For those who are in the doldrums after last week’s final episode of season five of Downton Abbey and in need of another English country manor house upstairs/downstairs story, Tessa Arlen’s debut novel could fit the bill. Set at the fictional estate of Iyntwood in the summer of 1913, Death of a Dishonorable Gentleman is a murder mystery in the grand tradition of Agatha Christie, Dorothy L. Sayers and P.G. Wodehouse. Here is a brief preview and review for your consideration:
DESCRIPTION (from the publisher)
Lady Montfort has been planning her annual summer costume ball for months, and with scrupulous care. Pulling together the food, flowers and a thousand other details for one of the most significant social occasions of the year is her happily accepted responsibility. But when her husband’s degenerate nephew is found murdered, it’s more than the ball that is ruined. In fact, Lady Montfort fears that the official police enquiry, driven by petty snobbery and class prejudice, is pointing towards her son as a potential suspect.
Taking matters into her own hands, the rather over-imaginative countess enlists the help of her pragmatic housekeeper, Mrs. Jackson, to investigate the case, track down the women that vanished the night of the murder, and clear her son’s name. As the two women search for a runaway housemaid and a headstrong young woman, they unearth the hidden lives of Lady Montfort’s close friends, servants and family and discover the identity of a murderer hiding in plain sight.
In this enchanting debut sure to appeal to fans of Downton Abbey, Tessa Arlen draws readers into a world exclusively enjoyed by the rich, privileged classes and suffered by the men and women who serve them. Death of a Dishonorable Gentleman is an elegant mystery filled with intriguing characters and fascinating descriptions of Edwardian life–a superb treat for those who love British novels.
From the desk of Kimberly Denny-Ryder:
What would you do if you realized your entire childhood was a farce? Of course we occasionally hear of stories of children who are mistakenly switched at birth, or whose families raise them in oppressive cults or religions that distort their very realities. It would be quite a lot to take in once the truth was uncovered, and that is precisely the focal point of P.O. Dixon’s latest offering, Lady Elizabeth: Everything Will Change, the first of two works.
Over a decade ago, the Duke of Dunsmore experienced a great tragedy in his life: his only son and granddaughter died in a horrific carriage accident, with only his daughter-in-law and his grandson surviving. Wrecked with guilt, he is desperate to bring happiness back into his family’s life. While visiting Lambton he notices a young and pretty girl, kidnaps her and raises her as his own granddaughter. This girl, who is only four at the time, is raised without want for anything. She is known as Lady Elizabeth, and her life is quite carefree, that is until a Mr. Fitzwilliam Darcy decides to upend it. He finds that Lady Elizabeth, whom he has known for her whole life, resembles the sisters of the Bennet family. They reside in an estate near Netherfield Park, where he is currently staying with his friend, Mr. Bingley. What will become of Darcy as he attempts to unravel this decade-old mystery? And what will become of the growing attachment he seems to have forged with the woman at the center of it all? Continue reading
Please help me welcome debut author Rachel Berman to Austenprose today on the first stop of her blog tour in celebration of the release of Aerendgast: The Lost History of Jane Austen published by Meryton Press. Inspired by actual events in Jane Austen’s life, Rachel has generously contributed a guest blog sharing her thoughts about her writing experience.
If you are as curious by the title of this novel as I was, you might want to read this preview and excerpt that we presented last month, and then join the blog tour as it continues through March 18. There will be reviews, interviews and giveaways along the way. Continue reading
From the desk of Monica Perry:
When I first heard that some of the authors from austenvariations.com were planning a Pride and Prejudice: Readers’ Choice collaborative story wherein Mr. Darcy had a younger brother, I was all excited curiosity–a story with two Mr. Darcys? Yes, please! Would Mr. Theophilus Darcy be strong and stoic like his elder brother, a model of amiability like Mr. Bingley, or perhaps more of a rakish Mr. Wickham? Participating in the Readers’ Choice voting each week and having so much interaction with the writers was great fun, and I was eager to read this published version of The Darcy Brothers. Monica Fairview, Maria Grace, Cassandra Grafton, Susan Mason-Milks, and Abigail Reynolds are authors whose works I’d read and loved in the past, and The Darcy Brothers was no exception.
