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Archive for the ‘Victorian Authors’ Category

A Charles Dickens Devotional, by Jean Fisher (2012)22 of you left comments qualifying you for a chance to win one of three copies of The Charles Dickens Devotional, edited by Jean Fisher. The winners drawn at random are:

  • June who left a comment on February 08, 2012
  • Julie who left a comment on February 08, 2012
  • Dawn Teresa who left a comment on February 17, 2012

Congratulations ladies! To claim your prize, please contact me with your full name and address by February 29, 2011. Shipment is to US addresses only.

Thanks to all who left comments for the giveaway. Winners, I hope you enjoy your books.

© 2007 – 2012 Laurel Ann Nattress, Austenprose

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The Solitary House, by Lynn Shepherd (2012)24 of you left comments qualifying you for a chance to win one of three advanced readers copies of The Solitary House, by Lynn Shepherd. The winners drawn at random are:

  • Aurora who left a comment on February 07, 2012
  • Debra E. Marvin who left a comment on February 07, 2012
  • Melissa who left a comment on February 20, 2012

Congratulations ladies! To claim your prize, please contact me with your full name and address by February 29, 2011. Shipment is to US addresses only.

Thanks to all who left comments for the giveaway, and to author Lynn Shepherd for her great guest blog in celebration of Charles Dickens bicentenary birthday.

© 2007 – 2012 Laurel Ann Nattress, Austenprose

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A Charles Dickens Devotional, by Jean Fischer (2012)Guest review by Br. Paul Byrd, OP

Hidden like gems among the pages of [Dickens’] novels are numerous religious images and biblical references: in Great Expectations, Pip praying for the Lord to be merciful to Abel Magwitch, a sinner and formidable criminal; in Bleak House, the image of Christ ‘stooped down, writing with his finger in the dust when they brought the sinful woman to him’; in Little Dorrit, adoration of wealth described as ‘the camel in the needle’s eye, (introduction).

As if A Jane Austen Devotional were not enough, fans of 19th century British Christian piety have a chance to sit and meditate on some of the most memorable and beloved stories of English literature with Jean Fischer’s A Charles Dickens Devotional, a collection of over one hundred vivid and engaging passages from nearly every fictional tale Dickens composed, including the ever popular David Copperfield, Oliver Twist, A Tale of Two Cities, A Christmas Carol, and Great Expectations along with the important, but perhaps lesser read masterpieces Bleak House, Dombey and Son, and Little Dorrit. And just as with the Austen devotional, each Dickens passage is paired with a short reflection and scripture quote meant to inspire meditation on a particular moral principle or virtue.

As Fischer writes, “[Dickens] was recognized as a nineteenth-century advocate for the poor and the oppressed,” (210)—the result, of course, of Dickens’ own experiences of poverty and child labor. Indeed, he often supported the underdogs of society in his stories—children, women, the poor—and exposed the structures of society that oppressed the weak and allowed the greedy to exploit others even as they maintained a “Christian” front. Like Jane Austen before him, Dickens knew the power of the pen in exposing hypocrisy and upholding the virtuous. Through a keen observation of human nature—the good and the bad—and through his excellent descriptions, Dickens brings to life characters that are themselves parables; none more so, perhaps, than Ebenezer Scrooge, the miser turned saint and hero of A Christmas Carol.

One of my favorite chapters in this devotional takes its passage from Dickens’ last and unfinished work The Mystery of Edwin Drood. Outside the New Testament, I do not think I have ever read a more scathing description of false philanthropy. How it cuts its subject to the quick and thus, as Fischer points out, challenges the reader to search his or her own conscience. Unfortunately, not all the meditations are equally strong, and I found one in particular that I thought was rather dangerous. In the chapter “Bad Company,” Fischer writes in her meditation “In this world, every day, we come in contact with both Christians and non-Christians. God does not forbid this, but rather He desires that we not get too close to unbelievers and risk being pulled into the enemy’s snare,” (77). I understand the best possible interpretation of that statement, but I still found it overly simplistic and unhelpful, especially in a time when it is becoming ever more important for Christians to dialogue with each other and non-Christians.

That said, this is a devotional, not a theological work, and so readers are expected to bring their own faith with them, using what they find in the book, if they can, and leaving what is unhelpful and uninspiring. If you are afraid that you will be lost in a sea of unfamiliar characters and plots, don’t be; Fischer’s book is designed for the Dickens expert and the lay reader alike. The Dickens framework is merely meant to spark contemplation. If it sparks your literary interest and leads you to read the novels, as well, so much the better. I am sure that fans of Austen and Dickens, will find much to enjoy in this helpful little book, so I give it four stars.

4 out of 5 Stars

A Grand Giveaway of A Charles Dickens Devotional

Publisher Thomas Nelson, Inc. has generously offered a giveaway contest of three copies of A Charles Dickens Devotional. To enter a chance to win one copy, leave a comment stating which quotes from Charles Dickens you think are inspiring, or which of  Charles Dickens’ characters would greatly benefit from this devotional, and why by 11:59pm PT, Wednesday, February 22, 2012. Winners to be announced on Thursday, February 23, 2012. Shipment to the US and Canadian addresses only. Good luck!

A Charles Dickens Devotional, edited by Jean Fischer
Thomas Nelson, Inc. (2012)
Hardcover (224) pages
ISBN: 978-1400319541
NOOK: ISBN: 978-1400319725
Kindle: ASIN: B005ENBBUQ

Br. Paul Byrd, OP is a solemnly professed friar of the Dominican Order of Preachers. Originally from Covington, KY, he earned his bachelor’s degree in creative writing from Thomas More College and his master’s degree in theology from Aquinas Institute of Theology. He is in the writing and publishing graduate program at DePaul University. He is the author of the Dominican Cooperator Blog

© 2007 – 2012 Br. Paul Byrd, OP, Austenprose

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Google Celebration of Charles Dickens 2012

We are basically a tried and true Janeite, but quietly confess to admiration of another nineteenth-century novelist also born in Hampshire; – Charles Dickens. His style is entirely different than the witty underpinnings of our beloved Miss Austen, but one cannot ignore his fabulous characterizations and amazing plot twists.

Charles DickensToday is the bicentenary of Dickens’ birth on February 7, 1812 at Landport, in Portsea, near Portsmouth, England. If Miss Austen is wholly a Regency author, then Dickens is her Victorian counterpart in popularity. He would become the most famous author of his day, writing sixteen major novels, traveling the world with his speaking tours and publishing other authors works like Mrs. Gaskell.

Like Jane Austen, Dickens has a huge following of admirers and sequelers. I was thrilled to learn last year that Murder at Mansfield Park author Lynn Shepherd was also a fan of Dickens and had written a novel inspired by one of his most popular works, Bleak House. Published last week as Tom-All-Alone’s in the UK, Lynn’s new novel will also be released in the US in May by Random House as The Solitary House: A Novel.

Lynn is the perfect fellow Janeite to share her thoughts on Dickens’ bicentenary celebration with us on his special day. She has generously contributed a guest blog and a very special chance for readers to win one of three advance readers copies available of The Solitary House. Details of the giveaway are listed below. Welcome Lynn:  

Murder at Mansfield Park, by Lynn Shepherd (2010)The last time I wrote a piece for Laurel Ann it was because I had just written Murder at Mansfield Park; I’m back now to help celebrate Dickens’ 200th birthday because I’m just about to publish a new murder mystery, inspired by his great masterpiece, Bleak House.

It’s a very long way from the elegant ambiance of Regency country houses, to the dark and dirty world of Victorian London, so why did I decide to make the move from Jane Austen to Charles Dickens? And having made that decision, what challenges did I face?

The first thing I realized was that I didn’t want The Solitary House to be the same sort of book as Murder at Mansfield Park. In the latter I had worked very hard to mimic Jane Austen’s beautiful prose style, rigorously checking my vocabulary to ensure it was in use at the time, and replicating the special rhythm of her sentences. But I knew at once that I didn’t want to do the same thing with Dickens. His style is almost as distinctive as hers, but I suspected any attempt to pastiche it would descend very quickly into parody.

Likewise I made the conscious decision not to even attempt to cram in everything Dickens does – his books are astonishingly broad in their scope, with comedy and satire at one extreme, and drama and psychological insight at the other. I’ve always been more interested in the latter than the former, and I confess I do find his caricatures rather tiresome in some of the novels.  So by now I was clear: I wanted to write a book inspired by Dickens, but ‘darker than Dickens’, with no comedy, no caricatures, and in a voice of my own.

The Solitary House, by Lynn Shepherd (2012)The result is a book that runs in parallel with the events of Bleak House, with some of Dickens’ characters appearing in mine, and the two stories coming together and intersecting at crucial moments.  Bleak House is, of course, the very first detective story in English, with the first fictional detective, Inspector Bucket. He appears in my story too – my young detective, Charles Maddox, was once fired from the Metropolitan Police at Bucket’s insistence, and their paths cross again as Charles’ investigation deepens.

