‘Pride and Prejudice without Zombies’ Event Swag Winners Announced

Many thanks to all who participated in the ‘Pride and Prejudice without Zombies’ event. Your insightful comments on the group read gave me new understanding of a book I have read every year since I was nineteen. *ahem* Now, without any further ado, here are the winners drawn at random from comments on each post and the grand prize winner from the entire pool.

Day 01      June 15      P&P Penguin Classics – Fatima

Day 02      June 16      P&P B&N Classic – Meredith

Day 04      June 19      P&P Harper Collins – Janeen

Day 05       June 20      P&P Naxos Audiobook – Stilettostorytime

Day 07       June 23      P&P Insight – Jennrenee

Day 09       June 26      P&P Norton Critical – Nerida

Day 11       June 30      P&P Oxford Worlds Classics – Melissa Lynn

Day 13       July 03       P&P Longman’s Cultural Ed – Vic

Day 15       July 07       P&P Modern Library – Kristin

Day 17       July 10        P&P Penguin Classics Deluxe – Miss Sneyd

Day 20       July 14        P&P Dover Classics – Alexa Adams

And the grand prize winner of the Naxos Audiobooks Jane Austen: The Complete Novels is … Betty Ellis (lucky duck)

Winners – Your prompt reply is greatly appreciated. You have one week to claim your prize! Please e-mail me with your full name, address and which prize your won to (austenprose at verizon dot net) before Sunday, August 1, 2010. If I do not receive a response by a winner by that date, I will draw another name and contact another winner until all of the prizes have a home to mail them to. Digital audio books sent internationally. Shipment is via USP media mail to US addresses only. Thanks again to everyone for your great contributions. Congrats to the winners, and enjoy!

‘Pride and Prejudice without Zombies': Elizabeth & Darcy: The Iconic Romantic Couple

Gentle Readers: in celebration of the ‘Pride and Prejudice without Zombies’ event over the next month, I have asked several of my fellow Jane Austen bloggers to share their knowledge and interest in Austen’s most popular novel. Today, please welcome guest blogger Jane Odiwe from Jane Austen Sequels blog and author of Lydia Bennet’s Story and Willoughby’s Return who shares with us her extensive knowledge of Austen’s memorable characterizations of her hero and heroine, Mr. Darcy and Elizabeth Bennet. Watch for Jane’s new Pride and Prejudice sequel Mr. Darcy’s Secret* to be released in February 2011 by Sourcebooks.

Thank you Laurel Ann for asking me to guest blog today!

Elizabeth Bennet and Fitzwilliam Darcy are perhaps Jane Austen’s most beloved characters. Pride and Prejudice was written more than two hundred years ago, yet these characters remain as fresh and irresistibly fascinating to us as they were for the first generations that read their tale, and remain the standard by which all other characters in a love story are judged.

So, why do we love them so much? Jane Austen tells their story through Elizabeth’s eyes so it’s easy to identify with this heroine who is lively, witty, and loveable as much for her faults as for her charms. We identify with her because we feel she is like us. She is capable of making mistakes, but having realised her errors, she changes and grows as a result. We see her character develop as the story enfolds.

The first time we really meet Elizabeth it is at the Meryton Assembly where the proud Mr Darcy is also in attendance with his affable friend Mr Bingley. There is a lack of gentlemen at the ball, and Lizzy has to sit out for two dances. Mr Darcy is seen to be behaving in a particularly disagreeable manner. He only dances with Mr Bingley’s sisters and ignores everyone else in the room. Everyone has heard that he is a rich landowner, but his wealth and power coupled with his anti-social manners only serve to make him appear arrogant. He doesn’t seem to care that his words may be overheard or that his speech is insulting. In fact, he is almost goading Elizabeth whom he has heard described as a pretty girl. He actually makes sure that Lizzy is looking at him before he speaks. It’s almost as if he wants her to hear, and make her aware that he can attract, and have any woman in the room.