From the very first page, as Theo and Fitzwilliam Darcy reluctantly make their way to Rosings Park for Easter, we see the way they typically interact (read: Theo pushes Darcy’s buttons and Darcy gets his trousers in a twist). In the wake of childhood tragedy and the more recent near-elopement of their young sister Georgiana with Theo’s friend Mr. Wickham, their relationship is strained and they’ve all but given up on getting along. Darcy is dismissive and distrustful of Theo, and Theo delights in vexing him because he knows he’ll never live up to Darcy’s impeccable standards anyway. When Theo makes the acquaintance of the charming Miss Elizabeth Bennet they form an easy friendship, and Darcy begins to feel that twisting sensation again, a little nearer his chest this time. Each brother’s affection for Elizabeth is noted by the other and although they don’t see eye to eye, each wants the other to be happy. How far would a Darcy go to make it happen, even if it goes against his heart’s desire? Bargains are struck and along with some meddling assistance from Georgiana, Anne de Bourgh and Colonel Fitzwilliam, and a surprising series of events at Rosings, Darcy and Theo begin to see themselves, and each other, in a different way. Darcy realizes he has underestimated Theo, withheld the praise and affection a younger sibling craves, and used him as an easy scapegoat; likewise, Theo sees he’s had a childish understanding of Darcy’s responsibilities as heir. Can they overcome their pride and start again, and will it last? Continue reading
From the desk of Jenny Haggerty:
Those who don’t enjoy reading may assume it’s a solitary activity, and they’d be partly correct because page turning (physical or virtual) is usually done alone. But we literature lovers crave community as much as any social animal. It’s why we join book clubs and haunt web sites like Goodreads, BookLikes, and of course Austenprose. We love to connect with other readers to share passions, recount experiences, and exchange opinions about books. And reading about reading is an irresistible meta-pleasure that’s almost as fun as getting lost in a novel. For all these reasons Samantha Ellis’s, How to Be a Heroine: Or, What I’ve Learned from Reading too Much piqued my interest.
Her book opens on the Yorkshire Moors with Ellis and her best friend arguing about which Brontë heroine they’d rather be, Jane Eyre or Cathy Earnshaw. Ellis made what to her was the obvious choice: passionate, gorgeous Cathy. Cathy had been her role model since first reading Wuthering Heights at twelve, and Jane had always seemed too stoic, virtuous, and, well, plain to her. But Ellis’s friend shocked her by disagreeing. Jane Eyre from is independent, her friend pointed out. Jane doesn’t suffer fools and she sticks to her principals. Her friend thought Cathy looked silly–always weeping and wailing, and marrying a rich boy because she’s a snob even though she claims to love Heathcliff. “Why not just not marry the wrong man?” Ellis’s friend asked her. Continue reading
From the desk of Christina Boyd:
In this wild, wild west of the new publishing world, we are seeing more books being published and through many different avenues. No longer are traditional publishers the only way to get a book into the hands of readers as there are smaller independent presses, hybrid publishers and many self-publishing resources. In the past, I have been an unabashed on-line Jane Austen fan fiction reader. During the height of my on-line Jane Austen fan fiction (JAFF) addiction, I might have followed anywhere from 10 to 15 works-in-progress (WIPs) at various on-line sites. Anything from continuations (a story that continues after the original novel ends), alternative universe (a story when the author deviates from the original canon and creates events to effect a different action) and even crossovers (a fan fiction integrating characters and places from another story source). But I must confess, as many of these on-line authors have taken their stories to the next step and even stepped away from posting their new works on-line, I too have transferred my reading of on-line fan fiction to my e-reader by purchasing the published works and even adding the bound books to my collection.
One rainy day in December, I found myself reading in my pajamas all day author Joana Starnes’ newly released “The Falmouth Connection”. I was instantly engaged by the unexpected, surprisingly smart, and innovative handling of “Pride and Prejudice” in a very alternate universe where Elizabeth becomes an heiress to a fine fortune. Therefore, when Laurel Ann, our blogmistress, asked if I would be interested in reading Starnes “The Second Chance: A ‘Pride & Prejudice – ‘Sense & Sensibility Variation’ ” for review, how could I not jump at the chance! Continue reading