Today marks the official opening of The Pride and Prejudice Bicentenary Challenge 2013, our year-long event honoring Jane Austen’s second published novel. *throws confetti* Please follow the link above to read all the details of this reading and viewing challenge. Sign up’s are open until July 1, 2013.
Considering the origins of this celebration how could I possibly not start with the inspiration of it all, Pride and Prejudice? It is really no burden considering that it is one of my favorite novels. No, I correct myself. It is my favorite novel, bar none.
I first read Pride and Prejudice over thirty years ago and have re-read it every year since. For years I worshiped in silence, but now thanks to the Internet I can sing its praises to the skies by openly admitting that it far surpasses any other novel of my acquaintance in wit, vivacity, and romance. As Kathleen Kelly states in the movie You’ve Got Mail, “I get lost in the language.” And so I do…every time.
I will tell you another secret. I own over fifty different editions of Pride and Prejudice! Hardcover, softcover, audio, illustrated, collectible, vintage, movies, mini-series, graphic novels, quote books, greeting cards, board games—you name it. I have a whole section in my library devoted to it—my shrine of homage. There. It’s now out in the open. I am truly a Pride and Prejudice addict.
One is humbled to review a book considered a classic of world literature. What could I possibly say about Pride and Prejudice that has not been scrutinized by scholars, exalted by enthusiasts, or bemoaned by students who have been forced to read it and just don’t get what all the fuss is about? Plenty—and that is one of its enduring charms. It is so many things to different people. After repeated readings I still laugh out loud at Austen’s dry wit, wily social commentary and satisfying love story. It often tops international polls as the “the most loved” or “favorite book” of all time; numerous stage and screen adaptations continue to remind us of its incredible draw to the modern audience; and its hero and heroine, Mr. Darcy and Elizabeth Bennet, may be the most famous romantic couple short of Romeo and Juliet. High praise, indeed, for a novel written almost two hundred years ago by a country clergyman’s daughter, home schooled by her father, and un-exalted in her lifetime.
Set in the early nineteenth-century country village of Longbourn in Hertfordshire, the story revolves around the Bennet family and their five unmarried daughters. They are the first family of consequence in the village. Unfortunately, the Bennet estate is entailed to a male heir, a cousin, Mr. William Collins. This is distressful to Mrs. Bennet who knows that she must find husbands for her daughters or they shall all be destitute if her husband should die. Mr. Bennet is not as concerned and spends his time in his library away from his wife’s idle chatter and social maneuvering. Elizabeth, the spirited and confident second daughter is determined to only to marry for love. She teases her beautiful and kind elder sister Jane that she must be the one to catch a wealthy husband to support them all. The three younger sisters: Mary, Catherine and Lydia, hinder their elder sisters chance for a good match by inappropriate and unguarded behavior.
When Mr. Bingley, a single man of large fortune, moves into the neighborhood with his fashionable sisters he attends the local assembly ball and is immediately taken with the angelic Jane Bennet. His friend Mr. Darcy is even richer with a great estate in Derbyshire, but he is proud and arrogant giving offense to all, including Elizabeth when he refuses to dance with her. She overhears him tell Bingley that she was only tolerable and not handsome enough to tempt him. This amuses and annoys her enough to repeat it to her friends and family. The whole community declares him the most disagreeable man, eaten up with pride.
And thus the famous love story begins. How Mr. Darcy’s pride will be humbled and Elizabeth’s prejudices dissolved is one of the greatest stories of all time. Austen’s astute characterizations and clever plotting never cease to amaze. Society has changed in two hundred years, but human nature—foibles and all—remain constant, much to our amusement and delight.
Naxos Audiobooks presents us with a professionally produced and finely crafted jewel in this audio recording of Pride and Prejudice. Narrated by British actress Emilia Fox, viewers of the 1995 Pride and Prejudice mini-series starring Colin Firth and Jennifer Ehle will remember her fine performance as shy Georgiana Darcy and be pleasantly surprised by her vocal range and emotional depth in characterization. I particularly appreciated her interpretation of Mrs. Bennet’s frazzled anxiety and Lady Catherine de Bourgh imperious resolve. Listeners will enjoy all thirteen hours of this unabridged recording honoring one of the greatest novels ever written and want to seek out the other six Austen novels that they have also recorded in audio format.
