From the desk of Katie Patchell:
Two years ago The Austen Project launched their first reimagined Jane Austen novel in the series, Sense and Sensibility (by Joanna Trollope), that has so far included Northanger Abbey (by Val McDermid), and the most recent, published in April of this year—Emma: A Modern Retelling by Alexander McCall Smith. Heralded as ‘Jane Austen—Reimagined,’ each successive book has gathered mixed reviews, yet also a wide readership, as many fans of Jane Austen’s beloved classics look forward to finding out (with anticipation or trepidation) how each of Austen’s six novels have been modernized.
While I’ve enjoyed reading each of The Austen Project books so far, there’s a common issue faced in each of them, one that should be addressed in reviews and even everyday conversation. This issue is: How much can be modernized in any classic update without detracting from the original book? It’s always difficult to decide, as a reader and I’m sure as an author, what can be updated and altered for the 21st century, and what has to stay the same in order for the story to honor the original (and author’s intent). For instance, there are some things—such as views on love, sex, and marriage—that have been updated in this version of Emma to fit the author’s modern beliefs, which do not fit with the original Emma’s written views on these issues or Jane Austen’s beliefs. Some things hold true throughout the centuries, and sometimes removing these in a modern interpretation of a classic significantly takes away from the integrity and meaning of the story. Some of the differences found in this modernization include: Miss Taylor initially moves in with Mr. Weston before their marriage, Emma casually calls her dad ‘Pops’ all the time, Isabella Woodhouse and John Knightley are expecting twins before saying ‘I do,’ and Emma wonders if she’s attracted to females while painting Harriet in the nude. Continue reading
From the desk of Kimberly Denny-Ryder:
I’ve always been a sucker for dark and brooding men in romance novels (hello Mr. Darcy!) One trait that seems to go along well with these types of characters is that they are loners in their own right. Yes, they may have friends and family around them, but their internal isolation is the first thing that they must overcome before they take on a new romantic interest. I find this struggle quite interesting, and therefore was excited to read The Loner by Kate Moore, which stars a loner much in the same predicament.
Will Sloan is a loner with a tough upbringing, coming from nothing and making a name for himself. His mother was a waitress and his father was a rodeo cowboy, killed in a tragic accident in the ring. The former scholarship student is now a wealthy tech entrepreneur, with a net worth in the billion dollar plus range. By all conventional accounts he shouldn’t have any shortage of friends, yet he still finds himself adrift amongst the party atmosphere of L.A., while his so-called friends urge him to get out and find Mrs. Right. He decides to attend his high school reunion on a whim in order to get out of this funk, and that’s when it happens: he sees Annie again. Continue reading
From the desk of Lisa Galek:
There’s so much we don’t know about Jane Austen. Her sister, Cassandra, burned many of Jane’s letters when she died leaving many details of her life lost to time. Is it possible that the author of many of the world’s most memorable stories on love and marriage never married or had children of her own? In Aerendgast, Rachel Berman imagines a new history for our favorite author in a mystery adventure that’s one part Austen biography and one part The Da Vinci Code.
Violet Desmond doesn’t know much about her past. She was raised by her grandmother who never mentioned the truth about Violet’s parents or the tragic accident that left her an orphan. But, when Violet’s grandmother dies and leaves her a beautiful cameo necklace and a trunk filled with papers, Violet finally realizes she’s found the tools she needs to hunt down the truth… which also may have something to do with her favorite author, Jane Austen. Continue reading
From the desk of Lisa Galek:
When most people think of Jane Austen, they probably don’t think of ballet. I know I certainly didn’t. That was until I read The Muse. With her contemporary reimagining of Pride and Prejudice, Jessica Evans proves that the demanding and competitive world of a professional ballet company is exactly the place where you might find a modern Elizabeth Bennet and Mr. Darcy.
Elizabeth Bennet is a young dancer at the Ballet Theater of New York. While Elizabeth might not have her sister Jane’s perfect technique or ideal body, she still dreams of rising up the ranks to one day become a star. That’s why she’s thrilled when she finds out that she’s been cast in an upcoming ballet by former superstar dancer and legendary choreographer, William Darcy.
