read her works. Scholars like to think she did. I find this a bit amusing. What they do share in common is the belief that women are equal to men in many ways. This edition could shed some light of the possibility of Austen’s subliminal feminist thinking by her characters. Publisher’s description: Mary Wollstonecraft is best known for her pioneering views on the rights of women to share equal rights and opportunities with men. They are expressed here in two novels in which heroines have to rely on their own resources to establish their independence and intellectual development. Strongly autobiographical, both novels powerfully complement Wollstonecraft’s non-fictional writing, inspired by the French Revolution and the social upheavals that followed. New to this edition is a completely rewritten introduction that incorporates the latest scholarship and features a consideration of the social formation of Wollstonecraft as a Revolutionary feminist and her literary-political career, as well as a critical account of the two novels. A new bibliography includes all the latest critical writing on Wollstonecraft, while heavily revised notes link her fiction to her extensive reading, her other writings and major events and issues of the day. In addition, the text has been completely reset, making it easier on the eyes. It is by far the highest quality edition available, and a great choice for readers interested in pre-Victorian literature and feminist history. 

Oxford University Press, Trade paperback, ISBN: 978-0199538904 

Austen Ephemera & Fun 

So You Think You Know Jane Austen?: A Literary Quizbook (Oxford Worlds Classics), by John Sutherland & Deirdre Le Faye (2009)So You Think You Know Jane Austen?: A Literary Quizbook (Oxford Worlds Classics), by John Sutherland & Deirdre Le Faye 

In this fun and challenging re-issue of the ultimate Jane Austen quiz, Austen authorities Le Faye and Sutherland challenge your Austen knowledge with engaging questions on her life and works brimming facts and trivia. Publisher’s description: How well do you really know your favorite author? In this reissue of the 2005 edition, ace literary detective turned quizmaster John Sutherland and Austen buff Deirdre Le Faye challenge you to find out. Starting with easy, factual questions that test how well you remember a novel and its characters, the quiz progresses to a level of greater difficulty, demanding close reading and interpretative deduction. What really motivates the characters, and what is going on beneath the surface of the story? Designed to amuse and divert, the questions and answers take the reader on an imaginative journey into the world of Jane Austen, where hypothesis and speculation produce fascinating and unexpected insights. The questions are ingenious and fun, and the answers (located in the back of the book), in Sutherland’s inimitable style, are fascinating. Completing the book guarantees a hugely improved knowledge and appreciation of Austen. Whether you are an expert or enthusiast, So You Think You Know Jane Austen? guarantees you will know her much better after reading it. 

Oxford University Press, Trade paperback, 978-0199538997 

Until next month, happy reading! 

Laurel Ann

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It is believed that Jane Austen wrote many of her first works for the entertainment of her family and would read them aloud for their opinions and enjoyment. It is not hard to imagine that Northanger Abbey was presented to her family in this manner. The language and phrasing lends itself so freely to the spoken word almost like a stage play, that I was quite certain that an audio book would be a great enhancement to the text. Add to that the talent of a creative narrator and you have a great combination for several hours of entertainment ahead of you. 

I adore audio books and listen to them in the car during my commute to work.  It is a great time to tune out the traffic, clear my head, and get lost in a good story. When I decided that I wanted to listen to an audio version of Northanger Abbey I discovered that there were three new unabridged audio editions that had been produced in the last two years to choose from. The first Blackstone Audiobooks (2007) was read by Nadia May, the second by Tantor Media (2006) and read by Donada Peters, and the third by Naxos AudioBooks (2006) and read Juliet Stevenson. The first two readers appeared to be professional narrators specializing in the classics with a diverse range of authors, and the third Juliet Stevenson is a well known British stage and screen actress, whose performance as the acerbic Mrs. Elton in the 1996 movie adaptation of Jane Austen’s novel Emma was so hilarious, that I knew she would be an excellent choice to read the novel with the extra bit of animation that I desired. 

Ms. Stevenson did not disappoint and far exceeded my expectations. She added just the right amount of irony and humor to the reading of Northanger Abbey that no one would be in doubt that it is a burlesque on the sensational Gothic fiction or other overly sentimental novels popular in Jane Austen’s day. Her choice of characterizations was imaginative and captivating. Hearing her interpretation of the emptiness of Mrs. Allen and her frivolous distinction for fashion, Isabella Thorpe and her shallow endearments, and Henry Tilney with his knack for reading and adapting to different personalities with wit and charm, I have a deeper appreciation and understanding of the novel.