Anyone who’s read Murder at Mansfield Park, will recognize the name ‘Charles Maddox’ at once, but we’re now in 1850, not 1811, and this new Charles Maddox is actually the great-nephew of my original Regency thief taker. Old Maddox appears in the book as well, but he’s now an elderly man, and suffering from a disease that we recognize at once as Alzheimer’s, but which was unknown at the time. But when Maddox has lucid periods he is still one of the sharpest minds in London, and Charles will need all his help if he’s to unravel the terrible secret at the heart of this sinister case.

One of the great delights – and challenges – of writing The Solitary House was to go back and re-create Dickens’ London. As many people have said, London is not just a setting in Dickens’ novels, but a character in its own right, and I had the opportunity to be even more forthright about the realities of life in the city than Dickens was able to be. We know far more, in some ways, that Dickens’ middle class contemporaries did, and I’ve tried to bring the 19th-century city to life in all its splendor, all its sin, and all its stink.

Great Expectations (2011) UKOf course many of us owe our mental pictures of Victorian London to the screen adaptations of Dickens’ works, and he does translate particularly well to film and TV. The BBC aired a new – and I think excellent – version of Great Expectations this Christmas, with Gillian Anderson as a chillingly beautiful and aloof Miss Havisham. There was also a new adaptation of The Mystery of Edwin Drood, with a new ending, and some wonderfully atmospheric scenes. There are many other excellent BBC adaptations of the books, and I’m also a great fan of the 1998 Our Mutual Friend, which has a marvelously intense Bradley Headstone, as played by David Morrissey, but my favorite – perhaps unsurprisingly – is the 2005 Bleak House.

Once again Gillian Anderson is utterly convincing and impressive as Lady Dedlock, and she’s supported by a wonderful cast of British character acting at its best. My only quibble is the choice of actor to play Tulkinghorn, as Charles Dance (in my view) is far too young, attractive, and just plain tall, to play the wizened old lawyer I have in my own imagination.

Bleak House (2005) BBCThe other fascinating thing about that Bleak House adaptation was that it was deliberately constructed in half-hour episodes, thereby mimicking the ‘serial publication’ of the original novel. It was a brilliant coup to screen it that way, since it helps us understand how Dickens structured his story with cliff-hangers at the end of each ‘number’, to keep people coming back for more.

And, of course, they did. And they still do, even 200 years after he was born, whether as readers, viewers, or – in my case – writers inspired by his great genius to create something new of their own.

Author Bio:

Lynn Shepherd studied English at Oxford, and later went on to do a doctorate on Samuel Richardson, which has now been published by Oxford University Press. She’s also a passionate Jane Austen fan, writing the award winning Murder at Mansfield Park in (2010), and just released another murder mystery Tom-All-Alone’s in the UK, inspired by Charles Dickens Bleak House. Retitled The Solitary House, it will be released in the US by Random House in May. You can visit Lynn at her  website, on Facebook as Lynn Shepherd, and follow her on Twitter as @Lynn_Shepherd.

A Grand Giveaway of The Solitary House: A Novel

Enter a chance to win one of three advance reading copies available of The Solitary House: A Novel, by Lynn Shepherd by leaving a question asking Lynn about her inspiration to write a Dickens sequel, her research process, or if you have read Bleak House or seen any of the many film adaptations, which your favorite character is by 11:59 pm Wednesday, February 22, 2012. Winners to be announced on Thursday, February 23, 2012. Shipment to US addresses only. Good luck!

Thanks for joining us today Lynn in celebration of one of literature’s most revered and cherished novelist of all time on his special day. Best of luck with your new mystery novel The Solitary House. I am so looking forward to reading it. 

© 2007 – 2012 Lynn Shepherd, Austenprose

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Cranford, by Elizabeth Gaskell (Oxford World's Classics) 2011We have several of Oxford World’s Classics editions in our library and are quite partial to their expanded editions. From Austen to Radcliffe to Burney to Gaskell, whatever they take on, their introductions and supplemental material are excellent.

The news of this new revised paperback edition of Elizabeth Gaskell’s Cranford is quite exciting. Due out on June 9, 2011 in the UK and August 15, 2011 in the US from Oxford University Press, it will include a new introduction, notes and additional supplemental material. We are quite certain that our friend Katherine at Gaskell Blog will also be anxious to get her mits on it too. Here is a description from the publisher:

A vivid and affectionate portrait of a provincial town in early Victorian England, Elizabeth Gaskell’s Cranford describes a community dominated by its independent and refined women. This edition includes two related short pieces by Gaskell, “The Last Generation in England” and “The Cage at Cranford.” Dinah Birch’s introduction reflects recent revaluations of Gaskell’s work and the growing recognition that Cranford is much more than the gently charming comedy that is was once taken to be. The book includes an up-to-date bibliography and expanded notes.

Features

  • A new edition of a much-loved classic, Elizabeth Gaskell’s comic portrayal of a Victorian small town dominated by women.
  • Dinah Birch’s introduction reflects recent revaluations of Gaskell’s work, focusing on Gaskell’s response to social change as it transformed the lives of provincial women, and the growing recognition that Cranford is much more than the gently charming comedy that is was once taken to be.
  • Includes two related short stories, ‘The Cage at Cranford’ and ‘The Last Generation in England’.
  • An appendix includes a selection of extracts from Dickens, Dinah Craik, Wilkie Collins, Ruskin and other contemporary novelists and social commentators on the coming of the railway, banking failures, household management, fashion, Oriental entertainers and the novel’s first reviewers to illustrate the diverse contexts in which Cranford took its place.
  • Up-to-date bibliography and expanded notes.
  • Introduction by Dinah Birch.
  • Up–to-date bibliography.
  • Revised chronology.
  • Explanatory Notes by Dinah Birch.
  • Appendix of contemporary responses to the novel and contemporary comment on household management, costume, financial and commercial controversies relevant to the text.
  • Reset Gaskell text.

Product Details

Cranford, by Elizabeth Gaskell (Oxford World’s Classic)
Oxford University Press (June 9, 2011 in UK) (Aug 15, 2011 in US)
Trade paperback (256) pages
ISBN:  978-019955830

About the editors

Elizabeth Porges Watson is Lecturer in English at the University of Nottingham. Dinah Birch is Professor of English Literature at the University of Liverpool.

Many of you may be familiar with the story of Cranford from the two BBC/PBS mini-series starring Judi Dench, Eileen Atkins and an incredible British cast. It was a delightful adaptation of Gaskell’s short stories and we encourage you to read our reviews and seek out this new edition of the novel when it is released in August. Mrs. Gaskell’s characterizations are humorous, charming and poignant, and we are very pleased to see her being given this new edition which appears to be quite thorough in scholarly research and engaging detail.

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Jane Eyre (2011) movie posterInquiring Readers: We are very fortunate to welcome author, screenwriter and Janeite Syrie James for a guest film review today. She recently attended an advance screening of the new movie adaptation of Charlotte Brontë’s classic Gothic romance Jane Eyre which premieres in limited release today in the US.

Welcome Syrie – and thanks for the timely review!

Charlotte Brontë’s Jane Eyre has been my favorite book since I was 11 years old. I’ve read it so many times I’ve lost count. The tale of a feisty governess who finds true love in a spooky mansion, while pouring her heart out on the page in lush, romantic prose, has made it to the top of every “Best Love Stories” list since it was first published in 1847, and with good reason.

Michael Fassbender and Mia Wasikowska in Jane Eyre (2011)The perfect Gothic novel, Jane Eyre melds all the requisite elements of mystery, horror, and the classic medieval castle setting with heart-stopping romance. The story is also very appealing: the rise of a poor orphan girl against seemingly insurmountable odds, whose love and determination ultimately redeem a tormented hero. And the book has serious things to say about issues that are still relevant today: women’s struggle for equality, the realization of self, and the nature of true love. The novel appeals not only to an audience’s hearts, but also to their heads.

Of all the classic 19th-century novels, Charlotte Brontë’s Jane Eyre has been by far the most filmed, with at least 18 film versions (including a 1910 silent movie) and 9 made-for-television movies.

The Secret Diaries of Charlotte Bronte, by Syrie James (2009)I have seen nearly all of them—some multiple times—both out of my deep love for the tale, and as part of the research for my novel The Secret Diaries of Charlotte Brontë, the true story of Charlotte’s remarkable life, her inspiration behind “Jane Eyre,” her rise to fame as an author, and the little-known story of her turbulent, real-life romance. (My novel was named a Great Group read by the Women’s National Book Association, and the audio book version was just nominated for an Audie Award, the Oscars of the audiobook publishing world—very exciting!)

Every screen version of JANE EYRE has its merits, and it’s always a thrill to re-experience my favorite, beloved scenes from the book with each new adaptation. I especially loved Timothy Dalton’s portrayal of Mr. Rochester in the 1983 mini-series, and the 2006 Masterpiece Theatre mini-series starring Ruth Wilson and Toby Stephens.

