From the desk of Kimberly Denny-Ryder:
Mary Jane Hathaway’s Jane Austen Takes the South series has a new addition. Persuasion, Captain Wentworth, and Cracklin’ Cornbread was just released last month and follows Pride, Prejudice and Cheese Grits, and Emma, Mr. Knightley and Chili-Slaw Dogs. Readers should not worry if they haven’t read the other two novels in the series. Each book can be read as a stand-alone. The title was enough to pique my interest. I’m always a fan of Persuasion retellings (in my opinion, there aren’t enough of them.) So, it seemed like a forgone conclusion that I would quickly turn the pages of this read, and discover a new (to me) author.
Every community has some well-renowned and connected families that are integrated into the local history and fabric of the area. One of these families is the Crawfords, a wealthy, respected family from Brice’s Crossroads, Mississippi. One of the Crawford daughters, Lucy, has recently felt the respect of her family wane slightly as her mother’s death throws the family estate into disrepair and her father’s debts become public knowledge. Terrified that she may be forced to sell the family mansion in all its former beauty, Lucy is intrigued to learn from her Aunt Olympia that there may be a way to save the property. A local medical clinic has been looking for a larger space for their practice, and the Crawford mansion would be a perfect new home for the organization. The only problem, however, is that one of the clinic doctors is Lucy’s high school sweetheart and first love, Jeremiah Chevy. Jeremiah and Lucy had a tumultuous history due to Jeremiah’s family and upbringing, which led to their break-up despite her strong feelings for him. Ten years later, Jeremiah is again in Lucy’s life, now a charming doctor who is the envy of all the other ladies in town. Will she be able to get him to forgive her past actions and see if their old flame can be re-ignited? Continue reading
From the desk of Ruth Anderson:
Jane Austen’s unparalleled wit, biting social commentary, and sharply-drawn characters have transformed works that were once private scribblings, shared only with family, to classics beloved the world over. For the spinster daughter of a clergyman, Jane Austen’s work has proven to have a remarkable staying power, the unforgettable characters and storylines having been indelibly imprinted on the public consciousness, giving rise to a wide array of interpretations – from stage plays to films – as well as sequels or spin-offs. When I was approached with the opportunity to review Charlie Lovett’s First Impressions, I was simultaneously intrigued and wary, as it promised to address the creation of two of my most beloved characters in all of literature – Elizabeth Bennet and Fitzwilliam Darcy from Pride and Prejudice.
Happily, Lovett’s charming sophomore effort won me over on all counts. This is both a loving homage to the enduring power and appeal of Austen’s stories and the passion that her works inspire, but the power of story. Bibliophiles of the type featured within these pages such as Lovett’s heroine Sophie are uniquely wired to grasp the inherent power and potential of words, and of how stories can forge connections across time and experience, knitting together authors and those who love their words in a community of common ground birthed from the shared reading experience, no matter how varied the respective interpretation. Continue reading
From the desk of Katie Patchell:
Why is it that Jane Austen’s novels, particularly Pride and Prejudice, have had so many continuations, sequels, and contemporary versions based off of the originals? It’s not just the fact that her books are classics—after all, you don’t see many contemporary versions of Jane Eyre. Or Dickens. How many modern versions of Oliver Twist have you read lately? Don’t get me wrong—the brooding hero, quiet governess, gothic mystery, and melodrama are characters and themes loved by many fans, but there’s just something about Jane Austen’s wit, happy endings, realistic romance, and down-to-earth heroes and heroines that transcends space and time. Whereas Jane Eyre and Oliver Twist (and countless other classics) can only be updated with difficulty because of their two-dimensional characters and highly improbable circumstances, Pride and Prejudice, Emma, Persuasion, etc. have complex characters facing realistic issues, and can be updated to virtually any situation, generation, or social class.