“She is tolerable; but not handsome enough to tempt me; and I am in no humour at present to give consequence to young ladies who are slighted by other men.”

It’s a real put down, and as an unsurprising consequence, she dislikes him instantly!

Continue reading at Jane Austen Sequels

Further reading

Upcoming event posts

Day 22   July 24   Swag winners announced

*Mr. Darcy’s Secret, by Jane Odiwe: After capturing the heart of one of the richest man in England, Elizabeth Darcy believes her happiness is complete until mysterious affairs involving Mr Darcy’s past, and concerns over his sister Georgiana’s own troubled path to happiness present Elizabeth with fresh challenges to test her integrity, honour, and sweet nature as she fights her old fears and feelings of pride and prejudice. However, nothing can daunt our sparkling and witty heroine or dim her sense of fun as Elizabeth and the powerful, compelling figure of Mr Darcy take centre stage in this romantic tale set against the dramatic backdrops of Regency Derbyshire and the Lakes amongst the characters we love so well. (beautiful watercolor illustration of Darcy and Lizzy above is by ©Jane Odiwe as well!)

Pride and Prejudice: Group Read – Chapters 57-61: Summary, Musing & Discussion: Day 20 Giveaway

“But, Lizzy, you look as if you did not enjoy it. You are not going to be missish, I hope, and pretend to be affronted at an idle report. For what do we live, but to make sport for our neighbours, and laugh at them in our turn?” Mr. Bennet, Chapter 57

Quick synopsis

Elizabeth reflects upon the meaning of Lady Catherine’s visit. A letter arrives from Mr. Collins strongly warning Elizabeth not to enter into an unsanctioned engagement with Lady Catherine’s nephew. Mr. Bennet thinks it highly amusing and absurd that Mr. Darcy is interested in his daughter. Darcy returns and renews his affections. Elizabeth accepts his present assurances with gratitude and pleasure. Darcy admits his pride and Elizabeth humbled him into changing. She tells Jane who is incredulous and thinks she is joking. She tells her father and he is incredulous. The couple confess all to each other. Lizzy teases that he liked her because she was impertinent. Lady Catherine’s actions had removed any of his doubts and gave him hope. Elizabeth writes and informs Mrs. Gardiner. Happy is the day that Mrs. Bennet got rid of two of her daughters.

Musings

It was a rational scheme, to be sure! but from what the report of their engagement could originate, Elizabeth was at a loss to imagine; till she recollected that his being the intimate friend of Bingley, and her being the sister of Jane, was enough, at a time when the expectation of one wedding made everybody eager for another, to supply the idea. That Narrator, Chapter 57

Lady Catherine departs in a cloud of anger after her battle of words with Elizabeth leaving the victor wondering how she had been informed of Mr. Darcy being on the brink of proposing. Being very inquisitive, Elizabeth runs through all the options and decides it is her sister Jane leaking info to her fiancé Mr. Bingley. I think Austen is being so true to human nature through her heroine. After a big blow up, most women need to deconstruct to understand feelings and rationalize  facts. Whom among us has not done the exact thing with their girlfriends? Elizabeth, being the “conceited independent” discusses it with herself like a sleuth sorting out the facts and suspects. When Mr. Collins’ letter arrives warning Mr. Bennet against his daughter entering into an engagement with Lady Catherine’s nephew, the Lucas’ are fingered. Elizabeth will not know the truth until the man himself informs her, and of course Austen supplies a nice ironic twist to it that which I will mention a bit later. Mr. Bennet’s reaction to Mr. Collins’ is classic. He finds only the amusement in it and cannot fathom any truth to the rumor. “Had they fixed on any other man, it would have been nothing; but his perfect indifference, and your pointed dislike, make it so delightfully absurd!” His reaction is just. Elizabeth has not shown or shared with her family her preference for him, only her previous dislike. Elizabeth’s reply softens his resistance to her entering into a match without love. She does love him and that is enough for her father to give his consent.

