From the desk of Christina Boyd:
Seemingly moments after reading the end of award winning author’s Carrie Bebris, The Deception at Lyme (Or, The Peril of Persuasion) in 2011, the sixth novel in her Mr. and Mrs. Darcy Mystery series, I, along with other fans wondered what Bebris might write next. Much speculation surfaced whether she would attempt a mystery with Austen’s lesser known works: Sanditon, The Watsons, and Lady Susan or abandon the scheme altogether! Not four years later, and all anticipation, I had my hands on an advanced copy of Bebris’s seventh in the Mr. and Mrs. Darcy Mystery series, Suspicion at Sanditon (Or, the Disappearance of Lady Denham).
Only the most astute Austen fans will know Sanditon is the unfinished novel that Jane Austen began writing in January 1817 and forsook after the first eleven chapters on March 18—dying 4 months later on July 18, 1817. Others might be interested to understand this first draft centers on a Miss Charlotte Heywood, the daughter of a country gentleman, who travels to a developing seaside resort, Sanditon, and encounters a ridiculous baronet Sir Edward Denham, the Parker family who were always imagining themselves unwell, and the twice-widowed dowager Lady Denham with no heir apparent. “In those few chapters she sets her stage, populates it with memorable characters, and infuses the whole with humor reminiscent of her earlier writings.” (332) Author’s Note. Continue reading
From the desk of Monica Perry:
In Jane Austen’s Pride and Prejudice, Anne de Bourgh is a character who seems not to have much to offer. She’s just sort of there at Rosings Park, quiet and sickly and under her mother’s thumb. Readers can only hope that she occasionally has an original thought of her own. In A Will of Iron, a Pride and Prejudice what-if, author Linda Beutler exposes the last year of Anne’s journal. With her isolated life at Rosings, and a mother like Lady Catherine, who wouldn’t be curious what Anne has to say? I know I was! I was hooked from the second paragraph, where she drops quite the bomb. For months, she’s been scheming to extricate herself from Lady Catherine forever, and finally succeeded in setting her plan in motion. Sadly, she dies before getting the satisfaction of revealing her news in person, and seeing her meticulously plotted future come to fruition. Anne’s companion Mrs. Jenkinson knows all and delivers the journals to Charlotte Collins at Hunsford parsonage for safekeeping. Lady Catherine is desperate to get her hands on them to keep the circumstances of Anne’s death hidden, and as Charlotte makes her way through the journals she begins to suspect how far Lady Catherine might go to get her way.
I really liked Anne; she’s astute and blunt and had things gone differently, she and Elizabeth Bennet could have been great friends. Her journals chronicle not only her dealings with her mother and a Mr. C., her mysterious beau, but also her relationships with her Darcy and Fitzwilliam cousins, from their childhood to their current romantic tangle with Elizabeth. She genuinely cares for them and wants them to be happy, and has some very decided opinions on how she will make that come about. Anne’s logic with regard to her plan is a bit skewed, but her desire to be free from her mother makes her desperate and bold. It’s no wonder, as this Lady Catherine is truly cold- blooded! I had previously seen this book referred to as a macabre comedy. I’d say that’s a fitting description because as unhinged as Lady Catherine is, she is so outrageous I couldn’t help shaking my head and laughing. She even gave Mr. Collins the heebie-jeebies. I thought her final justice was perfectly done, if a bit messy! Continue reading
“They like you.” proclaims Demelza to Ross. No kidding, sweetie!
Last week, episode three of Poldark began with Ross re-opening his family copper mine, Demelza catching his eye while dancing at a local villager’s wedding, Jim’s trial for poaching ending badly, and Ross, after a hellish day arguing with Demelza while trying to resist the temptations of the flesh, succumbing to said temptations, ending in their surprise nuptials. Whoa!
This week, as the scandal of their wedding rocks the community and sours Ross’s business venture, Uncle Charles joins the blessed above (or below), and Verity instructs Demelza on becoming a lady. A first Christmas together for Romelza is shared with the dreaded Poldark family at Trenwith, resulting in a revelation for Ross.
