From the desk of Monica Perry:
Letter writing can be such a beautiful way to express oneself, to pour out feelings that are too difficult to say in person. It’s especially romantic when the writer is a passionate soul undercover, and desperately in love. Mr. Fitzwilliam Darcy is just such a person. When we first meet him in Yours Forevermore, Darcy, he’s writing to Elizabeth Bennet, and not for the first time. Since the beginning of their acquaintance, he’s written letters to purge his feelings for her, the woman he wants but is convinced he can’t have. He never intends her to read them, of course; they’re just a cathartic release of emotion, a compulsive coping mechanism to clear his head and let him go on about his life. Now two months after she rejected his proposal, broke his heart and made him reevaluate his entire life, he vows to stop writing and focus on becoming a better man. Fans of Jane Austen’s Pride and Prejudice and the myriad tales it has inspired know that the beauty in the story of Darcy and Elizabeth is the personal growth each must undertake separately. In Yours Forevermore, Darcy, KaraLynne Mackrory gives readers insight into these journeys and shows how affecting the written word can be to both writer and reader.
Yours Forevermore, Darcy follows canon timeline of P&P fairly closely, with a few well-placed tweaks to keep it being too predictable. After his humiliating rejection, Darcy intends leaving Elizabeth behind him forever with, ironically, only a letter. It’s decidedly NOT his best work, as I now know, but is nevertheless important. She has little time to contemplate it then as, with all the perverseness of mischance, they find themselves together again and again. There’s a theme woven throughout, to describe their emotions, and I loved that. Comparing Darcy to the rich warmth of a cello definitely hit the right note with me! The amiability and humor of Colonel Fitzwilliam is the perfect buffer for them too, and there is more than one scene with him and Darcy that is just laugh out loud funny. Continue reading
From the desk of Katie Patchell:
Who was Jane Austen’s seaside gentleman, the man she had fallen in love with at Sidmouth, who tragically died soon after their end-of-vacation parting? Readers and fans of Jane Austen have pondered this question for decades, without there being any definite answer. Jane’s surviving letters remain silent on the issue, and any information about the man’s name and the details of his relationship with Jane has been forever hidden from the public through Cassandra’s choice to destroy much of her sister’s (most likely, more personal) letters. All readers can do is imagine: just who was the seaside gentleman? How did he meet the witty, brilliant, outspoken young woman who became one of literature’s greatest authors? And how deeply did Jane fall in love with him? Carolyn V. Murray answers these questions—as well as many others—in her fascinating 2015 debut, Jane by the Sea: Jane Austen’s Love Story.
Opening in 1787, the precocious twelve-year-old Jane Austen sneaks into the classroom of her father’s all boys’ boarding school and entertains the students with a comedy of murder and mayhem. Despite her mother’s horrified declarations of family shame and the state of her irritated bowels, Jane is irrepressible, already looking forward to the prospect of an event which promises much more material for new stories: “A ball,” I announced. “For though I have never been to one, I hear there is much opportunity for treachery and pandemonium.” It would be some years before I could test the truth of that statement. (5)
Flash forward eight years, and Jane, now twenty-one, is preparing for a ball. Soon after entering the grand hall filled with dancing couples and beautiful music she meets the young, attractive, and very charming Mr. Lefroy. “Tom’s smile was a dizzying ray of sunshine. ““Miss Austen, are you engaged for the next two dances?” ” And so it began.” (15) Continue reading
From the desk of Kimberly Denny-Ryder:
Way back in 2011 when reviewing What Would Mr. Darcy Do? for my blog I wrote, “I would like to hereby bestow the title of ‘Queen of the Austen Retelling’ to Abigail Reynolds.” Although many years have passed since my proclamation, not much has changed. Every time I get to read a new work by Reynolds I’m always so excited to get a slice of her creative energy that makes her works so exciting. It also doesn’t hurt that her variations typically involve the always handsome and charming Mr. Darcy in some type of a Pride and Prejudice reimagining. With this being said, I quickly devoured this work and got these thoughts on paper immediately, such is the effect that Reynolds has on my reading habits!