“You are too generous to trifle with me. If your feelings are still what they were last April, tell me so at once. My affections and wishes are unchanged; but one word from you will silence me on this subject for ever.” Mr. Darcy, Chapter 58

Upon his return to Hertfordshire, Darcy soon informs her of his feelings with one of Austen’s most memorable lines (for me). At this moment, both of their lives hang in the balance. We are on pins and needles even though we know the outcome. He has put himself at her mercy. Her decision will decide their fate. He has applied himself in an open and nonthreatening way. All of his pride and arrogance has subsided. What a different man this is before her. Her reaction in the face of an important life decision is quite different than the first time around and in alignment with his tone and openness.

Elizabeth, feeling all the more than common awkwardness and anxiety of his situation, now forced herself to speak; and immediately, though not very fluently, gave him to understand that her sentiments had undergone so material a change since the period to which he alluded, as to make her receive with gratitude and pleasure his present assurances. The happiness which this reply produced was such as he had probably never felt before, and he expressed himself on the occasion as sensibly and as warmly as a man violently in love can be supposed to do. The Narrator, Chapter 58

As with most life altering events, one is numb and unable to speak. “They walked on, without knowing in what direction.” Ha!

Done. Huzzah! Love prevails and we only have the lover’s tête à tête to tie things up neatly. They both make important confessions; Darcy more so. Elizabeth wants him to forget the past, especially the circumstances that prompted him to write the “Be not alarmed, madam” letter.

“But think no more of the letter. The feelings of the person who wrote and the person who received it are now so widely different from what they were then, that every unpleasant circumstance attending it, ought to be forgotten. You must learn some of my philosophy. Think only of the past as its remembrance gives you pleasure.” Elizabeth Bennet, Chapter 58

As if Darcy confessing his love and previous faults was not enough, Austen really pushes the contrition and absolution thing farther than we could ever expect from any man. This next line may be the reason why Mr. Darcy is the romantic icon of the ages.

“Such I was, from eight to eight-and-twenty; and such I might still have been but for you, dearest, loveliest Elizabeth! What do I not owe you! You taught me a lesson, hard indeed at first, but most advantageous. By you I was properly humbled. I came to you without a doubt of my reception. You shewed me how insufficient were all my pretensions to please a woman worthy of being pleased.” Mr. Darcy, Chapter 58

Swoon. This, I believe, is so appealing to women because what man ‘DO’ we know who would confess his love, bare his soul, and tell you that you have made him a better man? I haven’t met one yet. Do they exist? It seems too much to expect of any one person. Men don’t think that way, at least in my experience. You know – the Venus and Mars thing. I believe that Mr. Darcy is so appealing because he does admit his faults and change for the sake of the love of a woman. He may have been Austen’s fantasy, but she sent him out into the world and he is now everyone’s ideal.

“You are joking, Lizzy. This cannot be! — engaged to Mr. Darcy! — No, no, you shall not deceive me. I know it to be impossible.” Jane Bennet, Chapter 59

Elizabeth shares her news with Jane, her dearest friend who knows her best in the world, and she thinks she is joking with her. “And do you really love him quite well enough? Oh, Lizzy! do anything rather than marry without affection.” (Shades of Jane Austen advising her niece Fanny Austen Knight on her own love and romance in the future.) And in proper Austen style of following a character revelation, she supplies us with a joke.

“It has been coming on so gradually, that I hardly know when it began. But I believe I must date it from my first seeing his beautiful grounds at Pemberley.” Elizabeth Bennet, Chapter 59

Much has been discussed about this line. Was Elizabeth mercenary or so moved by seeing how un-prideful and un-ostentatious Pemberley was that she fell in love with its owner? This is a toss-up for me. I am inclined to say both, leaning on the later. When she arrived at Pemberley her feeling for him had softened since their last tumultuous first proposal scene and his subsequent letter. Seeing his home and listening to his servants praise him changes her even more. When he arrived and his civility matched his surroundings, she was amazed. So yes, she was swayed by seeing his beautiful grounds at Pemberley, but not entirely for financial reasons. Now she must convince her sister who she has shared almost all of her secrets with that she does love him.

