From the desk of Lisa Galek:
Fantasy novels with a supernatural bent are all the rage right now. So, if you love a battle between the forces of good and evil… all set against the backdrop of the upper-crust society of 1812 London, then The Dark Days Club by Alison Goodman should be on your reading list.
We meet 18-year-old Lady Helen Wrexhall on the eve of her presentation to Queen Charlotte. Helen’s mother, who drowned at sea ten years before, was allegedly a traitor to England, and Helen’s current guardians—her aunt and uncle—really hope this won’t affect Helen’s chance of making a good marriage. After all, isn’t that the best that any young lady with fortune and tainted family connections can hope for?
But, Helen has other ideas. Wilder ideas. She gets the feeling she’s meant for something more than ballrooms and husband hunting. When she meets the mysterious Lord Carlston, who has quite the checkered past himself, she discovers that the growing spirit inside her actually points to the rare ability to identify and destroy a group of supernatural baddies that are overrunning England. Will Helen follow her demon-fighting destiny with Lord Carlston? Or will she resign herself to the life of a proper English wife instead?
The Dark Days Club is the first in what will be a series of novels focused on Lady Helen and her adventures in Regency London. It actually reminded me a lot of The Mortal Instruments series by Cassandra Clare (which actually has a Victorian spinoff of its own). The basic premise is the same—a young girl with a mysterious family history finds out she actually has the ability to fight supernatural villains. It’s miles from a Jane Austen novel, but the author does a great job of giving us the Georgian-era feel while still mixing in elements of mystery and fantasy. Continue reading
From the desk of Katie Patchell:
Digital Cameras. Laptops. Word documents and Note Apps. In 2015, these and countless other electronic items are used to quickly capture memories and jot down thoughts. But in 1815, the primary means of recording moments and ideas was through paper, pen, and paintbrush. Novels, journals, and artwork show moderns what life was like in the early 1800s, bringing readers and viewers into the thoughts and events of two centuries ago. In The Painter’s Daughter, Julie Klassen’s latest Regency romance set against the backdrop of Devon’s towering cliffs, readers discover a story of secrets and danger, prophecies and hope. But unlike the portraits from the Regency period, “viewers” are not given a glimpse of 1815 through the paint on a canvas, but rather through the story of the painter herself.
March 1815: Captain Stephen Marshall Overtree has only a few short weeks left of shore leave before he returns to the Navy, and he has one last family duty to perform: Locating his wayward brother, Wesley. Stephen digs up his brother’s last address at a painter’s cottage and rides to the small seaside town, Lynmouth. His plan is simple—find Wesley, and return to his blissfully regimented life in the Navy. But his retrieval plan is ruined when on his arrival at the Devon seaside, all he finds is a locked cottage, crates of paintings, and a beautiful woman standing perilously close to a cliff’s edge. Continue reading
All good things must come to end. And so it seems must my favorite historical romance series, The Pink Carnation—offering us its twelfth and final installment, The Lure of the Moonflower. *deep sigh*
For eleven novels author Lauren Willig has enchanted us with Napoleonic spies, romance and laughter. It has been an amazing ride while it lasted. Now with one last fling ahead of me I started to read (and listen to the audio edition) this new novel. Pushing aside my deep lament, I came to the realization that I am a sappy sentimentalist. Honestly, how could I not be? I had been duly “Pinked”.
It is very fitting that this final book in the series focuses on Miss Jane Wooliston – the Pink Carnation herself, the infamous English spy who gave “the French Ministry of Police headaches” and “who had caused Bonaparte to gnash his molars into early extraction…” Let’s hope I have teeth by the end of the book.
It is 1807 and Napoleon’s army has invaded Portugal. At the urging of the British government, the Royal family has fled, sailing away to their colony in Brazil. Working as a British spy Jane is in Lisbon, the capital of a country that she is not familiar with nor does she speak the language. Her local contact is Jack Reid, aka the Moonflower, a rogue operative whose notorious turncoat antics are as fluid as the tide. The natural son of Scotsman Colonel William Reid and an Indian Princess, Reid is unaware of his connection to Jane through the marriage of her fellow spy Miss Gwendolyn Meadows to his father. She must convince Reid to assist her in discovering the whereabouts of the Mad Queen Maria who has been sequestered away by loyalists. The French are looking for her too in the hopes of using her influence to manipulate their cause. Besides the touchy family connection, Jane’s paring with Jack Reid is more than a bit awkward. He does not believe she is the Pink Carnation. She is very leery of his true loyalty. Continue reading
From the desk of Katie Patchell:
In 2012, author Patrice Kindl published her Regency debut, Keeping the Castle. Heralded by critics as part Jane Austen and part I Capture the Castle (Dodie Smith’s classic), Keeping the Castle is set in the memorable town of Lesser Hoo, Yorkshire, and filled with quirky (and mostly loveable) characters, witty and very quote-worthy lines, and one very spectacular heroine. Really, what’s not to love? Sadly, a return to the characters and town discovered in Keeping the Castle seemed only possible through a re-read rather than a sequel…until this month, that is! In A School for Brides, Patrice Kindl’s companion novel to Keeping the Castle, readers return to the small village of Lesser Hoo to see the latest comedic mayhem caused by old and new residents alike.