In her latest release, Alone With Mr. Darcy, we find Elizabeth and Darcy paired together by fate after the Netherfield ball, with Elizabeth encountering him, injured from a riding accident, while she herself is walking home alone. An impending snow storm makes them seek shelter in a small cottage for a few days to wait out the weather and tend to Darcy’s injuries. While nursing him back to strength, she learns a lot about him and his feelings towards her from his frequent outbursts and semiconscious state, although she is not sure what is fact and what is fiction. Fortunately, the two survive and even befriend a small kitten that Darcy finds in a woodpile. Darcy offers to marry Elizabeth after the ordeal in order to protect her reputation, but she declines and they decide instead how to keep the events of the past few days from becoming public. Unfortunately for Elizabeth, that is exactly what happens. Through a series of misunderstandings and shady dealings, her reputation becomes tarnished throughout Meryton and Darcy is nowhere to be found. Will she be able to marry any young man and set the rumors to rest or will she be destined to scandal? Continue reading
From the desk of Br. Paul Byrd, OP:
“Historical allusions abound in [Austen’s] fiction–they are part of the consciousness of each novel in itself. Combinations of place names and personal names point both back and forward. Or rather, references and images are more than just allusions; we find we are within history all the time. The writing is dense with allusion, thick with multiple sensations and meanings.” (389)
If I could, I’d drop everything to go study at the feet of the great Canadian, Margaret Doody, professor of literature at Notre Dame University. In her latest book, Jane Austen’s Names, Doody offers readers insights into the history that saturates each of Austen’s novels. In this way, the text resembles Janine Barchas’s excellent work Matters of Fact in Jane Austen (2013); but Doody’s work is both more minute and more expansive than Barchas’s in how it incorporates etymological origins for names and places, both real and imaginary, and cross references many of the historical events and literary texts that influenced Austen. Of course, when Doody adds her own analysis of Austen’s novels, the effect is bewilderingly fascinating, like the publication of any gifted professor’s notes after a long tenure of research and teaching.
In Part I of the book, Doody introduces the fine line that Austen walks between allegory and allusion on the one hand and restraint and originality on the other. Doody reminds us that Austen’s Britain is a complex etymological canvas thanks to the presence of Celts, Anglo-Saxons, Normans, and others; she further reasons that “No set or string of events is ever entirely over. Austen’s England is a place of strains and tension, of disharmonies potentially revived or momentarily perhaps forgotten.” (14). To lay the foundation for the other two parts of the book, Doody gives a quick overview of major topics of British history, such as the Norman Conquest, the Tory/Whig divide, and the Tudor/Stuart tug of war for the throne. These topics are important, because they underlay Austen’s word choices, thereby exposing her political and religious sympathies. Continue reading
From the desk of Tracy Hickman:
Jane Austen fans cannot be filed neatly into a single category any more than Austen’s works can be limited to one literary genre. How might an editor attempt to do justice to the multiplicity of Janeite fandom in a slim volume of essays and interviews? This question was uppermost in my mind as I began reading Fan Phenomena: Jane Austen. The Fan Phenomena series website explains that the goal of the series is to “look at particular examples of ‘fan culture’ and approach the subject in an accessible manner aimed at both fans and those interested in the cultural and social aspects of these fascinating–and often unusual–‘universes’.”
What is the joy of Jane? What is it about her work that keeps readers, and viewers, coming back for more? Is it the Darcy effect? Is it the irony, the wit, the romance? Or is it a combination of all these factors? Many critics and authors have compiled works to analyse this vast and still growing phenomenon of fandom…This collection offers material about the fans, for the fans, by the fans, and offers a combination of the popular and the academic. (5)
Editor Gabrielle Malcom’s introduction provides a clear description of the purpose and scope of the collection. She acknowledges the differences between mainstream fan culture and the academic treatment of Austen. After setting Austen’s work in its historical context with a few concise and insightful paragraphs, she provides brief descriptions of the essays and interviews that follow. While Fan Phenomena: Jane Austen has the look of an academic journal, its design and use of color photographs creates a visually appealing experience for the reader, with the exception of the excessively small font size used for the text of the essays. Although I suspect that the text format is dictated by the Fan Phenomena series as a whole and not unique to this volume, the cramped appearance distracted me from the content at times. I found the format used in the Fan Appreciation interviews to be much more appropriate and reader-friendly. Continue reading
From the desk of Katie Patchell:
In 2012, author Patrice Kindl published her Regency debut, Keeping the Castle. Heralded by critics as part Jane Austen and part I Capture the Castle (Dodie Smith’s classic), Keeping the Castle is set in the memorable town of Lesser Hoo, Yorkshire, and filled with quirky (and mostly loveable) characters, witty and very quote-worthy lines, and one very spectacular heroine. Really, what’s not to love? Sadly, a return to the characters and town discovered in Keeping the Castle seemed only possible through a re-read rather than a sequel…until this month, that is! In A School for Brides, Patrice Kindl’s companion novel to Keeping the Castle, readers return to the small village of Lesser Hoo to see the latest comedic mayhem caused by old and new residents alike.
“Mark my words. If something drastic is not done, none of us shall ever marry. We are doomed to die old maids, banished to the seat farthest from the fire, served with the toughest cuts of meat and the weakest cups of tea, objects of pity and scorn to all we meet. That shall be our fate, so long as we remain in Lesser Hoo.” (A School For Brides, p. 1)
It’s time to announce the winner of the giveaway of one paperback copy of The Lure of the Moonflower by Lauren Willig. The lucky winner drawn at random is:
Lilyane Soltz, who left a comment on August 5, 2015.
Congratulations Lilyane! To claim your prize, please contact me with your full name and address by August 19, 2015 or you will forfeit your prize! Mail shipment to US addresses only.
Thanks to all who left comments, and to author Lauren Willig for the excerpt and her publisher NAL (Penguin Random House) for the giveaway.
Cover image courtesy of NAL © 2015, excerpt Lauren Willig © 2015, Austenprose.com