And, then the same incredulous reaction from her father!

“Lizzy,” said he, “what are you doing? Are you out of your senses, to be accepting this man? Have not you always hated him?” Mr. Bennet

“I do, I do like him,” she replied, with tears in her eyes; “I love him. Indeed he has no improper pride. He is perfectly amiable. You do not know what he really is; then pray do not pain me by speaking of him in such terms.” Elizabeth Bennet, Chapter 59

He offers his consent, with this poignant caveat. “My child, let me not have the grief of seeing you unable to respect your partner in life. You know not what you are about.” One wonders at this line the full extent of the back story of why Mr. and Mrs. Bennet married. We are never told, but if Lydia’s personality and impulsiveness are similar to her mother’s, one can project the outcome.

Ok, so chapter 60 does seem like overkill to me, but I still read it and weep. Best line for me.

“I cannot fix on the hour, or the spot, or the look, or the words, which laid the foundation. It is too long ago. I was in the middle before I knew that I had begun.” Mr. Darcy, Chapter 60

And the mystery of how Lady Catherine was informed of her nephew’s serious interest and possible proposal to Elizabeth are revealed by a primary source, Mr. Darcy himself. The irony of it is that if Lady Catherine had not been officious and superior, they may not of had the means of re-uniting. So, her trip to visit Elizabeth and exact her promise not to marry her nephew had the exact opposite effect of her initial motive. Another Austen reproof checked off the list.

“Lady Catherine’s unjustifiable endeavours to separate us were the means of removing all my doubts.” Mr. Darcy, Chapter 60

Elizabeth writes to her aunt Gardiner to tell her the news of their engagement. She is such a tease she cannot just flatly state the facts. Ha!

“But now suppose as much as you (Mrs. Gardiner) chuse; give a loose to your fancy, indulge your imagination in every possible flight which the subject will afford, and unless you believe me actually married, you cannot greatly err. You must write again very soon, and praise him a great deal more than you did in your last.” Elizabeth Bennet, Chapter 60

And we come to the final denouement where Austen wraps up all the loose ribbons with bits of irony and amusement. The novel opened with Mrs. Bennet fretting over her five unmarried daughters and by the last chapter she has seen three of them married. The business of her life is almost complete.

Happy for all her maternal feelings was the day on which Mrs. Bennet got rid of her two most deserving daughters. The Narrator, Chapter 61

Austen adds a closing passage for most of the minor characters. Georgiana is happy with her new sister, Kitty’s situation and deportment improves with the influence of her two elder sisters social standings and connections, Lydia and Wickham out spend their income and his “affection for her soon sunk into indifference: her’s lasted a little longer; and in spite of her youth and her manners, she retained all the claims to reputation which her marriage had given her.” I have often wondered if Austen was slyly implying that Lydia would cuckold him. ;-)

Ah, and Miss Bingley. She cannot be forgotten and is given her reprove as well.

Miss Bingley was very deeply mortified by Darcy’s marriage; but as she thought it advisable to retain the right of visiting at Pemberley, she dropt all her resentment; was fonder than ever of Georgiana, almost as attentive to Darcy as heretofore, and paid off every arrear of civility to Elizabeth. The Narrator, Chapter 61

And ending on a happy note of gratitude and regard “towards the persons (Mr. and Mrs. Gardiner)who, by bringing her into Derbyshire, had been the means of uniting them” Elizabeth and Darcy ride off into the sunset. (in a barouche-landau of course)

Finis

‘Pride and Prejudice without Zombies’: Day 20  Giveaway

Enter a chance to win one copy of the Dover Classics  edition of Pride and Prejudice, by Jane Austen by leaving a comment stating if you think chapter 60 is overkill gushing or which your favorite quote is from the novel by midnight, Saturday, July 24th, 2010. Winner will be announced on Sunday, July 25th. Shipment to continental US addresses only. Good luck!

