Giveaway Winners Announced for The Charles Dickens Devotional

A Charles Dickens Devotional, by Jean Fisher (2012)22 of you left comments qualifying you for a chance to win one of three copies of The Charles Dickens Devotional, edited by Jean Fisher. The winners drawn at random are:

  • June who left a comment on February 08, 2012
  • Julie who left a comment on February 08, 2012
  • Dawn Teresa who left a comment on February 17, 2012

Congratulations ladies! To claim your prize, please contact me with your full name and address by February 29, 2011. Shipment is to US addresses only.

Thanks to all who left comments for the giveaway. Winners, I hope you enjoy your books.

© 2007 – 2012 Laurel Ann Nattress, Austenprose

Giveaway Winners Announced for The Solitary House

The Solitary House, by Lynn Shepherd (2012)24 of you left comments qualifying you for a chance to win one of three advanced readers copies of The Solitary House, by Lynn Shepherd. The winners drawn at random are:

  • Aurora who left a comment on February 07, 2012
  • Debra E. Marvin who left a comment on February 07, 2012
  • Melissa who left a comment on February 20, 2012

Congratulations ladies! To claim your prize, please contact me with your full name and address by February 29, 2011. Shipment is to US addresses only.

Thanks to all who left comments for the giveaway, and to author Lynn Shepherd for her great guest blog in celebration of Charles Dickens bicentenary birthday.

© 2007 – 2012 Laurel Ann Nattress, Austenprose

A Charles Dickens Devotional, edited by Jean Fischer – A Review & Giveaway!

A Charles Dickens Devotional, by Jean Fischer (2012)Guest review by Br. Paul Byrd, OP

Hidden like gems among the pages of [Dickens’] novels are numerous religious images and biblical references: in Great Expectations, Pip praying for the Lord to be merciful to Abel Magwitch, a sinner and formidable criminal; in Bleak House, the image of Christ ‘stooped down, writing with his finger in the dust when they brought the sinful woman to him’; in Little Dorrit, adoration of wealth described as ‘the camel in the needle’s eye, (introduction).

As if A Jane Austen Devotional were not enough, fans of 19th century British Christian piety have a chance to sit and meditate on some of the most memorable and beloved stories of English literature with Jean Fischer’s A Charles Dickens Devotional, a collection of over one hundred vivid and engaging passages from nearly every fictional tale Dickens composed, including the ever popular David Copperfield, Oliver Twist, A Tale of Two Cities, A Christmas Carol, and Great Expectations along with the important, but perhaps lesser read masterpieces Bleak House, Dombey and Son, and Little Dorrit. And just as with the Austen devotional, each Dickens passage is paired with a short reflection and scripture quote meant to inspire meditation on a particular moral principle or virtue.

As Fischer writes, “[Dickens] was recognized as a nineteenth-century advocate for the poor and the oppressed,” (210)—the result, of course, of Dickens’ own experiences of poverty and child labor. Indeed, he often supported the underdogs of society in his stories—children, women, the poor—and exposed the structures of society that oppressed the weak and allowed the greedy to exploit others even as they maintained a “Christian” front. Like Jane Austen before him, Dickens knew the power of the pen in exposing hypocrisy and upholding the virtuous. Through a keen observation of human nature—the good and the bad—and through his excellent descriptions, Dickens brings to life characters that are themselves parables; none more so, perhaps, than Ebenezer Scrooge, the miser turned saint and hero of A Christmas Carol.

One of my favorite chapters in this devotional takes its passage from Dickens’ last and unfinished work The Mystery of Edwin Drood. Outside the New Testament, I do not think I have ever read a more scathing description of false philanthropy. How it cuts its subject to the quick and thus, as Fischer points out, challenges the reader to search his or her own conscience. Unfortunately, not all the meditations are equally strong, and I found one in particular that I thought was rather dangerous. In the chapter “Bad Company,” Fischer writes in her meditation “In this world, every day, we come in contact with both Christians and non-Christians. God does not forbid this, but rather He desires that we not get too close to unbelievers and risk being pulled into the enemy’s snare,” (77). I understand the best possible interpretation of that statement, but I still found it overly simplistic and unhelpful, especially in a time when it is becoming ever more important for Christians to dialogue with each other and non-Christians.