But, when Elizabeth finally meets Darcy, he’s not what she imagined at all. Sure, Darcy is immensely talented (and incredibly dreamy), but he’s also arrogant, abrasive, and dismissive in rehearsals. When Darcy asks Elizabeth for help as he choreographs, she grows to dislike him even more. What Elizabeth doesn’t realize is how much she’s inspiring Darcy as he creates. He’s finally found his muse. Continue reading
From the desk of Kimberly Denny-Ryder:
Mary Jane Hathaway’s Jane Austen Takes the South series has a new addition. Persuasion, Captain Wentworth, and Cracklin’ Cornbread was just released last month and follows Pride, Prejudice and Cheese Grits, and Emma, Mr. Knightley and Chili-Slaw Dogs. Readers should not worry if they haven’t read the other two novels in the series. Each book can be read as a stand-alone. The title was enough to pique my interest. I’m always a fan of Persuasion retellings (in my opinion, there aren’t enough of them.) So, it seemed like a forgone conclusion that I would quickly turn the pages of this read, and discover a new (to me) author.
Every community has some well-renowned and connected families that are integrated into the local history and fabric of the area. One of these families is the Crawfords, a wealthy, respected family from Brice’s Crossroads, Mississippi. One of the Crawford daughters, Lucy, has recently felt the respect of her family wane slightly as her mother’s death throws the family estate into disrepair and her father’s debts become public knowledge. Terrified that she may be forced to sell the family mansion in all its former beauty, Lucy is intrigued to learn from her Aunt Olympia that there may be a way to save the property. A local medical clinic has been looking for a larger space for their practice, and the Crawford mansion would be a perfect new home for the organization. The only problem, however, is that one of the clinic doctors is Lucy’s high school sweetheart and first love, Jeremiah Chevy. Jeremiah and Lucy had a tumultuous history due to Jeremiah’s family and upbringing, which led to their break-up despite her strong feelings for him. Ten years later, Jeremiah is again in Lucy’s life, now a charming doctor who is the envy of all the other ladies in town. Will she be able to get him to forgive her past actions and see if their old flame can be re-ignited? Continue reading
From the desk of Ruth Anderson:
Jane Austen’s unparalleled wit, biting social commentary, and sharply-drawn characters have transformed works that were once private scribblings, shared only with family, to classics beloved the world over. For the spinster daughter of a clergyman, Jane Austen’s work has proven to have a remarkable staying power, the unforgettable characters and storylines having been indelibly imprinted on the public consciousness, giving rise to a wide array of interpretations – from stage plays to films – as well as sequels or spin-offs. When I was approached with the opportunity to review Charlie Lovett’s First Impressions, I was simultaneously intrigued and wary, as it promised to address the creation of two of my most beloved characters in all of literature – Elizabeth Bennet and Fitzwilliam Darcy from Pride and Prejudice.
Happily, Lovett’s charming sophomore effort won me over on all counts. This is both a loving homage to the enduring power and appeal of Austen’s stories and the passion that her works inspire, but the power of story. Bibliophiles of the type featured within these pages such as Lovett’s heroine Sophie are uniquely wired to grasp the inherent power and potential of words, and of how stories can forge connections across time and experience, knitting together authors and those who love their words in a community of common ground birthed from the shared reading experience, no matter how varied the respective interpretation. Continue reading
From the desk of Katie Patchell:
Why is it that Jane Austen’s novels, particularly Pride and Prejudice, have had so many continuations, sequels, and contemporary versions based off of the originals? It’s not just the fact that her books are classics—after all, you don’t see many contemporary versions of Jane Eyre. Or Dickens. How many modern versions of Oliver Twist have you read lately? Don’t get me wrong—the brooding hero, quiet governess, gothic mystery, and melodrama are characters and themes loved by many fans, but there’s just something about Jane Austen’s wit, happy endings, realistic romance, and down-to-earth heroes and heroines that transcends space and time. Whereas Jane Eyre and Oliver Twist (and countless other classics) can only be updated with difficulty because of their two-dimensional characters and highly improbable circumstances, Pride and Prejudice, Emma, Persuasion, etc. have complex characters facing realistic issues, and can be updated to virtually any situation, generation, or social class.
In Marilyn Brant’s latest contemporary reimagining, Pride, Prejudice and the Perfect Bet, the story focuses not on Elizabeth and Mr. Darcy, but rather on the often-overlooked secondary characters in Austen’s original, Jane Bennet and Mr. Bingley, as they participate in the perfect bet—the bet of true love! Continue reading