Upcoming event posts

Day 21   July 16   Mr. Darcy & Elizabeth Bennet
Day 22   July 24   Swag winners announced

‘Pride and Prejudice without Zombies’: Jane Austen and Music

Gentle Readers: in celebration of the ‘Pride and Prejudice without Zombies’ event over the next month, I have asked several of my fellow Jane Austen bloggers to share their knowledge and interest in Austen’s most popular novel. Today, please welcome guest blogger Vic from Jane Austen’s World who shares with us her extensive knowledge of Regency culture and history in four posts during the event. Her fourth contribution is on music during Jane Austen’s era, how it influenced her life, and her writing.

“Yes, yes, we will have a pianoforte, as good a one as can be got for 30 guineas, and I will practice country dances, that we may have some amusement for our nephews and nieces, when we have the pleasure of their company.” – Jane Austen to Cassandra, 1808

Like many ladies of her era, Jane Austen was an accomplished musician. And so were her characters. In Pride and Prejudice, Mary Bennet, Elizabeth Bennet, the Bingley sisters and Georgiana Darcy could all play instruments with skill. Lady Catherine de Bourgh would have been a proficient, as would her daughter Anne, had she learned and practiced. Before the age of electricity and cable the world was largely silent musically speaking, save for the music played by family members, local musicians, or more famous musicians who were paid to play for the rich.

Musicians wandered the land, and London streets offered a pandemonium of sounds, much of it derived from musical instruments. The only music available in the home was that which amateur or professional performers could produce on the spot, so that the ability to play music well was crucial for all walks of life. From childhood on, young ladies were expected to play a musical instrument and study with music masters. Gentlemen sang as well and formed impromptu amateur groups that entertained in taverns and men’s clubs.

Continue reading at Jane Austen’s World

Further reading

Upcoming event posts

Day 20   July 14   Group Read: Chapters 57 – 61
Day 21   July 16   Mr. Darcy & Elizabeth Bennet
Day 22   July 24   Swag winners announced

Which edition of Pride and Prejudice should you read?

“How pleasant it is to spend an evening in this way! I declare after all there is no enjoyment like reading! How much sooner one tires of anything than of a book! When I have a house of my own, I shall be miserable if I have not an excellent library.” Caroline Bingley, Pride and Prejudice, Chapter 11

There are hundreds of Pride and Prejudice editions currently in print. Which ones do I like, and why? Here is a list of my ten favorite award winners (if I was giving out awards).

Best “prettyish kind of wilderness” cover

Pride and Prejudice (White’s Fine Edition), cover design by Kazuko Nomoto. Let’s start with the vanity editions because we all know that “vanity is a weakness indeed. But pride — where there is a real superiority of mind, pride will be always under good regulation.” Thank you very much Mr. Darcy for giving me permission to buy yet another edition of Pride and Prejudice for my library solely based on pride in my library. This lovely new edition of P&P has a striking cover design by Kazuko Nomoto of Regency-era slippers, Hessian boots, frocks and breeches that wraps around to the back; Decorative end papers; Colored page tops; Marker ribbon; Elegant type face; An authorative text (without attribution) and Thick, acid-free paper. Elegant and stylish, the couples are facing each other and I assume dancing, but since we do not see above their waists, they could be kissing! Naaagh. It is truly an edition to “exhibit” on your coffee or bedside table and not one to just read; its hefty 1 pound 9 ouches alone being the main deterrent. White’s Books (2009), hardcover, unabridged text (376) pages, ISBN: 978-0955881862