That said, this is a devotional, not a theological work, and so readers are expected to bring their own faith with them, using what they find in the book, if they can, and leaving what is unhelpful and uninspiring. If you are afraid that you will be lost in a sea of unfamiliar characters and plots, don’t be; Fischer’s book is designed for the Dickens expert and the lay reader alike. The Dickens framework is merely meant to spark contemplation. If it sparks your literary interest and leads you to read the novels, as well, so much the better. I am sure that fans of Austen and Dickens, will find much to enjoy in this helpful little book, so I give it four stars.

4 out of 5 Stars

A Grand Giveaway of A Charles Dickens Devotional

Publisher Thomas Nelson, Inc. has generously offered a giveaway contest of three copies of A Charles Dickens Devotional. To enter a chance to win one copy, leave a comment stating which quotes from Charles Dickens you think are inspiring, or which of  Charles Dickens’ characters would greatly benefit from this devotional, and why by 11:59pm PT, Wednesday, February 22, 2012. Winners to be announced on Thursday, February 23, 2012. Shipment to the US and Canadian addresses only. Good luck!

A Charles Dickens Devotional, edited by Jean Fischer
Thomas Nelson, Inc. (2012)
Hardcover (224) pages
ISBN: 978-1400319541
NOOK: ISBN: 978-1400319725
Kindle: ASIN: B005ENBBUQ

Br. Paul Byrd, OP is a solemnly professed friar of the Dominican Order of Preachers. Originally from Covington, KY, he earned his bachelor’s degree in creative writing from Thomas More College and his master’s degree in theology from Aquinas Institute of Theology. He is in the writing and publishing graduate program at DePaul University. He is the author of the Dominican Cooperator Blog

© 2007 – 2012 Br. Paul Byrd, OP, Austenprose

In Celebration of Charles Dickens’ 200th Birthday: From Jane Austen to Charles Dickens: Guest blog by Lynn Shepherd, & a Giveaway

Google Celebration of Charles Dickens 2012

We are basically a tried and true Janeite, but quietly confess to admiration of another nineteenth-century novelist also born in Hampshire; – Charles Dickens. His style is entirely different than the witty underpinnings of our beloved Miss Austen, but one cannot ignore his fabulous characterizations and amazing plot twists.

Charles DickensToday is the bicentenary of Dickens’ birth on February 7, 1812 at Landport, in Portsea, near Portsmouth, England. If Miss Austen is wholly a Regency author, then Dickens is her Victorian counterpart in popularity. He would become the most famous author of his day, writing sixteen major novels, traveling the world with his speaking tours and publishing other authors works like Mrs. Gaskell.

Like Jane Austen, Dickens has a huge following of admirers and sequelers. I was thrilled to learn last year that Murder at Mansfield Park author Lynn Shepherd was also a fan of Dickens and had written a novel inspired by one of his most popular works, Bleak House. Published last week as Tom-All-Alone’s in the UK, Lynn’s new novel will also be released in the US in May by Random House as The Solitary House: A Novel.

Lynn is the perfect fellow Janeite to share her thoughts on Dickens’ bicentenary celebration with us on his special day. She has generously contributed a guest blog and a very special chance for readers to win one of three advance readers copies available of The Solitary House. Details of the giveaway are listed below. Welcome Lynn:  

Murder at Mansfield Park, by Lynn Shepherd (2010)The last time I wrote a piece for Laurel Ann it was because I had just written Murder at Mansfield Park; I’m back now to help celebrate Dickens’ 200th birthday because I’m just about to publish a new murder mystery, inspired by his great masterpiece, Bleak House.

It’s a very long way from the elegant ambiance of Regency country houses, to the dark and dirty world of Victorian London, so why did I decide to make the move from Jane Austen to Charles Dickens? And having made that decision, what challenges did I face?