I was very curious to see how the new JANE EYRE adaptation from Focus Films would measure up. I am happy to report that the film, which I saw Monday night at an advance screening, is very good indeed, with marvelous visuals, terrific performances, and enough unique elements to make it a worthy new addition.

The most notable distinction of this film that sets it apart from the rest is its structure. Rather than telling the tale in a straight-forward, linear fashion, it begins at a crisis moment that occurs later in the story, and tells the majority of the tale in flashback–similar to the structure of The Secret Diaries of Charlotte Brontë–and it works wonderfully well here, enabling screenwriter Moira Buffini to effectively compress a long novel into a two-hour time span.

Jane Eyre (Mia Wasikowska) on the Moors in Jane Eyre (2011)The movie opens as Jane is fleeing Thornfield after having discovered Mr. Rochester’s dark and heartbreaking secret. We fear for her as she becomes lost on the stormy moor. The mystery continues as St. John Rivers (well-played by a sympathetic yet appropriately stern Jamie Bell) and his sisters take her in. Who is this lost lamb? Why does she call herself Jane Elliott? Who or what is she running from? As Jane ruminates about the past events that led to her escape, we are treated to the story in flashback.

The casting of Mia Wasikowska (Alice in Tim Burton’s ALICE IN WONDERLAND) as Jane Eyre also sets this production apart, since she is closer in age than most actresses who’ve played the role to the character in the novel, who was about 18 years old in the Thornfield section. Although I wish Mia’s Jane was a bit more “swoony” over Mr. Rochester earlier on (yes, she is supposed to be stoic, but I missed that phase where we get to see her blossom as she falls in love with him, and then is utterly crushed when she believes him to be in love with Miss Ingram), Mia truly inhabits the role, beautifully portraying Jane’s sense of self-respect, integrity, and restraint, as well as her passion and vulnerability.

Mr. Rochester (Michael Fassbender) in Jane Eyre (2011)Michael Fassbender was also inspired casting. He embodies Mr. Rochester with the ideal blend of charisma and sinister brooding, while at the same time allowing glimpses of his underlying desperation and the wounded depths of his soul. When Jane and Rochester finally admit their love for each other, it is romantic and exciting, with sparks flying. (As this is my favorite part of the story, for me it was also far too short!)

Sally Hawkins as Mrs. Reed, adorned in stiff ringlets and satin gowns, effectively portrays the icy ogre who menaces the young Jane (a spirited and appealing Amelia Clarkson.)

Mrs. Fairfax (Judi Dench) and Jane Eyre (Mia Wasikowska ) in Jane Eyre (2011)And how can you go wrong with Judi Dench as housekeeper Mrs. Fairfax? As always, Dench gives a rock-solid performance, with subtle nuances that make the role her own.

The film’s locations do justice to the novel’s often gloomy, atmospheric tone. Haddon Hall in Bakewell, Derbyshire, built atop a limestone outcropping and one of the oldest houses in England, stands in for Thornfield Hall. According to location manager Giles Edleston, Haddon Hall has “more rooms and sets than a filmmaker could ever wish for,” and Director Cary Fukunaga makes terrific use of it, emphasizing its dark, Gothic, masculine feel, especially effective in a particular, chilling attic scene.

The exterior locations—gardens, cliffs, craggy rocks, stone walls, and seemingly endless fields—make an arresting, dramatic backdrop for the story. The press notes state, “Although we made it seem like Thornfield is in the middle of nowhere, just beyond the edge of the frame was modern civilization.” Rest assured that the illusion is complete; you truly do feel as though you are in the middle of nowhere.

Rochester (Michael Fassbender) and Jane (Mia Wasikowska) in Jane Eyre (2011)

The film also effectively makes use of the top of the gardens surrounding Derbyshire’s Chatsworth House—a location more commonly associated with Austen’s Pride and Prejudice—to film Jane Eyre’s dramatic first encounter with Mr. Rochester, when he appears out of the mist and fog astride his horse.

I have only two minor gripes with the film (WARNING: minor spoiler alert. If you aren’t familiar with the classic story, you might want to stop reading now.) While the revelation of Mr. Rochester’s secret was very well-done, I felt it was a little too “prettified.” And the ending was too abrupt for me. An explanation (for the uninitiated) of Rochester’s condition in the final scene would have been nice, and I would have preferred another minute or two to relish the lovers’ emotional reunion. But that aside, the filmmakers have done a masterful job translating the novel to the screen.

Please share your thoughts and comments about Jane Eyre. When did you first read the novel? Which film adaptations are your favorites, and why? If you’ve read The Secret Diaries of Charlotte Brontë, did it enhance your appreciation of Jane Eyre?

You can learn more about the new film at the Jane Eyre facebook page, where there’s a trailer and a “Jane Eyre Challenge” with a kindle as a prize. The movie opens today, March 11. I highly recommend it! Go see it soon at a theater near you!

Bio

Syrie James, hailed as the “queen of nineteenth century re-imaginings” by Los Angeles Magazine, is the bestselling author of four critically acclaimed novels: The Lost Memoirs of Jane Austen (Best First Novel 2008, Library Journal), The Secret Diaries of Charlotte Brontë (Audie-nominated, Great Group Read, Women’s National Book Association), Dracula, My Love (which reveals Mina Harker’s passionate love affair with the most famous vampire of them all), and most recently Nocturne, praised by Library Journal as “lyrical, lush, and intensely romantic.” The translation rights for Syrie’s books have been sold in fifteen languages. Her short story “Jane Austen’s Nightmare” will appear in Laurel Ann Nattress’s Austen anthology Jane Austen Made Me Do It, due out from Ballantine Books in October.  Syrie’s next novel, Forbidden, which she co-wrote with her son Ryan, will be published by HarperTeen in early 2012.

A member of the Writer’s Guild of America, RWA, and a lifetime member of the Jane Austen Society of North America, Syrie is an admitted Anglophile and is obsessed with all things Austen, although she lives in Los Angeles. For more information about Syrie’s books, please visit www.syriejames.com. Syrie also invites you to friend her on facebook (and leave a comment!) and follow her on Twitter @SyrieJames.

Further reading:

© 2007 – 2011 Syrie James, Austenprose

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Mia Wasikowska in Jane Eyre (2011)

Lots of news in the media this week over the upcoming release of Jane Eyre, the new major motion picture adaptation of Charlotte Bronte’s 1847 classic novel produced by the UK trifecta BBC Films, Focus Features and Ruby Films. It premieres in the US on Friday March 11, a full six months before its native land of England, a surprising twist since Yanks usually don’t get anything produced by the BBC until months after it has aired on UK television.

Michael Fassbender as Mr. Rochester in Jane Eyre (2011)

We are not complaining mind you, just puzzled at their marketing strategy.  Less than two years ago BBC executives declared the death of the bonnet drama announcing a shift from period fare to contemporary stories. When the premiere television producer of period drama for the past thirty years makes ugly noises we believe them and grieved the loss to our entertainment future. Not only have they changed their minds, but they have moved from television production to major theatrical release of a novel that has been adapted into film no less than 18 times. Why the change of heart, and why Jane Eyre?

Sally Hawkins as Mrs. Reed in Jane Eyre (2011)

Social Times blog asks, How Has Facebook Revitalized Jane Austen and Charlotte Bronte? They would like you to contemplate the possibility that social media is driving the market.

More than 150 years after her death, author Charlotte Bronte and her lovable character Jane Eyre are more popular than ever, and experts attribute their newfound notoriety to social networking sites like Facebook and Twitter.

They want to clump Jane Austen into the mix too because Austen has an even stronger online presence than the Brontes. Recently Toronto University English professor Deidre Lynch credited Austen’s recent rise in popularity to actor Colin Firth, Mr. Darcy in Pride and Prejudice 1995, for getting “a lot of people got hooked on the novels,” adding “that’s too simple an explanation for Austen’s ever-growing legion of fans. Social media, too, have given Austen a second life.”

Mia Wasikowska in Jane Eyre (2011)

Devotees of the Bronte’s can be found on Twitter, Facebook and blogs across the Internet, but as someone who searches social media daily for news on Jane Austen and period dramas, we see more chatter and articles on Austen than on the Brontes, by far. If the logic that the new Jane Eyre movie has been fueled by interest on social media, than exponentially, Austen would have ten new movies in production to the Bronte’s one.

Michael Fassbender and Imogen Poots in Jane Eyre (2011)

We are in favor of the new Jane Eyre producer Alison Owen’s pragmatic explanation.  It appears that in the world of period costume drama, Jane Eyre is inexpensive to produce.

“It’s set in a house in the middle of a moor,” she explained. “Jane Austen can be quite expensive. You need horses, carriages, houses, gowns. But on the whole Jane Eyre is much more starkly peopled than most period movies. You don’t need swaths of costumes. And scenery costs nothing. Point a camera at those moors, and it looks like a David Lean film.”