5 out of 5 Regency Stars
Pride and Prejudice, by Jane Austen, read by Emilia Fox
Naxos Audiobooks USA, (2005)
Unabridged, 11 CD’s (13 h 02 m)
ISBN: 978-9626343562
A GRAND GIVEAWAY
Enter a chance to win one CD or digital copy of Pride and Prejudice (Naxos Audiobooks) by leaving a comment by 11:59 pm, Wednesday, January 16, 2013 stating which character in the novel is your favorite, and which is NOT. The winner will be announced on Thursday, January 17, 2013. Shipment of CD to US addresses only please and digital download internationally. Good luck!
© 2013 Laurel Ann Nattress, Austenprose





Upcoming Event Posts
Did you know that Georgette Heyer is British author and literary critic Margaret Drabble’s favorite historical novelist? I know! High praise from an author who has written eighteen novels, introductions to all of Jane Austen’s major and minor works, been awarded a Doctorate in Letters from Cambridge University and the CBE and DBE by the Queen of England. Drabble is a living national treasure, as Heyer should have been if her novels had been taken more seriously during her life-time. However, she has always been highly esteemed by her faithful readers for close to ninety years and out of her thirty-eight Regency romance novels Venetia is one of the most beloved.
Enter a chance to win one copy of Venetia, audio CD or digital download by leaving a comment stating what intrigues you about reading a Georgette Heyer novel or who your favorite Georgette Heyer hero is and what actor you would like to see in the movie role by midnight PT, Monday, April 12th, 2010. The winner will be announced on Tuesday, April 13th, 2010. Digital download internationally, CD shipment to continental US addresses. Good luck!
“One abandoned and the other uncompleted.” The Watsons and Sanditon may be fragments in Jane Austen’s literary canon, but they still deserve due deference. Composed over a decade apart in 1803-4 and 1817, each represents Austen’s desire to continue writing during two challenging times in her life. The Watsons was started when Jane was living in Bath with her parents and sister Cassandra. Raised at Steventon rectory in Hampshire, her father Rev. George Austen’s retirement from the clergy in 1801 prompted a relocation of his family to the resort town known for its healing waters and social activity. There she and her sister found a wider social circle, Assembly Balls, and other diversions but dearly missed the pleasures of the country, her large family and circle of friends that she was forced to leave behind. Her few remaining family letters during this period reflect her unhappy situation. Austen began Sanditon in 1817 during a brief remission in an illness that would ultimately take her life seven months later. Although gravely ill, the tone and freshness of the novel is comical and upbeat and reveals an evolution in style that displays her genius as a writer and an innovator of the British novel. We may never know why Jane Austen put The Watsons aside and did not return to it as she did with her other manuscripts. Moreover, her untimely death at age 41 parallels Sanditon’s abrupt halt after 12 chapters. They both fail to reach their full potential and it is our great loss and literature’s sad regret.
Persuasion, Jane Austen’s last completed novel was written between 1815 and 1816, with final chapter revisions in August of that year. Published posthumously in late 1817 with her earlier work Northanger Abbey, each of the novels represents the alpha and omega of her writing career. Even though they are divergent in tone and topic, they each share a commonality in being partially set in Bath and display Austen’s trademark play on social strata, money and courtship. Austen finished the manuscript of Persuasion in declining health which may account for its slim size in comparison to her heftier previous efforts Mansfield Park (1814) and Emma (1816). Or, quite possibly it is exactly the length that she preferred for her story, allowing for a simpler plot and focus on fewer characters. Its size in no way diminishes it value. Some scholars consider it her finest achievement and readers have long cherished it for its jab at social mobility and moving love story.
Northanger Abbey is the exuberant lesser known child of Jane Austen’s oeuvre. Even though it was her first novel to be completed and sold in 1803, much to Austen’s bemusement it was never published and languished with Crosby & Co for thirteen years until she bought it back for the ten pounds that the publisher had originally paid. It was finally published posthumously together with Persuasion in late 1817. If its precarious publishing history suggests it lacks merit, I remind readers that in the early 1800’s many viewed novels as lowbrow fare and unworthy of serious consideration. In “defence of the novel” Austen offered Northanger Abbey as both a parody of overly sensational Gothic fiction so popular in the late eighteenth-century and a testament against those opposed to novel reading. Ironically, Austen pokes fun at the critics who psha novel writing by cleverly writing a novel defending novel writing. Phew! In a more expanded view it is so much more than I should attempt to describe in this limited space but will reveal that it can be read on many different levels of enjoyment for its charming coming of age story, astute social observation, allusions to Gothic novels and literature, beautiful language and satisfying love story. I always enjoy reading it for the shear joy of its naïve young heroine Catherine Morland, charmingly witty hero Henry Tilney and the comedy and social satire of the supporting characters.