The first thing I realized was that I didn’t want The Solitary House to be the same sort of book as Murder at Mansfield Park. In the latter I had worked very hard to mimic Jane Austen’s beautiful prose style, rigorously checking my vocabulary to ensure it was in use at the time, and replicating the special rhythm of her sentences. But I knew at once that I didn’t want to do the same thing with Dickens. His style is almost as distinctive as hers, but I suspected any attempt to pastiche it would descend very quickly into parody.

Likewise I made the conscious decision not to even attempt to cram in everything Dickens does – his books are astonishingly broad in their scope, with comedy and satire at one extreme, and drama and psychological insight at the other. I’ve always been more interested in the latter than the former, and I confess I do find his caricatures rather tiresome in some of the novels.  So by now I was clear: I wanted to write a book inspired by Dickens, but ‘darker than Dickens’, with no comedy, no caricatures, and in a voice of my own.

The Solitary House, by Lynn Shepherd (2012)The result is a book that runs in parallel with the events of Bleak House, with some of Dickens’ characters appearing in mine, and the two stories coming together and intersecting at crucial moments.  Bleak House is, of course, the very first detective story in English, with the first fictional detective, Inspector Bucket. He appears in my story too – my young detective, Charles Maddox, was once fired from the Metropolitan Police at Bucket’s insistence, and their paths cross again as Charles’ investigation deepens.

Anyone who’s read Murder at Mansfield Park, will recognize the name ‘Charles Maddox’ at once, but we’re now in 1850, not 1811, and this new Charles Maddox is actually the great-nephew of my original Regency thief taker. Old Maddox appears in the book as well, but he’s now an elderly man, and suffering from a disease that we recognize at once as Alzheimer’s, but which was unknown at the time. But when Maddox has lucid periods he is still one of the sharpest minds in London, and Charles will need all his help if he’s to unravel the terrible secret at the heart of this sinister case.

One of the great delights – and challenges – of writing The Solitary House was to go back and re-create Dickens’ London. As many people have said, London is not just a setting in Dickens’ novels, but a character in its own right, and I had the opportunity to be even more forthright about the realities of life in the city than Dickens was able to be. We know far more, in some ways, that Dickens’ middle class contemporaries did, and I’ve tried to bring the 19th-century city to life in all its splendor, all its sin, and all its stink.

Great Expectations (2011) UKOf course many of us owe our mental pictures of Victorian London to the screen adaptations of Dickens’ works, and he does translate particularly well to film and TV. The BBC aired a new – and I think excellent – version of Great Expectations this Christmas, with Gillian Anderson as a chillingly beautiful and aloof Miss Havisham. There was also a new adaptation of The Mystery of Edwin Drood, with a new ending, and some wonderfully atmospheric scenes. There are many other excellent BBC adaptations of the books, and I’m also a great fan of the 1998 Our Mutual Friend, which has a marvelously intense Bradley Headstone, as played by David Morrissey, but my favorite – perhaps unsurprisingly – is the 2005 Bleak House.

Once again Gillian Anderson is utterly convincing and impressive as Lady Dedlock, and she’s supported by a wonderful cast of British character acting at its best. My only quibble is the choice of actor to play Tulkinghorn, as Charles Dance (in my view) is far too young, attractive, and just plain tall, to play the wizened old lawyer I have in my own imagination.

Bleak House (2005) BBCThe other fascinating thing about that Bleak House adaptation was that it was deliberately constructed in half-hour episodes, thereby mimicking the ‘serial publication’ of the original novel. It was a brilliant coup to screen it that way, since it helps us understand how Dickens structured his story with cliff-hangers at the end of each ‘number’, to keep people coming back for more.

And, of course, they did. And they still do, even 200 years after he was born, whether as readers, viewers, or – in my case – writers inspired by his great genius to create something new of their own.

Author Bio:

Lynn Shepherd studied English at Oxford, and later went on to do a doctorate on Samuel Richardson, which has now been published by Oxford University Press. She’s also a passionate Jane Austen fan, writing the award winning Murder at Mansfield Park in (2010), and just released another murder mystery Tom-All-Alone’s in the UK, inspired by Charles Dickens Bleak House. Retitled The Solitary House, it will be released in the US by Random House in May. You can visit Lynn at her  website, on Facebook as Lynn Shepherd, and follow her on Twitter as @Lynn_Shepherd.