“Mark my words. If something drastic is not done, none of us shall ever marry. We are doomed to die old maids, banished to the seat farthest from the fire, served with the toughest cuts of meat and the weakest cups of tea, objects of pity and scorn to all we meet. That shall be our fate, so long as we remain in Lesser Hoo.” (A School For Brides, p. 1)
From the desk of Jenny Haggerty:
I am going to miss Jane and Vincent, Mary Robinette’s heroes in her acclaimed Glamourist Histories series. Of Noble Family is the married couple’s fifth and final adventure set in an alternate Regency Britain enhanced by glamour, the loveliest system of magic I’ve encountered. But while their glamoured displays are often breathtaking, Jane and Vincent have taken ether-based illusions far beyond the ubiquitous drawing room decorations created by accomplished young women. In previous books they’ve found practical, if hair-raising, applications for glamour in the war against Napoleon, the Luddite riots, and an escapade involving pirates on the Mediterranean. For this last story the couple will be off to the Caribbean.
When the book opens, Jane and Vincent have been resting after their harrowing exploits on the Italian Island of Murano and enjoying the company of Jane’s family, especially her sister Melody’s new baby boy, who is already showing a precocious ability to see inside glamoured images. But things don’t stay relaxing for long. Vincent receives a letter from his brother Richard that turns their world upside down.
The first shocking piece of news is that Vincent’s father has died of a stroke at the family estate on the Caribbean island of Antigua. Lord Verbury fled to the island in an earlier book to avoid being imprisoned for treason. Since Vincent was badly abused by his father while growing up, the death wasn’t as upsetting to him as it might be, but the bad news didn’t end there. Upon their father’s death, Vincent’s oldest brother Garland inherited the title Lord Verbury, bought himself a new barouche-landau, and then died when the vehicle overturned on the badly maintained road leading to Lyme Regis. Vincent’s middle brother, Richard, was severely injured in the accident, losing one of his feet. In his letter Richard asks Vincent for a very large favor. Continue reading
From the desk of Katie Patchell:
While most of Jane Austen’s beloved novels are set in the countryside or resort towns, there is one that stands out from the rest because of its tantalizing glimpses of life at sea: Persuasion. In Jane Austen’s novel, readers discover her own admiration for the daring men in the British Navy with her addition of the remarkable Captain Wentworth into her cast of Regency heroes. Debut author Jennifer Moore follows Jane Austen’s lead by focusing on Navy life during the 1800s in her 2014 Regency romance, Becoming Lady Lockwood, a novel featuring a brave heroine, heroic captain, and the excitement and peril of life on the high seas.
At twenty, Amelia Beckett has happily accepted her sudden widowhood—after all, she’d never met Lord Lawrence Walter Drake, Earl of Lockwood, the man her father had forced her to marry. Amelia expects her life to continue as before; her father, now content, would continue living a debauched lifestyle in London, and she would run the family’s sugarcane plantation in Jamaica, finally free of chaperones and matchmakers. But Amelia’s plans are dashed when her father commands her to travel to London in order to fight for Lord Lawrence Drake’s fortune, and he sends the one man who will fight against her rights in court to pick her up: Captain William Drake, brother to Amelia’s deceased husband, and new Earl of Lockwood. Continue reading
From the desk of Katie Patchell:
Captain Wentworth and Anne Elliot’s romance in Jane Austen’s Persuasion is one of the most captivating in classic literature. Opinion varies as to what it is that makes their romance so satisfying, but something almost all fans of Persuasion can agree with is the complete beauty that is found when a hero and heroine, after long separation and opposition, discover that the time apart has done nothing to lessen the strength of their affection. Sarah M. Eden follows this timeless pattern in her latest Regency romance, For Elise, but unlike in Persuasion, the hero and heroine do not face a father’s disapproval or society’s disappointment—they face a murderer.
It is the spring of 1815, and Miles Linwood, recently returned from the West Indies, cannot pass a day without being haunted by memories of his carefree childhood friend and neighbor, Elise. Four years previously a tragedy had shattered both of their lives, leaving them to cope as they always did: together. A few weeks later and with no explanation Elise left Miles’ estate, vanishing without a trace—until four years later, when Miles catches a glimpse of familiar brown curls and Elise’s peculiar blue eyes in a small town. Miles is overjoyed to discover his best friend, but Elise is drastically altered from who she used to be, and is now hostile and untrusting, particularly towards Miles. Continue reading