Emma, Jane Austen’s fourth novel was published in 1815 and dedicated to the Prince Regent, later King George IV. Austen privately abhorred the Regent for the treatment of his wife Princess Caroline and his dissipated lifestyle. In 1813 she wrote to her friend Martha Lloyd, “I suppose all the World is sitting in Judgement upon the Princess of Wales’s Letter. Poor woman, I shall support her as long as I can, because she is a Woman, & because I hate her Husband.” She did however recognize the value of his name and agreed to the dedication. Upon publication Emma also had its own share of critics. What impressed early readers was not that it lacked energy and style, but that its story was dull and uneventful. Even Austen’s famous publisher John Murray thought it lacked “incident and romance” and Maria Edgeworth, a contemporary author so greatly admired by Austen that she sent her one of the twelve presentation copies allotted by her publisher, could not read past the first volume and thought “there was no story in it.” Ironically, what these two prominent and well read individuals attributed as a weakness is actually Emma’s greatest strength.
To prime myself for
Jane Austen’s epistolary novel Lady Susan has never received much attention in comparison to her other six major novels. It is a short piece, only 70 pages in my edition of The Oxford Illustrated Jane Austen: Minor Works containing forty-one letters and a conclusion. Scholars estimate that it was written between 1793-4 when the young author was in her late teens and represents her first attempts to write in the epistolary format popular with many authors at that time. In 1805, she transcribed a fair copy of the manuscript but did not pursue publication in her lifetime. The manuscript would remain unpublished until 54 years after her death with its inclusion in the appendix of her nephew James Edward Austen-Leigh’s biography of his aunt, A Memoir of Jane Austen in 1871.
Upcoming event posts
Today, August 16th is author Georgette Heyer’s birthday. In celebration of the uncontested Queen of Regency Romance, I thought it quite fitting to read one of her novels this week and review it. However, what I ultimately selected was not based on a plot, or characters, or a recommendation by other Heyer aficionados such as Vic (Ms Place) at Jane Austen’s World, but by pure fangirl fervor. Yes, gentle readers, I do freely admit to succumbing to the charms of a handsome face and sexy voice as quickly as the next fawning female in selecting a Heyer audio book recording of Sylvester solely based on its reader, Richard Armitage.
attempt to fix the match solely based on the fact that her daughter, Phoebe’s mother, and his mother were best friends. Meanwhile, word reaches Phoebe’s spiteful stepmother that the Duke of Salford will shortly make an offer for her hand and commands her to accept. Horrified, Phoebe is also put off by the reasons for the alliance and her memory of the cold, proud Duke of Salford from her London season. When they are formally introduced she is shy and dull, and he is unimpressed. In a panic, Phoebe runs away to London, and the sanctuary of Lady Ingham, escorted by her childhood friend Tom Orde. A carriage accident interrupts their journey happened upon by Sylvester who thinks he has discovered a runaway marriage in progress. When a snow storm traps them all together at the local Inn, Sylvester begins to see that Phoebe is actually quite intelligent and interesting, and not at all the young woman of his first impression. Gallantly, he removes any concerns that she may be harboring on his proposing marriage to her. She in turn, is gratefully relieved sharing that nothing could possibly induce her to marry him!
Richard Armitage’s reading of this Heyer classic was a delight. My only disappoint, and he is certainly not at fault, is in the abridgement of this novel. Not only does the reader deserve all of Georgette Heyer’s witty dialogue and opulent descriptions of Regency finery, furnishing, and social machinations, but every sumptuous and simmeringly seductive word uttered by Richard Armitage possible. Like the narrator who so wisely advised us in Mansfield Park, “Nobody minds having what is too good for them.” 
THE AUDIO