So, there you go Janeites. Because Austen’s novels do not have descriptions of clothing, scenery or political times, our projected expectations make adaptation costly to produce. Could we abide an Austen miniseries without fine frocks, carriages or country manor houses to drool over? Would the lack of an assembly balls or walks in the shrubberies make us change the channel?

Mia Wasikowska in Jane Eyre (2011)

I will let you ponder that a bit and bring this back to those bare bones Brontes. I have seen six Jane Eyre movie or miniseries adaptations in my day. They seem to arrive every seven years or so like hungry cicada eager to devour our hearts. The 1943 Jane Eyre with Orson Welles and Joan Fontaine was my favorite movie for decades. This is a story that demands to remain in black and white. Give it color and you lose the Gothic shadows and creepy coldness that is required. Even the last 2006 version starring Toby Stevens and Ruth Wilson didn’t get it right. Maybe, just maybe this new Jane will be the one. We shall find out next Saturday with family and friends. Hope you go see it too, so we can chat about it on Facebook and Twitter!

Mia Wasikowska and Michael Fassbender in Jane Eyre (2011)

Major Cast

• Jane Eyre – Mia Wasikowska (Alice in Wonderland)
• Mr. Rochester – Michael Fassbender (Band of Brothers)
• Mrs. Fairfax – Judi Dench (Lady Catherine de Bourgh – Pride and Prejudice 2005)
• Adele Varens – Romy Settbon Moore
• Mrs. Reed – Sally Hawkins (Anne Elliot – Persuasion 2007)
• Blanche Ingram – Imogen Poots (Fanny Austen Knight – Miss Austen Regrets)
• Lady Ingram – Sophie Ward (Land Girls)

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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Moorland Cottage Group Read 2011 at Gaskell BlogThe amiable and talented Katherine of the Gaskell Blog is leading a group read of Mrs. Gaskell’s novella  Moorland Cottage. It starts today and runs through February 15, 2011. You can check out the full group read schedule.

Published in 1850, Moorland Cottage is a delightful story of a widow, her two children and her neighbors the Buxton’s. It was the inspiration for screenwriter Heidi Thomas’ plot line and characters featured in the mini-series Return to Cranford.

Katherine has posted the welcome and introduction to the event including this list to get you started. Please join us.

This is my first selection for the Gaskell Reading Challenge and will also fulfill one of my selections for the Classics Challenge by Stiletto Storytime.

© 2007 – 2011 Laurel Ann Nattress, Austenprose

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© Austenprose. Thank you again to all the participants and commenters in the Elizabeth Gaskell Bicentennial Blog Tour on September 29th. The drawing for the unabridged Naxos Audiobooks recording of North and South has closed, and I am happy to announce the lucky winner is…

Annette who posted a comment on September 29th on Stiletto Storytime’s review of Sylvia’s Lovers.

Congratulations Annette. To claim your prize, please email me at austenprose at frontier dot com October 15th, 2010 with your full name, address and choice of format. Shipment is to US and Canadian addresses or international download.

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Guest review by Regency Romantic

Welcome to the 4th stop on the Elizabeth Gaskell 200th Anniversary Blog Tour! Please join me and other Elizabeth Gaskell enthusiast in honoring her on birthday today with a blog tour featuring  a biography of her life and times, reviews of her books, novella’s and movies, reading resources, and a photo tour of her homes.

Visitors leaving a comment at any of the posts on the tour will qualify for a drawing of one unabridged copy of the Naxos Audiobooks edition of North and South read by Clare Willie. Deadline to enter is midnight Pacific time October 7th, 2010. The winner will be announced on October 8th, 2010. Shipment to US and Canadian addresses, digital download internationally. Good luck!

Ruth, by Elizabeth Gaskell – A Review

Published in 1853, Ruth is Elizabeth Gaskell’s second novel and deals primarily with the theme of the fallen woman in the mid-Victorian era.  The story of the long suffering heroine, Ruth Hilton, is almost entirely based on a real life case that Gaskell herself encountered and helped resolve during her many charitable works as the wife of a Unitarian minister in Manchester.  Like her first novel, Mary Barton (1848), Ruth is intended as a social-problem novel.  Although Gaskell tried a lesser harsh approach, which Mary Barton was heavily criticized for, she still lacked the sophistication as a novelist to tackle such a weighty theme and to fictionalize a real-life issue.  Gaskell started to really find her distinctive voice and style in her next work, Cranford (1853), and most definitely established herself with North and South (1854-55).

Orphaned at a very young age, the strikingly beautiful, but gentle-spirited Ruth Hilton ends up as an apprentice at a dressmaker’s shop, a precarious situation that Victorian readers readily believed exposed women to moral temptation.  The innocent and lonely Ruth falls prey to the charms and attentions of Henry Bellingham, a wealthy and worldly man whose ennui is swept away by Ruth’s refreshing naiveté.  He whisks her off to London and Wales, where she lives with Bellingham as a kept woman.  When Bellingham falls ill, his morally strict mother is summoned.  She is horrified to discover that his son has been living in sin.  She bans Ruth from entering the sick room and convinces her son to abandon Ruth.  He acquiesces, leaving some money, and never looks back.

The distraught Ruth attempts suicide, but is saved and taken in by the kind and disfigured Thurston Benson, a dissenting minister, and his equally sympathetic sister, Faith.  When they learn Ruth is with child, it is, ironically, a woman named Faith who suggests circulating the lie that Ruth is a widow called Mrs. Denbigh to protect her from a society that would surely ostracize her.  Thurston, though going against his moral grain, eventually agrees to Faith’s plan.

Ruth gives birth to a beautiful boy and names him Leonard.  In the next six years, ever mindful of her sinful past and the sacrifices made by the Bensons, Ruth strives hard for spiritual strengthening and devotes herself entirely to raising her boy in the utmost manner.  In this period of calm before the storm, Ruth matures into a steady figure that draws the attention of Mr. Bradshaw, the town’s richest businessman, who is full of self-consequence and prides himself in being a morally upright man.  He is taken by Ruth’s Madonna-like demeanor and decides to hire her as the model companion and governess for his daughters.

The cruel hand of fate catches up with Ruth when Mr. Bradshaw decides to enter politics by supporting a certain Mr. Donne in the upcoming elections.  When Ruth meets him for the first time, Mr. Donne turns out to be the feckless lover that abandoned her six years ago.  As events start to unfold and the lie begins to unravel, the safe haven that Ruth has built around her and her son comes crashing down, with morally disturbing consequences to all around her.

When I was reading this novel, echoes of Samuel Richardson’s Clarissa and Thomas Hardy’s Tess of the D’Urbervilles kept coming to mind.  Like the heroines of those two novels, Ruth is painted as an innocent, pure as snow, who, by one naïve decision, becomes the victim of an unscrupulous man, leading to negative repercussions for the rest of her life.  But she bears all the hardships with saintly forbearance.  I have never been able to sympathize with such types of heroines.  Their outward passivity just makes me want to throttle them.  Perhaps Gaskell chose this strategy to head off criticisms for her heroine and the overt topics of sexuality and promiscuity, certainly a bold choice in that era; but by the same token, it also made Ruth unreal to me.  Is any woman ever that saintly?  I do find that Gaskell examines the central themes of the end-justifying-the-means, true faith, and forgiveness very sincerely, with deeply felt moral convictions, but oftentimes, the elements of religiosity become a little too overt for my taste.  What I did like were glimpses of Gaskell’s adept hand at descriptive passages of the outside world that clearly mirror the inner world of the character, a technique she perfected by North and South.  One such passage is this, as Ruth grapples with the confusion she feels upon discovering that Mr. Donne is her former faithless lover:

She threw her body half out of the window into the cold night air.  The wind was rising, and came in great gusts.  The rain beat down on her.  It did her good.  A still, calm night would not have soothed her as this did.  The wild tattered clouds, hurrying past the moon, gave her a foolish kind of pleasure that almost made her smile a vacant smile.  (Chapter 23)

Admittedly, it is a tad melodramatic.  Perhaps this shows why Gaskell and Charlotte Brontë were such good friends, but Gaskell truly makes us feel the keenness of Ruth’s oppression.  With the exception of the character of Sally, the Benson’s housekeeper (and the forerunner to Dixon’s character in North and South), who offers comic relief that comes too few and far between, the unrelenting doom-and-gloom tone of the novel makes the plot move at a plodding pace.  Awkward transitional passages and the contrived reappearance of the anti-hero betray Gaskell’s relatively inexperienced hand.  It is only in the final 100 pages of the novel that the plot really starts to pick up and the flawed characters start to redeem themselves – a case of too little, too late.  Although the conclusion of the novel is not a surprise to most readers, plowing through this novel is like being unable to turn away from witnessing a train wreck.  One early critic expressed that Ruth was ‘not a book for young people, unless read with somebody older’.   I would attach a simpler warning: Ruth is ‘not a book for suicidal people’.