Best not your “common garden variety” cover

Pride and Prejudice (Penguin Classics Deluxe Edition), cover design by Reuben Toledo. Even though the silhouettes might look like stick insect runway models strutting to the black and white ball at Netherfield, I recognize them as our favorite literary duo appropriately walking away from each other after Darcy steps on her dress! I just imagine that Darcy has just given Lizzy the “be not alarmed Madame letter” and it all works for me. Get hip Janeites. We can now all be Austen fashionistas and exhibit our superior designer taste on our bedside tables. Now, (pray forgive) if our husbands, boyfriends, significant others or friends were ever in doubt of our obsession, this will certainly seal the deal. In defense, you can remind them that this new edition with the haute couture cover contains Penguin Classics definitive text and a brief biography of Jane Austen that Paris Hilton won’t read, but she might deem useful as a door stop. Read my full review of this edition here. Penguin Group (2009), trade paperback, unabridged text (339) pages, ISBN: 978-0143105428

Best “classic commentary” by dead authors

Pride and Prejudice (The Modern Library Classics Edition), introduction by Anna Quindlen. Supplemental material: Commentary by noted authors; Notes on the text; Brief biography of the author and a reading group guide. This compact and lightweight edition’s highlights (besides the obvious text) are the essays by authors Margaret Oliphant, George Saintsbury, Mark Twain, A. C. Bradley, Walter A. Raleigh and Virginia Woolf. Great for a student or veteran who needs to stash an extra copy in their car boot or desk drawer at work just in case you get in a debate and need a quick reference to quote passages illustrating why Mr. Darcy is proud and not shy. Random House (2000), trade paperback, unabridged text (304) pages, ISBN: 978-0679783268

Best “copycat” edition

Pride and Prejudice (Dover Classics Edition), preface by George Saintsbury, illustrated by Hugh Thomson. This beautiful replica of the ‘peacock edition’ of Pride and Prejudice is the next best thing to the ‘real thing’ since original copies of this highly collectible 1894 edition now command a handsome sum. Hugh Thomson’s illustrations tempered for the Victorian-era book market are a bit saccharine for me, but still beautiful. The preface by leading historian and literary critic of the day George Saintsbury is amusing. Even in 1894 Jane Austen had her fanboys. “In the novels of the last hundred years there are vast numbers of young ladies with whom it might be a pleasure to fall in love, – but to live with and marry, I do not know that any of them can come into competition with Elizabeth Bennet.” Dover Publication (2005), unabridged hardcover, text (476) pages, ISBN: 978-0486440910

Best “Twilighted” marketing ploy

Pride and Prejudice (Harper Teen Edition), no introduction. Supplemental material: No forward, no notes or appendixes in sight, but cool (for teens) selection of P&P Extras: The Jane Austen – Twilight Zone, by Shirley Kinney and Wallace Kinney; Which Pride and Prejudice Girl are You? Quiz; 10 Things You Didn’t Know About Jane Austen; What if Elizabeth and Mr. Darcy Lived Now and Were on Facebook?; and a short biography of the author thrown in for good measure. I will side with Mr. Collins in his evaluation of young ladies book taste in that “I have often observed how little young ladies are interested by books of a serious stamp, though written solely for their benefit. It amazes me, I confess; for, certainly, there can be nothing so advantageous to them as instruction.” The lack of supplemental information that might have “explained” the hard bits to young or neophyte readers would in this case, have been an advantage. Otherwise, the cover is a nice rip-off of the Twilight black background and inanimate objects representing the Twilight characters and wholly unconnected to Miss Austen’s. Harper Teen, trade paperback, unabridged text (472) pages, ISBN: 978-0061964367