(there be spoilers ahead)
Prudie (Beatie Edney) and Jud (Philip Davis), servants of Nampara
“One minute she is skiverly scullery kitchen maid, the next she be Mistress High and Mighty.” — Jud
“Do you think it not as strange to me as it is to you? Do you imagine I ever looked for or expected it? Come to think of it, it is more your fault than mine.” — Demelza
“How be that then?” — Jud
“Tis you that raised me up and taught me all I know. So If I am fit for better than I hoped, blame yourselves for educating me.” — Demelza
The whole community is shocked by the news of Demelza and Ross’s marriage, including his caustic family, the scheming Warleggans (who smell a profit to be made from society’s prejudice), and the two Nampara servants, Jud and Prudie, who finally confront her. I just love how Demelza (clever girl) turns the sword around and points it firmly back at her former fellow servants while complimenting them at the same time. Touché! Continue reading
From the desk of Tracy Hickman:
Never having watched the original series on Masterpiece Theatre in the 1970s, I was unfamiliar with Ross Poldark and a little curious about the buzz surrounding the new BBC/PBS series starring Aidan Turner. I wondered whether there was more to Ross Poldark than his good looks. When Laurel Ann Nattress assured Austenprose readers that Ross was a hero every bit as worthy of their warm regard as Mr. Darcy, John Thornton or Mr. Rochester, I decided to read the first novel in Winston Graham’s saga and decide for myself.
Ross Poldark is subtitled “A Novel of Cornwall 1783-1787” and is strongly rooted in the geography, people, and events of the Cornish countryside. The wind and the sea figure as characters in their own right. In the book’s prologue, six months before Ross returns from fighting in America, his father Joshua is close to death.
He felt he would like one more look at the sea, which even now was licking at the rocks behind the house. He had no sentimental notions about the sea; he had no regard for its dangers or its beauties; to him it was a close acquaintance whose every virtue and failing, every smile and tantrum he had come to understand. (10)
From the desk of Katie Patchell:
One crumbling manor house. Three estranged sisters. And a garden full of roses. All of these and more are ingredients in The Rose Girls, the latest novel by Victoria Connolly, author of the currently six-book Austen Addicts series. While not a book connected to Jane Austen’s novels or the Regency period, The Rose Girls is a story that shares timeless themes from Austen’s own masterpieces: the importance of family, forgiveness, healing, nature, and love.
After the news that her mother recently died of cancer, Celeste Hamilton is called back home to Little Eleigh Manor and Hamilton Roses, the family rose business, to support her two sisters. Still recovering from a divorce and memories of a painful childhood, Celeste plans only on spending a few weeks at her old home to sort through things and comfort her sisters, before escaping with her dog, Frinton, to somewhere much better and (hopefully) memory-free. On arriving back at her family home, Celeste realizes her responsibilities are much more than she bargained for. Little Eleigh Manor desperately needs repairs, and she’s the only sister willing to sell possessions to keep the house from (quite literally) falling down around them.
Supported by her sister Gertie, resented by her other sister Evie, and hearing the echoes of her mother’s past verbal abuse in her ears as she wanders Little Eleigh Manor’s halls, Celeste is surprisingly comforted by the forgotten beauty of the roses her family has grown and sold for years. With her beloved sisters distant and hiding their own secrets, and a friendly, perceptive, and surprisingly young art auctioneer interested in more than just family paintings, Celeste finds reasons to put off her escape for a few more weeks—and with her two sisters, a few roses, and a lot of love, forgive the past and change the future. Continue reading
One of the things I look forward to in period dramas is the costuming. For years we have been treated to fashionable Regency-era finery in Jane Austen adaptations, but the new Masterpiece Classic series Poldark takes us into an earlier era in British history. Set in 1780’s provincial Cornwall, the main plot line revolves around the Poldark family, their neighbors and their tenants—supplying an array of characters from different social classes. Curious about the late Georgian clothing in Poldark, I asked costume designer Marianne Agertoft to joins us today for a Q & A.
LAN: Welcome Marianne.
MA: Hi Laurel Ann. Thank you so much for your interest in the costumes for Poldark.
It was a great and passionate journey for all of us in the costume team and it is wonderful that the work is being appreciated.
Portrait of Captain George K. H. Coussmaker by Joshua Reynolds (1782)
LAN: From a layman’s point of view, being a costume designer looks like a very glamorous job. You get to spend your day being creative, researching history, playing with fabric, and working with celebrities! Can you share with us what your typical day was like while working on the costumes for Poldark? Continue reading