Follow this link to the next stop on the Elizabeth Gaskell Bicentenary Celebration Blog Tour a book review of the North and South by Laurel Ann of Austenprose

© 2007 – 2010 Regency Romantic, Austenprose

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Welcome to the 5th stop on the Elizabeth Gaskell 200th Anniversary Blog Tour! Please join me and other Elizabeth Gaskell enthusiast in honoring her on birthday today with a blog tour featuring  a biography of her life and times, reviews of her books, novella’s and movies, reading resources, and a photo tour of her homes.

Visitors leaving a comment at any of the posts on the tour will qualify for a drawing of one unabridged copy of the Naxos Audiobooks edition of North and South read by Clare Willie. Deadline to enter is midnight Pacific time October 7th, 2010. The winner will be announced on October 8th, 2010. Shipment to US and Canadian addresses, digital download internationally. Good luck!

North and South, by Elizabeth Gaskell – A Review

First published as a magazine serial of twenty-two installments in Household Words edited by her mentor Charles Dickens, North and South was later expanded by Mrs. Gaskell into the format we know today and publish in book format in 1855. The story explores some of Gaskell’s favorite topics: social division and class struggles, religious faith and doubt, and the changing landscape of mid-Victorian England from an agricultural nation to industrial giant. Interlaced in these conflicts are genuine characters as passionate in their social convictions as they are in their quest for understanding and love.

Opening with the wedding of her vivacious cousin Edith Shaw to Captain Lennox, our nineteen year-old heroine Miss Margaret Hale is at an important juncture in her life. Raised in London by her wealthy Aunt Shaw, her duties as companion to her cousin are now over and she returns to her family as an educated and sophisticated young lady. Her parents live in Helstone, an idyllic rural Hampshire village where her father is the local Church of England minister and her mother a former county belle. Higher born than her husband she married for love against her family’s wishes. They lead a comfortable, but frugal life until her father’s decision to leave the church on principal; uprooting his family to the only opportunity available to them. His former Oxford tutor Mr. Bell has connections in Milton-Northern, an industrial city of cotton mills and coal smoke in the north of England, a far cry from the comforts, sunny climes and verdant countryside of the south in Hampshire. On the same day of Margaret’s fathers shocking announcement, Henry Lennox a young lawyer and brother of Edith’s husband visits the Hales in Helstone with the objective of proposing marriage to Margaret. Because she feels no affection other than friendship for him, his offer is rejected.

Margaret: ‘I have never thought of–you, but as a friend. I like to think of you so; but I am sure I could never think of you as anything else. Pray, let us both forget that all this’ (‘disagreeable,’ she was going to say, but stopped short) ‘conversation has taken place.’

He paused before he replied. Then, in his habitual coldness of tone, he answered:

Lennox: ‘Of course, as your feelings are so decided, and as this conversation has been so evidently unpleasant to you, it had better not be remembered. That is all very fine in theory, that plan of forgetting whatever is painful, but it will be somewhat difficult for me, at least, to carry it into execution.’

The Hale’s are aided in their search for a new home in Milton by Mr. Bell’s tenant John Thornton, a young successful mill owner who has worked his way up from working class to respectable tradesman after the tragic death of his father when he was fifteen. The ladies find Milton smoky and stifling, especially Mrs. Hale and her personal maid Dixon who are always ready to complain about the dirty air, the unsophisticated town and its lowly people. Because of their reduced circumstances and the lack of help in a mill town that can offer higher wages to young girls, Margaret fills in as maid with the household duties. Margaret is happy to help, but her mother is horrified that her daughter, a lady, must work as a menial. To support his family Mr. Hale has found work as a tutor. One of his best students is John Thornton who is eager to improve himself and catch up on his education. Mr. Hale invites him to tea much to the bemusement of Margaret and Mrs. Hale who are arrogant and cold to him, believing him below their notice. Margaret is outspoken, voicing her opinions to him of Milton, their odd northern customs, and critical of Mr. Thornton’s comments about the differences in the south. Margaret thinks he is coarse and harsh with his workers. He thinks she is beautiful and intriguing, but proud and full of airs for someone new, poor and uninformed.

Margaret: ‘That is a great admission,’ said Margaret, laughing. ‘When I see men violent and obstinate in pursuit of their rights, I may safely infer that the master is the same that he is a little ignorant of that spirit which suffereth long, and is kind, and seeketh not her own.’

John: ‘You are just like all strangers who don’t understand the working of our system, Miss Hale,’ said he, hastily. ‘You suppose that our men are puppets of dough, ready to be moulded into any amiable form we please. You forget we have only to do with them for less than a third of their lives; and you seem not to perceive that the duties of a manufacturer are far larger and wider than those merely of an employer of labour: we have a wide commercial character to maintain, which makes us into the great pioneers of civilisation.’

As Margaret begins to acclimate to her new home, she makes friends with Nicolas Higgins, one of the mill workers and his sickly daughter Bessy. They are skeptical of her intentions when she visits and very proud not to take charity. Through them she comes to understand the hard working conditions in the mills and sees the result of their unhealthy environment in Bessy, whose work from a young age has infected her lungs from inhaling the cotton fluff that floats through the factory. Mrs. Hale’s health is also in steady decline and the doctor warns Margaret that there is not much more time before she is gone. Margaret keeps this news to herself and shoulders the burden as she has done to protect each of her parents from bad news. With his urging, John Thornton’s mother begrudgingly makes a social call at the Hales with her daughter Fanny, privately offering her assistance with her mother to Margaret.

Margaret visits Mrs. Thornton at their home next to the mill and finds herself in the middle of a workers strike. Desperate to fill mill orders and keep his business solvent, Mr. Thornton has brought in cheaper Irish workers to break the strike and an angry mob has amassed outside the mill ready to riot and kill the blackleg workers in protest. Margaret admonishes Thornton to talk to the crowd and appease their anger.

Margaret: ‘Mr. Thornton,’ said Margaret, shaking all over with her passion, ‘go down this instant, if you are not a coward. Go down and face them like a man. Save these poor strangers, whom you have decoyed here. Speak to your workmen as if they were human beings. Speak to them kindly. Don’t let the soldiers come in and cut down poor-creatures who are driven mad. I see one there who is. If you have any courage or noble quality in you, go out and speak to them, man to man.’

But, it is too late. A stone thrown from the crowd intended for Thornton strikes Margaret in the head instead. The crowd is hushed and shocked as Margaret lies on the ground. The army arrives to violently disperse the crowd and Thornton carries the unconscious and bleeding body of Margaret inside. At this moment, he realizes how much he loves her. Against his mother’s wishes, he is compelled to ask her to marry him and visits her at her home the next day. She has recovered enough to be repulsed by his offer and flatly refuse him. He is crushed.

John: ‘One word more. You look as if you thought it tainted you to be loved by me. You cannot avoid it. Nay, I, if I would, cannot cleanse you from it. But I would not, if I could. I have never loved any woman before: my life has been too busy, my thoughts too much absorbed with other things. Now I love, and will love. But do not be afraid of too much expression on my part.’

Of course Gaskell has built up to this moment so beautifully that we are crestfallen by Margaret’s reaction to his admission of love. It is the axis of the novel. She despises him and accuses him of ungentlemanly behavior, the worst insult to throw at a man trying to win the heart of a lady. He is hurt yet dignified in rejection. That is indeed an act of a gentleman that she does not recognize yet.

How these two strong minded and opposing personalities will come together, and we are never in doubt that they will, is one of the most moving and satisfying love stories that I have ever read. Often compared to Jane Austen’s Pride and Prejudice, Gaskell’s North and South parallels many of the same misunderstanding and misconceptions that the two protagonists go through to reach mutual respect and love. This was the first Gaskell novel that I have read, and her style, while more effusive and descriptive than Austen’s was a welcome surprise. Interlaced with this study of the diametric personalities are the differences in the lifestyles from agricultural southern England to the industrial north. Her characterizations were so detailed and real, that I cared deeply about the outcome of each of them. I recommend North and South highly. It will remain one of my cherished novels that I reread regularly. That is the greatest compliment an author can hope for.

This Naxos Audiobooks edition was sensitively read by Clare Willie whose characterizations reminded me of the voices of the actors in the 2004 North and South mini-series. I was so drawn into the story by her melodic intonations that I have never enjoyed my commute to work as much as the 18 hours and 36 minutes during this audio book recording. Gaskell’s powerful story of the division of workers and master told through the eyes of a haughty girl from the south of England who is thrown against her wishes and better judgment by her father’s life choices into a foreign world of the working class struggles of a northern mill owner is her most beloved work for good reason. Margaret Hale and John Thornton are a romance to remember and savor again, and again.

