From the desk of Kimberly Denny-Ryder:
What would you do if you realized your entire childhood was a farce? Of course we occasionally hear of stories of children who are mistakenly switched at birth, or whose families raise them in oppressive cults or religions that distort their very realities. It would be quite a lot to take in once the truth was uncovered, and that is precisely the focal point of P.O. Dixon’s latest offering, Lady Elizabeth: Everything Will Change, the first of two works.
Over a decade ago, the Duke of Dunsmore experienced a great tragedy in his life: his only son and granddaughter died in a horrific carriage accident, with only his daughter-in-law and his grandson surviving. Wrecked with guilt, he is desperate to bring happiness back into his family’s life. While visiting Lambton he notices a young and pretty girl, kidnaps her and raises her as his own granddaughter. This girl, who is only four at the time, is raised without want for anything. She is known as Lady Elizabeth, and her life is quite carefree, that is until a Mr. Fitzwilliam Darcy decides to upend it. He finds that Lady Elizabeth, whom he has known for her whole life, resembles the sisters of the Bennet family. They reside in an estate near Netherfield Park, where he is currently staying with his friend, Mr. Bingley. What will become of Darcy as he attempts to unravel this decade-old mystery? And what will become of the growing attachment he seems to have forged with the woman at the center of it all? Continue reading
From the desk of Monica Perry:
When I first heard that some of the authors from austenvariations.com were planning a Pride and Prejudice: Readers’ Choice collaborative story wherein Mr. Darcy had a younger brother, I was all excited curiosity–a story with two Mr. Darcys? Yes, please! Would Mr. Theophilus Darcy be strong and stoic like his elder brother, a model of amiability like Mr. Bingley, or perhaps more of a rakish Mr. Wickham? Participating in the Readers’ Choice voting each week and having so much interaction with the writers was great fun, and I was eager to read this published version of The Darcy Brothers. Monica Fairview, Maria Grace, Cassandra Grafton, Susan Mason-Milks, and Abigail Reynolds are authors whose works I’d read and loved in the past, and The Darcy Brothers was no exception.
From the very first page, as Theo and Fitzwilliam Darcy reluctantly make their way to Rosings Park for Easter, we see the way they typically interact (read: Theo pushes Darcy’s buttons and Darcy gets his trousers in a twist). In the wake of childhood tragedy and the more recent near-elopement of their young sister Georgiana with Theo’s friend Mr. Wickham, their relationship is strained and they’ve all but given up on getting along. Darcy is dismissive and distrustful of Theo, and Theo delights in vexing him because he knows he’ll never live up to Darcy’s impeccable standards anyway. When Theo makes the acquaintance of the charming Miss Elizabeth Bennet they form an easy friendship, and Darcy begins to feel that twisting sensation again, a little nearer his chest this time. Each brother’s affection for Elizabeth is noted by the other and although they don’t see eye to eye, each wants the other to be happy. How far would a Darcy go to make it happen, even if it goes against his heart’s desire? Bargains are struck and along with some meddling assistance from Georgiana, Anne de Bourgh and Colonel Fitzwilliam, and a surprising series of events at Rosings, Darcy and Theo begin to see themselves, and each other, in a different way. Darcy realizes he has underestimated Theo, withheld the praise and affection a younger sibling craves, and used him as an easy scapegoat; likewise, Theo sees he’s had a childish understanding of Darcy’s responsibilities as heir. Can they overcome their pride and start again, and will it last? Continue reading
From the desk of Christina Boyd:
In this wild, wild west of the new publishing world, we are seeing more books being published and through many different avenues. No longer are traditional publishers the only way to get a book into the hands of readers as there are smaller independent presses, hybrid publishers and many self-publishing resources. In the past, I have been an unabashed on-line Jane Austen fan fiction reader. During the height of my on-line Jane Austen fan fiction (JAFF) addiction, I might have followed anywhere from 10 to 15 works-in-progress (WIPs) at various on-line sites. Anything from continuations (a story that continues after the original novel ends), alternative universe (a story when the author deviates from the original canon and creates events to effect a different action) and even crossovers (a fan fiction integrating characters and places from another story source). But I must confess, as many of these on-line authors have taken their stories to the next step and even stepped away from posting their new works on-line, I too have transferred my reading of on-line fan fiction to my e-reader by purchasing the published works and even adding the bound books to my collection.