A Grand Giveaway of The Solitary House: A Novel

Enter a chance to win one of three advance reading copies available of The Solitary House: A Novel, by Lynn Shepherd by leaving a question asking Lynn about her inspiration to write a Dickens sequel, her research process, or if you have read Bleak House or seen any of the many film adaptations, which your favorite character is by 11:59 pm Wednesday, February 22, 2012. Winners to be announced on Thursday, February 23, 2012. Shipment to US addresses only. Good luck!

Thanks for joining us today Lynn in celebration of one of literature’s most revered and cherished novelist of all time on his special day. Best of luck with your new mystery novel The Solitary House. I am so looking forward to reading it. 

© 2007 – 2012 Lynn Shepherd, Austenprose

Preview of Cranford, by Elizabeth Gaskell (Oxford World’s Classics) New Edition

Cranford, by Elizabeth Gaskell (Oxford World's Classics) 2011We have several of Oxford World’s Classics editions in our library and are quite partial to their expanded editions. From Austen to Radcliffe to Burney to Gaskell, whatever they take on, their introductions and supplemental material are excellent.

The news of this new revised paperback edition of Elizabeth Gaskell’s Cranford is quite exciting. Due out on June 9, 2011 in the UK and August 15, 2011 in the US from Oxford University Press, it will include a new introduction, notes and additional supplemental material. We are quite certain that our friend Katherine at Gaskell Blog will also be anxious to get her mits on it too. Here is a description from the publisher:

A vivid and affectionate portrait of a provincial town in early Victorian England, Elizabeth Gaskell’s Cranford describes a community dominated by its independent and refined women. This edition includes two related short pieces by Gaskell, “The Last Generation in England” and “The Cage at Cranford.” Dinah Birch’s introduction reflects recent revaluations of Gaskell’s work and the growing recognition that Cranford is much more than the gently charming comedy that is was once taken to be. The book includes an up-to-date bibliography and expanded notes.

Features

  • A new edition of a much-loved classic, Elizabeth Gaskell’s comic portrayal of a Victorian small town dominated by women.
  • Dinah Birch’s introduction reflects recent revaluations of Gaskell’s work, focusing on Gaskell’s response to social change as it transformed the lives of provincial women, and the growing recognition that Cranford is much more than the gently charming comedy that is was once taken to be.
  • Includes two related short stories, ‘The Cage at Cranford’ and ‘The Last Generation in England’.
  • An appendix includes a selection of extracts from Dickens, Dinah Craik, Wilkie Collins, Ruskin and other contemporary novelists and social commentators on the coming of the railway, banking failures, household management, fashion, Oriental entertainers and the novel’s first reviewers to illustrate the diverse contexts in which Cranford took its place.
  • Up-to-date bibliography and expanded notes.
  • Introduction by Dinah Birch.
  • Up–to-date bibliography.
  • Revised chronology.
  • Explanatory Notes by Dinah Birch.
  • Appendix of contemporary responses to the novel and contemporary comment on household management, costume, financial and commercial controversies relevant to the text.
  • Reset Gaskell text.

Product Details

Cranford, by Elizabeth Gaskell (Oxford World’s Classic)
Oxford University Press (June 9, 2011 in UK) (Aug 15, 2011 in US)
Trade paperback (256) pages
ISBN:  978-019955830

About the editors

Elizabeth Porges Watson is Lecturer in English at the University of Nottingham. Dinah Birch is Professor of English Literature at the University of Liverpool.

Many of you may be familiar with the story of Cranford from the two BBC/PBS mini-series starring Judi Dench, Eileen Atkins and an incredible British cast. It was a delightful adaptation of Gaskell’s short stories and we encourage you to read our reviews and seek out this new edition of the novel when it is released in August. Mrs. Gaskell’s characterizations are humorous, charming and poignant, and we are very pleased to see her being given this new edition which appears to be quite thorough in scholarly research and engaging detail.

© 2007 – 2011 Laurel Ann Nattress, Austenprose