North and South, by Elizabeth Gaskell, read by Clare Willie
Naxos Audiobooks (2010)
Unabridged audio book, 15 CD’s, 18h 36m
ISBN: 978-962634185-8

Follow this link to the next stop on the Elizabeth Gaskell Bicentenary Celebration Blog Tour a review of the North and South (2004) mini-series by Maria at Fly High

Sometimes one likes foolish people for their folly, better than wise people for their wisdom.” Elizabeth Gaskell, Wives and Daughters

© 2007 -2010 Laurel Ann Nattress, Austenprose

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Mark your calendars for September 29th and return for a blog tour by thirteen Elizabeth Gaskell enthusiasts in celebration of the 200th anniversary of her birth in 1810.

In addition to a biography of her life, her novels, short stories and movies will be reviewed, reading resources detailed, and a photographic tour of her home at Plymouth Grove in Manchester will be featured.  One lucky commenter will win a copy of an unabridged edition of North and South by Naxos AudioBooks read by Clare Willie. That’s 18 hours of Margaret Hale and John Thornton sparring and sparking in Gaskell’s most acclaimed work.  Here is a list of participants. You can visit them in any order and all comments during the contest will count toward your chance to win. Good luck and happy birthday Mrs. Gaskell.

Biography

  • 1.) Elizabeth Gaskell’s life and times: Vic – Jane Austen’s World

Novels/Biography

  • 2.) Mary Barton (1848) Book: Kelly – Jane Austen Sequel Examiner
  • 3.) Cranford (2007) Movie: Laura – The Calico Critic
  • 4.) Ruth (1853) Book: Joanna – Regency Romantic
  • 5.) North and South (1854–5) Book: Laurel Ann – Austenprose
  • 6.) North and South (2004) Movie: Maria – Fly High
  • 7.) Sylvia’s Lovers (1863) Book: Courtney – Stiletto Storytime
  • 8.) Wives and Daughters (1865) Book: Katherine – November’s Autumn
  • 9.) Wives and Daughters (1999) Movie: Elaine – Random Jottings
  • 10.) The Life of Charlotte Bronte (1857) Book & (1973) Movie, The Brontes of Haworth: JaneGS – Reading, Writing, Working, Playing

 

Novellas

  • 11. Mr. Harrison’s Confessions (1851) Book: Alexandra – The Sleepless Reader
  • 12. My Lady Ludlow (1859) Book: Alexandra – The Sleepless Reader
  • 13. Cousin Phillis (1864) Book: Alexandra – The Sleepless Reader

Resources

  • 14.) Your Gaskell Library – Links to MP3′s, ebooks, audio books, other downloads and reading resources available online: Janite Deb – Jane Austen in Vermont
  • 15) Plymouth Grove – A Visit to Elizabeth Gaskell’s home in Manchester: Tony Grant – London Calling

Sometimes one likes foolish people for their folly, better than wise people for their wisdom.” Elizabeth Gaskell, Wives and Daughters

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“He shrank from hearing Margaret’s very name mentioned; he, while he blamed her–while he was jealous of her–while he renounced her–he loved her sorely, in spite of himself.” Elizabeth Gaskell, North and South

2010 marks the bicentenary of mid-Victorian novelist and short story writer Elizabeth Gaskell’s birth on September 29th, 1810 near London. Best known for her detailed and sensitive portrayals of English social strata, her novels are cherished by literature lovers and social historians for their honest depiction of the life of rich and poor from the first half of the nineteenth century. Five of her books have also been brought vividly to the screen in television mini-series adaptations: The Brontes of Haworth (1973), North and South (1975 & 2004), Wives and Daughters (1999), Cranford (2007) and Return to Cranford (2009).

To honor Mrs. Gaskell’s literary achievement, please join me and other fellow Gaskell enthusiasts for a blog tour in celebration of her birthday. Visit any of the participant’s blogs on Wednesday, September 29th to read about her life and times, and reviews of books and movie film adaptations. On each of the sites you will also find a link to take you to the next blog on the tour. Enjoy!

Biography

  • 1.) Elizabeth Gaskell’s life and times: Vic – Jane Austen’s World

Novels/Biography

  • 2.) Mary Barton (1848) Book: Kelly – Jane Austen Sequel Examiner
  • 3.) Cranford (2007) Movie: Laura – The Calico Critic
  • 4.) Ruth (1853) Book: Joanna – Regency Romantic
  • 5.) North and South (1854–5) Book: Laurel Ann – Austenprose
  • 6.) North and South (2004) Movie: Maria – Fly High
  • 7.) Sylvia’s Lovers (1863) Book: Courtney – Stiletto Storytime
  • 8.) Wives and Daughters (1865) Book: Katherine – November’s Autumn
  • 9.) Wives and Daughters (1999) Movie: Elaine – Random Jottings
  • 10.) The Life of Charlotte Bronte (1857) Book & (1973) Movie, The Brontes of Haworth: JaneGS – Reading, Writing, Working, Playing

 

Novellas

  • 11. Mr. Harrison’s Confessions (1851) Book: Alexandra – The Sleepless Reader
  • 12. My Lady Ludlow (1859) Book: Alexandra – The Sleepless Reader
  • 13. Cousin Phillis (1864) Book: Alexandra – The Sleepless Reader

Resources

  • 14.) Your Gaskell Library – Links to MP3′s, ebooks, audio books, other downloads and reading resources available online: Janite Deb – Jane Austen in Vermont
  • 15) Plymouth Grove – A Visit to Elizabeth Gaskell’s home in Manchester: Tony Grant – London Calling

Sometimes one likes foolish people for their folly, better than wise people for their wisdom.” Elizabeth Gaskell, Wives and Daughters

Portrait of Elizabeth Cleghorn Gaskell (née Stevenson), by George Richmond, chalk, 1851. Bequeathed to the © National Portrait Gallery, London by the sitter’s daughter, Margaret Emily Gaskell, 1913

Elizabeth Gaskell birthday blog tour graphic by Katherine Cox of November’s Autumn

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To prime myself for Return to Cranford, the new Masterpiece Classic sequel to last year’s award-winning mini-series Cranford on PBS, I wanted to read Mrs. Gaskell’s original novel that it was adapted from. Since I am always short of reading time, I chose instead to listen to an audio recording, my favorite pastime during my commute to work. After a bit of research on Cranford audio book recordings, I settled on the Naxos edition. From my experience with their recording of Jane Austen’s novels I knew the quality would be superior. I was not disappointed.

A witty and poignant portrait of small town life in an early Victorian-era English village, Cranford was first published in 1851 as a serial in the magazine Household Words edited by Charles Dickens. Inspired by author Elizabeth Gaskell’s (1810-1865) early life in Knutsford in Cheshire where she was raised by an aunt after her mother’s death and father’s subsequent re-marriage, the novel revolves around the narrator Miss Mary Smith and the Amazons of the community: the authoritative Miss Deborah Jenkyns and her kindhearted but timid younger sister Matty, the always well informed Miss Miss Pole and the self-important aristocratic Mrs. Jamieson. This gentle satire of village life does not supply much of a plot – but amazingly it does not matter. Gaskell has the incredible talent of making everyday occurrences and life events totally engrossing. Miss Matty’s conservative friends, the middle-aged spinsters and widows of Cranford, do not want their quaint life and traditions altered one bit. They like Cranford just as it has always been, therefore when the industrial revolution that swept through England in the 1840’s encroaches upon their Shangri-La, they lament and bustle about attempting to do everything in there power to stop the evil railroad’s arrival. Gaskell is a deft tactician at dry humor, not unlike her predecessor Jane Austen, and the comedy in Cranford balanced with a bit of tragedy is its most endearing quality.

This unabridged audio book recording is aptly read by Claire Willie whose sensitive and lyrical interpretation of Gaskell’s narrative enhanced my enjoyment of the story by two fold. Her rendering of the different characters with change of timbre and intonation was charmingly effective. My favorite character was of course the kindhearted Miss Matty. Even though she is of a certain age she has a child-like naïveté refreshingly seeing her friends and her world in simple terms. In opposition to our present day lives of cell-phones, blackberries and information overload, a trip to Cranford was a welcome respite. I recommend it highly.

2010 marks the 200th anniversary of author Elizabeth Cleghorn Gaskell nee Stevenson’s birth on 29 September 1810 in Chelsea, which was then on the outskirts of London. In celebration of her bi-centenary, Naxos Audiobooks will be releasing three additional recordings of her novels: North and South in February again read by Claire Willis, Wives and Daughters in March read by Patience Tomlinson and Cousin Phillis in May read by Joe Marsh. Happily, I will be enjoying many hours of great Gaskell listening this year.