In Marilyn Brant’s latest contemporary reimagining, Pride, Prejudice and the Perfect Bet, the story focuses not on Elizabeth and Mr. Darcy, but rather on the often-overlooked secondary characters in Austen’s original, Jane Bennet and Mr. Bingley, as they participate in the perfect bet—the bet of true love! Continue reading
From the desk of Kimberly Denny-Ryder:
We all make first impressions. Every time we meet a stranger we immediately form an initial opinion, whether it be good, bad, objective, subjective, or any other form. Sometimes, after meeting this person, his/her actions fall so far opposite to your initial impression that it simply astounds you. I myself am guilty of developing a wrong first impression. When I first met my husband, I felt he was a bit odd. Yet here we are, still blissfully happy after 9 years! Anyway, back to wrong first impressions. Such was the case with Beth Pride in Pride’s Prejudice by Misty Dawn Pulsipher, who after seeing a handsome man at a benefit auction soon realized he was in fact an arrogant and selfish idiot. Does her original assessment do William Darcy justice? First, some backstory:
At the Hartford College Children’s Benefit Auction, a chance to dance with Beth, along with other women in attendance, is auctioned off. Dejected after no one bids on her, her hopes are lifted when Darcy steps forward, only to be crushed shortly thereafter when he pays the bid and leaves her, telling her he only felt sorry for her. She then decides to never speak to this man again, but sadly her plans are foiled when her roommate Jenna begins to date Darcy’s best friend, Les. While they are again thrust into each other’s company, Beth continues to try and keep up her hatred of Darcy, but his looks and surprising banter make a serious attempt at breaking down that wall. She begins to rethink her original assessment of Darcy, but doesn’t want to fall for this handsome man a second time without seriously thinking it through. Will Beth’s pride (no pun intended) keep her from letting her true feelings out, or can she learn to trust this man who she up until recently has sworn off? Continue reading
From the desk of Lisa Galek:
Little girls grow up on fairy tales. From a young age we’re inundated with stories about handsome princes who ride in on their white horses and sweep heroines off their feet. Everyone wants that happy ending. But, what if Prince Charming came by and you missed him? In Once Upon a Second Chance, Marian Vere explores what happens to a heroine after she lets her happily-ever-after slip through her fingers.
Ever since she was a little girl, Julia Basham dreamed of finding the guy of her dreams. When she meets Nick Kerkley, a college dropout with big plans for starting his own tech business, she thinks he might be the one. After a whirlwind romance, Nick pops the question and Julia finally sees a happily-ever-after in her future. Her older sister, Lisa, is less thrilled. Lisa convinces Julia to break off their engagement, which also breaks Nick’s heart. The two part ways, but Julia convinces herself that it’s for the best.
Fast forward eight years. Julia’s dreams haven’t exactly come true. She works as a secretary for a financial consulting firm and still has yet to stumble across “the one.” Nick, on the other hand, is doing pretty well. The tech company he started has made him big money. 17.7 billion dollars to be exact. When Julia’s firm takes Nick on as a new client, she’s forced to come face to face with her biggest regret. Julia realizes that she let the love of her life get away all those years ago. Will she let it happen again? Or is it time for a second chance? Continue reading
From the desk of Kimberly Denny-Ryder:
Perhaps one of the most relatable parts of any book is heartbreak. Most of us have experienced it, and it leaves one with such sorrow and sadness that won’t soon be forgotten. Such is what makes the story between Anne and Frederick in Jane Austen’s Persuasion so riveting. When considering a modern retelling of this story, why not try and imagine it from a flipped perspective, with the man doing the heartbreaking and the woman being wooed. Such is the case with Rosemary Clement-Moore’s Passionate Persuasion, where we meet Alex and Kiara, an everyday couple who experience their own version of heartbreak and rekindled affections.
Alex and Kiara have a past not unlike many couples in today’s society. After having dated for a while in college, Alex unexpectedly and suddenly ended their relationship, and the two drift apart, losing contact after graduation. Nothing about this past is extraordinary, except for the fact that it all comes roaring back eight years later, after Kiara and Alex meet again at what Kiara thought was supposed to be a blind date at a bar. While trying to compose herself from the shock of seeing Alex after so much time has passed, Kiara has to try even harder to maintain her composure after she realizes Alex is coming on to her with no reservations. Will drudging up old emotions bring back the fire of their relationship, or is it destined to bring up the pain of their breakup all over again? Continue reading
From the desk of Laurel Ann Nattress:
In the second installment of The Austen Project, bestselling Scottish crime writer Val McDermid takes a stab at a contemporary reimagining of Jane Austen’s most under-appreciated novel, Northanger Abbey. Written in the late 1790’s when Austen was a fledgling writer, this Gothic parody about young heroine Catherine Morland’s first experiences in Bath society and her romance with the dishy hero Henry Tilney is one of my favorite Austen novels. Fresh and funny, the writing style is not as accomplished as her later works but no one can dismiss the quality of Austen’s witty dialogue nor her gentle joke at the melodramatic Gothic fiction so popular in her day. I was encouraged by the choice of McDermid as author and intrigued to see how she would transport the story into the 21st century.
Our modern heroine, sixteen-year-old Cat Morland, is a vicar’s daughter living a rather disappointing life in the Piddle Valley of Dorset. Her mother and father seldom argued and never fought, and her siblings were so average she despaired of ever discovering any dark family secrets to add excitement to her life. Homeschooled, she can’t comprehend history or French or algebra, but delights in reading to fuel her vivid imagination, favoring ghost stories, zombie and vampire tales. After years of exploring the narrow confines of her home turf she craves adventure abroad. Rich neighbors Susie and Andrew Allen come to her rescue by inviting her to travel with them and attend the Edinburgh Festival in Scotland where Cat “is in her element, seeing potential for terror and adventure around every twist and turn of the narrow streets.” Continue reading