Best “anecdotes and asides” for young readers with a Christian slant

Pride and Prejudice (Insight Edition), foreword by Nancy Moser. Supplemental material: Questions for conversation and a short biography of the author. The editors attempt to disarm reproof right out of the gate by stating that no “Regency historian, Austen scholar or doctoral literary critic” was harmed in the making of this edition. Well not quite. But that is my pithy (or not) take. The tidbits and factoids listed in the margins are from Austen fans and admirers from the Bethany House staff (one presumes since no individuals are credited) and they “highlight, inform and entertain” by tagging passages or words with symbols for: Historical and cultural details and definitions from England in the early 1800’s; Facts and tidbits from Austen’s life that parallel or illuminate the novel; References to Pride and Prejudice in today’s culture, particularly in films; Tips for love and romance; Themes of faith drawn from Austen’s life and Pride and Prejudice; Comments and asides on the book’s characters and plot and parts of the novel that just make us smile. They are very user friendly and not scholarly pedantic or religiously didactic. So sorry Mary Bennet and Mr. Collins, but you must look elsewhere for the advantages of instruction along the Fordyce’s Sermon’s vein. Great for a new readers, or fans that just want to squee along. Bethany House Publishers, trade paperback, unabridged text (360) pages, ISBN: 978-0764203886

Best “midlin” supplemental material

Pride and Prejudice (Oxford World’s Classic), introduction by Fiona Stafford. The supplemental material includes: Notes on text; Select bibliography; Chronology of Jane Austen; Explanatory notes on text; Appendix A Rank and social status; Appendix B Dancing and Textural notes. One of my favorite compact working editions of P&P, the supplemental material is excellent (except for the eh introduction) and the definitive text and notes are very “instructive”. Great for students who want a bit more explanation with notes that are presented in the back of the book highlighting historical, cultural and personal references to Austen and her family throughout the text. Pleasure readers will appreciate the compact size and beautiful design. Read my full review of this edition here. Oxford University Press (2008), trade paperback, unabridged text (333) pages, ISBN: 978-0199535569

Best “kick ass” introduction

Pride and Prejudice (Penguin Classics Edition), introduction by Vivien Jones. Supplemental material includes: Brief author biography; Reinstated original Tony Tanner introduction; Chronology of Jane Austen; Further reading and General notes on the text. It is not often that when a new edition of a classic novel is re-issued that it also includes an introduction from a previous edition from thirty years ago. Tony Tanner’s 1972 introduction is considered one of the best ever written and so popular that it was also included as an appendix in this edition. This volume is very similar in size of supplemental material to the OUP edition mentioned above. In quality and purpose, they are neck and neck, with OUP having slightly more info and this edition the better introduction. Either one is an excellent choice for students and pleasure readers. Penguin Books (2005), trade paperback, unabridged text (435) pages, ISBN: 978-0141439518

Best “friendly” edition

The Annotated Pride and Prejudice (Anchor Books), introduction and annotation by David M. Shapard. Supplemental material includes: Note on the text of the novel; Chronology of the novel; Bibliography and Maps. The most extensively noted edition that I have read, it is packed full of every cultural, historical and aside on Jane Austen and her family’s that one could wish for. The book is easily navigated with the text on the left hand page and the annotation on the right. This makes for a hefty volume of 739 pages of pure text and facts culled from innumerable resources. I like having so much information at hand in one volume. First time readers, student and veterans love this edition. So do I. Random House (2007), trade paperback, unabridged text (739) pages, ISBN: 978-0307278104

Best “powerhouse” edition

Pride and Prejudice (Longman Cultural Edition), edited and introduced by Claudia L. Johnson and Susan J. Wolfson. In addition to a biography, chronology, maps and a bibliography, this densely supplemented edition with a full text has numerous essays and selected excerpts of Austen’s contemporaries. This is definitely a labor of love by two eminent Princeton professors who present Jane Austen’s famous novel in several provocative and illuminating contexts – cultural, critical and literary. Suitable for AP high school & college students and serious Austen enthusiasts.  It is an impressive Austen achievement and a solid chunk of Pride and Prejudiceism, but the average pleasure reader could read this till the cows come home and not understand it all. Pearson Education (2003) trade paperback, unabridged text (459) pages, ISBN: 978-0321105073

Happy reading,

Laurel Ann