One rainy day in December, I found myself reading in my pajamas all day author Joana Starnes’ newly released “The Falmouth Connection”. I was instantly engaged by the unexpected, surprisingly smart, and innovative handling of “Pride and Prejudice” in a very alternate universe where Elizabeth becomes an heiress to a fine fortune. Therefore, when Laurel Ann, our blogmistress, asked if I would be interested in reading Starnes “The Second Chance: A ‘Pride & Prejudice – ‘Sense & Sensibility Variation’ ” for review, how could I not jump at the chance! Continue reading
From the desk of Kimberly Denny-Ryder
Last year I had the pleasure of being introduced to Jane Austen fan fiction author C. P. Odom via his novel Consequences. His writing invoked deep feelings, as he was able to draw me in completely to his story. He had me fully enveloped in his characters and their lives, which resulted in Consequences being one of my favorite reads of 2014. When I heard about his latest “what-if” novel, Pride, Prejudice and Secrets, I immediately began searching for a way to receive a review copy.
Secrets tells the tale of our beloved Lizzie and Darcy in Jane Austen’s Pride and Prejudice, although it’s Elizabeth now instead of Jane who falls ill in an untimely manner. Darcy has just worked up the courage to deliver an ill-conceived and prideful offer of marriage, and Elizabeth, still in a haze and unsteady from sickness, accepts his offer. When she fully recovers from her ailments, however, she is mortified to learn that she is betrothed to “the last man in the world whom I could ever be prevailed on to marry.” Not only this, but all of society has become accustomed to the prospect, so for her to break off said engagement would be the equivalent of social banishment, not to mention the effect it would have on her unmarried sisters. How, then, is she to avoid this unfortunate misunderstanding and escape with her and Darcy’s pride unharmed? She has to use every ounce of her sharp wit and captivating personality to pull off this accomplishment. Will she be forced to remain with Darcy or will she be able to extract herself with her reputation intact? Continue reading
From the desk of Jenny Haggerty:
The holidays make me nostalgic for past times I’ve never actually experienced, so I leapt at the chance to spend the Yuletide season with Jane Austen. Jane and the Twelve Days of Christmas is the twelfth installment in a series that features one of my favorite novelists as an amateur sleuth, but so far I hadn’t managed to read one of them. It seemed high time to rectify that lapse, especially since author Stephanie Barron studied European history in college and then worked as a CIA analyst, highly suitable credentials for writing a story of intrigue set in the past.
The book opens on a blizzardy, bitterly cold evening with Jane Austen, her mother, and her sister Cassandra traveling by coach to the home of Jane’s eldest brother James and his family in Hampshire. Unfortunately when they reach the end of the public line the women find that James has sent an unlighted open horse cart for the last few miles of their journey, even though it’s dark outside and blowing snow. Both Jane’s mother and sister have their heads bowed to prevent the snow from stinging their faces, so it’s only Jane who sees the rapidly approaching carriage heading straight for them. There’s a terrible crash and the ladies are thrown to the floor of the now ruined cart, but almost as shocking is the language of the gentleman in the carriage. Raphael West comes gallantly to their rescue and certainly acts with consideration and grace, but he proves he must be some kind of freethinker by swearing in front of them without reservation. Jane is intrigued. Continue reading
From the desk of Ruth Anderson:
Jane Austen’s unparalleled wit, biting social commentary, and sharply-drawn characters have transformed works that were once private scribblings, shared only with family, to classics beloved the world over. For the spinster daughter of a clergyman, Jane Austen’s work has proven to have a remarkable staying power, the unforgettable characters and storylines having been indelibly imprinted on the public consciousness, giving rise to a wide array of interpretations – from stage plays to films – as well as sequels or spin-offs. When I was approached with the opportunity to review Charlie Lovett’s First Impressions, I was simultaneously intrigued and wary, as it promised to address the creation of two of my most beloved characters in all of literature – Elizabeth Bennet and Fitzwilliam Darcy from Pride and Prejudice.
Happily, Lovett’s charming sophomore effort won me over on all counts. This is both a loving homage to the enduring power and appeal of Austen’s stories and the passion that her works inspire, but the power of story. Bibliophiles of the type featured within these pages such as Lovett’s heroine Sophie are uniquely wired to grasp the inherent power and potential of words, and of how stories can forge connections across time and experience, knitting together authors and those who love their words in a community of common ground birthed from the shared reading experience, no matter how varied the respective interpretation. Continue reading