5 out of 5 Stars

Cranford, by Elizabeth Gaskell
Read by Claire Willie
Naxos Audiobooks, USA
Unabridged, 6 CDs, running time: 7h 02m
ISBN: 978–9626348505

Giveaway

Enter a chance to win a copy of the Naxos Audiobooks recording of Cranford by leaving a comment by 11:59 pm PT on Sunday, January 24th, 2010 stating which character in Return to Cranford on Masterpiece Classic was your favorite, or which other Victorian era author you have read and would like to see an audio book recording made of. Winner will be announced on Monday January 25th, 2010. Shipping to US and Canadian addresses only. Good luck!

UPDATE 01/25/10: The contest has concluded. The winner was announced. Follow this link to discover id it was YOU!

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Image from Return to Cranford: Judi Dench as Miss Matty © BBC Worldwide 2010 for MASTERPIECE

The Masterpiece Classic season premiered last night on PBS with Return to Cranford. For those of us who loved Cranford, the award winning 2007 miniseries set in an idyllic English village populated by bustling bonnets and a bit of melodrama, this new two-part period drama was tagged as must see TV. Dame Judi Dench reprises her role as the compassionate and kindhearted Miss Matty Jenkyns, the heart and soul of the small insular Cheshire village resisting the encroachment of the industrial revolution in 1844 England.

Again, we see three plots cleverly interlaced revolving around the characters of Cranford. It has been two years since Miss Matty’s older sister Deborah died, but her household is lively with the return of her brother Peter (Nicholas Le Prevost), her maid Martha (Claudie Blakley), Martha’s  husband Jem Hearne (Andrew Buchan) a capenter with the railroad and baby Tilly who she cherishes. As the opening credits roll, the camera follows Miss Matty as she proudly takes baby Tilly for a stroll down Cranford’s main street meeting her closest friends; the eccentric Mrs. Forrester (Julia McKenzie) and her beloved cow Bessie (still in protective flannel pajamas), dotty Miss Tomkinson (Deborah Findlay), snobbish Mrs. Jamieson (Barbara Flynn) and quirky gossip Miss Octavia Pole (Imelda Staunton) reminding us of the importance of personal connections in this tight-knit community. This was a nice touch by director Simon Curtis, one of many moments throughout the production that add pause and sentiment.

Meanwhile, Local aristocrat Lady Ludlow (Francesca Annis) is anxiously awaiting the return of her prodigal son Septimus (Rory Kinnear) from Italy after a long absence. Her health is failing and Miss Galindo (Emma Fielding) fears he will not return in time. Also under her watchful eye is young Harry Gregson (Alex Etel), the impoverished local lad who inherited the fortune of Lady Ludlow’s stewart, now on his way to public school in Shrewsbury to receive a gentleman’s education. When Lady Ludlow’s son returns and discovers that the estate has been heavily mortgaged and that young Harry holds the note against it, he attempts to swindle him out of repayment and his fortune.

Newly returned to the neighborhood is wealthy widower, Mr. Buxton (Jonathan Pryce), his handsome Eton-educated son William (Tom Hiddleston) who aspires to be engineer and his outspoken ward Erminia Whyte (Michelle Dockery) fresh from finishing school in Belgium. Miss Matty calls on her old friend and recommends a re-introduction into Cranford society, namely Mrs. Bell (Lesley Sharp) also a widower and her two children Edward (Matthew McNulty) and Peggy (Jodie Whittaker) who live under reduced circumstances at nearby Thorn Cottage. William and Peggy spark a romance challenging social strata and the objections his father.

Even though the railroad’s plans to bring the line all the way to Cranford were halted by Lady Ludlow’s refusal to sell her land, Captain Brown (Jim Carter) is determined to proceed and a new scheme may challenge the resistant village residents in ways they had not imagined, until it too is thwarted. As the economic impact of the railroad’s loss affects Cranford’s young prompting them to leave to seek employment elsewhere, Miss Matty realizes that Cranford’s desire to maintain tradition may be its demise. When she consults her conscience remembering her sister Deborah’s advice, “Examine all things. Hold on to what is good,” she has a revelation. Can she convince her dear friends to also stand behind her new plan?

It was a delight to be back in the parlor sipping tea and melodrama with the endearing ladies of Cranford. Their Victorian life of “busy nothings” is a welcome respite in our modern techno-infused, multi-tasking, frenetically paced world. The elements that I enjoyed in the first mini-series: finely drawn characters, beautiful production values and an outstanding British cast all return in this new sequel. If it suffers in comparison to the original, it is that it has lost a bit of its freshness. The surprise discovery of a new set of characters and plot is now gone. That was inevitable. Adapted by Heidi Thomas from stories written by Elizabeth Gaskell, this sequel is chockablock full of details in its three hours making it a bit too rushed. Cranford was six hours long, and had the great advantage of telling the story involving three plots and multiple characters in a more leisurely pace. There were many funny moments (Miss Pole and the parrot) and some great plot twists for a drama set in a provincial town. However, being the hopeless romantic, I wanted the story to be more drawn out between the two love interests William Buxton and Peggy Bell. Beyond him being handsome, rich and well educated, I was not quite convinced of their attachment to each other and was surprised at his proposal. Overall, the storyline did not quite match my interests as much as the first, but the cast, especially Dame Judi Dench, Imelda Staunton and Andrew Buchan made up for an deficit carrying it along to a shining conclusion. Since this will be the last period-drama produced by the BBC/WGBH for some time, I must savor every be-ribboned bonnet and yard of opulent silk while it lasts. Anglophiles will be quite charmed by Return to Cranford. It does not get much better than this, unless of course, it is Austen!

Image courtesy © BBC Worldwide 2010 for MASTERPIECE

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A comparison (of Elizabeth Gaskell) to Jane Austen for its combination of humor and moral judgment in the observation of character and conduct is often made, not unjustly, though Mrs. Gaskell’s canvas is larger than Austen’s bit of ivory.” Edgar Wright

Victorian-era author Elizabeth Gaskell (1810-1865) has been said to have a “wit to challenge Jane Austen’s, a conscience of social struggle unrivalled by Dickens, and charm and values to enrapture George Eliot’s fans.” This is high praise indeed to be mentioned with such exalted literary company, and we are fortune that several of her novels have been recently adapted into movies by the BBC/WGBH: Wives and Daughter (1999), North and South (2004) Cranford (2007) and now Return to Cranford (2009), which will be presented on Masterpiece Classic on the next two Sundays (January 10th & 17th) on PBS. You can read a preview of the series here.

Like Jane Austen, Mrs. Gaskell wrote six major novels, her last novel Wives and Daughters was published posthumously in 1865. Her characters are so engaging and finely drawn that comparisons to Miss Austen are inevitable. We see a bit of the garrulous Miss Bates (Emma), the melodramatic Mrs. Bennet (Pride and Prejudice) and indolent Lady Bertram (Mansfield Park) in Mrs. Gaskell’s characterizations. Life in the village of Cranford has it’s similarities to Meryton (Pride and Prejudice) and Highbury (Emma) with its small close community, shops and market. However, Gaskell’s narrative is much more expansive than Austen’s, introducing a wider social and economic sphere into her characters lives. We also feel the influence of her contemporaries such as author Charles Dickens’ deeper social commentary and moral sensibility throughout her stories.

Return to Cranford aired in the UK in December, 2009 and was warmly received. This new series has been highly anticipated by many Masterpiece fans, and a fitting opener to the Masterpiece Classic season which also includes a four part adaptation of Jane Austen’s Emma premiering on January 24th, 2010 staring Romola Garai as the clever, handsome but clueless Miss Woodhouse and Jonny Lee Miller as her disapproving neighbor Mr. Knightley. You can prime yourself for the premiere at these fine sites.

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Image from Return to Cranford: Cranford ladies leaving church © BBC Worldwide 2010 for MASTERPIECE

The Masterpiece Classic season premieres on Sunday, January 10th with Return to Cranford, a two part series based on the stories of Victorian-era writer Elizabeth Gaskell. Dame Judi Dench reprises her role of the compassionate Miss Matty Jenkyns, the heart and soul of the small insular Cheshire village resisting the encroachment of the industrial revolution in 1844 England. Also returning as Miss Matty’s dearest friends are Octavia Pole the quirky town gossip (Imelda Staunton – Charlotte Palmer in Sense and Sensibility 1995), the eccentric Mrs. Forrester who dresses her prized cow in flannel pajamas (Julia McKenzie – the eponymous Miss Marple), the self elevated town aristocrat Mrs. Jamieson (Barbara Flynn – Miss Browning in Wives and Daughters) and the dotty but well intentioned Miss Tomkinson (Deborah Findlay – Miss Phoebe in Wives and Daughters). Here is brief synopsis of the first episode from the good folks at PBS:

New life is charmingly apparent in Cranford as Matty Jenkyns enjoys sharing her home with Tilly, the daughter of her maid Martha and carpenter Jem Hearne. Familiar faces including Miss Pole, Mrs. Forrester and Mrs. Jamieson surround Miss Matty in a loving community. Some new faces have arrived as well — Mrs. Bell, her daughter Peggy and son Edward. Mr. Buxton and his son William have returned to town after years away. Young William eagerly aspires to be an engineer, while his father is grieving the loss of his wife. The railway has crept closer to Cranford, but has been halted several miles outside the village. For it to move any further, Lady Ludlow would have to sell part of her land. Captain Brown is determined to make progress for the railway, but meets resistance from the village residents. An unexpected and alarming shift signals yet more change in store for Cranford. Can Matty and the women of Cranford muster support for what inevitably awaits?