I was happy to learn that Naxos AudioBooks has made quite a solid commitment to present quality productions of all of Jane Austen’s six major novels in unabridged and abridged formats. You can read about all of their recordings on their excellent web site and listen to a PodCast of an interview of Juliet Stevenson as she discusses her involvement in the audio recordings and her affinity to Jane Austen. Of note is the free download for this month of Feuille D’Album, an 1917 short story by Katherine Mansfield and read by Juliet Stevenson.

Rating: 4 out of 5 Regency Stars

Go Gothic with Northanger Abbey: DAY 11 Giveaway

 

Northanger Abbey, by Jane Austen 

Naxos AudioBooks (2006), Read by Juliet Stevenson 

Leave a comment by October 30th to qualify for the free drawing on October 31st for one unabridged, and one abridged copy of Jane Austen’s Northanger Abbey read by Juliet Stevenson, Naxos AudioBooks (2006)

(US residents only) 

Upcoming event posts
Day 12 – Oct 20          Guest Blog – Valancourt Books
Day 13 – Oct 21          Group Read NA Chapters 18-21
Day 14 – Oct 22          Book Review – OWC NA
Day 15 – Oct 23          Group Read NA Chapters 22-24

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THE AUDIO

I adore audio books and always have one playing away in my car during my commute to work; — so when I went hunting to purchase a new unabridged audio edition on CD of Jane Austen’s novel Mansfield Park, I was quite surprised to learn that my choices were very few at exactly two; a Blackstone AudioBooks, Inc (2008) read by Johanna Ward and a Naxos AudioBooks (2007) read by Juliet Stevenson. My first choice was of course the Juliet Stevenson version, for what Janeite could ever forget her outrageous performance as Mrs. Elton in the 1996 movie adaptation of Emma?  My abject apologies to Johanna Ward, who I am sure must be a very fine reader since she has several audio books to her credit, but the thought of listening to Mansfield Park read by Mrs. Elton just intrigued me and gave me the giggles. If anyone could liven up Mansfield Park, reputed to be Jane Austen’s most complex and dark novel, she could! 

Being a reader for an audio book is not an easy task since so many different ‘performances’ are required to distinguish each of the characters for the listener. I have found through a course of trial and error that I enjoy audio books read by classically trained actors. Juliet Stevenson fills this qualification perfectly for me using every inch of her Royal Shakespearean Company training. Her understanding of Jane Austen’s use of language and her true British accent added greatly to my enjoyment of this fine production. 

Naxos AudioBooks has made quite a solid commitment to present quality productions of all of Jane Austen’s six major novels in unabridged and abridged formats. You can read about all of their recordings on their excellent web site and listen to a PodCast of an interview of Juliet Stevenson as she discusses her involvement in the audio recordings and her affinity to Jane Austen. Of note is the free download for this month of Milton’s L’Allegro read by Samantha Bond (Maria Bertram in Mansfield Park 1983 and Mrs. Weston in Emma 1996)

It has been said that Jane Austen often read her writings to her family as entertainments. Her beautiful use of language which just flows effortlessly is completely suited for the spoken word. When you add to perfection an accomplished actress with a keen sensitivity to Jane Austen’s particular style, the results truly are remarkable.

Rating: 4 out of 5 Regency Stars 

Mansfield Park Madness: Day 4 Give-away

Leave a comment by August 30th. to qualify for the free drawing on August 31st. for one abridged and one unabridged copy of

Mansfield Park: The Complete Classics Series Audio Book

Naxos AudioBooks (2007). A brilliant reading by the acclaimed British actress Juliet Stevenson. Unabridged 14 CD’s (17 hours), ISBN: 978-9626344675, abridged 3 CD’s  ISBN: 978-9626340677

FREE JANE AUSTEN AUDIO SAMPLER

Available to all participants of Mansfield Park Madness. Just leave a comment between August 15-30, 2008 and e-mail your physical address to Austenprose at Verizon dot net before September 1, 2008 and you will receive one copy of the following sampler by mail. US residents only.

Jane Austen Naxos AudioBooks Sampler, read by various artists

Naxos AudioBooks, Ltd. (2008). A lively sample reading of the Biography of Jane Austen by Elizabeth Jenkins, Pride and Prejudice, Sense and Sensibility, Mansfield Park, Emma, Northanger Abbey, Persuasion and an interview with actress Juliet Stevenson. 1 CD, 75 minuets. 

Upcoming posts
Day 5 – Aug 19            MP novel discussion chapters 9-16
Day 6 – Aug 20            Metropolitan movie discussion
Day 7 – Aug 21            MP novel discussion chapters 17-24
Day 8 – Aug 22            MP great quotes and quips

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