Viewers who enjoyed the first six hour mini-series of Cranford last season on Masterpiece Classic will recognize the return of several familiar characters: Martha (Claudie Blakley), Captain Brown (Jim Carter), Sir Charles Maulver (Greg Wise) and Lady Ludlow (Francesca Annis) among many others. New additions rounding out this stellar British cast are William Buxton (Tom Hiddleston) and Peggy Bell (Jodie Whittaker) who offer a new romance in the village for the elders to object too.

Return to Cranford aired in the UK in December, 2009 to much acclaim by critics and strong viewer ratings. It was produced by Sue Birtwistle and Susie Conklin who brought us such classics period dramas as Pride and Prejudice 1995, Emma 1996 and Wives and Daughters 1999. Since the BBC has feigned bonnet fatigue and will not be producing any more period dramas in the immediate future, we must hold fast to this last effort and enjoy it why it lasts. Return to Cranford airs on January 10th and 17th at 9:00 – 10:30 pm eastern on PBS. (check your local listings) Enjoy!

Did you miss the reprise of Cranford that concluded on Sunday, January 3rd? Watch all three episodes of Cranford online at the Masterpiece website until January 10th.

Image courtesy © BBC Worldwide 2010 for MASTERPIECE

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Image from Cranford: Kimberley Nixon as Sophie Hutton and Simon Woods as Dr. Harrison© BBC Worldwide 2007 for MASTERPIECEThe encore presentation of Cranford concludes tomorrow night at 9:00 pm (check your local listings) January 3rd, 2010 with the third episode on Masterpiece Classic on PBS. Here is a brief synopsis from the good folks at PBS.

Dr. Harrison formally asks the Reverend Hutton for permission to court Sophy. Meanwhile, Caroline Tomkinson and Mrs. Rose, Dr. Harrison’s housekeeper, are convinced he is in love with them, unbeknownst to the doctor himself. All of Cranford gathers for May Day celebrations, but the day turns scandalous when town residents believe Dr. Harrison has been courting three women. Exposed as a philanderer, he is shunned by the town. Mr. Carter is horrified to discover a secret about Lady Ludlow. He confronts her, resulting in a heated exchange. Sophy returns to Cranford ill with typhoid fever and Dr. Harrison is barred from tending to her. Meanwhile, disaster strikes at the railway works and the injured are taken to Dr. Harrison’s for emergency treatment, his last chance to redeem himself as all of Cranford looks on. 

Cranford was one of favorite bonnet dramas last year, and happily the story continues with Return to Cranford, two new episodes airing on Sundays, January 10th and 17th. This is a highly anticipated new mini-series continues the quaint story of a group of ladies, spinsters and widows, who not only form the backbone of decorum in this small English village, but are the heart and soul of it as well. Dame Judi Dench, Julia McKenzie, Barbara Flynn, Imelda Staunton and Deborah Finley return in their signature roles with many outstanding British actors from the original mini-series. For all of us who didn’t want the first Cranford to end, we will have our wish for two more Sundays at least!

At the official Cranford website you can check out a full synopsis, cast & credits, a behind the scenes video and watch all three episodes online until January 10, 2010.

Enjoy!

Image courtesy © BBC Worldwide 2007 for MASTERPIECE

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Image from Cranford: Simon Woods as Dr. Harrison © BBC Worldwide 2007 for MASTERPIECEJust a reminder to all to tune into the second episode of Cranford (2007) encore on Masterpiece Classic on PBS tomorrow night at 9:00 pm. Here is a brief synopsis:

As winter approaches, Cranford is beset by sorrows and struggles to regain confidence. Dr. Harrison’s housekeeper, Mrs. Rose, discovers a leg of mutton has been stolen from the kitchen window on the very same night that Mr. Johnson, the local shop owner, is mugged. The ladies decide that a crime wave has hit Cranford. Mr. Johnson is convinced that Job Gregson, the local ne’er-do-well, must be his attacker and Job is arrested. Job’s son, Harry, confesses to Mr. Carter of his own part in the poaching to save his father. When Mr. Carter pleads Job’s case with Lady Ludlow, she is immovable. Christmas arrives and Cranford huddles together to celebrate. Matty reconnects with an old acquaintance, Mr. Holbrook. Meanwhile, Dr. Harrison reveals to his medical school friend, Jack Marshland, about his love for Sophy. But Jack, a perpetual prankster, is up to his usual mischief.

At the official Cranford website you can check out a full synopsis, cast & credits, a behind the scenes video and watch episode 1 online until January 10, 2010.

Enjoy!

Image courtesy © BBC Worldwide 2007 for MASTERPIECE

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Image from Cranford: Judi Dench as Miss Matty © BBC Worldwide 2007 for MASTERPIECE

An encore presentation of Cranford (2007) a three part mini-series begins this Sunday, December 20th at 9:00 pm ET on PBS with the first episode. Here is brief synopsis:

Mary Smith (Lisa Dillon) arrives in the small, rural town of Cranford to stay with two spinster sisters, Deborah (Dame Eileen Atkins) and Matty Jenkyns (Dame Judi Dench). Deborah is the dominating force in Cranford society, and the kind-hearted and eccentric Matty believes her to be the best judge in all matters. The Jenkyns are intrigued when Captain Brown (Jim Carter), his daughter Jessie (Julia Sawalha) , and Jessie’s ailing older sister move into the house across the street.  

A handsome new doctor, Frank Harrison (Simon Woods), also comes to Cranford. A young bachelor trained in London, Dr. Harrison becomes the talk of the town, not only for his revolutionary medical methods, but also for the effect he has on many female hearts. He soon sets his sights on Sophy Hutton (Kimberly Nixon), the rector’s oldest daughter.  

Ten-year-old Harry Gregson (Axel Etel) is caught poaching by Mr. Carter (Philip Glenister) , the trusted estate manager of Lady Ludlow (Francesca Annis ), Cranford’s reigning aristocrat. However, Mr. Carter is so moved by Harry’s dismal poverty, good nature, and intelligence that he offers to secretly teach him to read and write.  

At Lady Ludlow’s garden party, the ladies are scandalized by the news that a new railway line is to be built running straight through Cranford. Is this the end of Cranford?

This will be my second viewing of this production and a great refresher to the characters before Return to Cranford, the continuation of the mini-series airs starting January 10th, 2010. Cranford was one of my favorites from last season on Masterpiece Classic. The casting, production values and direction were excellent. Dame Judi Dench as Miss Matty and Simon Woods as Dr. Frank Harrison were endearing standouts in a cast that swims with stellar British talent. What I cherish most about this miniseries is the story that Elizabeth Gaskell created and how she shows how the shift in England during the 1840’s toward industrialization changed even a small rural village, how each character is affected and their reactions making this a very character driven story, which are my favorite.

Don’t miss it!

Visit the official Cranford website at Masterpiece Classic for casting, full synopsis, behind-the-scenes video and a biography of author Elizabeth Gaskell.

Further reading:

Image courtesy © BBC Worldwide 2007 for MASTERPIECE

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Image of Sarah Chauncey WoolseyIt would have excited in her an amused incredulity, no doubt, had any one predicted that two generations after her death the real recognition of her powers was to come. Time, which like desert sands has effaced the footprints of so many promising authors, has, with her, served as the desert wind, to blow aside those dusts of the commonplace which for a while concealed her true proportions. She is loved more than she ever hoped to be, and far more widely known. Sarah Chauncey Woolsey, Jane Austen’s Letters (1892). 

This quote is from the preface to Jane Austen’s Letters: Selected from the Compilation of her Great Nephew, Edward, Lord Brabourne (1892) by the famous American children’s author Sarah Chauncey Woolsey. As the editor, she selected about seventy eight of the original ninety six letters from the 1884 English edition and wrote the insightful short preface praising Austen and celebrating her recent revival. 

Like Jane Austen, Woolsey wrote under a pen name, was a bit forward thinking in women’s rights and never married. She greatly admired Austen’s character Elizabeth Bennet from Pride and Prejudice. I can feel a bit of Lizzy’s independence and wish to marry only for love in this passage from her poem Of Such As I Have

“Love me for what I am, Love. Not for sake

Of some imagined thing which I might be,

Some brightness or some goodness not in me,

Born of your hope, as dawn to eyes that wake

Imagined morns before the morning break.” 

Read Sarah Chauncey Woolsey’s complete preface to Jane Austen’s Letters (1892) in the Opinions section right here at Austenprose.

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